ColdHarbour UK – Live Stream Review

ColdHarbour UK
The Seagull Theatre, Lowestoft
Live Stream Presented by Centrepin T.V
26/09/2020
Review by Tammy Lomax

Screw you Coronavirus!!

With all the cancellations it might feel like you’ll never watch your favourite band onstage again, however, we have to adapt to this pandemic, whether we like it or not. So, the next best thing? Live streams baby!! Yeah!!

It’s surely better than nothing right? Be grateful for what we can do virtually, the love of our technology, our saviour but yet our own worst enemy at times.

Beer at hand? Good, now let’s crack on.

On Saturday 26/09/2020 at 8pm I was prepared and ready, sat on my sofa waiting for the live stream performance from ColdHarbour UK. It is a bit odd that I have my fluffy socks on, it’s a very sad affair that my ‘kock out boots’ are collecting dust. Up until now, I have been a Twitch virgin and I must say that it appears to be an excellent platform for occasions like these.

ColdHarbour UK are a three-piece Grunge/Prog/Metal band from Norwich. Tonight, they have a decent 1 hour set and It’s doubly special for us listeners/watchers because they are playing 5 new songs! The stage and setup are really cool. There is enough space between the three members, and they are all facing inwards, ready to open their set! ColdHarbour UK were born ready! I feel some nervousness for them, after all this is still a very new way of presenting a live performance, but that’s exactly what the buzz is about!

By the time fourth track ‘Sonorous’ kicked in, there were a fair few people tuning in to the stream and the fellas were getting some positive feedback on the live chat, this was definitely adding to their performance. At this point, they were all settled in, they sounded tight, the hard work and commitments with rehearsal’s having paid off. More and more energy was coming from all of them, the riffs were flying out hard and the sound of the bass was like a dribbling monster. No lie, one day I want a bass like that. It was a chunky funky BAD ASS!

So, we get to just over half way through and I frantically manage to squeeze a few questions in on the live chat

Tammy: “These times at the moment are absolutely bonkers right?! So, how have you prepared yourselves for tonight’s live stream?”

ColdHarbour UK: “A big shout out to Earth Studio’s, Pete has been fantastic. He has been flexible following social distancing rules and allowed us to use the studio for rehearsal, preparing ourselves for tonight”.

Tammy: “You are playing a lot of new tracks tonight, can you tell us the process of writing these tracks, and what are the inspirations behind your magic?”

ColdHarbour UK: “We build ideas as a group, Alex and Tom work on the main melodies and then we collaborate”. “Our inspirations are varied! Tom and Alex like Prog and Metal and Ian likes Grunge and Metal”.

Tammy: “When Covid-19 is over and some normality resumes, what are your plans and hopes for the future as a unit?”

ColdHarbour UK: “We plan to record and release our stuff, so we can be heard, this does take some time and money though”.

Now, with the questions out of the way, I really need to point out my favourite track from the performance. ‘Silence Is Deafening’ was projected and performed with precision. It was one of the new tracks, but I heard no misfires or awkward notes. Vocals were clean and clear and the bass didn’t overshadow either it was just a perfect mix.

Wow, by this point they were absolutely pumped up. There were positive interactions and even more feedback coming from the crowd. I felt I was attending an actual gig in my FLUFFY SOCKS!!

The rest of the performance was mainly instrumental although there were some vocals and you could really hear their talent. They have a great concoction of ideas and the three of them work together perfectly.

ColdHarbour UK are definitely committed and I personally have a soft spot for these fellas! Regardless of Covid-19, they are still pushing themselves and are full of creativity and new ideas, I really see a bright future for these guys.

TRACKLISTING:
01. Hour Of The Wolf
02. State Of Mind
03. Dorje’s Wish
04. Sonorous*
05. Subterfuge*
06. Blackest Days
07. Silence Is Deafening*
08. 13 & Four*
09. Somewhere To Call Your Own
10. Fall Away
11. Roots*
12. Battlestar Spactacular

*New Tracks.

LINE UP:
Tom Brown – Vocals and Guitars.
Alex Taylor – Bass
Ian Arnold – Drums

LINKS:
You can watch the full performance here…
www.facebook.com/1306612549359805/posts/3462156187138753/

www.facebook.com/ColdHarbourUK/
www.instagram.com/coldharbour_band_uk/
www.open.spotify.com/artist/2GLXhpPmCxJc9BIwm1sQ9s
www.youtube.com/channel/UCtBnBwCFdSEJR1nrybWDnsA

www.facebook.com/CentrepinTV/
www.facebook.com/seagulltheatre/
www.facebook.com/WendyHouseRecordingStudio/

Disclaimer: This review is solely the property of Tammy Lomax and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

European Metal Festival Alliance 2020

European Metal Festival Alliance 2020
Virtual Festival – Live In Your Living Room
7th/8th/9th August 2020
Review by Beth Jones with annoying interjections from Rick Tilley

With the world still in the grips of a global pandemic and the flickering light of the chance of live music happening at all this year steadily dimming, the great and the good of European metal decided that sitting on their laurels and moping was not the way forward. Something needed to be done to feed the metal fans’ lust for a festival. And, as always, the best solutions to problems are found with a little thinking outside the box. In this case, ‘if we can’t bring the fans to the festival, then why not take the festival to them’. Ok it may not be what we truly want. Nothing beats drinking beer in a field with your best friends, amongst other like-minded souls who truly understand how we all fit in to this crazy world, and watching fellow like-minded souls thrashing things out on an awesome stage to bring us all pleasure. But, in the circumstances, it’s a pretty reasonable compromise, you just have to get into the right mindset. You can’t always have what you want, so run with what you can have.

With that in mind, 13 of the best independent Metal festivals from around Europe decided to get together to bring the Metal to us! They were Art Mania (Romania), Bloodstock (England), Brutal Assault (Czech Republic), Dynamo Metalfest (The Netherlands), Alcatraz (Belgium), Into The Grave (The Netherlands), Leyendas DEL Rock (Spain), Metal Days (Slovenia), Midgardsblot (Norway), Motocultor (France), Party.San (Germany), Resurrection (Spain), and Summer Breeze (Germany).

So, here at Ever Metal HQ, we found ourselves cracking open a can at 10:50 am, and logging on to the live stream, to stand in the virtual arena queue for the European Metal Festival Alliance 2020! To be honest, I much prefer this way of queuing! A sofa and a cold beer sure beats sitting on your bag drinking a warm beer! Now usually at this point in a live review, I’d spilt off and do it day by day, band by band, and have accompanying photos. But this year, even though the photo pit (just in front of my TV) was easier to get to, and a lot less crowded than normal, sadly no pictures were taken! So, I’m going to give you a run-down of my highlights for each day. There were some old favourites, some surprises, and also some gems of discovery!

FRIDAY HIGHLIGHTS

I was still technically working on Friday, but another bonus of attending a virtual festival paired with working from home is that you can multi-task! There were three bands that stood out for me on this first day, Evil invaders, Alien Weaponry and Rotting Christ.

Evil Invaders

Having seen these guys before, I knew they were a great live band, and this performance was no exception. Here we were treated to a special set, filmed with a live audience at a private location in Flanders, Belgium. It was as blistering and crazy as you would expect from these guys, but it was also as tight as a tight thing! Their stagecraft is second to none. If you Like crazy speed thrash with added insanity eyes, these guys have got it covered! They were one of my favourite bands to photograph at Amplified festival back in 2018, because they’re so full of energy and fun, and Frontman Jöe pulls the best faces! If there’s one band that everyone should see live, it’s these guys. They’re invigorating, and are firmly planted in my ‘favourites’. Loved it!

www.facebook.com/evilinvaders/

Alien Weaponry

Ever since these guys popped onto the scene, they have excited me. Their fresh brand of metal, many in New Zealand’s native language ‘Te Reo Maori’ is spectacular. It both sickens me and fills me with joy that people so young are filled with this much creative flair. Their performance for this set was again filmed in front of a live audience, and started with an invigorating All Black’s style haka, that set the tone for the whole performance. It was alive and electrifying! These guys are firmly on my bucket list of ‘people to see live’!

www.facebook.com/AlienWeaponry

Rotting Christ

I’d never really paid much attention to these guys before. The name just made me think that it just wouldn’t be the sort of thing I would be in to. Well, damn! Was I wrong!!! This performance, recorded behind closed doors, was so full of passion and prowess, it was as if it had been created in front of a sell-out crowd. This is no mean feat, considering that the energy coming from the fans is a large part of the driving force behind live performances. Their brand of black metal is steeped in sounds from traditional eastern European music. Their use of droning and harmonic 5ths enhanced their black metal riffs and rhythms to create a very pleasing sound. I feel incredibly stupid for ignoring them for so long, they’ve been around since 1987! A very worthy closing act for Friday!

www.facebook.com/rottingchristofficial

Rick’s Friday Interjection

Parasite Inc.

Rick here: It would be wrong of me not to pipe up and let you know who my favourite band of the Friday were. Whilst the three bands that Beth has picked were all superb and definitely worthy of mention, German Melodic Death metallers Parasite Inc. knocked it right out of the park as far as I was concerned. Very heavy, but hugely catchy, their playing was exemplary, and they were as tight as a very tight thing. Their mix was also spot on with every instrument sounding huge without overshadowing. If you’ve not checked them out before then ensure you do. It is now my intention to make sure I see them properly live as soon as I can!

www.facebook.com/ParasiteInc/

SATURDAY HIGHLIGHTS

After a very comfortable night’s sleep in our camp (aka our bedroom), it was time to get up and do it all again! We were pleasantly surprised to find the toilets still in a usable condition for our morning ablutions! Again, something we’re not accustomed to on the second day of a festival! I could get used to this! Another great day of metal was stacked up ready behind the login gates, so what would be today’s highlights for me?

