Resin – The Cycle of Need

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RESIN – THE CYCLE OF NEED

Attic Records

Release Date: 13/07/2018

Running Time: 47:52

Review by Rick Tilley

10/10

Right, before I get started on this review, it’s fair to say I haven’t been writing so much recently. Actually running a website/page gives you very little time to do anything else and, on top of that, I’ve found out I’m tremendously OCD about everything that I do so it all probably takes twice as long as it should do! I love what I’m now doing but sometimes you want to get back to just listening to some fantastic music and writing about how it makes you feel so I’m going to do that more often from now on!

Coming to that decision has been made so much easier thanks to Leicestershire Grunge/Hard Rock band Resin, whose latest album “The Cycle Of Need” has punched a huge emotional hole inside of me. I’ve known these ‘guys’ for a few years now and have interviewed them on more than one occasion. They know that when I first heard them, I wasn’t at all sure about whether I actually liked them or not, if you want to use sub-genres then Grunge isn’t my favourite word, but I’ve stuck with them and watched them grow. In 2015 there were a few line-up changes and they released their “Persecution Complex” EP which was a big step forward in quality and now we have the new album!

“The Cycle Of Need” sees the introduction of violinist Emma Bennett (Cadence Noir) as a sixth member and I’d like to shake the hand of the person that decided they needed to add strings of a different kind because her inclusion in the band is an absolute masterstroke! If you add that this collection of songs are, far and away, easily the best thing that Resin have ever recorded then things are looking more than good. Resin have found their complete sound and I absolutely adore it. Their mix of Grunge, Metal, Hard Rock and Folk is a joy to listen to, in fact it’s haunting and the more I listen to this album the more it moves me. Yes, they have revisited a couple of songs from their first album but these recordings do them so much more justice they may as well be completely new compositions!

Dave Gandon’s vocals are superb and the lyrics are sung with such feeling that it’s difficult not to wipe away a tear when listening to them, whether that’s tears of sadness or anger! Resin can be very hard hitting one minute, some of the riffs here are huge, and then completely floor you with something so gentle and beautiful the next but nothing sounds disjointed or out of place. It’s not just Dave or Emma that excel though, every member has stepped up to the plate and delivered huge performances and the production, handled by Neil Hudson at Initiate Audio, has given Resin the massive sound they have always deserved.

I’ve listened to thousands of bands over the years and whilst it’s lovely to feel safe with the Classic, Power and Thrash Metal bands that I love so much, sometimes it’s amazing to hear something different and that challenges me on multiple levels. Arguably, Resin have come up with a sound that I personally don’t think sounds like anyone else and that’s not an easy thing to say in 2018!

“The Cycle Of Need” is a breath-taking achievement and one which Resin should be hugely proud of. When music can speak to the listener like this album has done to me and then I get to write about it, well it just proves I’ve got nearly the best job in the world. I say nearly because the only way it could be better is if I had written the tracks myself.

I urge everyone that reads this to buy or stream “The Cycle Of Need” and really digest what’s on offer. It deserves that level of commitment because the music has been written and performed with such passion. Awarding full marks to an album is not something I often do but never have I found it as easy as I have done here!

TRACKLIST

  • 01 Never Learn
  • 02 Monster
  • 03 Shitstorm
  • 04 Clouds
  • 05 Angel
  • 06 Burn
  • 07 Poison
  • 08 Open Heart Trauma
  • 09 Blood Of Angels (Bonus Track)

LINE-UP

Dave Gandon: Vocals/Guitar
Mark ‘Chez’ Roseby: Guitar/Vocals
Simon Yarwood: Guitar
Drask George: Bass/Vocals
Ryan ‘Sticks’ Hextall: Drums/Percussion
Emma Bennett: Violin

LINKS:

 

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Disclaimer: This review is solely the property of Richard Tilley and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to do adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Naberus – Hollow

Hollow Cover

NABERUS – HOLLOW

Eclipse Records

Release Date: 29/06/2018

Running Time: 59:45

Review by Dawn “The Metal Priestess” King

7.5/10

 

Naberus are a five-piece metal band from Melbourne in Australia, heavily influenced by melodic death and thrash metal, and Hollow is their new album, released on 29th June 2018 by Eclipse Records.

