Ignitor – The Golden Age of Black Magick

Ignitor – The Golden Age of Black Magick
Metal On Metal Records
Release Date: 31/10/2020
Running Time: 35:14
Review by Simon Black

Texas based Ignitor have been banging their particular brand of NWOBHM snorting Speed Metal since 2003, and even with seven albums under their belt since that time, they still sound like a young, furious band trying to kick down the doors. It’s worth dwelling on this for a moment, given that my review platter is awash these days with bands trying to recreate the sound and feel of a decade many of them did not live through. Ignitor clearly did and seem to have understood that feel is less about recreating a sound using technology that puts the 80’s into the Stone Age, and more about an energy born of the necessity of limited studio time, improvisation and having the word ‘Metal’ running through your bones like a stick of blackened seaside rock.

And recreate it they do, right down to the spiky studded stage gear and cringe worthy cover art that has adorned many of their albums (although this one is quite restrained compared to the teenage wet dream that was 2009’s “The Spider Queen”). It is tongue firmly in someone else’s cheek though and they are from Texas, so I will cut some slack and cast my mind back to my teens. This is pure 80’s Heavy Metal, with a production sound that captures that era and that magic metal hot source – energy and enthusiasm. Sadly, at some point however, strong song-writing starts to get you further than enthusiasm and this is where the album suffers slightly.

The bands and records that are influenced by this period currently flying around often focus on nailing the sound, but completely miss the attitude that drove that period. Not so Ignitor. The bands that really nail it balance the feel and the ethos, whilst remembering that the genre carried on growing and developing for another 50 years beyond that period, so bring the best of both worlds. Sadly “The Golden Age of Black Magick” is just that little too focussed on the past. Don’t get me wrong, there’s some solid performances here. Jason McMaster (who has been round the block a while) on vocals gives an absolutely full-on performance, which whilst slightly lacking in range he more than makes up for in attitude. Musically there is a tight (if slightly tinny sounding) rhythm section at work here, and the balance of two simpatico guitarists who interweave seamlessly to sound as one. But the songs don’t quite stand out enough on their own, and I am struggling to find a stand out song that says, ‘this is the essence of the album’. The whole thing has a slightly unfinished demo feel to it, as if the writing process was that bit too hurried and that’s a real shame, as with that extra bit of ‘Oomph’ in the engine room the rest of the ingredients were in place for a cracking bit of Metal. Maybe next time…

01. Secrets Of The Ram
02. Countess Apollyon
03. The Golden Age Of Black Magick
04. Hell Shall Be Your Home
05. Tonight We Ride
06. Steel Flesh Bone
07. Execution Without Trial
08. Stoned At The Acropolis

Jason McMaster – Vocals
Stuart Laurence – Guitar
Robert Williams – Guitar
Billy Dansfiell – Bass
Pat Doyle – Drums


Disclaimer: This review is solely the property of Simon Black and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

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