Pentre Fest Summer Session 2019
Review by Beth Jones
Is there anything better on a summer’s day than having a good time with friends, with good music and cheap beer? The answer to that question is of course ‘No’ and this year’s Pentre Fest Summer Session was one such summer’s day that we have had the pleasure of enjoying so far this year! The weather this year looked questionable, but thankfully by the time everything kicked off, the sun had decided to get its arse into gear and put in an appearance!
The lineup was a great mix of styles from classic heavy metal to groove death metal and everything in between, and it also saw the return of the now infamous Edd Case and his acoustic stage, which is just the best way to chill out between bands ever. This takes place out on the veranda (!!) and this year saw Edd kicking off proceedings there, and then going inside to do an opening slot on ‘the big stage’, which he was uber happy about!!
What can I say about Edd that hasn’t already been said?! If you don’t know him, or haven’t seen him perform, then you really do need to check him out. He is so much fun, and he never fails to put you in a good mood. This is a man who has come close to death and now has a newfound love of life, and it is infectious. He finished his ‘big stage’ set with a song he penned himself, called ‘Letters Back Home’, which personally I think is lyrically one of the most emotive songs I have ever heard. I have seen him perform it a number of times now, and I can’t watch it without getting the mother of all lumps in my throat. Every god damn time! You have no idea how much will power it takes me not to turn into a blubbering mess!
Again, we have seen these guys on a good number of occasions, the most recent being the Bloodstock M2TM Semi Final. This was a very different performance to their last few however, and they seemed a lot more relaxed, which came through in their performance. Lead singer / Guitarist Oliver Carins came out of his shell a bit more and really looked like he was enjoying the performance – something which I haven’t always seen in the past. Drummer Phil Eakins was solid as ever on the beats, and his voice came through really well thanks to the impeccable sound, which once again the sound man has to be applauded for.
After their shock exit at the semi-finals of Bloodstock M2TM, it was great to see these guys back to their culinary best! Their madcap meld of food and thrash is always a welcome teatime treat in my book, and they again pulled off a brilliant performance here, with some new songs as well as the classics, finishing up with the temporarily named ‘Chocolate Romance’, as they hadn’t been able to get their hands on a Red Velvet cake for front man Rob Sutton to smash into his face at the end! They played a super tight set and had a great laugh. It was also amusing to see the ever-lovely Nick Gregory of Radio Deeside being turned into a human hoopla peg, with giant inflatable donuts!
These guys are really starting to find themselves properly now. They have a great new logo and a real identity as a band now, and that is showing through in their madcap, post-apocalyptic punk thrash performances that continue to amuse and delight us! This performance was no exception, and yet again they looked like they were having immense fun, with Michael Randall bouncing about like Tigger on speed (I swear he is trying to get a sponsorship deal from Duracell), and the immense power of Dan Ashley’s guitar and Ben Codd’s drums making sure that everyone knew that it was Mad Spanner time! I love these guys because they are just totally nuts and don’t take themselves too seriously, and this is what performing should be all about. Manowar could learn some useful life lessons from Mad Spanner!
We saw Midnight Prophecy last Christmas at the Twisted Illusion Christmas Gig in Manchester, and were completely blown away by them, so we were super chuffed that we would get the chance to see them again on our doorstep! They didn’t disappoint. Their performance was exquisite. They are old school classic British Heavy Metal. They are melodic and impeccable and exciting and enticing, and I love it. Lead singer Craig Cairns has such an amazing voice and reminds me very much of a young Bruce Dickinson, and the rest of the band provide enough energy and noodling skills to competently cement their sound together into something very, very exciting. I thoroughly recommend them to everyone. One of the Pentre regulars, who had never seen them before, said to me that they were probably the best band he had ever seen there, and I have to say that I totally agree.
I watched the soundcheck for these guys and it made me chuckle in amazement because Donna Hurd’s powerhouse vocals literally made my eardrums bleed, and then they stopped and a tiny little voice said, ‘Yeah that sounds good’, and it blew my mind! How the hell she does that roar I do not know but flipping heck it is powerful!! They are a North West based Groove Death Metal four-piece and for this performance they had a stand in bass player, but you wouldn’t have known – they were super tight and super heavy, and Donna absolutely owned the stage. We had to leave a little early, as we are both old and broken and these all-dayers take their toll on us now, but we caught most of Bloodyard’s set and they are definitely worth checking out if you like metal to punch you in the face with RRRRRRRAWRR!
Before I sign off on another live review, I must also mention in more detail the acoustic stage, run by the acoustic king himself, Mr. Edd Case, which kept us chilled and entertained during the main stage breaks, and saw a couple of sets from Edd, along with performances from Neill Murphy, Captain Andy, Zanda Stone, and Scarfoot’s Oliver Carins. It is such a calming place to be between the main acts and I love it. All the acoustic performances were spot on again, and full of the feel of a long summer’s day.
Yet again we had a smashing time at Mclean’s, and I for one feel quite lucky that we get to go there, because it is quite possibly one of the friendliest places to be, where airs and graces are left at the door, and everyone is relaxed, which creates the wonderful and warm atmosphere that surrounds every event there. Thanks again to Fozzy and Beany for their tireless work putting on these showcases, to Edd Case for working like a trojan for the love of the acoustic stage, and to all the bands and acoustic acts for keeping us thoroughly entertained. Here’s to doing it all again next year!
Disclaimer: This review is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.