Formed in 2009, they released their demo “Ruins of Society” in 2010, and, with it, showcased their ability to combine aggression, melody and groove. The demo captivated audiences worldwide and reached number four in the mp3.com metal charts.

They soon caught the attention of Ermin Hamidovic (Architects, Periphery and Devin Townsend) and he recorded their next EP “The Fallen” in 2011 at his studio Systematic Productions. They spent the next few years playing shows throughout Australia, including festivals such as Sonic Forge in 2011 and 2012 and Atmoshphere, and played alongside Soilwork in 2015.

Their first full length album “The Lost Reveries” was released in 2016, displaying their heavy, intricate riffs, and received critical acclaim and positive reviews from both press and meta radio alike, with Australia’s “Heavy Mag” calling them ‘Australia’s next best thing.’

The latest album “Hollow”, mixed this time by Henrik Udd (Bring Me the Horizon, Architects, A Breach of Silence) and features fourteen brand new tracks that show a significant progression in the song writing abilities of James Ash and Dan Ralph. There is a strong focus on groove in this album, while at the same time being a combination of death metal mixed with some thrash and modern groove metal. These guys wouldn’t be out of place on a bill with the likes of Bring Me the Horizon and Enter Shikari.

There is a wide variety of subject matter in the lyrics, from the intensely personal “My Favourite Memory” which was written about James’ father’s battle with dementia, to the title track “Hollow” which criticises the hypocrisy of hate-filled religious leaders during the fight to legalise gay marriage in Australia.

The band perform energetic and captivating live shows and the power and aggression of these is captured into their recorded material.

This is a solid, straightforward heavy metal album with extended range / djent riffing, solid drumming and awesome vocals, blending clean with aggressive easily, and the whole album is a serious kick up the jacksie.

The title track “Hollow” is also the first single from the album and the bands newest video that was uploaded to YouTube on 17th April 2018.

The only thing I would say against this album is that it is possibly a little on the long side. At just over 59 minutes, with a sound that could, to some people, sound repetitive, this album could be a bit too much for some people. There is certainly a lull during the middle of the album in quality of the tracks, which although still good, may not be missed if they were to be omitted completely.

Having said all that, this is a great album. I can’t compare it to their previous releases as this is the first of their material that I have listened to, but I did like this one and I will certainly be checking out their stuff from before this.

I think this is a must for any metalcore fan! But don’t take my word for it, go out, buy it and see for yourself!

 

TRACK LISTING

  • Slaves
  • Space to Breathe
  • Split in Two
  • Shadows
  • Webs
  • Hollow
  • I Disappear
  • The End
  • Seas of Red
  • The Maze
  • My Favorite Memory
  • Fading
  • Burrow
  • The Depths

 

SOCIAL MEDIA

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Disclaimer: This review is solely the property of Dawn “The Metal Priestess” King and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to do adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

 

Satan’s Empire – Rising

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SATAN’S EMPIRE – RISING

3M’s Music

Release Date: 25/05/2018

Running Time: 52:07

Review by Dawn “The Metal Priestess” King

9/10

 

So, here I am again, with yet another NWOBHM album to review. Not bad for someone who is not really a fan of the genre, eh? But, that’s the beauty of reviewing. There is always something to review that is out of your comfort zone.

So, Satan’s Empire? Hmmmm, a band originally founded in Dundee, Scotland during the NWOBHM years of the late 70’s / early 80’s, there is surprisingly little information about them on the internet. They were most known for their song “Soldiers of War” which featured on the “Leadweight” compilation album for Neat Records and this gained them an almost mythical status.

After a thirty-year hiatus, they reformed in 2015 with the original London line up, consisting of Paul Lewis on guitar, Wayne Hudson on bass, Derek Lyon on vocals, Sandy McRitchie also on guitar and Magpie (Gary Bowler) on drums, releasing their first EP in 2017, and this, their first full-length album, released on 15th June 2018.

Over thirty years is a long time to wait for a band’s debut album so was it worth the wait?

I would say a resounding YES!

This is not just a NWOBHM album, it is a stonking modern day heavy metal album. Each track stands out by itself and there really are no fillers. Some could consider it a bit cliched with track names like “Slaves of Satan”, “Shout it Out (Hail!)” and “Dragon Slayer” but this in no way takes away from the musicianship and talent that has gone into producing this album.