White Walls

There is something very special about discovering a new band that blow your mind. And that’s made even more special when it’s a ‘first band of the day’ band. The spot traditionally occupied by the lesser known names, some may ignore, but for me, seeing these bands is always my quest! And Romanian Progressive Alt Metal band, White Walls, were my treasure. Vocalist Eugen Brudaru absolutely blew my mind with the versatility of his voice; from metalcore screams, to soaring falsetto, his range was astonishing. And it didn’t stop there. Their blistering riffs, progressive rhythms and technical prowess was masterful. I would go as far as saying, from a technique point of view, the whole thing was perfect. One thing I find is often, when a band gets weighed down with technical performances, they lose some of their soul. But not these guys, and that was a joy to not see! They are a band that I will be checking out further, and following with eagerness! They’re very close to releasing a new album too! I’m already salivating at the prospect! My band of the weekend by a country mile.

www.facebook.com/whitewallsofficial

Lepoka

Saturday afternoons at a festival are made for one thing, and one thing only – PARTYING! Whether it’s in a field with thousands of other drunkards, or in your own living room, it has to be done. And there is no better accompaniment to said party, than some jaunty Spanish monks delivering what they call ‘Folkoholic Metal’! They describe this as ‘festive folk metal that invites you to drink and dance and that also hides an important message of struggle and self-improvement.’ I was mainly in the drink and dance camp at the time, I have to say! Self-improvement was the last thing on my mind, because at that moment, I was just fine! They put on a great show, and looked like they had a great time doing it, which I love. The joy of music deserves to be as pleasurable for the performer as it is for the listener, so when it looks like a band are having a great time, then I’m much more likely to get on board with it! If you like any sort of Viking/folk/party/drinking metal, check these guys out.

www.facebook.com/lepokafolk

Avatar

Last time I saw Avatar was at Bloodstock, when they were bumped up to the main stage after another of the band’s plane was delayed. The arena went from ‘Ava…who?’ to ‘FUCKING AVATARRRRRRRRR’ in the space of one song! It was amazing. And from then on, it was obvious that these guys were destined for great things. The show here was a recording of previously unseen footage from their headline set at Alcatraz Festival 2019. My god how I wish I had been at that show! They are an incredibly talented bunch of musicians from Gothenburg, who’s tight as you like heavy metal melds perfectly with the theatrics of a slightly unhinged and freakish circus. I particularly liked the Trombone solo here! It added to the insanity! Sadly, but as is traditional with festivals, a technical hiccup cut the show slightly short, with the feed going down just before the end. But it didn’t detract from their splendid performance, and who are we to argue with tradition, eh?! The fact that the feed got an almighty lag about 10 minutes before it died also actually added to the craziness! The picture was a few seconds behind the sound which made for a bit of a mind-melt moment  – if you were drunk and worrying that you’d maybe over done it, it’s ok, all of us who had drunk ourselves sober by that point saw it too! Anyway, Avatar smashed it, and I can’t wait to see them live again ASAP!

www.facebook.com/avatarmetal

Rick’s Saturday Interjections

Venom Inc.

Me again! I cannot fault Beth’s choices, but I have to make additions. Firstly, Venom Inc. Surprisingly, I’ve never seen Venom Inc. live, in the flesh, although I have seen Venom on quite a few occasions, with various line-ups, over the years…the first time on ‘The Seventh Date Of Hell’ at Hammersmith Odeon in 1984, which was a definite eye opener for a 16yo Rick, but I digress. On this particular Saturday, whilst sitting in my lounge with a bottle of Hobgoblin, Venom Inc. were an excellent, short, sharp shock to the system, racing through their #EMFA set with barely a pause. Wonderful stuff!

Angelus Apatrida

The other band, who are definitely worthy of mention, are Spanish Thrash Metallers Angelus Apatrida, who I’ve been a fan of for a fair while. They played an amazing set of machine gun Thrash, so precise it would probably take your head off at 500 yards! Not only did they play superbly, but it was evident they were having a huge amount of fun doing it. They are another band who I much catch ‘properly live’ at the earliest opportunity.

www.facebook.com/angelusapatrida/

SUNDAY HIGHLIGHTS

In the same why that Saturday is party day at a festival, Sunday is ‘nurse the hangover and rue the fact that you’re not as young as you used to be’ day. This calls for bands on earlier in the day to be solid, not too much of an assault on the ears or eyes, and something that will help get that first ‘hair of the dog’ pint down. Also, in traditional festival fashion, we missed the first band because we were still trying to haul our asses out of bed! Oops!

Skyeye

Slovenian Heavy Metallers, Skyeye, were the first band we tuned into, and they were a perfect way to start off our Sunday. If you like classic heavy metal in the vein of Iron Maiden and Judas Priest, then these are the guys for you. Their music is littered with the classic riffs of heavy metal from back in the day, and vocalist Jan Leščanec has the perfect set of pipes to complete the sound. Their performance here was full of passion and performed flawlessly, even within the weird circumstances. They were certainly the perfect antidote to an overdone Saturday and made my body feel like it was rejecting itself slightly less. They also helped me get the first Strongbow Dark Fruits of the day down (I actually don’t particularly like that cider, but… traditional for a festival isn’t it!). They were just really easy to listen to. They know exactly what sound they want, and they do it well.

www.facebook.com/SkyEyeBand/

Svart Crown

Now given what I’ve already said about Sundays at festivals this might seem like an unusual pick. And to be honest, given my taste in music, Blackened Death isn’t really the direction I would usual go in. However, French Blackened Death maestros, Svart Crown, caught my attention. It was heavy as hell, not great for my brain, but it was technically absolutely spot on. And it had some really exploratory elements to it, which as some of you may know, I really like. This special performance was filmed in the old theatre of Ramatuelle, which made a wonderful backdrop with its temple like columns, complete with orange glow lighting and dry ice a plenty! Like I say, not usually my bag, but I was very impressed with this performance!

www.facebook.com/SVARTCROWN

Mass Hysteria

French industrial groove tech metalcore, with a hint of thrash! Or at least that’s my best description of them! Shit many bricks they’ve got a groove! And who knew the lilting poetry of the French language could be shouted with such venom and brutality! Their riff laden chunkiness is like chocolate for the ears, and you can properly move to it! These are another surprise find for me, but now on the list of ‘must see’. Rick also says that they have a sexy drumkit! And they can drop into a bit of thrash without a second thought, too – bonus points for that! Got to love a bit of versatility! A wicked livener for my now fully normalized (hahaha) and raring to go evening brain! ALLEZ!! Spectacle fantastique!!

www.facebook.com/masshysteriaofficiel/

Sabaton

This year has been a battle for everyone, fighting an invisible enemy. So, what better and more apt a way to close a festival than the ultimate battle metal band, Sabaton. This previously unseen footage was recorded at their headline slot at Bloodstock 2019. Sadly, we weren’t there to witness it live, but I now envy all that were. What a fantastic show!! Rick remembers seeing Sabaton at the Engine Shed  in Lincoln, back in December 2009, supporting Dragonforce, so the fact that they have grown to the point of headlining a festival, the size of Bloodstock, is tantamount to their hard work and dedication, and that shows through brilliantly in their performance here. It’s exciting, its powerful, and it doesn’t half pack a punch, and they carry it all off with the utmost professionalism and musicianship. Powerful vocals, superb harmonies, the thumping pulse of the rhythm section, and solid riffs, make Sabaton a band who most will find something they like in. This is a band who know exactly who they are and where they’re going. Everything you want in a headline band. Another job brilliantly done. What a perfect finish to a weekend that, under the circumstances, was pretty spot on!

www.facebook.com/sabaton

Rick’s Sunday Interjection

Kissin’ Dynamite

Yes, okay, I know I’m hijacking Beth’s review again, but I couldn’t not mention Kissin’ Dynamite, who I’ve been a fan of since their first album, and who always put on a blinding show. Their performance at #EMFA was no exception as they galloped through a cracking set of hugely catchy melodic hard rock, with choruses that get stuck in your head for days. Their musicianship was spot on and vocalist Hannes Braun proved, yet again, what a superb voice he’s got. I’ll shut up now and let Beth sum the weekend up!

www.facebook.com/Kissindynamiterocks/

All in all, for me certainly, European Metal Festival Alliance 2020 has been brilliant. A huge thank you must go to all those involved in creating this experience; Their hard work and dedication has, yet again, proven that it is possible to overcome the odds. Yes, it might be very different to what we’re used to, but just because it’s different doesn’t mean it’s wrong. And, in the future, this sort of festival streaming could be the key to making festivals accessible for people who aren’t in a position, through whatever reason, to actually attend in the flesh. The choice of bands was great, as it gave people a chance to check out some that they might otherwise have ignored in an actual live festival setting. The onsite facilities were pretty top notch too – almost homely (lol).

