Arrayan Path – The Marble Gates To Apeiron

Arrayan Path – The Marble Gates To Apeiron
Pitch Black Records
Release Date: 27/11/2020
Running Time: 48:07
Review by Simon Black

Now being of part-Cypriot extraction myself, I was quite surprised to hear that there were any metal bands at all in Cyprus, let alone Power Metal ones, so I have approached this with a certain amount of interest. I’ve often felt that a lot of the mainland Hellenic Metal acts I have come across recently still held a sort of 80’s naïve charm, with a recording sound that often didn’t quite ‘get’ what Metal is about – in part I suspect for the same reason their NWOBHM predecessors did – studios and engineers who simply had no experience with it. Given that they have seven releases under their belt already this is not a problem for Arrayan Path, who absolutely get that the Power Genre works best with a willingness to embrace every technical and recording trick in the book in the quest for a rich, full and epic sound, which this record masterfully achieves.

Another mercy is the decision to avoid the dreaded concept album format beloved of so many of their peers, which to be honest really has run its course. Instead, we have a slightly darker and more Melodic Metal tinged piece, which although thematically conceptual, does not involve trying to wrap your head around a complex story in order to fathom the point of it. Equally enjoyable are the unexpected technical twists and sleights of hand that the album throws out – from some downright Progressive pauses, time changes and chord twists, to the epic interplay that would not sound out of place on a Symphonic Metal album. Then there’s those moments when Nicholas Leptos lets rip from his normally gentle and soothing vocal tones to an outright shredding scream that could take the wallpaper off the ceiling (assuming the roof was still in place to hold it after the pounding it has just had at the hands of the rhythm section).

This album is also something of a slow burner. On first listen it didn’t really grab me, but after a couple of spins the technical interplay and subtlety becomes clearer, and I’m left with a feeling that this is a band with a lot more to offer. I may be late to the Arrayan party, but I’m glad I got there in time for the strong stuff.

01. The Marble Gates To Apeiron
02. Metamorphosis
03. Virus
04. The Mourning Ghost
05. To Live Another Day
06. The Mask Of Sanity
07. The Cardinal Order
08. A Silent Masquerade
09. Black Sails (The Nemean Ode)

Nicholas Leptos – Vocals
Socrates Leptos – Guitars
Christoforos Gavriel – Guitars
Miguel Trapezaris – Bass


Disclaimer: This review is solely the property of Simon Black and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

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