The biggest compliment I think I can give this album is that it reminded me very much of a Saxon album, and a good Saxon album at that. I don’t know whether they have drawn influence from the Barnsley band or whether this was a total coincidence, but, in my opinion, it worked very well.

Satan’s Empire are a band that perform regularly at venues near me (always on a bloody Sunday when I can never make it I might add though!) but I was lucky enough to see them at The Roundhouse in Dagenham when they supported Alan Davey’s Ace of Spades and that was when I realised they are actually a really good band. They were excellent in a live setting and the energy and enthusiasm they had on that stage has transferred effortlessly to the cd.

I, for one, hope to see them many more times live, and I also hope they continue to make the music they are doing now and make many more great albums.

You never know I might actually become a NWOBHM fan because of it 😊

 

TRACK LISTING

  • Slaves of Satan
  • Shout it Out (Hail)
  • Satan’s Empire
  • Soldiers of War
  • Dragon Slayer
  • Come Back
  • On the Road to Hell
  • Lucifer
  • Politician
  • Suicide Man

 

SOCIAL MEDIA

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Disclaimer: This review is solely the property of Dawn “The Metal Priestess” King and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to do adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

 

Yatin Srivastava Project – Chaos//Despair

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YATIN SRIVASTAVA PROJECT – CHAOS//DESPAIR

Incendia Music

Release Date: 25/05/2018

Running Time: 47:06

Review by Dawn “The Metal Priestess” King

8/10

 

After reviewing the Nitish Pires album recently, I couldn’t wait to get my hands on yet another Indian metal album, and this time it was the new release by the Yatin Srivastava Project, Chaos//Despair. Yatin is a guitar player / musician based in New Delhi, India, and this is his first full length album.

Having started out as a bedroom project, Yatin has taken huge steps to get out there as a full-blown progressive rock/progressive metal band in the Indian and United Kingdom independent music scene and has previously released two EP’s (“The Dream Plays in Reverse” and “Constructing an Acoustic Dream”), a live DVD as well as two brand new singles and has been featured in UK magazines “Powerplay Magazine” and “Fireworks Magazine.”

With influences ranging from Porcupine Tree, Karnivool and TesseracT to Tool, Devin Townsend Project and Opeth, it is clear where their sound leans. Taking its original inspirations from the soundscapes and ambience of Porcupine Tree, Pink Floyd, Karnivool and so on, they have mixed in an element of electronic music inspired by bands such as Radiohead and Nine Inch Nails to create a personalised sound the band can call their own. On the live stage, they are lead by a powerful female voice, courtesy of Marissa Landy and incorporate a tight musical section comprising of Archie Farrer on bass, Sam Machin on guitars and Arjun Gupta on the drums.

At just over 47 minutes long, and almost two years in the making, the album is divided into two broad themes of “Chaos” and “Despair” and mostly deals with Yatin’s experiences throughout the last few years, with topics such as political disarray, religious fear-mongering, war, loss, lack of inter-personal connections and battles relating to mental health and personal strife all making an appearance.

“The sonically diverse record’s goal is to make the listener think, and possibly continue the conversation, about things that are usually not talked about in society today,” says the band’s notes. And if an album can conjure that from a listener then I think its half way there to winning the battle.

Most of the album was produced by Yatin himself in various living rooms and makeshift studios but the band decided to record the drums at Plug n Play Studios with musician-extraordinaire Anindo Bose (founding member of Indian Fusion band “Advaita”). It also features an array of guest musicians including Craig Blundell (Steve Wilson) and Bruce Soord (The Pineapple Thief) as well as various Indian artists prevalent in the Indian music industry including Dhruv Visvanath, Kunal Singh (The Stage 2 Competitor), Sanjeeta Bhattacharya (Berklee Alumni) and Arjun Mathur (Meinl Drums Endorsee).

I didn’t mind this album, although it is a little too proggy for me. I like my music a bit more in your face than this, but I think a lot of progressive rock and progressive metal fans will love this. It has an ambience about it that is synonymous to the progressive side of the genre and, with the crossover between prog and electronic, it should appeal to a wide range of listeners.

Indian metal/rock music is a genre I had never explored before but if the last two Indian albums I have reviewed are anything to go by, it’s something that I won’t be ignoring again. Go and check Yatin Srivastava Project out…. you might just be surprised!

