Interview with Roadrash

artursfeists_photography_roadrash_s-18

Interview With Roadrash by Arturs Feists

Local speed metal band Roadrash (RR) from Vancouver, BC, Canada just have announced Limited-Edition Self-Titled 7” Vinyl LP.  Ever Metal had the privilege to ask few questions to the band.

Ever Metal: First, congrats on new LP record. Wondering, will this record make all posers scream and yell?

RR: Thank you! Our brand new 7” inch record can be played on your turntable but can also be used to decapitate posers before they even get a breath. Poser don’t know THE DEAL & they never will!

Ever Metal: To embarrass posers even more, can we anticipate a full length and full strength speed metal album soon?

RR: We’ve been buckled down at Speed Metal HQ working on new material. The Hammer our primary songwriter is brewing a batch poser poison that will be sure to leave them red, raw & bleeding.

Ever Metal: Roadrash history – what happened for a speed metal band come to life in Vancouver, BC, Canada? Was it an accident or intentional action?

RR: Roadrash was an evolution of several projects & members. The core has been established now & will stop at nothing to bring legitimacy back to a dying scene. This is no accident, it’s malicious intent.

Ever Metal: Roadrash, as ambassadors of the Canadian speed metal, will travel to Sweden later this year -for Muskelrock 2020 on May 28. Besides that, any shows coming up outside the Canada/North America?

RR: We’re working on some dates around the festival but everything is up in the air right now. Once the plan is in place heavy maniacs far & wide will know!

Ever Metal: Your collaboration with the Metal Assault Records – how did it start?

RR: Metal Assault records is a Californian based label. They’re just getting their stick on the ice & we’re very excited to work with a fresh company. When we recorded these songs last year I knew they needed to be given to the proper channels. Metal Assault is an established brand already worldwide (created by metal maniac Andrew Bansal) & along with his partner Sebastian Vazquez they’ve committed to bring heavy sounds to the masses – they were an obvious choice.

Ever Metal: Anything else Ever Metal Magazine readers should know about Roadrash?

RR: We are coming for you all! You will know the DEAL!

Order your RR record here:

ROADRASH Limited-Edition Self-Titled 7″ Vinyl EP (Pre-Order)

 

https://www.facebook.com/RoadRashSpeedMetal/

 

 

Disclaimer: This interview is solely the property of Arturs Feists and Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Hembree And The Satan Sisters – F.Y.F

Picture1

Hembree And The Satan Sisters – F.Y.F
Rusty Knuckles Music
Release Date: 20/09/2019
Running Time: 15:00
Reviewed By Dark Juan
2/10

It is Monday evening at Dark Juan Terrace, and I have just finished a one hundred hour working week. My gospel and my litany of hatred won’t preach itself, you know. But here I am writing to you, my good people, because I am nothing if not generous with my time and my energies in sharing the One True Path of extreme music with you, my beloved brethren. This review is being brought to you by Camden Hells lager, a withering and rapidly increasing dislike of the human race at large and a violent reaction to the stupidity of large sections of society. Also, I’m listening to a punk rock record. So, in the timeless fashion of snot-nosed 70s punkers, modern day crust punk and anyone who is still interested in Crass and The Anti – Nowhere League I’m going to condense all this simmering hatred into two politically aware and savvy sentences:

Fuck Boris Johnson and his fucking crew of rapacious rich boy capitalist cunts. If you’re working class and vote Tory, you’re a fucking class traitor, mate.

Because that was what British punk was all about innit? All about raging against the machine, socially aware rage dressed up in fake, barely coherent and frequently explicit three chord, two-minute blasts masquerading as songs.

Hembree And The Satan Sisters are like that, musically at least. This Atlanta, Georgia crew have taken the three chord punk blueprint and have run with it. And then run with it some more. And then kept running until they came to some colossal and immovable obstacle (like Boris motherfucking Johnson) and then turned around and ran all the back. Ground breaking music this ain’t. It’s a well produced 1970s Oi! record. It’s all style and very little original substance, with an even more childish reliance than my own on swearing to make their point. To that end, I was not entertained. In fact, I have been extremely disappointed. Hang on…..

My apologies. Igor the Evil One decided he wanted to fight. I had to best the little beast lest he got an overwhelming sense of his own importance. It was what was necessary to avoid being shouted at for several hours…..

Yes, lowest common denominator three chord punk aimed at rebellious 15 year olds angry at their own parents, with no political or social commentary – the things that made punk RELEVANT in the first place. Instead the entire record is just a general middle finger to basically everyone and everything. Even my hatred is narrow and targeted and just shouting “Fuck you and fuck everyone else as well!” does not a rebellious attitude make. In anything it’s a bit pathetic. Marks lost for making me think you don’t have access to a thesaurus, Hembree…

The band’s sound – have I said that they are a three chord punk band yet? They sound like a less raw Black Flag mixed with the glossy shine of latter day Misfits, both bands that I have a lot of time for. However, it’s dated as fuck, man, and trying to weld some sort of emo-tinged outward hatred of everything to a classic sound done a million times before doesn’t really work. It doesn’t have the teenaged, snot nosed confidence of the Ramones, nor the absolute sonic rage of crust punkers such as Hellbastard or Lazarus Blackstar and it just sounds like a middle-aged man shouting for no good reason. And that’s sad. That’s why this record leaves me utterly cold.

I can’t recommend a single song on the album. From the opening rant (entitled “The Longhaired Weirdo Speaks!”) to the closing spoken word nonsense it’s all generic and a bit dull although “Dancin’ At Your Suicide” has an odd 50s rock ‘n’ roll vibe very reminiscent of the Misfits’ “Saturday Night”.

I’m not writing any more on this band because it’s a waste of your and my time. It has even robbed me of my trademark humour. It’s not truly fucking awful like Warrior Soul’s last two records, but it has no redeeming qualities either. I’m bored.

The Patented Dark Juan Blood Splat Rating System just can’t be arsed. 2/10.