But, joking aside and above all else, even though all the viewers might have been spread out in little clusters all over the place, the feeling of the mighty metal community spirit was still tangible. The good side of social media meant that we could all comment and converse throughout the event. We were together, even though we were apart. That, to me, is the most important thing about Metal. The community we’re all part of shares a common passion, and while we’re all individual within it, none of us need an explanation as to why others are there. In a world that’s ripping itself apart faster and faster as each day goes by, we have a common ground. Music. So, by whatever means possible, let’s enjoy what we have and let the music play on.

LINKS:
Art Mania (Romania)
Bloodstock (England)
Brutal Assault (Czech Republic)
Dynamo Metalfest (The Netherlands)
Alcatraz (Belgium)
Into The Grave (The Netherlands)
Leyendas DEL Rock (Spain)
Metal Days (Slovenia)
Midgardsblot (Norway)
Motocultor (France)
Party.San (Germany)
Resurrection (Spain)
Summer Breeze (Germany)
www.metalfestivalalliance.com/
www.emp.co.uk/

Disclaimer: This review is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Matt Jones/Twisted Illusion – Live From The Flat

Matt Jones/Twisted Illusion – Live From The Flat
Somewhere in Manchester
20/03/2020
Review By Beth Jones

So… Its been a week since ‘THE EVENT’ really took hold in the UK. We are listening to Mitchell & Webb’s advice of ‘REMAIN INDOORS’ (if you’re not up on British comedy, google it). The kids are now off school indefinitely, and the only way to stop cabin fever setting in is going to be alcohol and live streams! The first of our live streams was to be the heart, soul, and lifeblood of Twisted Illusion; main man, Matt Jones. As with any other muso at this time, shit is difficult. Gigs cancelled, festivals postponed, merch sales unlikely, the future uncertain, livelihoods in the balance, and the ability to do what musos live for – performing live to a room full of people – curtailed for god knows how long. Times are bleak, but our community is two things – caring and resourceful. And to that end, we’ll pull together and get involved, right? It was also Matt’s birthday, so all the more reason to tune in and show our support.

If anybody has experienced Matt Jones and Twisted Illusion before, you’ll know that he is one talented guy, but this is unchartered waters for all of us. This is up close and personal, with nowhere to hide, just Matt, in his flat, with a guitar, a mic, and the lovely Hannah reading out the comments and requests from the gathered ‘watchers’ on Facebook. To that end, I have to commend Matt on his absolute stalwart tenacity to bring music to the people, by whatever means. This was his soul, right here on our tablets, or smart phones or TV, and it was a great and, if I’m honest, an emotional thing to witness. Yes, it was rough around the edges, yes it wasn’t the same as watching it in a bar or venue, yes it’s all a bit weird for everyone, but adopt, adapt and improve, right? (thanks for the quote John Cleese).

Matt has produced some amazing covers recently, which have been posted on Youtube, and he was taking requests for this performance! My favourite of his covers so far has been Jeff Buckley’s ‘Hallelujah’. He performed it at my birthday back in December, and obviously I requested it again for this gig. And again, he delivered the goods, and choked me up in the process. It’s been a fairly emotional couple of weeks for everyone to be fair, but this really hit me in the feels. He also covered Ace of Spades superbly and hit us with a bit of the Tenacious D classic, ‘Tribute’, too, which is always a crowd pleaser!

The covers were interspersed with some TI songs too, which really is what Matt does best. His song-writing imagination is huge, and he has come up with some masterpieces that deserve more recognition than they get. I would recommend everybody check them out. If you like proggy hard rock/classic metal sounds, or anything Devin Townsend has ever done, you’ll like Twisted Illusion.

This show was definitely an experiment and ‘dipping toes in the water’ for Matt, yes he’s done live noodling before, but not a live streamed show of any formality. There wasn’t a set list, there was a lot of half songs and banter, it wasn’t the professional production that we’d see from a ‘bigger band’, but that made it endearing and real.

Whilst it wasn’t perfect, it was a great start in this new field of bringing music to the people. He started to look more comfortable as it went along, and this was definitely the biggest crowd he has pulled and sustained in a live stream to date. Who knows how long this way of delivering live music will be for, but I sincerely hope that Matt and Twisted Illusion are a big part of that. You can catch the next live stream from him on Friday 27th March 2020 by clicking on this event link: https://www.facebook.com/events/614868202435132/ Be sure to tune in!

LINKS:
www.facebook.com/OfficialTIband/
www.twitter.com/officialtiband
www.twistedillusion.bigcartel.com/
www.twistedillusion.bandcamp.com/
www.youtube.com/channel/UCK0IxAnfXG7ibOx4HUyOHQQ
www.open.spotify.com/artist/2ieaLzCnFgOvKhImBVWp0P

Disclaimer: This review and photograph is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Bloodstock M2TM 2020 – North Wales Heat 2 – Mcleans, Pentre 07/03/2020

Bloodstock M2TM 2020 – North Wales, Heat 2
Mcleans, Pentre 07/03/2020
Review & Pictures by Beth Jones

We were still dusting ourselves down from the first heat of this year’s Metal 2 The Masses North Wales, when suddenly, quicker than you could say ‘get me on the New Blood stage’, it was time for heat 2! Originally this heat was going to be taking place in Bangor, on the North West Wales coast, but sadly the venue is now an ex-venue. However, because this is North Wales, and the NEW Metal Productions team can handle pretty much anything, it was reorganised to our regular haunt, Mcleans, Pentre!

Five bands were set to take to the stage in this heat, and there were rumblings that this was going to be the toughest heat we had ever seen. Our very own Rick Tilley was asked to stand in as a judge on this heat, as one of the regulars, Phoenix Rising’s John Matthews, was unable to attend. It was pretty certain the judges were going to have a hard task. The ‘order of service’, drawn before we arrived, was Winter Hotel, Thrashatouille, Lullaby For A Unicorn, Krank, and Leatherback. This was going to be fun!

Winter Hotel

Hailing from Bangor, these guys play a hard hitting, modern alternative metal style with a pretty hefty punch. They haven’t been round that long and were using a stand-in bass player. While they had done a fair bit of prep for this, bringing with them printed lyric sheets for the judges, their relative infancy showed in their stage craft, which this year is one of the main things the judges are looking at. Musically they were great, and the charisma of front man, Warren Porter, did shine through. But, in my opinion, they weren’t quite ready, performance wise. However, this is something that will come with practice, and more gigging. They definitely have something exciting to give; they just need to work out how to present it.

https://www.facebook.com/WinterHotelband/

Thrashatouille

We’ve seen these guys a good few times now, including last year’s M2TM North Wales, where they narrowly missed getting a spot in the final. Not to be downtrodden, they decided to return this year to give it another go. It was instantly noticeable that they had a new toy on stage – front man Rob Sutton had a synth that goes boom (not a technical term, but good enough to describe it – I’m old and all this synth trickery goes over my head)! I love the effect that you get out of them, so was looking forward to seeing how he used it, and to seeing how they’d come on since last year. I was not disappointed! From the first chord, to the final boooom, they were bloody brilliant! By far the best we have ever seen them perform. Their madcap food-based death/thrash metal, complete with inflatables, energetic movement on and off the stage from Rob, and a healthy dose of booooooom, was totally something I could imagine going down a storm on the New Blood stage. Epic performance!

https://www.facebook.com/Thrashatouille/

Lullaby For A Unicorn

After being within touching distance of the New Blood stage, as one of last years’ runners-up in the M2TM North Wales final, it was no surprise to see these guys coming to give it another go. I’ve lost count how many times we’ve watched them play but was still as eager to see them again. They are quirky and have an endearing band personality that makes you feel happy, despite the manic and slightly psychotic look in front man Justin Williams’ eyes! They seem to have a bit of a curse on them in this competition though, and they do have a nasty habit of over thinking it. In this performance, a gremlin had got into the sound, and they were plagued with feedback, which I feel threw them off their game a bit. There was none of the usual party popper madness either, which was possibly like taking away their comfort blanket. I still really enjoyed their set though, as I always do, and I was very hopeful that the audience would see past the gremlins, because I know what their ‘A game’ is like.

https://www.facebook.com/rockmyunicorn/

Krank

We last saw Krank in the M2TM heats two years ago, and back then they just weren’t ready, so I was interested to see how they’d come on. Musically they have definitely come a long way, and they make a very good sound together. Carrying on the theme of the evening, it was quirky, humorous, and heavy. They’d obviously spent a bit of time thinking about their stage show, as they had a projector playing a random video in the background, and they also had a large ‘Doomsday clock’ displayed on a laptop for the audience, and the front man to see, as apparently they have a tendency to run over time! They’d brought a lot of fans with them, so they went down well with the crowd. They threw a load of miniature squeaky rubber chickens in to crowd at the start of the set too, which caused a bit of a gigglesome fracas. Unfortunately, even though I think they’re really good musically, something about the front man’s over the top, bullishness really irks me. I find it irritating. Yes, I’m a grumpy old woman, but I just think he needs to tone it down a bit. Let the music do some of the talking, and please, for the love of god, put your tits away! Oh, and another thing – my daughter has now stolen the squeaky rubber chicken we brought home and will not stop squeaking it! Goddamn you!!

https://www.facebook.com/krankislife/

Leatherback

The final performance of the evening was a one-man techno/industrial/metal crossover. My first thought was, ‘I hope they’re going to put the stage lights back on, because the photos won’t be much good otherwise!’ I asked the all-knowing Fozzy, and his response was ‘Just wait and see’. Hmmm, I’m not good with surprises! When the performance started, it became clear what Fozzy meant! Strobe… Lots and lots of strobe! It was like being in a 90s rave! Musically, there were samples, synths and pedals being controlled like clockwork by Matt, aka Leatherback. At the same time, he was playing some pretty tight rhythm guitar. Combined with the strobing and colour changing lights, also controlled by the music, it made for a pretty hallucinogenic experience! I had issues with this performance though, both as a lover of old-school, and as a photographer. He does what he does very well, and with a lot of skill, however what he does, and what I like musically are two very different things. My second issue was the lights. I spent so long looking directly at a strobe, trying to actually capture some useable photos, that my eye and the side of my face went completely numb. That was my cue to leave. I’m going to leave it at that. Clever, but not my cup of tea! It did get the audience going, but on a performance level, I don’t think that it would transpose to a big stage like the New Blood.

https://www.facebook.com/leatherbackworld/

So, with all the bands done, it was time to vote. For me, there was one clear winner, who stood head and shoulders above the rest – Thrashatouille. After a short break, for the judges to deliberate and the audience to cast their votes, master of ceremonies, Beany, returned to the stage to announce the results. I totally couldn’t call it, so can imagine how tough it was for the judges.

