Ablaze My Sorrow – Among Ashes And Monoliths

Among Ashes And Monoliths Cover Art

Ablaze My Sorrow – Among Ashes And Monoliths
Black Lion Records
Release Date: 12/02/2021
Running Time: 44:27
Review by Emma Torkington
8/10

Ablaze My Sorrow are no strangers to the death metal scene by any means! Starting in 1993 they made a huge impact right away. During the intervening years, the band has changed, but their heart has stayed the same. Now back with their fifth album, can it reach new heights for this Swedish band?

Jumping right in with the first track ‘My Sorrow’, new vocalist Jonas Udd has a great raspy voice perfectly suited for the backing of kick ass drums and guitars. I know I am only one song in, but I am liking what I am hearing here. The title track is next and it does not disappoint, kicking in with a 19 second heavy solo then a deep growl start. Personally, I love it when a song has that type of build- up. Having said that, the way the song moves from that growl into a mosh pit worthy track, means I can see this being played and going down well at festivals (when they are allowed again) and bringing in the crowds. We are onto track 3 ‘Black Waters’ and this has a totally different feel to what you have heard so far! A melodic song and deep, guttural vocals were a total shock to me but a welcome surprise. ‘Grit’ is up next…and it is gritty! This fast-paced song takes you to a whole other place and you cannot help but air guitar along to it! It’s 3 minutes and 39 seconds of heavy drums, guitars and bass…what more could you ask for? ‘Her Cold Embrace’ is next and the over a minute-long intro makes you sway to the melody of the instruments. When the vocals kick in, though, it takes on a totally different feel and guest vocalist Jonna Enckell’s voice complements Udd’s perfectly.

We are now nearly half way through, what appears to be a wonderful album and ‘At The Graves Of Giants kicks you with a bang, the fast-paced and gut punching drums do not disappear for a second! ‘Dark Chasms’ is another absolute mosh pit favourite. For me this has everything I need from a death metal song…deep vocals, shredding guitars, intense bass lines and thundering drums. This is my favourite track on “Among Ashes And Monoliths”! Onto the home stretch now and ‘The Cavernous Deep’ is something I wasn’t expecting but a very pleasant change. The intro is totally different in style with an electronic feel. There is also a slight change in tempo, but I was nodding along happily to it. Now it’s the turn of ‘Nonextence’ and wow…what an entrance. As soon as I hit play, ‘BOOM’!! Now, this is never a bad thing in my book. In fact, when it happens, I always crank up that volume and make sure my neighbours can hear it! Track 10 ‘March Of The Eldritch Spawn’ is a beautifully played near two minutes of pure instrumental music, that feels like the sort of thing you would hear in a film/play, just before the hard-hitting ending commences, and it acts as an introduction to the penultimate track ‘The Day I Die’. This song, in particular, reminds me of In Flames earlier work and I am completely hooked. ‘Frihet Framför Feghet’ is the final song of this incredible album and acts as an epic finale!

If you love everything that Swedish melodic death metal has to offer then go and buy this album! Even if you are not a huge fan of death metal, I still strongly recommend giving this a listen. I am not the biggest death metal fan in the world, but this gave me everything I needed. I was dancing, headbanging and most importantly…playing air guitar like the over 30’s do best!

‘My Sorrow (Lyric Video)

TRACKLISTING:
01. My Sorrow
02. Among Ashes And Monoliths
03. Black Waters
04. Grit
05. Her Cold Embrace
06. At The Graves Of Giants
07. Dark Chasms
08. The Cavernous Deep
09. Nonextence
10. March Of The Eldritch Spawn
11. The Day I Die
12. Frihet Framför Feghet

LINE-UP:
Jonas Udd – Vocals
Magnus Karlsson – Guitars
Dennie Lindén – Guitars
Anders Brorsson – Bass
Alex Kribensten – Drums

LINKS:

Ablaze My Sorrow Promo Pic

Disclaimer: This review is solely the property of Emma Torkington and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

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