 

Track list

The Longhaired Weirdo Speaks! (I wish he wouldn’t. He has nothing to say.)
Fuck Your Religion And Fuck Your Politics (Yeah, man, fuck yours too. Political discourse in action.)
A Devil’s Warning (You boys aren’t devils. I serve the devil. You ain’t him. You don’t have any horns. Or the kind of withering sarcasm Old Nick does so well.)
Say It To My Face (OK, your band is a bit crap, mate.)
Nothing To Prove (Fucking good job really.)
Rape This Land (Generally you need a blitzkrieg or at least a strong armoured thrust to do this. I don’t think the band have a panzer regiment complete with combat pioneers and panzer grenadiers to hand…)
Dancin’ At Your Suicide (Suicide is no fucking joke, lads. No fucking joke at all.)
Who’s Laughin’ Now (Not me. Also, Dancing and laughing have a letter G at the end of them. I hate it when bands do this gettin’ rid of the G at the end of words. It boils my piss nearly as much as a Warrior Soul album. This is not a criticism of Hembree And The Satan Sisters. This is Dark Juan focusing his righteous fury in the direction of idiots.)
The Longhaired Weirdo Speaks Again! (Do shut up, dear boy.)

Hembree And The Satan Sisters are:

Zachery M. Hembree- Lead Vocals
Ash Miltiades- Lead and Rhythm Guitar/Vocals
KD/DC-Rhythm Guitar
Charley Ferlito-Bass/Backing Vocals
Parker Bradshaw-Drums

Links:

https://www.facebook.com/HembreeandTheSatanSisters/

 

Picture2

 

Disclaimer: This review is solely the property of Dark Juan and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

EMQs with Aspherium

3540263990_logo

EMQs with Aspherium

Hi everyone! Welcome to our new EMQs interview with Aspherium. Huge thanks to guitarist, Marius for taking part!

What is your name, what do you play and can you tell us a little bit about the history of the band?

Hey! My name is Marius, I play guitar and sing in the progressive death metal band Aspherium. We started out in 2007, and have released three albums. The latest one The Embers of Eternity which just recently was released!

How did you come up with your band name?

The name just appeared when trying to figure out a band name. I was trying to combine different words and finding something cool, and somehow I ended up with Aspherium. We thought it sounded nice, and it wasn’t taken by anybody else since we just made it up!

What country are you from and what is the metal scene like there?

We are from Norway, and as is well known around the world, black metal is a pretty major thing here. But Norway has a lot of great bands in most genres. We have played with so many great Norwegian bands, and we have made really good friends in the Norwegian metal scene.

What is your latest release (Album, EP, Single, Video)

We recently released out third album The Embers of Eternity! It’s a concept album where our planet has ended up in a pretty dystopian future. The whole albums flows as a cohesive piece, and we are super proud of this album. It has everything from death and black metal sections to acoustic guitars and even a synth solo. We blend a lot of different elements together, but we work really hard on the arrangements and how well everything flows together naturally.

Who have been your greatest influences?

I’d say band like Metallica, Opeth, Machine Head, Fear Factory, Dream Theater, Pink Floyd, Pantera, Nile and Meshuggah. I don’t think we sound a lot like those bands, but those bands helped shape us as musicians, and have definitely influenced how we write and play.

What first got you into music?

I’ve always loved music ever since I was a kid, and that love just kept growing as I got older. I got a keyboard for Christmas when I was 9, and tried that for a while, but it didn’t really stick. But when I got into Metallica at age 11, I knew I needed a guitar, and from that point it has been a major part of my life.

If you could collaborate with a current band or musician who would it be?

It would be amazing to do something with Devin Townsend, if we could get him to something really brutal and epic that would be awesome. Also it would be fantastic to do something with Marty O’Donnell who used to work for Bungie and who did the Halo soundtracks. He and Halo in general has been huge inspirations for us, so that would be perfect.

If you could play any festival in the world, which would you choose and why?

It would be really cool to do something huge like Rock in Rio, Download festival or Wacken. We have played a few festivals in Norway, but never at the big stage and at a good time slot, so to have the opportunity to play for such a huge crowd would really get our music in front of so many new potential fans, it would be amazing.

What’s the weirdest gift you have ever received from a fan?

We haven’t really received anything weird. I think alcohol is the one we get, and that’s just appreciated!

If you had one message for your fans, what would it be?

I just want to let them know how much we appreciate that they take the time to listen to our music and help spread the word a out the band. And the people who buy music and merch, we can’t thank you enough!

If you could bring one rock star back from the dead, who would it be?

I think it would have to be Dimebag. That’s the one that affected me the most. Dimebag and Pantera were huge inspirations when I was getting into metal and learning to play guitar. If Dime never died, I think Pantera definitely would have gotten back together and made more great music.

What do you enjoy the most about being a musician? And what do you hate?

The most enjoyable is the journey that you take with the music. From creating it, to recording it and then finally playing it live. It’s so cool to create something from nothing and then end up playing it live for people who love it.

What I hate is working really hard and spending countless hours working, only to end up with nothing. Not in regards to writing music, this is more the business and industry side of things.

If you could change one thing about the music industry, what would it be?

The most obvious thing would be that bands would actually get paid decently on streaming services.

Name one of your all-time favourite albums?

Opeth – Still Life. Pretty close to a perfect album! The songs are amazing, very intricate, but also brutal and beautiful. I really dig the concept, and everything on the album works so well together to create this amazing musical journey.

What’s best? Vinyl, Cassettes, CD’s or Downloads?

Vinyl for the experience! I feel like you appreciate it more when you have a physical part to relate to. You put the album on and look at the artwork when you listen. And you can’t just skip to another song, or any other artist in the world for that matter… You have to get up and flip to the b side. I really love the whole experience. That said, I love the convenience of streaming. I stream music every day when I’m out walking and doing stuff. It’s a great way to check out, and find new artists. And extremely easy access to pretty much all the music you can think of.

What’s the best gig that you have played to date?

The one that comes to mind first is Paris a few years ago in a fairly small club. We won the crowd over and they went crazy with crowd surfing and stuff. It was very cool to see how they went from “Who the f are these guys? ” to “This is amazing!” in just a few minutes.

If you weren’t a musician, what else would you be doing?

When I was a kid I wanted to be an archaeologist, so maybe that? More likely I would probably make video games, music videos or maybe photography.

Which five people would you invite to a dinner party?

Gordon Ramsay can make the food, Mikael Åkerfeldt can play acoustic guitar to set the mood and then James Hetfield, Robb Flynn and Devin Townsend can tell stories from the road.

What’s next for the band?