First to be announced, and winners of the public vote were Krank, which is a good bit of statistical evidence that other bands should take notice of – the more people you bring with you to your heat, the more likely it is that you’ll win the public vote (unless you really suck and all the people you brought secretly hate you!). The band taking the judges vote, because of their musical ability, professionalism, stage craft and preparation (and rightfully so, if you ask me) were Thrashatouille!

This heat had definitely been a tough one, and it was sad that there had to be winners and losers, but, by definition, that’s what competition is. Onwards and upwards my friends, onwards and upwards! Next up! Heat 3, which takes place on 4th April

LINKS:
https://www.facebook.com/N.E.WMetalProductions/
https://www.facebook.com/bloodstock/
https://www.facebook.com/groups/m2tmofficial/
https://www.facebook.com/Powerzonemetal/
https://www.facebook.com/phoenixrisingrocks/

Disclaimer: This review and photographs are solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

In Which It Burns w/ Scarfoot and SICK The Hideout, Wrexham, North Wales 06/03/2020

In Which It Burns
w/ Scarfoot and SICK
The Hideout, Wrexham, North Wales
06/03/2020
Review and Photography by Beth Jones

After a few quiet months on the gig front, we suddenly find ourselves in the midst of a bit of a flurry of local gigs, which is great! Friday 6th March saw us heading into Wrexham, (a brave move some might say) to check out a few bands performing at yet another show put on by our maestros of metal, North East Wales Metal Productions. The venue, previously called Atomic, has now had a name change and somewhat of a rebrand and refurb, especially upstairs, where the gig was taking place. It’s a cosy little space, but now has a small bar, and has had a wall removed to create a little more standing room. It’s not perfect, as because of it’s shape, some parts of the stage can’t be seen properly from the back, but hey ho – it’s a venue, and we have some awesome bands coming there, so who am I to complain!

For this occasion, we were set to be serenaded by, firstly, Liverpool speed rock band Sick, followed by one of our local favourites, Scarfoot, and then South West Wales lads, In Which It Burns.

SICK

These guys haven’t been together very long and play ‘Speed Rock’. This description raised a few eyebrows here at Ever Metal HQ, because it was essentially just Punk. Their relative infancy is telling in their performance. It’s messy. A lot of the songs sound the same, and the drummer, who is also the singer, seems to have a bit of an issue with drumming and singing at the same time. At one point in the set, they announced that they were going to play ‘a slow one’, and the guitars came in at quite a slowed down pace, but then had to speed up to keep up with the drummer, who came in with the same beat that he had done for every song. They were very enthusiastic though, and if you like messy 70’s Punk, then these guys are for you, but personally I think they need to focus on listening to each other more, in order to tighten up their live performance. The bassist stood out for me, as he was a good player and knew how to perform!

https://www.facebook.com/SickBandOfficial/

Scarfoot

We’ve seen these guys so many times in the last couple of years it almost feels like we’re related! To say they’ve progressed recently, after a notable change in line-up, would be understating their improvement. Last time we saw them, there was a new magic that hadn’t been present before.

They’d been on a bit of a shopping trip since we last saw them, adding some lights and a smoke machine to their stage set-up, and we were excited to see what new wizardry they were going to give us. Two words: LEVEL UP!!!!!! Holy hell! It was like seeing a whole new band! It was obvious they’ve really been putting in the practice, and thinking deeper about how they present, as every element of their show is massively improved. Grooves were heavier, riffs and stops where tighter, the energy was on full power, and the addition of the lights and smoke machine really put the pretty smoky blue icing on the rather fine Scarfoot stage show cake! This was by far the best we have ever seen them, and a perfect example of what hard work paying off looks like! If they can do it like that in their upcoming Metal 2 The Masses heat, they will blow the audience’s mind!

https://www.facebook.com/thescarfootband/

In Which It Burns

I saw these guys late last year over in Chester at the G21 bar in The Saddle. Rick was laid up that night, so hadn’t been able to come with me, therefore, when this venture to Wrexham was announced, I made certain that we would both get down, because I knew they would be right up Rick’s street!

Hailing from Pembrokeshire, they play a real meld of metal styles in a very tight and exciting way and I absolutely bloody love them! They are all very talented musicians, and down to earth guys to boot, and the little snippets of dark humour that front man Wayne Mayhew injects between songs go down very well. They really deserve to be a much bigger name on the scene than they are.

As predicted, Rick was also suitably impressed with them, and had a long chat with Wayne after their set to tell him that! Seriously, if they are coming to a town near you soon, get out and see them – you will not be disappointed. We are mega happy that they’re coming back up here in a few weeks, playing with Ashen Crown and Incinery at the one and only Mclean’s, Pentre! They also impressed Fozzy and Beany so much that, at the end of their set, Beany announced that they were being adding to the bill for next year’s Pentre Fest, which was met with much cheering!

And, as if that wasn’t enough, I was given an In Which It Burns beany hat, and it is the first hat ever that doesn’t make me look a complete dick!! Happy Beth!!!

https://www.facebook.com/InWhichItBurns/

And with that, we slunk off quietly through the streets of Wrexham which, believe me, are not pretty at that time on a Friday, and headed home to go to bed, because we’re old, and needed our beauty sleep before our next gig adventure, M2TM North Wales – Heat 2, the following day!

LINKS:

https://www.facebook.com/N.E.WMetalProductions/
https://www.facebook.com/GoodforaudioEntertainment/
https://www.facebook.com/phoenixrisingrocks/

Disclaimer: This review and photographs are solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Bloodstock M2TM North Wales, Heat 1 – 29/02/20

Bloodstock M2TM 2020 – North Wales, Heat 1
Mcleans, Pentre 29/02/2020
Review & Pictures by Beth Jones

I need a serious chat with whoever controls time, because somehow M2TM 2019 was a whole year ago and here we are, at the 2020 heat stages already!

Whilst time may have disappeared, what hasn’t is the amount of new, young talent that is popping up all over the underground scene at the moment, and it’s events like this that gives the cream of those bands the opportunity to make it to the hallowed stages of the larger grassroots festivals. This year’s North Wales heats are shaping up to be an eclectic mix of styles, and I get the feeling that choosing the eventual winner is going to be tougher than ever, given the talent on offer.

With that in mind, we got our big coats out to battle yet another oncoming storm, and headed over to our now ‘local’, Mclean’s pub in Pentre, for Heat 1. Only three bands were set to play, two of which would be going through to the semi-final stage. With the crowd assembled, drinks (or in my case, cameras) in hand, and after a quick recap of the rules from our master of ceremony Ian ‘Beany’ North, we were all set for the first performance.

Cry For Mercy

These guys were one of our hot favourites in last year’s competition, narrowly missing out on a place in the final, and if you’ve read any of our recent live reviews on Ever Metal, you’ll know that we really rather like them! Sadly, the band’s drummer, Steven Taylor, was unable to play after having surgery on his wrist earlier in the week. But they had a stand in on hand, in the shape of Bassist/vocalist Kev Plant’s son, Aled. This however did not detract from their performance. They were, as ever, tight and well-rehearsed, with Aled’s drumming carrying the groove perfectly – he’s an awesome little drummer, and really should consider getting in a band himself! Whilst they’re not ‘Metal’ as such, they’re extremely talented guys who deliver a crunchy, groove based heavy rock sound, and they do it with ease, which makes them very endearing. They’re also incredibly humble, with nothing they do on stage being an ‘act’. What you see is what you get, and that is bloody good, solid hard rock, with this performance being a perfect example.

https://www.facebook.com/cryformercyofficial/

Mad Spanner

We were taken from the ‘sublime to the Cor Blimey’ next, with another firm favourite of ours, Mad Spanner. There are no words that adequately describe the sheer lunacy involved in a Mad Spanner performance. The best I can do is this; imagine the chase scenes from old silent movies, only with more hair, more pulling of silly faces, punk/thrash rhythms and zany observational comedy lyrics, complimented by insanely fast and loud guitar and bass. If a tornado was musical, it would be like this. In fact, I’d like to pigeonhole Mad Spanner in a whole new genre, just for them – Tornado Metal! Bassist and front man, Michael Randall, is mad as a box of frogs, and spent the entire performance with a maniacal look of a man possessed flashing in his eyes. He flew around the stage like a runaway balloon, and how he managed to survive unharmed is a mystery. Coupled with the crazy guitar of Dan Ashley, and the metronomic drums of Ben Codd, it made for a highly entertaining performance. How Ben doesn’t end up with repetitive strain is beyond me, but at least the drum kit does provide some protection from Michael’s craziness! Dan, however, is always in the firing line – a brave choice! They performed their debut album in its entirety here, as it has a running time that slotted nicely into the 30 minutes allowed set time. Crazy, fun, and again very, very good!

