Kissin’ Dynamite w/BlackRain & Serpentyne – The Underworld, Camden, London – 18/10/2019

00 Kissin_ Dynamite Gig Poster

Kissin’ Dynamite
w/BlackRain & Serpentyne
The Underworld, Camden, London
18/10/2019
Review by Lotty Whittingham, Picture by Natalie O’Neill

On my way to the venue, given it was the same night as the sold out Gloryhammer show, it was difficult to know what to expect with regards to audience size. The last time Kissin’ Dynamite were in the UK, they were the opening band for Powerwolf. They were now doing their own headline tour and they were making a stop in London. No better place than The Underworld, Camden; the alternative heart of London.

As I arrived, it was great to see people there already. Some of them had seen the band on the Powerwolf tour; others were long-time fans of the band who had been waiting to see them in the UK. Whether fans were securing their space to watch the bands, buying their first drinks or browsing the merch; the atmosphere was buzzing with excitement and anticipation.

The first band to take to the stage were London based Serpentyne. Sometimes when a band is a completely different style to the rest of the line-up, this can pay off massively or back fire immensely. Their haunting sound consisted of angelic vocals, brilliant guitar work, some energetic stage antics (one including the guitarist jumping on top of the drum kit) and orchestral pieces on the system. The only criticism I have regarding their set was that sometimes you couldn’t quite hear these orchestral parts, then again, that could have been to do with the sound system. Overall, they were a great choice to open up proceedings.

https://www.facebook.com/Serpentynemusic/

French Hard Rockers BlackRain were the main support act for the night. From the moment they took to the stage, it was clear they weren’t here to mess around. They brought no nonsense Mötley Crüe and Airbourne style rock to The Underworld. This stadium like atmosphere was reinforced by the fact that fans and new listeners were already singing along to their songs. The setlist consisted of a mixture of songs from across their discography, mainly from their latest album “Dying Breed” that was released this year. If closing with a cover of Twisted Sister classic ‘We’re Not Gonna Take It’ didn’t get them nice and warmed up then who knows what would have?

Regarding headliners Kissin’ Dynamite, I came across them a few years ago through the song ‘DNA’ when casually browsing on YouTube. In turn, I discovered the album “Megalomania” that was released the same year. I was finally getting to see them headline a UK show at one of my favourite venues.

They kicked off the night with anthems ‘I’ve Got The Fire’ and ‘Somebody’s Gotta Do It’. I’ve Got The Fire is one of my go-to songs when I need to smile and need that morale boost. The power of the song increased when it was performed live and it instantly lifted those spirits.

The thing with stadium shows is that they are built up with magical moments that are unforgettable. I know this wasn’t a stadium show but given the way they performed; you would have thought you were at one. I will never forget their live performance of ‘Heart Of Stone’ with a piano; it was a great way to tone down the wild atmosphere for those few moments. I was also highly impressed that they were able to lug a huge piano down to the stage in a venue with no lifts.

Another was the song ‘I Will Be King’, especially where vocalist Hannes Braun sang whilst sitting on a silver throne and wearing royal garments. Like the piano, getting the throne onto The Underworld stage was impressive. A personal highlight for me was when they performed ‘DNA’; this was the first song that got me into the band so it was great to experience the energetic performance of this song.

I should also mention that Ana Bruner (Exit Eden) joined the band on stage for a few numbers, including their duet ‘Ecstasy’. The title of this song is incredibly apt because of the energy which comes across. When it was performed, this energy transitioned to the crowd. Ana’s powerful voice and her passionate energy on stage made her a great addition to the band.

They closed their remarkable set with ‘You’re Not Alone’ and Ana joined them one last time for ‘Flying Colours’. These gave the audience one last blast before ending the night on a literal high, with Hannes Braun standing on top of a mini pyramid.

I deliberately made the notes after the show as I was busy soaking in every aspect of their mind-blowing performance, sometimes literally soaking from all the sweat. It was clear they worked incredibly hard to pull out all the stops to give The Underworld a stadium like atmosphere. Hannes Braun was in control of the crowd that night, his charisma and passion to give fans an unforgettable show shone through.