Right now we are waiting for our drummer to get done with some surgeries on his hands. So we will be back on the road next year. We are working on promoting the new album, so since we can’t play live right now we are trying to more online stuff, like interviews like this one 😉 We will also try to make more video content to promote the music. So tell your local promoters that you want Aspherium to come to your town next year!

What Social Media/Website links do you use to get your music out to people?

We are on most social media platforms, but Facebook and Instagram are probably the main ones. And Spotify for the music streaming.
http://www.facebook.com/aspherium
http://www.aspherium.com
https://open.spotify.com/artist/1f9vK1LjJ4YPpThBEiiI25?si=c2_pNeu5RMK1UAmvKBW6kg
https://www.instagram.com/aspherium/
https://twitter.com/aspherium
https://www.youtube.com/aspherium

Jaffa Cakes? Are they a cake or a biscuit?

Jaffa Cakes are clearly biscuits designed to infiltrate the cake community, and try to convert them to biscuiteers. It worked for a while, but growth has stagnated somewhat the last few years.

Thank you for your time. Is there anything else that you would like to add?

Thanks to everyone for reading, and I hope you take the time to listen to our new album The Embers of Eternity! Be sure to let us know what you think on social media!

Marius
Aspherium

 

83944479_3014619945217888_9204091726799568896_n

 

 

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

In Flames – Rickshaw Theatre, Vancouver, BC, Canada – 17/11/2019

 

 

Disclaimer: This photo album is solely the property of Arturs Feists. It is strictly forbidden to copy any part of these images, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

EMQs with Acid Reign

521_logo

EMQs with Acid Reign

Hi everyone. Welcome to our new EMQs interview with Acid Reign. Huge thanks to vocalist Howard H Smith for taking park!

 
What is your name, what do you play and can you tell us a little bit about the history of the band?

My name is Howard H Smith and I am vocalist with UK thrash band Acid Reign. We go back to the 80’s so history available here
https://en.wikipedia.org/wiki/Acid_Reign   It’s too much to type! 😊

How did you come up with your band name?

Bass player came up with it.

What country are you from and what is the Metal/Rock scene like there?

England. All good thanks, thriving.

What is your latest release? (Album, EP, Single or Video)

New album “The Age Of Entitlement” was out on September 27th 2019.

Who have been your greatest influences?

Fish from Marillion.

What first got you into music?

Marillion made me fall in love with music. I already liked music but they were my first love.

If you could collaborate with a current band or musician who would it be?

We are collaborating with one of my favourite artists Suzanne Vega on our new album.

If you could play any festival in the world, which would you choose and why?

Goodwood Festival of Speed, some of the most awesome cars you will ever see all gathered in one place. Heaven.

What’s the weirdest gift you have ever received from a fan?

A handmade Acid Reign lighter for my 47th birthday in Almera Spain.

If you had one message for your fans, what would it be?

See you out on the road!

If you could bring one Metal/Rock star back from the dead, who would it be?

Dave Mustaine. Too soon?

What do you enjoy the most about being a musician? And what do you hate?

Performing live and creating new music. People moaning on social media because bands do not plan their careers/tours/releases around THEIR wishes. Hence The Age Of Entitlement”.

If you could change one thing about the music industry, what would it be?

Festivals/venues taking a percentage of merch sales.

Name one of your all-time favourite albums?

Reign In Fucking Blood!

What’s best? Vinyl, Cassettes, CD’s or Downloads?

CD’s for the car, Vinyl for the house and Downloads on the move.

What’s the best gig that you have played to date?

Bloodstock 2015, hands down the best show this band has EVER played.

If you weren’t a musician, what else would you be doing?

I have been a stand-up comedian for 25 years and still am!

Which five people would you invite to a dinner party?

Mohammed Ali, Gore Vidal, Bill Hicks, Salvador Dali and Jeff Hanneman

What’s next for the band?

Touring our first album for 29 years, festivals and all that good stuff.

What Social Media/Website links do you use to get your music out to people?

Here you go:

https://www.facebook.com/acid.reign.thrash

https://www.instagram.com/acidreignukac/

https://acidreign1.bandcamp.com/

http://wwwyoutube.com/user/AcidReignTV

Jaffa Cakes! Are they a cake or a biscuit?

It’s a biscuit! You can tell by the shape and size, it’s a cake in name only.

Thank you for your time. Is there anything else that you would like to add?

Thank you for the support and to all of you reading this. It feels great to be back with a new album after all these years. If you haven’t heard it please seek out The Age Of Entitlement I promise it’s not shit! 😊

Thanks that was a lot of fun with some cool and unique questions.

 

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

 

Collateral – ‘Collateral’

795536

Collateral – ‘Collateral’
Roulette Media Records / Cargo Records UK
Release Date: 21/02/2020
Running Time: 34:35
Reviewed By Paul Monkhouse
8/10

The rock scene has seemingly never looked healthier and 2019 has seen some absolutely incredible new albums emerge this year. This trend looks to continue well into 2020 with the release firstly of the Anchor Lane debut album and this, the first full length offering by Kent four-piece Collateral in February. Already making a big impression on UK and global audiences with slots at Camden Rocks, Ramblin’ Man and an appearance alongside Jon Bon Jovi, these South East rockers are amongst the most hotly tipped bands for future superstardom and this self-titled release shows exactly why they’re getting so much attention.

The songs on the album are huge and have such lofty ambitions to be played in stadiums but, unlike many who have come before, their strongest weapon in the fight is their talent and drive to succeed. Despite all the big, singalong anthems and flamboyant image, it’s not all empty glamour and glitz as beneath the noise and gleaming chrome of the surface lies a real blue-collar heart and recaptures the spirit of when Bon Jovi and their ilk were at their peak.

