Eternal Silence – Timegate:Anathema
Release Date: 08/10/2021
Running Time: 50:28
Review by Simon Black
Italian Symphonic Metallers Eternal Silence have been ploughing their particular furrow for about a decade and “Timegate:Anathema” is their first full-length album since 2017’s “Mastermind Tyranny” (although the void has been filled with a couple of EP’s in between). There are attempts at more overtly Power Metal tracks in this – the opener ‘The Way of Time’ being a good example, but the band work best when they stick to their Symphonic guns, as the second track ‘Edge Of The Dream’, which almost feels like it belongs to a completely different act or recording block. When they throw these more technical flourishes and time-change complexities into the mix things work much, much better for them and the effortless way that a nice lengthy instrumental section can be thrown at the front of tracks like ‘Ancient Spirit’ tells me that these guys have got the song-writing balance between the technical and the catchy-melodic just right.
The two handed vocal performance between Marika Vanni and Alberto Cassina works really well, although Vanni takes the lion’s share of the work. I also can’t fault the instrumental work at all, particularly their uncredited keyboard player, who whilst avoiding the cliché of inter-instrument shredding with the guitars, has some absolutely superb yet restrained solo spots scattered throughout.
Symphonic Metal works best when the production is top notch, crisp, layered and sensitive in equal proportions to the brutal or heavy when they are part of it. Fuse the two and you get the harmonic equivalent of being bashed around the ears by a concrete melodic elephant. Sadly, the production on this falls a little short of that. Although the vocals are clearly presented at the front of the mix, and given both depth and clarity, the Metallic instrumentals in particular sound very trebly, lacking in depth and way too far back in the mix (even the orchestral elements suffer from the same distance problem in places).
Now to be fair to them, this is probably the first time the band have tackled remote recording – a skill let’s face it that every act is having to grapple with at the moment. In reality this normally comes down to whoever is in the producer’s chair, not the musicians’, as there is usually a world of difference between what gets laid down in the raw and what makes it through the engineering and mixing process. However, in this instance, it’s a combination of Michele Guaitoli and the band themselves, and my gut tells me that they should perhaps step back from this area next time out and trust to a strong producer, as the mix is that little too close to a baseline recording.
The song writing is what holds this record up and the structure and arrangements here are spot on – ‘Heart of Lead’ being the stand out track for me, although the experimental but catchy as fuck ‘Glide In The Air’ deserves mention as well, as you can tell it will be a cracker live. Love the tunes, but let down by the recording and mixing – nonetheless the song-writing and performances still make “Timegate:Anathema” worthy of attention.
‘Red Death Masquerade’ (Lyric Video)
01. The Way Of Time
02. Edge Of The Dream
03. Ancient Spirit
04. Heart Of Lead
06. Glide In The Air
08. My Soul Sad Until Death
10. Red Death Masquerade
Marika Vanni – Vocals
Alberto Cassina – Guitar/Vocals
Alessio Sessa – Bass
Andrea Zannin – Drums
Enzo Criscuolo – Guitar
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