Judging from the crowd’s reaction and the band’s mind-blowing performance, it is more than safe to say they will be welcome back to the UK anytime.

LINKS:
https://www.kissin-dynamite.de
https://www.facebook.com/Kissindynamiterocks/

https://www.instagram.com/kissin_dynamite/

https://www.youtube.com/kissindynamiterocks

 

01 Kissin_ Dynamite

 

Disclaimer: This review is solely the property of Lotty Whitingham and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photos courtesy of Natalie O’Neill

Stonedead Festival 2020 Preview

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Stonedead Festival 2020 Preview
‘The Monster Returns’
By Paul Monkhouse

After two years Stonedeaf Festival is no more. This isn’t due to any issues with the event at all but just purely a need to change the name due to a rival event. Announced during this year’s festival, it was revealed that the new name of this rapidly growing gathering of the cream of the rock scene would be Stonedead and they have certainly continued the trend for stunning line-ups as the reveal of the bands booked thus far has proven.

Once again, the ethos is very much a music festival run by music fans and recaptures the excitement and spirit of those early halcyon years of Monsters of Rock. In the two years since its inception, the event has grown from strength to strength and seems to have truly captured the hearts and imaginations of whole families and generations who just want to hear some of the best bands around in a friendly atmosphere that is well run, affordable and genuinely cares for the rock community that gathers there to worship at the stacks of Marshall Amps. With two hugely impressive festivals under their belts already the announcement of the artists booked so far for 2020 will push the excitement levels up to 11.

Black Star Riders
Headlining will be classic rock supergroup Black Star Riders and anyone who witnessed them on their latest tour will know that the band are firing on all cylinders and knocking every show out of the ballpark. Since forming in 2012 the band have certainly fulfilled their avowed intent to be the next stage in the evolution of Thin Lizzy and have very much grown their own identity whilst capturing the Celtic fire and spirit of the legendary Irish rockers. Helmed by Lizzy axeman Scott Gorham and former Almighty frontman Ricky Warwick, BSR are titans in the rock scene and the immense talent and charisma of these two hugely respected musicians has led them to new heights. Each album has continued to build the formidable machine and their lives shows have become the absolute epitome of what a visceral and exciting celebration of hard rock should be. One of the best bands in the world, Black Star Riders will blow you away.

https://www.facebook.com/BlackStarRidersOfficial/

Tyketto
Tyketto ripped up the rule book when they emerged and produced one of THE classic debut albums of all time in “Don’t Come Easy” and have genuinely never looked back. Formerly fronting Waysted, Danny Vaughn brought his incredible voice and writing talents to form the band with three like-minded New Yorkers and lead single ‘Forever Young’ broke through big time, enjoying constant rotation on MTV. Their rapidly soaring profile saw them opening shows for Bon Jovi and Whitesnake, often blowing the headliners off the stage with their own brand of street tough rock that had a gift of unassailable melody. Grunge put a dampener on things but the band regrouped and proved that you can’t keep quality down. Although the line-up has changed throughout the years, Vaughn has truly been the beating heart of these masters of their craft, his superb voice and stage presence never letting up. After such a stunning start it would be difficult for most bands to reach that high-water mark but Tyketto have produced album after album of immense tunes, fuelled by a craft and determination that Bon Jovi left behind years ago. Prepare to fall in love.

https://www.facebook.com/TykettoTheOfficial/

Kris Barras Band
‘Bruising’ is the perfect way to describe Kris Barras as this former MMA cage fighter has produced album after album of muscular blues rock with his self-titled band as well as fronting the supergroup Sonic Blues Machine alongside ZZ Tops Billy Gibbons. A man totally committed to his craft, Barras has toured relentlessly around Europe to growing audiences and each album has grown heavier and won more accolades than each previous release. A player of remarkable sensitivity and verve, he’s certainly caught the imagination of not only the general public but also blues purists who have hailed him as one of the finest guitarists on the scene. Latest album ‘Light It Up’ is a powerful testament to the importance of the blues as a genre while never holding back the punches and providing a crunching soundtrack that more than satisfies fans of rock too and his set at Stonedead should provide the highlight for many on the day.