The album kicks off with the single ‘Mr. Big Shot’ and it’s a giant slab of commercial hard rock that mixes in some really 80’s elements ranging from classic American AOR to some almost New Romantic undertones and a pinch of ELO. Full of great guitar work from Todd Winger and epic vocals by Angelo Tristan, the track drips with tongue in cheek innuendos and a huge sense of a band having a ball in the studio. More monster riffing and vast melodies power along paeon to the modern music industry ‘Promiseland’, it sounds like the sleazy lovechild of AC/DC and, should have been huge, USA rock legends Giant as it snarls and purrs, leading to a superb solo by Winger. The band dust off their cowboy boots as the Southern Rock feel of ‘Merry Go Round’ brings images of swirling dust devils and shimmering desert heat to mind as they effortlessly turn their home county ‘Garden of England’ into the American Midwest. Close your eyes and you can feel the sun beating down and the dry mouthed feel that is desperate to be administered an ice-cold beer. Without doubt, one of the greatest strengths of the band is to conjure up that sense of time and place in a very tangible way, transporting you to a time when hair was big, and choruses were even bigger. This is no aping of the classic bands of that era but a contemporary take on the type of rock music that made Bon Jovi et al kings of stadiums, the production by Sean M Kenny bringing out the best in the material whilst giving it a thoroughly modern sheen.

‘In it for Love’ exemplifies this approach as it perfectly balances the pounding rock driven by rhythm section Ben Atkinson on drums and Jack Bentley-Smith’s bass alongside such a great, dynamic song that will have you singing along in no time. With its instantly catchy “woooh oooh oooh” gang vocals during the chorus and another fret blazing solo ‘Lullaby’ has already become a live favourite and should be blaring out of every car radio across the Atlantic, such is its perfect suitability for the American market.

Also finding its main inspiration the other side of the ‘pond’ is ‘Midnight Queen’, the band tilting their Stetsons to a more AOR meets Country Rock feel that sounds like it might have been written by Richard Marx and Vince Gill, the opening line the name of a huge hit that Marx wrote for Vixen and it shares that same sense of space, the focus on the songwriting, not the flash.

Those waiting for the heartfelt power ballad won’t be disappointed as ‘Get Back to You’ ticks all the right boxes, Tristan pouring his heart out as he longs to return home whilst the song proves it’s more about quality and quiet than drama school overemphasis.

Having stated their love for the aforementioned Mr. Jovi, the band expressed their intent to write something that captured the spirit of tracks like ‘Always’ and this certainly will see a sea of mobile phone lights (nobody is allowed lighters at gigs these days) held aloft in tribute. The pace picks up once again in the spot on, commercial pop rock of ‘Won’t Stop Me Dreaming’, a song that contains a tough streak of steely determination laced through its supremely candy coated and instantly addictive shell. The album ends with ‘About this Boy’, another country tinged track that once more heads more to the massive and lucrative Nashville scene than the heavier end of their material. Whilst a meatier number may have been more fitting, the song is still imbued with that Transatlantic feel that may well find the band gaining ground both in their home country and in the United States given the growing market here and the already titanic base there. Always doing things their way, Collateral continue to push forward, and this album shows just how far they’ve grown and where they’re heading. The stadiums of the world are beckoning.

Track Listing:
1 Mr Big Shot
2 Promised Land
3 Merry Go Round
4 In It For Love
5 Lullaby
6 Midnight Queen
7 Get Back To You
8 Won’t Stop Me Dreaming
9 About This Boy

Links:
https://www.collateralofficial.com/
https://www.facebook.com/collateralrocks/

https://www.instagram.com/collateralrocks/

 

015027

 

 

Disclaimer: This review is solely the property of Paul Monkhouse and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Trippy Wicked and The Cosmic Children of The Knight – Moving On Singles

Picture1

Trippy Wicked and The Cosmic Children of The Knight – Moving On Singles
APF Records
Release Date: 30/10/2019
Running Time: 21:24
Reviewed By: Dark Juan
9/10

Good evening, my initiates. It is I, the Ipsissimus of all things Groovy, Dark Juan, and I am here to take your mind off the mundane and into realms of cosmic thought never truly encompassed in the human journey before. Or I could just write a record review.

However, I’m sure you have all become accustomed to me babbling incoherently about anything but the record I am supposed to be writing about AND THIS TIME IS GOING TO BE NO DIFFERENT! However this time, it’s a simple message I want to share with you all. After all this unpleasantness to do with rich bastards squabbling over who gets to tell us what to do and lying about what they will give you to make you like them is out of the way (they won’t give you what they promise anyway) take the time to reconnect with people who might have different opinions to you.

Love everyone without question, my people, for that is what makes the world a better place. Not which motherfucker in a suit sits in a leather chair and talks a lot. Love each other and for fuck’s sake look for the good in each other because I have never seen such venom and vitriol flying amongst friends before. It’s fucking depressing to see friendships that are years old fall apart because of shitposting on the internet. Us alternative people only have each other to depend on – so fucking love each other, drink the fucking beer, smoke the fucking weed, hug fucking strangers and turn them into fucking friends and dance the fuck out of every piece of metal you hear. So sayeth My gospel. Here endeth the sermon…

Trippy Wicked and The Cosmic Children of The Knight. Now there’s a name to conjure with and no mistake. I like it. I like it a lot. This EP comprises four songs that didn’t make the Movin On (I hate it when bands do this. There’s a G at the end of the word for a reason. STOP IT FOR FUCK’S SAKE!) album recorded in 2009 and as the demented pscyhonauts themselves put it, “10 songs had made the album while the other 4 went in the cupboard under the stairs and were forgotten about for a while. Since then we’ve played a whole bunch of gigs, released another album and a few EPs, went on a few tours around the UK and Germany, and generally did what bands do. The 10 year anniversary is a perfect opportunity for us to revisit the recording on Movin On, give those 4 extra songs a release and finally share them with our fans. So here they are. Dig it.”

Quite. So here we have four songs based on absolute fuzz heaven. Fuzzy fuzzy fuzz fuzz with a bit of fuzz-wah thrown in for variety. It is stoner doom distilled down to the most basic elements of stoner doom – highly distilled Sabbath riffs, lazy tempos, thunderous fuzzy bass (if only the bass player was called Fozzy, then my life would be complete) and a drummer who seems intent on reducing his drums to their component atoms instead of playing them.

Opening track “Evil” starts with the sound of a bad earth before the instruments all kick in together with the kind of punch in the guts a certain Mr. Tyson might deliver if you upset him and a heartbreakingly beautiful palindromic riff of such stoner splendour this hellpriest fell to his knees and wept against the sofa. Hodgson Fartpants (the only dog to be classified as an illegal chemical weapon under both NATO rules and the Geneva Convention. Not even the Russians would have him) was sat on it at the time and gave me a look best described as quizzical and not “What the fucking fuck is that fucking demented human bastard doing this time and why does it not involve feeding me?” It is very, very good as it stomps all over the landscape like some kind of ironclad assault walker. Vocals from Peter Holland are very Ozzy-esque as well, having that high pitched, throaty and raw quality that the auteur Mr. Osbourne had when he fronted Sabbath the first time.