https://www.facebook.com/MadSpanner/

White Mammoth

Our final band of the evening were White Mammoth. We’d seen them a couple of years ago in Chester for the Mammothfest ‘battle of the bands’ competition, and if I’m honest, they hadn’t really grabbed me then, but I was interested to see them again, to find out if they’d made progress. The answer to that question is, in a word, YES!! Continuing the showcase of ‘completely different genres’ theme, these guys deliver a huge hit of modern progressive metal, and they now do that very well indeed. Littered with cross rhythms and complicated bass and guitar riffs, they took us through a very intense and involved set, culminating with what is, in my opinion, and absolute masterpiece of a tune, during which I went into some sort of trance, completely fixated on the skills of each member of the band. The song was called ‘Naivety of Perception’ and is going to be released soon as a single, so look out for it if you like heavy prog! They embellished their music with a selection of samples, which I felt worked really well, giving their sound extra depth. My only criticism of them is, due to all the insane musicality they have going on, the vocals have a tendency to get lost in the mix and could do with a bit of a boost. The vocalist has an unusual tone, and it is a shame that it can’t always be heard as well as it should be – his screams came through, but some of the quieter stuff didn’t.

https://www.facebook.com/WhiteMammothBand/

And that, as they say, was that! With all three performances done, it was time to vote. One band would be picked by the audience vote, and one by our judges – John Matthews from Phoenix Rising, Dani Maguire from Powerzone, and Beany. I have to say I found my audience vote a very difficult decision, as I enjoyed all three performances equally. Eventually I went with my gut, voting for the band that I not only found most improved, but also that really reached into my musical soul – White Mammoth (sorry Cry For Mercy and Mad Spanner – I still love you, but I’m a sucker for prog!).

After a short break for the judges to deliberate, it was results time! The gathered crowed, which was a good size given the location, and the horrendous weather, collected by the stage in readiness for Beany’s announcement. After the preamble we have become accustomed with Beany, he gave us the result of the audience vote – Cry For Mercy! The Look of shock and amazement on the face of Kev Plant told the story of the night, and just how tough the competition was, but what makes Cry For Mercy so endearing to us had obviously been felt by the entire crowd. They’re very worthy winners of their place in the Semi-Finals. The second successful act, as voted for by the judges, based not only on musicality and talent, but also on their stage performance and presence, was Mad Spanner. This was met with a lot of jumping about and cheering, not least from Michael Randall!

With that, the first heat was over. A massive congratulations to Cry For Mercy and Mad Spanner – both well deserved. But huge commiserations to White Mammoth, who managed the even bigger feat of leaving me speechless for a good few minutes! What I’d say to them is get that vocal mix sorted in the next month! Ian ‘Fozzy’ Forrester, the legend and head honcho at NEW Metal Productions, gets to pick two ‘wildcard’ entries from the bands that get knocked out in the heats, and I would say, with that little tweak made, White Mammoth should be up for consideration, based on their performance.

A huge thank you again to Ian ‘Beany’ North and Ian ‘Fozzy’ Forrester for their tireless efforts and hard work bringing us spectacular gigs all year round. The scene round here would be dead without them. A massive thanks to all the bands, fans, judges and to the venue too, as without you, music on the whole would be dead. Next up – Heat 2! Bring it on!

LINKS:

https://www.facebook.com/N.E.WMetalProductions/
https://www.facebook.com/bloodstock/
https://www.facebook.com/groups/m2tmofficial/
https://www.facebook.com/Powerzonemetal/
https://www.facebook.com/phoenixrisingrocks/

Disclaimer: This review and photographs are solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Pentre Fest 2020 – Day 2 – 22/02/20

Pentre Fest 2020 Day Two
Mcleans, Pentre, North Wales
22/02/2020
Review by Rick Tilley, Alun Jones and Beth Jones
Pictures by Beth Jones

Rick Here.

Saturday’s Pentre Fest, Day Two review is a collaborative affair between myself, Alun and Beth. I’ve made it clear who wrote what and I would like to thank them for their help, as well as looking after a broken 52 year old (me!) who cannot get around as quickly as he used to!

On the Saturday morning, pleasantly surprised that we weren’t hurting as much as we thought we might, we set off back to Mcleans, pausing only to pick up Powerzone’s Dani Maguire on the way, ready for a full day of Metal and Acoustic performances. It was noticeably quieter upon arriving, but a fair amount of alcohol had been consumed on the Friday, so I imagine there were a few sore heads! However, the always faithful had dragged themselves out of bed to watch the opening band of the day on the main stage…

Cheerfully Undiagnosed

Pop/Punker Cheerfully Undiagnosed (aka Adam Robinson) had also performed early on the Saturday at Pentre Fest the previous year, waking everyone up and putting a smile on our collective faces. Now expanded to a two piece, (with the addition of a drummer) they did the same this year. Vocalist/Guitarist Adam will probably be the first to admit that the material is simple, but he performs it with a huge glint of fun in his eyes and is very comical to boot. Getting a selection of hungover and tired metallers to sing along to tracks such as ‘I’ve Just Been Sick’ and ‘Unsolicited Dick Pic’ was hilarious to watch and take part in and it’s just the sort of thing you need to kick your day into gear!

https://www.facebook.com/Cheerfully-Undiagnosed-1791893794227072/

Edd Case

One person we certainly hadn’t expected to see was Edd Case. In the week running up to Pentre Fest Edd had been taken ill, spending two days in hospital, so to see him turn up on the Saturday with his guitar, looking like death warmed up was a bit of a shock. After telling him off, he proceeded to blow us all away on the acoustic stage with a short set of songs, and I don’t think I’ve ever seen him play or sound better. His original songs are beautifully written and any covers he plays are turned completely on their head, always recognisable but played in a way only he can. He was excellent but, like Brian, he was still ‘a very naughty boy’ for turning up!

https://www.facebook.com/profile.php?id=100014628035630

Stormrider

Next up on the main stage we were due to get our first proper Metal fix of the day from a band I hadn’t seen live before but was really looking forward to, Manchester based NWOTHM four piece Stormrider and ‘by the power of Greyskull’ did they deliver. If, like me, you love a good dose of Trad Metal, mixed up with some Power and Thrash influences, played as tightly as a gnat’s chuff and delivered with the force of a Challenger Tank then you’ll love Stormrider. Their not long enough set was excellent and looking around at the growing crowd it was clear I wasn’t the only one who thought so. Afterwards I immediately went and bought their EP and hope it isn’t too long before we see them again!

https://www.facebook.com/stormriderofficial/

I nipped outside for a breather and immediately got caught up talking to people. For my sins I missed most of the next artist on the acoustic stage but, luckily, Alun didn’t so here are his thoughts on Rhiannon.

Rhiannon Petrou (Why’d You Wanna Know)

Sadly, Pentre Fest suffered a few casualties this year. One such example was on the acoustic stage, where Rachel Sian Roberts, one half of the newly formed duo, Why’d You Wanna Know, was hospitalised and (obviously) unable to perform. But the show must go on: and Rhiannon performed a short but enjoyable set on the acoustic stage. Admittedly out of her comfort zone, playing guitar as well as singing (having only started to learn guitar a month ago) she soldiered on and won plaudits for her effort. Only a few minor mistakes were noticed – and easily forgiven. Possessing a beautiful singing voice she even managed to add a ghostly, ethereal sheen to a cover of Michael Jackson’s ‘Bad’ – making it sound good for the first time ever!

https://www.facebook.com/Whyd-You-Wanna-Know-105145631078966/

RipTide

Having seen the end of Rhiannon’s set and thinking what a beautiful voice she had, I headed back to the main stage to get another blast of METAL, this time from Huddersfield Thrashers RipTide, another band I hadn’t seen live before. Now Thrash is one of my favourite genres. I’m old enough to have been around when it all began and saw bands such as Exciter, Exodus, Testament and Destruction etc play when they were starting out. I was also lucky enough to see Sy Keeler’s first gig singing with Onslaught, which still stands as one of the best live performances I’ve ever witnessed. Why am I on a trip down memory lane you may ask? Well, RipTide filled me with that same sense of open-mouthed awe I got as a teenager witnessing my idols for the first time. They possess everything a Thrash band needs and they do it with style. There’s definitely an old-school ‘Bay Area’ element to their sound, but it’s mixed with a modern-day twist and slightly harsher vocals, which brings everything into the 21st Century. They were incredibly tight, playing at break neck speed when they needed to, but slowing down and leaving space for the groove as well. A highlight of the weekend, you must not miss them if they gig near you!

https://www.facebook.com/RipTideThrash/

Mine and Beth’s recent return to Ever Metal, for some reason, seemed to be going down well for many people attending and I got chatting again outside after Riptide. This meant I missed the beginning of Mike West’s set on the acoustic stage. Having seen him before I knew he was good, but Alun hadn’t, so here’s what he thought!