 

TRACK LISTING

  •  1. Alive
  •  2. Ozone
  •  3. Cognizance
  •  4. The Unknown
  •  5. Program.Obsolete
  •  6. Forgotten

 

SOCIAL MEDIA

https://www.facebook.com/YatinSrivastavaProjectOfficial/

http://www.yatinsproject.com/

 

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Disclaimer: This review is solely the property of Dawn “The Metal Priestess” King and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to do adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

 

 

Bob Kulick – Skeletons in the Closet

Skeletons In The Closet Cover

BOB KULICK – SKELETONS IN THE CLOSET

Vanity Music Group

Release Date: 15/09/2017

Running Time: 43:55

Review by Dawn “The Metal Priestess” King

8/10

 

You must be doing a good job as a review website when someone approaches you to review their latest album, right? But, when that someone is none other than American guitarist and Grammy Award winning record producer, Bob Kulick, you must be doing an awesome job! Well, that’s exactly what happened to us at Ever Metal headquarters and we are honoured to review his latest album ‘Skeletons in The Closet.’

Best known for his studio work with Kiss and his tenure with WASP, Bob was born in Brooklyn, New York, and is the older brother of former Kiss lead guitarist, Bruce Kulick, who, incidentally, was put forward for the job by Bob, himself.

Bob took a chance in 1973 and auditioned for the lead guitar spot in the then-new band, Kiss, but, although he impressed the other members of the band, it was the glitzier, Ace Frehley, who had auditioned directly after him, who was chosen to fill the spot.

Despite this, Bob later played (albeit uncredited) on four Kiss albums: Alive II (he played on three of the five studio tracks on the second side), Unmasked (where he played guitar on the track Naked City), Killers (playing on all four of the new studio tracks) and some minimal work on Creatures of the Night. He also played guitar on Paul Stanley’s 1978 solo album and on his 1989 solo tour.

But his contribution to the music world didn’t stop there. He has also worked with the likes of Motorhead, Meatloaf, Doro, Lou Reed and Tim “Ripper” Owens as well as playing guitar on WASP albums The Crimson Idol and Still Not Black Enough. This, as well as forming his own bands Balance, Skull and Murderer’s Row, have earned him 11 platinum or gold records throughout his career.

So, what of this album? Well, after a career spanning over forty years, this is actually Bob’s first solo album!! Recorded at Vegas View Recordings in Las Vegas, and produced and engineered by Bob himself, along with Bobby Ferrari, this is a collection of five new tracks and five classics from his albums with Skull and Murderer’s Row and features an array of musicians.

For a first solo album it would have been nice for all the tracks to be brand new ones, but I don’t really know much about Bob’s catalogue, so they were all new to me. While this is fine with me, older fans might feel a bit cheated by this.

Despite this, Skeletons in the Closet is a feel-good album, with lots of great rock tracks. The first half of the album consists of the five new tracks, probably the best of these being “London”, which tells the story of Jack the Ripper, and features the vocals of Twisted Sister’s Dee Snider. The only slightly ‘dodgy’ track of these five being the cover of “Goldfinger!” I didn’t really see the point of it and didn’t think it quite worked. I would have much rather seen another track like “London” or opening track “Rich Man”.

As previously mentioned, I don’t know much about Bob’s back catalogue so none of the classic tracks were known to me, but my favourite of these must have been title track “Skeletons in the Closet”. Sounding like it could easily have been pinched from the back catalogue of WASP, it features the vocals of David Glen Eisley, although he could easily be mistaken for Blackie Lawless (who I actually thought was singing at first!)

This album was never going to break any new ground, and I can picture some of the “older” music fans saying that it’s all been done before but even if you buy it simply for Bob’s guitar playing, its more than worth it. I’ve had this in my car for over a week now and I am still not bored with it, each track sounding better the more times I listen to it.

So, if you are a fan of technical music and poetic lyrics then this is not the album for you, but if you like a bit of rock you can listen to loud in your car with the roof down then go and get a copy of this! I loved it and I am sure you will too!