Track two “Hark At You” is more of the same wholesome stoner wonderfulness but a bit faster this time, as if the boys had put down the weed and decided a bit of the old Billy Whizz was the way to go this time. It’s a bit of a goer, this song, like it’s had its arse whipped sore by a vigorous rider and moves along at a brisk canter.

“Things Go Up” is the third song in. This is where Peter decided that we needed to hear his fuzz-wah. He was right. We all needed to hear his fuzz-wah. Fuzz-wah me, baby. It’s soooooooooo good. I love it when you fuzz-wah me. Don’t stop. Drummer Chris West had apparently also decided that his cymbals had to die on this song and gave his crashes the kind of thrashing that only Basil Fawlty can deliver with any conviction.

The final song on the record is called “I Wanna Be” and sees the entire fucking kitchen being thrown at the song, not just the sink. There’s wah, there’s phaser, there’s the kind of monolithic riffs Kirk Windstein and Tony Iommi would face off in a grim battle to the death to claim to have written. And the bass. Oh, the bass. Dicky King (probably deploying the smile of champions he is displaying in the band photo) goes into some kind of fuzz nirvana and disappears (in my head anyway) into a pineal focus streaming outwards from his third eye in glorious psychotropic colour, dissolving into a self-contained universe of the groove…

Ok, I have managed to contain myself. It’s cost me a pair of pants, as it usually does. Trippy Wicked are awesome. Buy their music.

Trippy Wicked, I salute you. Now I’m going to drink this beer.

The Patented Dark Juan Blood Splat Rating System is floating motionless in a universal groove constant and awards Trippy Wicked etc etc 9/10 for a trip through the psychedelic heartlands that leaves me wanting more…

Tracklist

Evil
Hark At You
Things Go Up
I Wanna Be

Trippy Wicked and The Cosmic Children of the Knight are: quite clearly insane.
Pete Holland – vocals, guitars, brass, slightly worrying propensity to look at your left ear when talking to you.
Dicky King – bass, winning smile, award winning face fuzz.
Chris West – drums, knowing smirk. This man has seen things – things that would fuck you right up.

Links

https://www.facebook.com/trippywicked/
https://www.instagram.com/trippywicked/

 

Picture2

 

 

Disclaimer: This review is solely the property of Dark Juan and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

EMQ’s with Forged In Black

3540372556_logo

EMQ’s with Forged In Black

Hi everyone. Welcome to our new EMQ’s interview with Forged In Black. Huge thanks to vocalist Stoz for taking part!

What is your name, what do you play and can you tell us a little bit about the history of the band?

Hi guys, Stoz here lead singer of Forged in Black. We’ve been forging away creating our style of British Heavy Metal for 10 years now, since schoolboys Kieron Rochester and Andy Songhurst started the band. Our members are Kev on drums, Bone on guitar, Andy on lead guitar and Kieron on bass. We’ve just celebrated our 10th anniversary with a home town show in Southend on sea Essex to finish the decade in style.

How did you come up with your band name?

Originally the band was named “Merciless Fail” by Kieron and Andy. In 2013 we felt the name wasn’t as strong as the band were becoming so we changed it to our most anthemic song title from our first release “Forged In Black”.

What country are you from and what is the Metal/Rock scene like there?

We are all from Southend-On-Sea in England. Nationally, we believe the metal is strong in the veins of our Country men and women, and there are so many fantastic bands about. With festivals such as Bloodstock giving smaller bands opportunities it is opening the local scenes up to exposure that just wouldn’t be there without them, due to venue closures.

What is your latest release? (Album, EP, Single or Video)

This year we released our second album “Descent of the Serpent” produced by Romesh Dodangoda (Motörhead, Bring Me The Horizon) and released via Fighter Records. It’s released worldwide via all streaming site and our website. We have a couple of music videos up if you check out our Youtube and Facebook http://www.facebook.com/forgedinblacks

Who have been your greatest influences?

All 5 of us have our own favourite styles, artists and genres. To name a few of them collectively I’d say, Black Sabbath, Iron Maiden, Metallica, Judas Priest, Pantera and some Death metal thrown in there for Bone.

What first got you into music?

My mother has always had love for music, so I grew up with the Beatles, Doors and everyone during 60’s-80’s blasting out on the car radio or on in the house.

If you could collaborate with a current band or musician who would it be?

We recently opened up for the Three Tremors at a show in London, so we’d love Tim Ripper Owens to jump on a track in the future. That would work great and he’s such a fantastic singer. I’ve been a big fan for years.

If you could play any festival in the world, which would you choose and why?

To be honest we’d like to play them all!! They are great fun and the fans are there for one reason and that’s to bang their heads to Metal.

What’s the weirdest gift you have ever received from a fan?

I can’t think of any weird ones.

If you had one message for your fans, what would it be?

We love you and thank you for supporting us for the last 10 years. See you in 2020 for bigger and better things.

If you could bring one Metal/Rock star back from the dead, who would it be?

For me it would 100% have to be the master, Ronnie James Dio. To talk to him about all his creative and magical ways.

What do you enjoy the most about being a musician? And what do you hate?

It has to be playing live, the energy of that and the execution of our performance in front of great people all there to rock. Hate, it would have to be the long drives.

If you could change one thing about the music industry, what would it be?

Bigger pay-outs from streaming sites.

Name one of your all-time favourite albums?

Epicus Doomicus Metallicus – Candlemass – I love the doom, the songs and the singing by Johan Langquist. I always have a copy in the car.

What’s best? Vinyl, Cassettes, CD’s or Downloads?

I think I prefer CDs. It comes with artwork you can behold and admire, lyrics or information inside. So for me, yes CDs. Until I leave them laying around and break them.

What’s the best gig that you have played to date?

This year we headlined the Serpents lair VIP stage at Bloodstock, so that’s the best so far and this year. Great fun and a great festival.

If you weren’t a musician, what else would you be doing?

We all have day jobs, so I guess we’d just be doing them with a large Forged in Black hole in our lives.

Which five people would you invite to a dinner party?