Mike West

If the connection between metal and outlaw country isn’t obvious to any readers, I can only pity you. I’ve never witnessed Mike West before, but his amalgamation of southern rock, dusty country and swampy blues was a delight to my old whiskey-soaked soul. Mike delivers his songs with a hard rockin’ swagger, as if he’s just busted out of Tombstone jail and is riding across the plains, lamenting women and fortunes lost. A great voice and an outstanding presence, Mike is one to catch when you can. Has anyone done a “Wild West” gag yet? If not, there’s a headline for us there!

https://www.facebook.com/mikewest333/

Folorn Hope

After Mike’s great set, it wasn’t long before our Master of Ceremonies ‘Beany’ was rounding everyone up to head back to the main stage. He didn’t have to coerce me because I had been looking forward to seeing Forlorn Hope for about a year. Historical Heavy Metal may sound odd to some (although, it’s never done Sabaton any harm) but Forlorn Hope manage it with aplomb. They have been described as “a musical version of Bernard Cornwall’s ‘Sharpe’ novels” and I couldn’t put it any better myself. They haven’t been together that long, but arrived on stage like a much more seasoned outfit. Their Classic Heavy Metal sound mixed with Military History of the Peninsular War of 1807-1814 lyrics and a little in-between song humour from vocalist/rhythm guitarist Chris Simpson works perfectly and you should really seek them out. If there is one negative it is that keyboard player Jade McKenna doesn’t get more involved or smile. Her playing is more than acceptable, and the keyboards definitely add something to the music, but she looks very ‘stiff’ on stage compared to the rest of the band!

https://www.facebook.com/OfficialForlornHope/

By this point my spine was starting to groan and I needed a break, so I’ll leave you in the more than capable hands of Beth who went to check out Ben MIlford on the Acoustic Stage.

Ben Milford

Normally we’re used to seeing Ben shredding in the shadows, as he’s the super skilled, but incredibly humble, guitarist in OMV. His acoustic performance wasn’t just a new experience for us – it was also the first time he’d done an acoustic set on his own. Talking to him beforehand, we discovered that he was pretty nervous about it, because it meant stepping out of his comfort zone by singing as well as playing. He needn’t have been nervous though, because his performance was brilliant, and he has a lovely voice. On a couple of songs, he had extra vocal support from his band mate Richie, front man of OMV, and the unstoppable Edd Case! To be honest though, he didn’t need it. He did a fabulous job on his own, and we got to see another side of him, which we really liked.

Scars Of Remembrance

Sore back or not, I wasn’t going to miss our friends in Scars Of Remembrance, and it turned out to be one of the best decisions I’ve made for a long time, so I hope you don’t mind me waxing lyrical! Since vocalist Mike Edwards’ departure from the band late last year, SOR have been without a steady frontman. They’d decided that, for this gig, guitarist Mark Harris was going to sing (he already does backing vocals and has a good voice), but it was clear beforehand that he was in pain. It turns out he had cracked two ribs in a fall and wasn’t able to play guitar, and I think there were nerves within the band as to how this was going to go down.

They needn’t have worried, because within half a song, the now much more healthy crowd was looking at the stage and at each other in astonishment. Regardless of the pain he was in, which must have been very uncomfortable and deserves a medal on its own, no-one could quite believe the voice (both clean and screamed) that was coming from Mark’s lungs. He is a very quiet individual off stage, but this was an absolutely mesmerising performance, and easily the best I had ever seen Scars Of Remembrance play. Having just four of them on stage gives them more space. Bassist Karl Ditcher certainly came out of his shell (he also joined in on backing vocals presenting an excellent bear-like roar), guitarist Daniel Dawson admirably covered the missing guitar with his riffing, and drummer Ben Burke played like a man possessed, thumping the living daylights out of the kit. However, Mark was the star of the show and it’s quite obvious that they don’t need to find a new singer!

Afterwards, many people spent an awful lot of time telling them this, and I really hope they listen. I already thought they were a great band, but this performance elevated them to the next level! My band of the weekend bar none!

https://www.facebook.com/scarsofremembrance/

Back at the acoustic stage it was time for Adam Robinson to play a set and I shall leave Beth to tell you about that.

Adam Robinson (Cheerfully Undiagnosed)

Still stoked from what I’d just seen on the main stage, I headed back to the acoustic room to watch Adam Robinson deliver his second set of the day, this time acoustically and on his own. It was no less cheerful than his earlier offering, and his witty banter and repartee kept the crowd enthralled. Again, his chosen songs weren’t overly fussy or complex, just good fun. He is a great act if the audience need a bit of a giggle and a livener, and his endearing stage persona could warm the hearts of even the coldest of souls!

At this point, along with Dani from Powerzone, we had arranged to interview the bonafide superstar, and absolute gentleman, that is Luke Appleton (Iced Earth & Absolva), alongside Rishi Mehta (Babylon Fire) who would be performing an acoustic set together later that day. While we did that Alun was watching OMV and here are his thoughts!

OMV

On the main stage, OMV entered dressed like a bunch of West Coast gangsters in masks and bandanas. Introduced as “hardcore street metal”, these guys definitely showed some great musical skills and energy. Somewhere between Bodycount, Suicidal Tendencies and Biohazard is where I’d stack them. Either way, OMV delivered some brutal songs and bounced around with massive crossover riffs. They were very entertaining, although hugely confrontational onstage – I wasn’t sure if they were actually going to pistol whip the audience into submission. The music has enough intensity and power to speak for itself.

https://www.facebook.com/omvmetalband/

While I took a plethora of pain killers, washed down with a pint (don’t have a go at me) Beth headed to the acoustic stage to watch the second performance of the weekend from the excellent Cry For Mercy.

Cry For Mercy Acoustic

We’re quickly running out of adjectives to describe these guys, but I’ll have a bash at a few more here, to describe their set on the acoustic stage! We’re big fans of these guys at Ever Metal, and have seen them many times now, but not stripped back like this. As usual though, their performance was a masterclass in how to deliver a great acoustic rock and blues set. Drummer Steven Taylor kept the rhythms going on Cajon, which gave the set that extra acoustic feel, and the grooves were upheld by guitarist Andy Cutty and bassist/vocalist Kev Plant. This set upheld their super-tight musicianship, with all of them on point all of the time. One of the things I like most about them is how comfortable they look when they play. The feel they give to the music is both smooth and charismatic, and you can’t help being drawn into it, making toe-tapping and head nodding obligatory! This set was so chilled that it would not have been out of place on a ‘hideout’ stage at a midsummer festival somewhere in the Texas Deep South. It oozed groove and proved just how versatile these guys are.

https://www.facebook.com/cryformercyofficial/

By now I was going numb so I knew I could manage some more music and I went back to the main stage to watch Son Of Boar, however Alun rather enjoyed their set (I did too), so he’s written this short, but very complimentary review.

Son Of Boar

They have a cool name, and they looked pretty cool on stage in matching denim battle-vests. From the very first notes of the bass rumbling on the very first song, I had a feeling that Son of Boar would be something special. I wasn’t wrong. These Bradford bruisers have everything in spades: they’re unfeasibly heavy; they have slow, doomy riffs with a Sabbath-like infectiousness and they have a sludgy, swampy groove that can pack an aggressive punk punch. The best band of Pentre Fest 2020 as far as I was concerned, Son of Boar were superb. I even bought a t-shirt!

https://www.facebook.com/SonOBoar/

At this point Edd Case played a second set on the acoustic stage and it was the one time, all weekend, we missed a performance. However, as we’d seen him earlier in the day and he was still a very naughty boy for even turning up, he’s going to forgive us…aren’t you Edd?

Severenth

Back at the main stage it was time for the awesome Severenth to play and, once again, they showed why it is so good to have them back on the scene. When these guys were around the first time they toured the US and played the hallowed Wacken Open Air, among others and their pedigree shone through from start to finish. Vocalist Peet Bailey is a wonderful frontman, possessing a huge voice and bags of energy, Ben Jones thunders on the bass, guitarists Jack Somers and Adam Sidor are the perfect foils for each other, and drummer Dave Roberts is a mass of arms and rhythm. Together they a make a brutal, but very catchy team, and the sooner they release a new album the better!

https://www.facebook.com/OfficialSeverenth/

We were now heading towards the climax of the Festival, but there were still two performances to go. First up were the headliners on the acoustic stage, namely Luke Appleton (Iced Earth, Absolva) and Rishi Mehta (Babylon Fire) who put on a wonderful performance. As Alun hadn’t seen Luke acoustically before he kindly supplied the write-up of the set!

Luke Appleton and Rishi Mehta

A really fantastic set was delivered by Mr Luke Appleton on the acoustic stage. In truth, this was a duo performance with Rishi Mehta (of Babylon Fire) playing too, and it was a genuine highlight of Pentre Fest 2020. Dubbed “acoustic metal”, the songs were both suitably laidback, yet delivered with a metal edge. Expertly performed, we had tunes from Luke’s solo “Snake Eyes” project, plus of course some Iced Earth and Absolva numbers. Not to mention a bit of Dio and Tenacious D for good measure! A real class act in every sense of the word, and both very talented and down-to-earth gentlemen.

https://www.facebook.com/lukeappletonofficial/

WomenOwar

After a short break, where some of us braved the horrendous wind that was pummelling Mcleans outside (actually, now I think about it, bearing in mind who was due to appear onstage, it could well have been the ‘True Metal wind of Joey DeMaio’s 24 string bass guitar), we headed back to the main stage to witness the climax of Pentre Fest 2020 – WomenOwar!! Now, there had been rumblings (no, not from my stomach) that WomenOwar were threatening to pull out of their performance as there’d been a massive argument between Floss The Boss and Davina Shenkles over who was going to wear the deep blue eyeliner and baby oil, but luckily tragedy was averted! Of course, had this been the real Manowar we would all have been sat twiddling our thumbs calling Joey a complete and utter wan…!