 

TRACK LISTING:

  • Rich Man
  • Not Before You
  • London
  • Goldfinger
  • Player
  • India
  • Skeletons in The Closet
  • Guitar Commandos
  • Eyes of A Stranger

 

SOCIAL MEDIA:

 

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Disclaimer: This review is solely the property of Dawn “The Metal Priestess” King and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to do adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

 

Vega – Only Human

Only Human Cover

Vega – Only Human

Frontiers Music srl

Release Date: 11/05/2018

Running Time: 52:57

Review By Beth Jones

9/10

My first experience of Vega was at Amplified 2017 and I was an instant fan. I love their kind of melodic, American rock – it brings out my girly side. Having been a life – long Bon Jovi fan, they sit very nicely in my tastes, and I was very pleased when I found out that they were releasing a new album this year.

Only Human is Vega’s fifth album. The band have produced it themselves, and have teamed up with legendary Canadian musician and producer, Harry Hess of Harem Scarem, to mix and master the final product, and what a pretty damn fine final product it is! Since it’s release date on 11th May 2018, I have had it on in my car as my ‘cheer me up on the drive to work’ music and it really does the trick!

Whilst Vega do sound very much like Bon Jovi, Nick Workman sounding very similar to JBJ in particular on this album, they do definitely have their own sound. That being said, they do fit very neatly into that style, it is very 80s, very American and very easy to get on with. With the quality of the songs on this album, this could quite easily be an album from a multinational chart topping band of that genre. It is 12 tracks of thumping American style melodic rock, with a good mix of upbeat anthems and ballads, all of which have catchy hooks, great melodies, and a finesse in the production quality that shows not only the skill, but the passion and craftsmanship of those involved.

It is really hard to pick out a favourite track from the album as they are all so good, however I think I do have two favourites; the title track, ‘Only Human’, and ‘Last Man Standing’. These were the two tracks that instantly caught my attention on first listen, and are definitely the tracks that I now sing along with.

Only Human, appearing about half way through the album, has the feel of a classic stadium anthem, starting off quietly, just vocals, keys and drums. I can imagine the staging for it – packed stadium, low lighting, the whole crowd cheering, spotlight on Nick for the verse, smoke machine, then BAM! Lights up! More Smoke! Drums! Guitars! Keys! Crowd going wild! Bouncing! WE ARE ONLY HUMAAAAAN…… Then I stop getting lost in the song and focus on the road because I am driving! But that is what that song does to you, and that for me is the mark of a good song and the whole point of music – the fact that it takes you somewhere else and makes you feel good. It has a more modern feel, whilst still hanging on to its classic roots. It is one of those songs that will stay ageless.

Last Man Standing, positioned in slot 3 on the album, is a different kettle of fish! More upbeat, but very 80’s American Rock. Good solid chunky rhythms underpin the whole song, with bass and rhythm guitar providing good riffs that echo each other in the chorus, along with a very catchy melody line, with classic harmonies in 3rds on the title line, which give the track a very nice lift. This is a track that you can really move to, and even if you are too cool to have a bop, I can guarantee you that you will not be able to resist some sort of movement to this song, whether that be a slight toe tap, or a very aloof nod of the head in time. IT WILL MAKE YOU DO IT – IT IS INFECTIOUSLY GOOD!! This track is my ear worm at the moment. I can be stood in the kitchen at work making a brew, and then all of a sudden, there it is!!! So goddamn catchy!!

The vibe of the whole album is pretty much encapsulated by these two songs. This is 12 tracks of really solid, really catchy ear worms that wouldn’t be out of place at any ‘mainstream’ event, but fit perfectly into the world of rock too, and it is for this reason that I am pretty sure the Vega boys are some kind of sorcerers, and their songs are their spells!! They certainly have me hooked!

If I had one criticism, and believe me it is incredibly hard to find one on this album, this is just because I am properly fussy, it would be that the vocals on track 11 (Fade Away) seem to be slightly out of sync with the rest of the track – just by a tiny bit – in the chorus, so it feels like the vocals are rushing. Whether this was an issue in mixing, or it is meant to be like that, I’m not sure, but it just doesn’t hit the level of brilliance the other tracks do. For this reason, it is my least favourite track on the album and, depending what mood I am in, I do sometimes skip it as my brain can’t cope with it being not quite in sync!

Other than that, this is an absolutely stonking album. OK, it’s not going to be everyone’s cup of tea, but it most certainly is mine, and judging by some of the other reviews it has picked up so far, I am not the only one who thinks so. If you are a connoisseur of high class Melodic Rock, you need this album in your collection now…right now!