Kev, Andy, Bone, Kieron and James Hetfield, that would be interesting.

What’s next for the band?

Up next for us as we storm into 2020, is a lot of social media behind the scenes bits and bobs. As we release new gig dates, record more music videos for tracks off “Descent of the Serpent” and continue writing album number 3! So make sure you are on our Facebook, Instagram and twitter pages for great new content.

What Social Media/Website links do you use to get your music out to people?

You can check us out on our website http://www.forgedinblack.com with links to all social media and online stores. http://www.facebook.com/forgedinblacks

Jaffa Cakes! Are they a cake or a biscuit?

Clues in the title for me, a cake and not on my shopping list.

Thank you for your time. Is there anything else that you would like to add?

Thank you for your questions and we hope to speak more in 2020.

 

 

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

EMQ’s with Lonescar

untitled

EMQ’s with Lonescar

Hi everyone. Welcome to our new EMQ’s interview with Texan Metal bank Lonescar! Huge thanks to guitarist, Micheal Perez and vocalist, Brian Valdibia for taking part!

What is your name, what do you play, and can you tell us a little bit about the history of the band?

M – I’m Michael Perez and I play guitar for the band Lonescar. This band essentially evolved from a middle school talent show performance. Members came and went over time because it wasn’t taken seriously at all. Playing music was as much as a hobby as playing video games; it was just something to do on the weekends at a friend’s house. It wasn’t until 2013 when the members at the time buckled down and decided to take this seriously, which was short-lived after “adulting” kicked in. In 2015, we recruited a second guitarist, Joe Luera, and our current vocalist, Brian Valdibia. Joe had to bow out of the band due to personal reasons. So, this current incarnation of Lonescar started in 2018, which is the first time the band officially performed and started writing as a four-piece. This band always had two guitarists, and after our 4th one left, I just grew tired from the thought of teaching some new guy our set for the umpteenth time. But I do believe that as a four-piece, the true essence of Lonescar is captured.

B – My name is Brian Valdibia, and I’m the lead vocalist is the band. Lonescar was formed in mid-late 2013 and had built a nice following and had some big name shows under their belt, I found out about them in 2015 through a mutual friend who happened to be a sit-in drummer that they had before J.C. I had a similar band at the time, we were both young, thrashy, and hungry and as soon as I met and saw these guys play once I knew we would kill it if I was fronting this band. (Brian’s responses are highlighted)

How did you come up with your band name?

I didn’t, these guys already had it when I joined, I thought it was clever, funny, and catchy.

What country are you from and what is the metal scene like there?

M – I am from the greatest “country” on God’s green Earth – The Lone Star state of Texas. Texas is HUGE and the musical scenes vary depending on which part of the state you’re in. We are from the southernmost region of Texas called the Rio Grande Valley. As far as metal goes, I’d say everything is standard. It’s not until you dig in to the alternative and rock scene where the heavy Tex-Mex influence is present. A lot of Latin sounds and imagery are injected into the music.

B – We’re from the states, Texas to be exact, and our metal scene as a whole is “good”, but we’re from a primarily Mexican/Hispanic area, so a lot of poverty, places go out of business all the time so it’s hard to keep venues and bars open for metal bands to play at.

But when there’s support, THERE’S SUPPORT!

What is your latest release (Album, EP, Single, Video)

M – Our upcoming release “Lust for the End” will be coming out in January 2020. It will have 11 songs, all of which we wrote as a four-piece. It is a really dynamic record because each member has their own unique taste in music, yet we are all tied by a thread due to our common influences with bands such as Pantera, Lamb of God, Gojira, Mastodon, etc. So, do not be surprised if there are some 2009 metalcore elements in one song and then full-blown death metal in the next song.

B – Our latest release will be our single “Images from Mauthausen” from our album “Lust for the End” that comes out in 1/31/2020. The single will be available for streaming on 12/13/19, it’s a hell of a banger so y’all need to check it out! We also have a couple of more singles/goodies coming out before the end of the year, so keep those eyes peeled!

Who have been your greatest influences?

M – My journey through metal and rock started with the classics. It’s common for people my age, when they were kids, to start with the modern and heavy shit from the get-go and then find their way back to the old goodies. So, when I picked up the guitar and developed an interest in music, all I knew was KISS, Led Zeppelin, and Black Sabbath. As far as my approach on guitar goes, my foundation is built upon Ace Frehley and Jimmy Page. So, I’m not one to shy away from some gritty pentatonic runs when it is necessary, and then I eventually stumbled upon the great Dimebag Darrell, which is basically a given if you grow up in Texas. The person that kind of nudged me into the pool of shredding and melody was Synyster Gates, so he has a small place in my heart for that. I then fell in love with the bends and exotic style of Marty Friedman – you can hear some of those nuances in some of my lead playing. The last person to make an impact on me was Oli Herbert from All That Remains. His style was just beautiful aggression, and he is the reason why I picked up an Ibanez Xiphos.

B – Life in general, I get influenced by pretty much anything I consider beautiful to this world. Art, movies, literature. If you mean music wise, I would have to say John Lennon, Dallas Green, and Phil Anselmo just to name a few but honestly way too many to list.

What first got you into music?

M – I can’t really remember the exact moment I got into music, nor can I recall exactly why I wanted to play guitar in the first place. Growing up, I remember listening to George Strait and The Eagles a lot with my dad, and when I hung out with my uncle, there was always KISS playing around the house. I was just always exposed to music, and I guess it helped that I was around people that were obsessed with the music they listened to. Nobody in my family plays any instruments, so I am really perplexed as to why I got into this stuff. Shit just happens!

B – I’ve always liked music, some of my earliest memories are listening to tapes and spending hrs. playing with them, my mother loves to sing so the house was always blasting the stereo and my step dad played drums so that had to do a bit with it too I suppose.

If you could collaborate with a current band or musician who would it be?

M – I would like to collab with Chris Stapleton and see how heavy we can get. I’ve always been a big fan of his voice and song writing. Then I heard his song “Blow” that he performed with Bruno Mars and Ed Sheeran. That song riffs hard, so it would be cool to hash out an even heavier banger, and perhaps some outlaw stuff in-between.

B – Dallas Green for sure! He’s an amazing song writer. I would also love to work with kerry2smooth, he’s an amazing r’n’b guitarist and I would love to make a record like that one day. Most of the music I make by myself is really outside of metal really ha-ha!