Yes I’m joking, sort of! WomenOwar are an ‘all women, not all women’ Manowar Tribute band and they were absolutely brilliant! Formed for a one-off performance in 2018 they now find themselves in demand, possibly because Manowar really do argue over who is going to wield the He-Man sword and get the best painted on six-pack, but more likely because they are very funny and play the songs superbly!

Made up from members of the awesome Dakesis, Fury and Christgrinder you just knew the musical prowess was going to be top notch, and so it proved to be. Armed with a wig and mascara collection that Steel Panther would be proud of (in fact Manowar would be proud of it as well), they proceeded to blow us all away with a majestic set of Manowar classics that the crowd lapped up! It was the perfect climax to a wonderful weekend. As it says on their website “the band have weathered even the most unconquerable challenges to consistently bring you 100% of the Manowar for 1% of the price of actual Manowar”, and that says everything really. Go see them! You won’t be disappointed, because WomenOwar will actually turn up and play!!

https://www.facebook.com/womenowarband/

So, that’s Pentre Fest wrapped up for another year. In all seriousness, it was incredible and everyone I spoke to enjoyed themselves immensely. Sound was perfect all weekend on both stages and the only thing that let us down was the weather but having the sometimes ‘not acoustic’ stage inside really worked well!

Massive thanks must go to the team at North East Wales Metal Productions for assembling another cracking line-up of bands and acoustic artists, and especially to Fozzy for getting through what must have been an awful weekend for him.

We were all well looked after by Pat and the staff at Mcleans, they do a sterling job, the bands were friendly and approachable all weekend and, of course, it wouldn’t be the same without all of you who turned up to watch.

Pentre Fest is a wonderful grass roots event and it should be thoroughly applauded. I’m already primed for 2021!

LINKS:

https://www.facebook.com/pentrefest/
https://www.facebook.com/N.E.WMetalProductions/
https://www.facebook.com/GoodforaudioEntertainment/
https://www.facebook.com/McleansPubLive/
https://www.facebook.com/Powerzonemetal/
https://www.facebook.com/TheImpactZoneOnRadioDeeside/
https://www.facebook.com/LA1Audio/
https://www.facebook.com/evermetal2017/

Disclaimer: This review and photographs are solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Pentre Fest 2020 – Day 1 – 21/02/2020

Pentre Fest 2020 Day One
Mcleans, Pentre, North Wales
21/02/2020
Review by Rick Tilley & Alun Jones
Pictures by Beth Jones

Hi Everyone – It’s Rick.

Before you get into reading about Day One at Pentre Fest I would like send our love to Ian ‘Fozzy’ Forrester of North East Wales Metal Productions. Very sadly, Fozzy’s Mum passed away just before the Festival yet, in what must have been an incredibly difficult time for him and his family, Fozzy was present on both days manning the sound desk on the acoustic stage and running the event in the professional manner to which we have become accustomed. Many of you reading this know Fozzy and what a gem of a bloke he is and I hope you can all join me in wishing him and his family all the very best. This review is dedicated to Fozzy’s Mum!

It doesn’t seem possible that this was our third trip to Pentre Fest, the last two years seem to have gone by in a blur of gigs, photos, reviews, interviews, albums and laughs but, once again, Ian ‘Fozzy’ Forrester, Ian ‘Beany’ North and Frank Williams of North East Wales Metal Productions had assembled a ‘must see’ line-up of bands and acoustic acts who would be appearing over the two days at Mcleans, Pentre. Our gratitude and thanks must go out to them for continuing to persevere at a time when getting people to come out and see original music is something of a struggle. I would also like to welcome our colleague, friend and fellow Ever Metal reviewer Alun Jones who was at the Festival on both days and has kindly submitted his thoughts on some of the bands!

Pentre isn’t a big place and, therefore, Mcleans is somewhat stuck in the middle of The Twilight Zone so, within an hour of arriving on Friday evening, it was wonderful to see that so many people were turning up. This was easily the biggest crowd we had seen at the venue for any event. On top of that we knew pretty much everyone so the atmosphere was amazing!

Oliver Carins (Scarfoot)

Local legend Edd Case, who usually hosts the acoustic stage, wasn’t around on the Friday as he was very poorly, and with us also being in the midst of a series of storms bad enough to get their own names the decision had been made to move the second stage inside so after a small delay, Oliver Carins (Vocalist/Guitarist with Scarfoot) got things underway with a wonderful cover of John Butler’s ‘Ocean’. Personally, I think Oliver’s confidence has grown considerably over the last few months but this was the first time I had seen him playing acoustically and a very talented guitarist he is indeed!

In what seemed like seconds Oliver was done and, suddenly, we were all heading to see Cry For Mercy open things up properly on the Main Stage.

Cry For Mercy

If you want to open a Festival with a bang then Rock/Blues power trio Cry For Mercy provide it. We’ve now seen them a fair few times over the last twelve months and they never disappoint. Vocalist/bassist Kevin James Plant has a wonderfully soulful voice with just the right amount of gravel (he can sure play the bass well when he wants to as well), guitarist Andy Cutty lets the riffs fly and the solos fly higher and drummer Steven Taylor provides an ultra-solid beat with plenty of smiles. They treated us to some brand new tracks from their forthcoming EP as well as from last year’s “Overload” release and they all ROCK! It struck me a few weeks back that they remind me a little of Mama’s Boys, who I saw play on a number of occasions in the 1980’s and that’s high praise because I’m a big fan of Pat ‘The Professor’ McManus. Cry For Mercy = Excellent!

https://www.facebook.com/cryformercyofficial/

Scarfoot

Back on the acoustic stage it was time for Oliver again but this time with the rest of Scarfoot. They all know how Beth and I feel but I’m going to say it again. Since new bassist Rhys Jones joined them last year Scarfoot have gone from strength to strength. There is a new found confidence in them and it shines through in their performances. This was a first for them as they had never played a ‘stripped back’ set before but it worked very well. As I have become more familiar with their music it’s fair to say that it isn’t your standard fare. It combines many influences and genres and comes across as occasionally schizophrenic (in a good way) and having two vocalists (drummer Phil Eakins also sings) sets them apart. If you’re familiar with the band Primus, imagine a saner version of them and you’ll be on the path that leads to the road that sits on the hill that Scarfoot inhabit. Lovely guys too!

https://www.facebook.com/thescarfootband/

Lullaby For A Unicorn

Off to the main stage again. This time it was for (drum roll) the one…the only…the leg-ends… Lullaby For a Unicorn!! These four guys have become really good friends over the last couple of years and we love ‘em to bits. Before they went on stage we were treated to lots of stories of their antics the previous week when they played the main stage at HRH Metal and predictably they had us in stitches (if you haven’t already then go and seek out the photos online). For this gig they had a new friend on stage…a synthesizer, apparently something they will be using a lot more in the future. It was a superb addition to their arsenal and turned vocalist Justin into a demented looking/sounding Jean-Michel Jarre! There wasn’t a colouring competition this time but we were treated to the usual array of Party Poppers/Cannons and, in an attempt to get the audience to love them even more than they already do, had bought shots for everyone which they dished out mid-set. Never predictable but always fantastic, Lullaby For A Unicorn are totally unique. In an age with thousands of sound-alike bands we should all be very thankful for that!

https://www.facebook.com/rockmyunicorn/

Daniel Moran

After replenishing our drinks (reviewing is very thirsty work I’ll have you know!) we went back to the restaurant…er, I mean acoustic stage, to see the next act, Daniel Moran.

I’ve seen Dan twice before, once with his previous band Ashen Reach and at Beth’s Charity Gig last December with his main band, the wonderful Reaper, but I had yet to see him perform acoustically and what a talent he is, especially for someone so young! He launched into a fabulous set, punctuated with jokes and witty banter and it’s plainly obvious that he lives, eats and breathes music. He has incredible vocal range, is a fabulous guitarist and relishes every moment that he can play and entertain. Finishing with a cover of ‘Why?’ from Devin Townsends’s most recent album “Empath” would be a challenge for most, but not Dan, who pretty much nailed every note and left the audience in awe. He is also a lovely chap so do me a favour and go and watch him wherever you can. People like Dan don’t come around too often!

https://www.facebook.com/DanielMoranMerseyside/

Impavidus

With the turnaround time between the two stages working like clockwork, by the time I’d been to the loo and had a quick vape the mighty Impavidus were already half way through their opening track over on the main stage. It had been more than a year since I had last seen them live, far too long for my liking, and I was soon banging my head as much as my battered spine would allow me to. Vocalist Michelle Adamson has the voice of an angel and devil rolled into one. Her clean singing is haunting but her growl matches Angela Gossow for venom. In fact, classic era Arch Enemy is who Impavidus remind me of most. They may possess huge groove and power and be as heavy as a stampeding rhino but melody plays a massive part in the music and their songs are incredibly catchy. It was also great to see their ex-drummer, the gentleman that is John Badger, fill in for them one last time! Impavidus really should be more well-known than they are!

https://www.facebook.com/impavidusuk/

After the wonderful set from Impavidus I was hurting and in need of a break so I’m now going to pass you over to Alun who went to watch the final act of the night on the acoustic stage.