https://www.facebook.com/krisbarrasband/

Blaze Bayley
Blaze Bayley is best known as front man for Tamworth rockers Wolfsbane and then as the man Iron Maiden handpicked to replace the departing Bruce Dickinson and latterly fronting his own titular band, constantly on the road and pouring blood, sweat and tears into every show. His appearance at Stonedead celebrates his time with Maiden so expect some classic tracks from ‘The X Factor’ and ‘Virtual XI’ albums along with a few other prime cuts. A magnetic performer, Bayley will be bringing his own brand of Midlands Metal that will doubtless thrill all those lovers of British steel.

https://www.facebook.com/officialblazebayley/

Tygers Of Pan Tang
Arguably better than ever, Tygers of Pan Tang are one of the most legendary bands of the NWOBHM and follow in the footsteps of Diamond Head this year as leaders and vanguards of the genre who have appeared at the festival. Featuring original guitarist Robb Weir, the band have seen themselves touring all through Europe and beyond to packed houses, rammed with people who appreciate the constantly high class of the writing and performances. From the seminal debut “Wild Cat” through to new album “Ritual” the band have always brought the perfect mix of melody and heaviness that has been their trademark since they emerged from the wilds of Whitley Bay in the North East and they certainly show no signs of slowing down.

https://www.facebook.com/tygersofpantangofficial/

Myke Gray feat Kim Jennett
You would have to been hiding under a rock to have not heard of the perfect pairing of former Jagged Edge, Skin and Red White & Blues guitarist Myke Gray with former Voodoo Blood frontwoman Kim Jennett, such are the seismic ripples these two have caused. One of the hardest working and highly thought of musicians in the country, Gray has played on some of the biggest stages in Europe and toured with giants of the rock scene, his skill as a writer and six stringer drawing plaudits from rock fans and peers alike. With her incredible blues rock voice and commanding stage presence, Jennett has met her perfect mentor in the guitarist and has grown immeasurably since they started working together in the Summer of 2018. With a well-received support tour with Black Star Riders and an absolutely incendiary show at Download this year under their belts the two have proven to be one of the genuine ‘must see’ acts on the live circuit and are destined to prove one of the truly legendary ‘’I was there…’’ sets in the history of Stonedead.

https://www.facebook.com/MykeGrayMusician/
https://www.facebook.com/kimjennettvocalist/

With the Special Guests and opening band slots yet to be announced it already looks that Stonedead 2020 will be one of the events of the year and at £50 arena entry or £60 arena and camping fee (cheaper for children) it’s an absolute bargain. The festival happens on 29th August 2020 at the Newark Showground and full details can be found at www.stonedeadfestival.co.uk. See you down the front!

 

FURTHER LINKS:


https://www.facebook.com/stonedeaffestival/
https://www.facebook.com/groups/237397456749576/

https://www.instagram.com/stonedead_fest/
https://www.youtube.com/channel/UCCXF1P29FvLRXD_IqNhPNvA

 

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Disclaimer: This preview is solely the property of Paul Monkhouse and Ever Metal. It is strictly forbidden to copy any part of this preview, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Amon Amarth Berserker World Tour 2019 w/Arch Enemy, At The Gates & Grand Magus – Manhattan Center, New York City, USA – 12/10/2019

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Amon Amarth Berserker World Tour 2019
w/Arch Enemy, At The Gates & Grand Magus
Manhattan Center, New York City, USA
12/10/2019
Review and Pictures by Andy Jansons

…And then came the day when Vikings took over New York. No, that is not a plot for a movie, but a real life event. An all Swedish line-up of Grand Magus, At The Gates, Arch Enemy and the mighty Amon Amarth rolled into NYC with the ‘Berserker World Tour’ North American leg. We all know that Amon Amarth can put on a show, but with these three metal beasts in support this was a spectacle for the ages!

The Manhattan Center was packed. While I wasn’t sure of the official count this was definitely a sold out show. First up on stage was Grand Magus, a heavy metal band from Stockholm who delivered a classic Heavy Metal sound that was melodic and often catchy. Their set received a warm reception from the audience, and while not as popular as the following bands they were watched by an already full room. Nobody was skipping the opening acts.

https://www.facebook.com/grandmagusofficial/

Next to play were Gothenburg Melodic Death Metal legends At The Gates. Supporting their latest album “To Drink From The Night Itself” (2018), they opened with the title song, followed by ‘Slaughter Of The Soul’ and ‘At War With Reality’ which were also the respective title songs from their previous two studio albums. To note; they played only tracks from these three albums and skipped all three of their earlier works!