If you could play any festival in the world, which would you choose and why?

Download fest!!! or any European style festival Or Mayhem now that its back!! 😉 ACL would be cool too just cause we’re from Texas, and I would love to see most of the rappers on the bill anyway.

What’s the weirdest gift you have ever received from a fan?

I once received a thong that was autographed by the guys in Havok. It was a belated birthday gift from a fan, and I still have it tucked away in a drawer somewhere. For the record, the thong was never used, although I did try it on once.

If you had one message for your fans, what would it be?

First of all: Thank you! We often hear from fans that they wish they had more material to jam out to. We hope y’all can enjoy our latest offering!

If you could bring one rock star back from the dead, who would it be?

M – For the sake of seeing Pantera live, I would bring back Dimebag Darrell. I was in the 5th grade when he passed, and I had no idea who Pantera was at the time. I feel as if he was taken away from us too soon, and he still had a lot of music to grace us with. Obviously, what he did with Pantera was great, but I also enjoyed what he put out with Damageplan. Dude even jammed with David Allan Coe, which is awesome in my book. Perhaps in 2020, there could have been a Pantera reunion and another country collaboration with the likes of Cody Jinks.

B – Well it used to be dime but now that Vinny is gone too, I’d have to bring back two. I was born a tad too late to see Pantera.

What do you enjoy the most about being a musician? And what do you hate?

M – I hate practice. I hate rehearsals. I hate band expenditures. I hate the clashing of personalities and egos. I hate transporting and setting up my gear for shows. I hate maintaining my instruments and equipment. I sometimes don’t even know why I do this, until there is that moment when I step back and realize how much fun I am having with some of my best friends – my band. The memories I have partying and performing with these dudes are irreplaceable.

B – I love “The life,” sharing music with the world, sharing my thought with others, meeting new people, and seeing different places. I hate the loneliness, creative frustration, and the instability sometimes but if you work hard enough you do notice change. Just like anything else.

If you could change one thing about the music industry, what would it be?

The way connections are, and networking is done, I think it should be focused purely on talent and actual hard work but like anything money talks.

Name one of your all-time favourite albums?

M – If there was a gun to my head, I would pick Green Day’s American Idiot. It is a perfect album that I jammed to every day from front to back for years. I was 9 or 10 at the time of its release, right when I was starting to become aware of our nation’s political turmoil, and the album addressed topics such as mass hysteria, war, and the struggles of the middle class. The story that followed the album’s protagonist, Jesus of Suburbia, was amazing and relatable. Green Day also managed to pull of not only one, but two rock operas in a punk album. It was all killer and no filler.

B – Dark Side of the freaking Moon!!! I can listen to it every day, or St Pepper’s Lonely-Hearts Club Band, amazing records that have stood the test of time and still sound great.

What’s best? Vinyl, Cassettes, CD’s or Downloads?

M – Without trying to sound like a hipster, (which would be impossible in this case), I love listening to vinyl when I am in the mood to get intimate with the music. Just the ritual of pulling out a Frank Sinatra record out of its sleeve and then dropping the needle is a great feeling. Remove all distractions, pour yourself a glass of whiskey, and just take all the music in. The sound quality is also objectively better than a compressed MP3 file.

B – I love vinyl and started growing my collection, I grew up with CDs right when tapes were leaving so I have an insane amount, I’m the type of person that like physical copies but I do stream a lot too just cause of how convenient it is.

What’s the best gig that you have played to date?

M – My favourite gig was at the Thirsty Monkey in McAllen, Texas, which is a bar with a small stage and outdoor area. I mean, we typically played there all the time, but there was this one night in particular that was especially fun. For whatever reason, the entire crowd came to party. There were pits, beers in the air, and people pressed up against the stage with smiles on their faces. At one point 3 or 4 people jumped on stage, grabbed Brian’s microphone and started singing our songs. It was a great feeling.

B – Probably opening up for Havok, that was a killer show and we destroyed that night, anytime we’re in Fredericksburg Texas is a party too lol

If you weren’t a musician, what else would you be doing?

M – I am already spreading myself thin and attending to all my aspirations at once. Writing and recording a full-length album is no walk in the park when you are also applying to medical school.

B – I’m currently finishing up my BA in anthropology so if I wasn’t a musician, I’d be doing lab work or extensive research somewhere.

Which five people would you invite to a dinner party?

M – My idea of a dinner party is typically a lot of barbecued meat and a cooler full of Shiner Bock. I love camaraderie and engaging in conversation with people that are also not afraid to get rowdy when appropriate. That being said, I would pick Joe Rogan, Randy Blythe, Corey Taylor, Aaron Franklin, and Dave Chapelle.

B – Malcom x, John Lennon, Terence McKenna, Richard Pryor, and Richard Linklater, that’s amazing party and a great conversation.

What’s next for the band?

M – I would hope to give our album Lust for the End a proper touring cycle and light the state of Texas on fire. This is our first full-length album and it was a huge investment, so I would like for it to get as much exposure as possible.

B – Anything and everything! 2020 we are coming for you!

What Social Media/Website links do you use to get your music out to people?

Facebook, twitter, Instagram, follow on Spotify as well and make sure to add us to your playlist

Jaffa Cakes? Are they a cake or a biscuit?

M – I’m afraid to Google this because I do not want another “blue waffle” situation.

B – I have no idea, I googled it and it says it’s both, so I’ll go with that. Maybe send us over some so we can try them!

 

 

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

INTERVIEW WITH KIARA LAETITIA

Calendar cover

INTERVIEW WITH KIARA LAETITIA

We recently approached Kiara Laetitia, former vocalist with Italian power metal band Skylark, to do a feature about her new book and calendar, which were released at the beginning of December.

Here is our interview with the lady herself:

Thank you for taking the time to talk to us, Kiara. How are you today?

KIARA: I’m great! How are you?

So, you have a new book out titled “Never Give Up – The Real Secrets of the Music Industry” – how is that being received so far by both readers and critics?

KIARA: Actually, pretty good! Especially by musicians who found it really insightful and honest. I’m happy cause they really grasped the essence of this book, as my intent was to be very straightforward. “NEVER GIVE UP – The Real Secrets of the Music Industry” is not a manual for success, no-one can teach you that. This book is rather a checklist of the fundamental topics every musician should know to start a career in today’s music business. I also interviewed several musicians to hear their thoughts about the new music business, so I sat down with members from Ministry, Powerman 5000, Delain, Lordi (and more), but also managers and booking agents.