Ryuko

Ryuko presented a couple of surprises on Friday night’s acoustic stage. First off, they were fully plugged in and electric. Second, they play more of an alternative rock sound, which was something of a contrast to the majority of other Pentre Fest bands. Readers may not be aware, though, that I am in fact King of Grunge, with my 90’s credentials well proven. Ryuko’s set included some melody and even jangly pop along with heavier riffs, which was an enjoyable diversion in a Dinosaur Jr/Nirvana style. Well performed, Ryuko just need to test their audience further and throw in additional surprises in either a ‘Negative Creep’ or ‘About a Girl’ vein.

https://www.facebook.com/RyukoBand/

With medication taken, drink in hand and the pain in my back calming down a little bit I returned to the main hall to find our ‘Master Of Ceremonies’ Beany hosting The Tequila Game! This was basically The Jäger Game without Jäger!! It involves a large number of slightly inebriated and good-natured MetalHeads rolling pound coins towards a bottle of booze to see who can get the closest. Winner gets the bottle and the money raised goes to charity. It is always good fun and was the perfect lead in to our Friday night headliner…

Witch Tripper

If you haven’t seen, or at least heard of, Witch Tripper then you must live under a rock at the bottom of the sea. On any given weekend they will be playing somewhere in the UK or Ireland and they never stop. They arrived at Pentre Fest with incredible new drummer, Christopher Reed, in tow and proceeded to do what Witch Tripper does magnificently…blow the roof off. Vocalist/Lead Guitarist Richie Barlow is a manic ball of sweat and hair by the end of the first track and bassist ‘Stoff’ is a slightly more reserved, but no less brilliant rumble of thunder. Together, the three of them play an enticing mix of Stoner, Rock, Metal and Grunge all held together with lashings of heavy groove and they never fail to put a smile on your face, regardless of how many times you’ve seen them. As usual they were on fire and brought the Friday proceedings to a close, just as it had started a few hours earlier, with a bang!

https://www.facebook.com/witchtripperuk/

With an audible sigh, that only happens when every band has played a blinder, the crowd started dispersing to different areas of the pub for another swift pint, a smoke, a chat and to chill before heading out into the horrendous weather (the wind sounded like something out of a Hammer Horror film) to waiting Camper Vans, Hotels or homes. It had been an incredibly successful evening not just from a band perspective but also for the number of people who had turned up. As usual, Beth and I were completely knackered and hurting but we both knew that the line-up for Saturday was going to be brilliant…

…To Be Continued!

Links:

https://www.facebook.com/pentrefest/
https://www.facebook.com/N.E.WMetalProductions/
https://www.facebook.com/GoodforaudioEntertainment/
https://www.facebook.com/McleansPubLive/
https://www.facebook.com/Powerzonemetal/
https://www.facebook.com/TheImpactZoneOnRadioDeeside/
https://www.facebook.com/LA1Audio/
https://www.facebook.com/evermetal2017/

Disclaimer: This review and photographs are solely the property of Rick Tilley, Beth Jones, Alun Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Our Last Night, I See Stars, The Word Alive & Ashland – Webster Hall, New York City, USA – 30/11/2019

00 Tour Poster

Our Last Night – Let Light Overcome The Darkness North America Tour 2019
w/ I See Stars, The Word Alive & Ashland
Webster Hall, New York City, USA
30/11/2019
Review and Pictures by Andy Jansons

Our Last Night is a Post Hardcore band hailing from Northern US state New Hampshire. Although, for some, they are probably best known as a popular covers band, they are making waves with their own material. Recently the band released a two-part studio album, the first called “Let Light Overcome” and the second part, which came out little more than a month ago, called “Overcome The Darkness”. To promote their latest work they embarked on a month long tour together with Ashland, The Word Alive and I See Stars and although they would all be characterized as sitting in slightly different core subgenres, they all fitted together in a live setting seamlessly.

Due to the early start time I, unfortunately, missed Ashland’s performance, but speaking to fans in the crowd, I was told that it was awesome.

https://www.facebook.com/AshlandOfficial/

The Word Alive were next. These guys from Phoenix, Arizona are seasoned and well known Metalcore artists. Although the set did not include one of their biggest hits ‘Life Cycles’ it still packed quite a punch. ‘Trapped’ and ‘Why Am I Like This?’ were their most popular hits played that night. While the band is now reduced to a four piece after the departure of bassist Daniel Shapiro, that did not impact their sound. Telle Smith widely regarded as one of the best vocalists in metalcore was at peak performance the whole set. Five studio albums into their career and The Word Alive show no signs of slowing down.

01 The Word Alivehttps://www.facebook.com/thewordalive/

Next due on stage were Electronicore giants I See Stars. This music style is a fusion of Metalcore with a hefty dose of electronic sounds. Though not many artists would be attributed to this list, such well known bands as Bring Me The Horizon and Asking Alexandria have lately have made inroads with this style too. A more electronic sound has brought I See Stars a larger following in today’s scene than the truer Metalcore style. For their performance they brought out all heavy hitters – ‘Ten Thousand Feet’, ‘Murder Mitten’, ‘Running With Scissors’ and ‘Calm Snow’. All songs came from their latest albums “New Demons” (2013) and “Treehouse” (2016). There is no word yet when new material will come out!

02 I See Starshttps://www.facebook.com/ISeeStarsMusic/

Main act for the night Our Last Night came out onstage roaring with their mega hit ‘Same Old War’ from 2013 EP “Oak Island”. That track set a tempo and mood for the rest of the show. They continued with new song ‘The Beaten Path’. Altogether they included seven songs in their set from latest double album. During the show they resorted to playing only one cover song, which was American rapper Kendrick Lamar’s song ‘Humble’. Just to clarify, all of their covers are remade in the post hardcore style so it fit their set like a glove! Besides, these covers helped versions them rise above a sea of other aspiring post hardcore bands and reach the top faster.

Brothers Trevor and Matt Wentworth, the bands co-founders, together with Alex Woodrow on bass, provided all the fireworks at the front running and jumping around the stage which is so characteristic of a post hardcore show, while drummer Tim Molloy provided thundering drumming at the back. Their hhow was full of energy and they gave their New York fans a great experience.

Our Last Night finished their tour a few days ago and while no upcoming shows are announced yet we hope to see them on road again soon!

03 Our Last Nighthttps://www.facebook.com/ourlastnightband/

 

 

Disclaimer: This review is solely the property of Andy Jansons and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photos courtesy of Andy Jansons.

Buckcherry w/The Treatment & Rocky Kramer – The Tivoli, Buckley, North Wales – 01/11/2019

Gig Poster

Buckcherry
w/The Treatment & Rocky Kramer
The Tivoli, Buckley, North Wales
01/11/2019
Review by Alun Jones

It’s ridiculous how long it’s been since I last wrote a gig review. Time to end that drought with a write-up of a great band in one of my favourite local venues: yes, it’s the mighty Buckcherry at the Tivoli in Buckley, North Wales.

Yes, you read that right – US rock’n’roll giants Buckcherry were playing the Tiv. This legendary venue has welcomed many amazing bands over the years, and happily I’ve seen quite a few of them. Also sadly missed quite a few too, so I was determined not to miss this gig. Tickets were snapped up, super quick style.

The Tivoli was buzzing on arrival, the place was already busy and best of all – the main bar was open! Opening band Rocky Kramer had already started their set, so I grabbed a beer with my compadre, Ben the Swede, and checked them out.

Rocky and his band were very professional, and obviously extremely capable musicians. It was a bit melodic and keyboard heavy for my personal tastes, but they seemed to go down well with the already excited audience.

https://www.facebook.com/rockykramerofficial/

Up next were UK rockers The Treatment. This was a more gutsy affair altogether: their hard rock was energetic and brash; the sound bringing favourable comparisons to a certain massively successful Australian band that I can’t quite remember the name of… It’s a long way to the top if you wanna Rock’n’Roll, but The Treatment put on a great show that carried them far.

https://www.facebook.com/TheTreatmentOfficial/

Buckcherry have never been afraid of rock’n’roll. They seemed something of an anomaly in a post grunge world infested with sportsgear-wearing New Metal, but they stuck to their diamond-encrusted guns. And thank God they did. Opening with a thunderous version of Nine Inch Nails’ ‘Head Like A Hole’, their set was overflowing with swaggering anthems.

‘Lit Up’ was obviously a highlight, but the whole gig was an electrifying performance. Sadly, I missed the classic track ‘Crazy Bitch’ when I went to the bar (I know, please shoot me) but made it back for the encore of ‘Say Fuck It’, a gloriously foul mouthed monster that finished the night off.

My only complaint was that the gig seemed maybe 15 minutes too short – hence my poor bar visit timing. I thought we had a good half an hour left. No complaints though, Buckcherry put on a fully entertaining testament to sex, drugs and rock’n’roll that was worth every penny.

https://www.facebook.com/buckcherry/

And finally, well done again to the Tivoli, who managed to stage something of a coup and host yet another world-class band! Thank you!

https://www.facebook.com/The-Tivoli-Venue-111869355544823/

Rick Here:
Big thanks to Alun for this review which was first published on his blog ‘Platinum Al’s Virtual Hot Tub’.

If you fancy reading more Music, Movie, Book, Comic Con etc reviews plus a whole host of other stuff then head over to

https://platinumalsvirtualhottub.com/

 

 

Disclaimer: This review is solely the property of Alun Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.