Although the band were in a prolonged hiatus between 1996-2007 they sustained their fans and popularity and are still recognized as trailblazers of the ‘New Wave of Swedish Melodic Death Metal’ and still have three active founding members, vocalist Tomas Lindberg, drummer Adrian Erlandsson and bassist Jonas Björler.

At The Gates wrapped up their set with the closing track from “At War With Reality” entitled ‘The Night Eternal’ which was loud and with its melodic outro stamped an exclamation point on their powerful performance.

02 At The Gateshttps://www.facebook.com/AtTheGatesOfficial/

Next came Arch Enemy who are probably enjoy the most commercial success compared with the previous two bands, thanks to more melodic choruses and of course their Canadian vocalist Alissa White-Gluz, who is widely considered as one of the most beautiful metal female artists. She does bring a whole different dimension to this musical style, making it more attractive to a larger audience. Metal elitists might not be happy, but their success speaks for itself!

While their set was only eight songs, it was packed with metal anthems one after another; ‘The World Is Yours’, ‘War Eternal’, ‘The Eagle Flies Alone’ and ‘Nemesis’ are known worldwide. Considering that the stage was quite small, to help conceal the headliners stage set, throughout the performance Alissa was aggressive in her movements around the stage and quite a few times jumped off the drum riser. She also sung mainly with unclean vocals! Whilst Arch Enemy have been writing new material, their latest album “Will To Power” dates back to 2017.

03 Arch Enemyhttps://www.facebook.com/archenemyofficial/

Amon Amarth are frequent guests stateside, and every time their shows are spectacular, even if they are not headlining. This time, as the main act, they really brought there ‘A’ game. There was a giant Viking helmet positioned centre stage with drummer Jocke Wallgren above it and guitarists Olavi Mikkonen & Johan Söderberg, bassist Ted Lundström and vocalist Johan Hegg at the front trying to avoid random Vikings, serpents and other creatures appearing on stage. There was a lot of smoke and fire… a LOT of fire and random explosions mixed in for good measure. Why not? It was an Amon Amarth show after all!

The band who are currently supporting their latest studio album “Berserker”, which saw the light of day back in May of this year, opened with the first single from that album ‘Raven’s Flight’. From the start we entered into a loud and powerful Viking world, just don’t mention ‘Viking Metal’ to the band. Even though everything they do is about Vikings and Scandinavian mythology they prefer to be labelled Melodic Death Metal. So it was Melodic Death Metal about Vikings!!

The first creature came on stage during the track ‘Deceiver Of The Gods’, a fantastic demonic looking warrior with burning eyes and long horns. This was the title track from their 2013 album and, altogether, their setlist was pretty comprehensive including material from six of their eleven studio albums to date!

Amon Amarth completed their set with another bang and one of their most well-known songs from the earlier days ‘Twilight Of The Thunder God’. With that, an epic, visually and sonically, exceptional performance came to an end and their Viking ship sailed away from NYC harbour until the next time.

04 Amon Amarthhttps://www.facebook.com/amonamarth/

 

FURTHER LINKS:
https://www.facebook.com/ManhattanCenter
https://www.facebook.com/nuclearblast.uk/
https://www.facebook.com/centurymedia/
https://www.facebook.com/metalbladerecords/

 

 

Disclaimer: This review is solely the property of Andy Jansons and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photos courtesy of Andy Jansons

(the) Melvins Escape From L.A. Tour – The Stone Pony, Asbury Park, NJ – 11/10/2019

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(the) Melvins
Escape From L.A. Tour
The Stone Pony, Asbury Park, NJ
11/10/2019
Review and Pictures by Andy Jansons

It would be hard to argue with someone about American rock bands (the) Melvins legacy and influence with anyone connected to the Grunge and Punk music scene. Far too many legends have mentioned them as an influence, Nirvana, Soundgarden, Tool and Faith No More to name but a few. Originally formed back in 1983 they have released about 27 studio albums, many EP’s, live albums and compilations. Well, regarding studio albums, people have actually lost count as I’ve found that number fluctuating widely, however I counted 27. This shows just how hard the band is working, fully dedicated to their music. There remains only one founding member at this point, vocalist and guitarist Buzz Osborne also known as King Buzzo, although current drummer Dale Crover joined The Melvins shortly after their formation and has been with the band since. He also was part of early Nirvana recordings and helped with their debut LP “Bleach”.