TRACK LIST

  • 1. Let’s Have Fun Tonight
  • 2. Worth Dying For
  • 3. Last Man Standing
  • 4. Come Back Again
  • 5. All Over Now
  • 6. Mess You Made
  • 7. Only Human
  • 8. Standing Still
  • 9. Gravity
  • 10. Turning Pages
  • 11. Fade Away
  • 12. Go To War

 

SOCIAL MEDIA

 

Vega Pic by Beth Jones, Amplified Festival 2017

 

Disclaimer: This review is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to do adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photographs are the property of Beth Jones and PhotograBee – http://www.facebook.com/PhotograBeeImages

Nitish Pires – Am I Evil?

Am I Evil Cover

NITISH PIRES- AM I EVIL?

Self Release

Release Date: 18/02/2018

Running Time: 44:22

Review by Dawn “The Metal Priestess” King

9/10

 

I am always on the lookout for something different when I am reviewing so when Richard suggested I review this album, I jumped straight on it. And boy, was he right? Again!

This couldn’t be more diverse to anything I am used to listening to (and I listen to A LOT of stuff!) as it has been recorded by Nitish Pires, an alternative singer/songwriter from Mumbai, India. Now, don’t get me wrong, I haven’t been avoiding Indian rock/metal, it’s just that this particular genre of metal has never appeared on my radar, until now! And if I knew then what I know now about it, I would have sought it out much sooner.

Because I FRIGGIN’ LOVED IT!

But let me tell you a little bit about Nitish first.

He started on his musical journey in 2009 with the formation of his rock band “Nakshrata” and they released one album ‘Gulfam’, written entirely by Pires himself and released on Universal Music.

In 2007, he went solo, writing two albums ‘Sahedein’ and ‘Chauraha’, while also recording numerous tracks for TV adverts across India for companies such as Vodafone, Nokia and Fila, and has even composed a complete score for feature film “Soch Lo.”

He was proclaimed as the first Indian to tour to promote is music by The Times India when he visited 25 cities in India promoting ‘Chauraha’ and his non-stop work earned him a nomination for Best Indian Rock Album at the prestigious G.I.M.A Awards.

2014 saw him take a well-earned break to travel the world, during which he gained inspiration that would accumulate into his latest work – Am I Evil?

And in case you missed it earlier – I FRIGGIN’ LOVED THIS ALBUM!

Never have I heard an album where each track was totally different to the others, and this was, by no means, a bad thing. The entire album lasts just over 44 minutes, but it has the feel of being much shorter, a characteristic I think that can be put down to the diversity throughout. I am a great fan of uniqueness and this album is certainly that.

Mixing modern day thrash guitar riffs and screaming vocals with traditional instruments and lyrics, this album certainly has a lot more to offer than a lot of the albums released nowadays. The songs are three dimensional, each one standing out in its own right, and the album seems to take you on a journey, making your experience a lot of sounds along the way, almost as if you are experiencing Nitish’s journeys with him.

The album was recorded using his laptop and native instruments and sounds and definitely creates a unique sound. His inspiration from rock legends such as Jimi Hendrix, Pink Floyd and Black Sabbath are obvious, but combined with “Pires’ driven and tenacious nature, along with his DIY skills” (he used pillows and duvets to change his bedroom into a suitable recording space!) the album is given a down to earth and honest feel yet keeps that rock atmosphere.

My favourite track on the album is ‘You Fake’, which mixes traditional Indian singing with harsh metal vocals and seems full of rage and hatred, but tracks ‘Big Black Wings’, ‘Need You’ and ‘Not Going Mad’ are also stand out tracks for me. In fact, there is not a bad song on the entire album, and none could be considered as “fillers.”

If you have never listened to Indian fused rock/metal, then I suggest you go out and buy this album.  It is one of the best albums I have heard this year, and nigh on two and a half weeks in my car is a great testament to that!!

 

TRACK LISTING

  • 1. Fade Away
  • 2. Crazy BC-AD
  • 3. Johny 006
  • 4. You Fake
  • 5. Need You
  • 6. Big Black Wings
  • 7. It’s My Way
  • 8. Happy Nuclear
  • 9. Not Going Mad
  • 10. Hello Good Morning
  • 11. Undoe Se Maara

 

SOCIAL MEDIA

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