“NEVER GIVE UP – The Real Secrets of the Music Industry” could have easily be 500 pages long  and it’s not, because I wanted it to be accessible to as many people as possible. So, for these reasons, this book isn’t omni-comprehensive, which is why I decided to also share advice on YouTube and social media starting on January.

What made you write the book in the first place?

KIARA: Many reasons. The first being that I wish I had someone be this straightforward to me when I started out. I wish I had known all of this about the music industry. I had to learn it the hard way, by making mistakes, and failing. The second reason and what really pushed me to write this book was a couple of specific experiences as a label owner and coach who made me realize that many musicians have little knowledge of the music industry and how things work out. This makes the relationship between the industry and musicians very complicated. I’d like to share my experience, my mistakes and give insights on an industry that has been inaccurately portrayed by TV and movies.

It’s definitely a good thing that you are offering advice to new musicians. Do you wish you had this sort of reference when you were first starting out?

KIARA: Yes exactly. These days there are many books on the music industry, even though I haven’t found a single book that talks about buy-on, for instance. I didn’t start that long ago, but back in 2002/03 there was no information and the people around me didn’t offer any type of advice. At the same time, I’m glad I learned things through trial and error, because it made me who I am today. With my book, I would like to start making a change in the mentality around the music industry and offer practical help.

Where can readers get a copy of the book (and the calendar)?

KIARA: For now, they’re both available through my online shop. The book has both e-book and hard copy version. It can all be found here: http://www.bit.ly/kiaralaetitiashop.

Part of the profits of the book (and the calendar, which we will talk about in a mo.) are going towards Mental Health Illnesses. What made you choose this charity?

KIARA: In the past several years, I’ve been very vocal and active about mental health awareness. The reason is that I’m a mental illness survivor myself. I started suffering of panic attacks when I was 19, which then led to depression, and they went on and off for quite some time. It was in 2014 that I finally took action and worked on myself and taking care of my mental health. You see, we all talk about physical health, if we break an arm we go to the doctor and have it fixed, but we pay little to no attention to our mental health, to the point that, if we get mentally sick, we’re called crazy and don’t seek the help of a doctor. This stigma must finish. Our mental health is as important as our physical health and it should be treated as such! People who never dealt with mental illness think that those who have or had a mental illness are weak, while it’s actually quite the opposite. Those suffering of depression or panic attacks are actually some of the strongest people I know, as it takes a lot of strength and willpower to even get out of bed every single morning. My intention is to end the stigma surrounding mental illness and finding a way to offer financial help to those who cannot afford a psychologist or proper medication.

Mental health issues are definitely at an all-time high, aren’t they? We all need to do what we can to raise awareness.

KIARA: I think mental illnesses have always been there. Simply, like a century or even fifty years ago, people wouldn’t talk about it and would die for unknown causes. If we read certain poets and writers, we can totally see they were heavily depressed. There wasn’t awareness back then, and there was a lot of shame surrounding this topic: people were just called crazy. Shame is still there nowadays, but it’s getting better and luckily more and more people from the entertainment industry are being vocal about it, so other people don’t feel ashamed in saying. “Hey I’m bulimic! Or I’m depressed! I need help.”

Along with the book, you have also released a calendar. Where did the idea come for that?

KIARA: I’ve been wanting to do a calendar for a few years now. In the summer, I was going through some ideas on how to visually represent the book, represent a strong woman in the music industry, represent the idea of not giving up…and I though the calendar could be a great idea. All the pictures in the calendar give a sense of strength and passion, which is one of the concepts present in my book “NEVER GIVE UP – The Real Secrets of the Music Industry”.

You’ve modelled for a few big names. Is modelling something you would get back into?

KIARA: I have. Would I model again? Well, I’ve done it for the calendar. I guess if a cause or brand I believe in would ask I’d definitely do it, but working again as a full-time pro model I’d say no.

Do you have any plans in the pipeline for the music side of things or are you concentrating on the book and calendar at the moment?

KIARA: I released a cover version of “The Power Of Love” (Frankie Goes To Hollywood) for Christmas, a duet with Sonny Ensabella from Queenmania. In 2020, I’ll focus more on new songs and have something released musically speaking. But 2020, will also see me promote my book.

I know we are not supposed to mention a lady’s age, but you turned 40 this year. Do you have any plans of slowing down or will you just keep going with all your endeavours?

KIARA: Then don’t mention it!!! Hahaha! Why should I slow down? I don’t feel 40, so age is just a number: I know several 20-year-olds that look and think much older than a 60-year-old! Our age is more dictated by the way we feel, how we treat our body, what we eat, our lifestyle. I know that a woman past the age of 30 is considered damaged goods in the music business, but luckily more and more women are setting an example and are showing the world that age is just a number and that women kick ass despite their age! Look at Cristina Scabbia (47), Tarja Turunen (42), Sharon Den Adel (45), Doro Pesch (55), they’re all past their 40s and they still rock the world (and will continue to do so for many years!!!). So, I have every intention of joining my fellow metal ladies in setting an example and kicking some asses for a bit longer…

As a woman the wrong side of 40 myself, I am quite in awe of everything you do and have achieved. Do you consider yourself a bit of a role model and do you have any advice for women of a certain age looking to fulfil their dreams?

KIARA: First of all, thank you! I think that the main point we should consider is the wording “a certain age”. As a linguist, I do pay a lot of attention to words… Have you noticed that people say “a certain age” referring to women but it’s less used for men? We still live in a world that pays too much attention to a woman’s age; when a woman is not in her 20s anymore, she gets old while men become interesting. This is absolutely wrong and sexist from our society. I don’t consider myself as a role model but I definitely wanna tell all the women out there to fulfil their dreams, to change career if they want to, even if they’re 50, to believe in themselves, to not let anyone tell them they’re too old to do what they want. We have time and hope until our last breath. Never Give Up. Love yourself, fully and intensely.

Thank you for your time. Is there anything else you would like to add?

KIARA: Thank you for this chat. Never Give Up!

 

 

Disclaimer: This interview is solely the property of Dawn “The Metal Priestess” King and Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.