At The beginning of September (the) Melvins embarked on the dubbed ‘Escape From L.A. Tour 2019’, alongside Redd Kross and Toshi Kasai, consisting of a whopping 54 dates running until November 8th when they will wrap it up in California. Basically in two months they will have only a few days off!!

On October 11th these legends came to wonderful South New Jersey venue ‘The Stone Pony’. This is the place where people basically worship Bruce Springsteen and Steve Van Zandt, where other New Jersey native bands Bon Jovi and Skid Row played at the beginning of their careers, as well as many big time national tour bands like Green Day and Papa Roach.

I will tell you honestly, this was my first time experiencing (the) Melvins. I did my due diligence to listen to their music before showing up to work on their set, but to listen and see them live was a whole different experience. They opened with three songs called ‘Sesame Street Meat’, ‘Kicking Machine’ and ‘Anaconda’. All three seemed like a good mix of grunge, punk and sludge metal; sometimes bringing out sort of an early Black Sabbath feel too. The tracks had many different tempo changes but guitar solos that all sounded quite similar. This was not an issue with more seasoned fans, who packed the venue to the max. They followed with ‘Queen’ and ‘It’s Shoved’. Their level of play and energy did not show any signs of letting down, despite the gruelling tour schedule. Buzz didn’t do much talking between songs; it was just a continuous music extravaganza. For many older attendees this was almost a trip down memory lane when this place was a regular for punk rock bands, and they enjoyed it fully.

I realised how much I had missed by not listening to (the) Melvins before. Their work is experimental, extraordinary and exceptional. Great music by a great band! Find them in your choice of music streaming platform and take a listen if you haven’t already!

LINKS:
https://www.facebook.com/melvinsarmy/
https://www.instagram.com/melvinsdotcom/

 

02 (the) Melvins

 

Disclaimer: This review is solely the property of Andy Jansons and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photos courtesy of Andy Jansons

Arkdown w/ In Which It Burns & Scarfoot – G21 At The Saddle Rock Bar, Chester – 05/10/2019

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Arkdown
w/ In Which It Burns & Scarfoot
G21 At The Saddle Rock Bar, Chester
05/10/2019
Review by Beth Jones

Another Friday, another trip to the G21! This week’s entertainment was being brought to us by a familiar name in the shape of Scarfoot (but with their new bass player) and two names who were completely new to me – In Which It Burns and Arkdown. Sadly, Rick was laid up with his back again, so I took my substitute gig companion and oldest child, Sian.

For those who haven’t been to the G21, it is an intimate venue created from an old stable building at the back of Chester’s best rock venue, The Saddle Bar. It is a great place to spend an evening and this is something that I am going to rant about in a bit, so be warned! First, to the bands!

Scarfoot
Having seen these guys on a number of occasions before, we knew what they were about, and regular listeners will know that I have always said that they were ok, but something was missing. Enter stage right their new bass player, Rhys, and bingo! This was what I had been waiting for from these guys! It felt so much tighter than it was before, and Vocalist/Guitarist Oliver Carins and drummer Phil Eakins, the backbone of the band, looked so much happier and content with the sound. Everything had more depth, more confidence and more groove. They have also filled the gaps between songs and developed more of a stage presence. I am so happy to be able to write this about them – there is nothing more pleasing than seeing a young band find themselves and look genuinely content and relaxed. This enjoyment also rubbed off on the crowd, and they were grooving along with them for the whole set. Whilst they were probably the lightest band on tonight’s bill, they have a chunky sound, enhanced by the gruff dual vocals of both Oliver and Phil. The new bass sound, with little fills, and more complex riffs really complimented this and I am really excited to see where this rebirth takes them next!

01 Scarfoothttps://www.facebook.com/thescarfootband/

In Which It Burns
Because I like to go into things with no preconceptions, I had no knowledge of these guys at all. From their name, I had had a guess at what type of band they would be, and I wasn’t sure whether I was going to like them or not – this is the beauty of actively seeking out new music. From the first riff, my ears picked up, and by the end of the first song, my mind was made up – they were bloody good!! Joining us all the way from Pembrokeshire, these guys deliver heavy grooves and roaring vocals, and would be enjoyed by fans of early Metallica, through to Pantera but also fans of more modern, Djent style Metal. They were really tight and well-rehearsed, and a special mention must be given to drummer Eugene Lowe, who was an absolute machine! I was gutted Rick wasn’t there to see it to be honest, as he would have been falling over himself with superlatives to describe this guy’s rhythms! They all had a great presence, and their personalities and technical prowess stood side by side to create a brilliant performance – they even had a pit going at the front for one of the songs – not an easy thing to start in the G21!

02 In Which It Burnshttps://www.facebook.com/InWhichItBurns/

Arkdown
Our headliners tonight were joining us from Sheffield, and from their logo, I had deduced that they were probably going to be pretty heavy! They got a big tick in my book before they even started playing, as they had brought their own stage lights! Anyone who has followed any of my reviews / photography outings will know my biggest gripe is lighting! The G21 lacks lights and makes me say words my mother would not be proud of, however I was able to snap away to my heart’s content with these guys! They play a brand of modern metal that, in all honesty, has the ability to get right on my tits when it’s not done right, however these guys really know how to do it right and their performance was superb. Everything was like a well-oiled machine, from the stops and changes within the songs, to the programming of the lights, even down to the choreographed headbanging – nothing was out of place, nothing was over or under done and it was bloody spectacular! The shared vocals duties of front man Kyle Dawson and Guitarist Mike Dyson had a kind of call and response feel in parts, which really worked, and their voices blended together well to create a brilliant version of the scream type sound that has become synonymous with the modern metal style. When it is done well, like these guys do it, I love it! I really cannot find anything to criticise about them. Everything was superb. I picked up a copy of their EP “The Calling” and listened to it in the car on the way home, and their stage sound was just as good as the recording. I am so glad I was one of the select few in the audience and I can’t wait to see them again!

03 Arkdownhttps://www.facebook.com/ArkdownOfficial/

Right, so that is my band write up done, now I am going to rant about something that I have kept my mouth shut about up until now, but that came to a head at this gig and really pissed me off (anyone who knows me will know it takes a hell of a lot to piss me off).

Here we had three great bands, who have been playing up and down the country, working their backsides off to bring shows to people, and by the time Arkdown were on stage, they were playing to a handful of people – literally. One of the audience members was me, two were girlfriends of band members, and one was the gig organiser – if you take us out of the equation, the rest of the audience could be counted on one hand, but they still put everything into that performance, and played as if they were playing to a packed out stadium, and for that I have the utmost respect for them, because mentally that is tough.

This is sadly echoed in many town, in many countries globally at the moment, and then people complain when venues shut down – IF YOU DON’T USE THEM HOW ARE THEY GOING TO STAY OPEN DICKHEADS??!!! Don’t bloody complain that you didn’t know it was on, or that you hadn’t heard of the band – ACTIVELY GO OUT LOOKING FOR NEW STUFF!!! In an age of social media, where our entire lives are there at the touch of a button, we have become fucking lazy, and expect everything to be spoon fed to us – STOP IT! Check out your local venues’ Facebook or Twitter to see what is on! Search for your local scene and like any pages that come up that are connected to it, and check them out regularly to see what they are up to! In the old days we used to get the ‘What’s On’ guide somewhere in the back of the local free paper every week, and we would search through the paper to find it, and circle in red, or cut out and stick on the calendar the things we wanted to go to! There is zero reason why we can’t do the same now, using the technology that we all have in our back pockets, but we’re too fucking lazy!!! These bands, and hundreds like them on the emerging and underground scene, deserve more than we are giving them. They are working so hard to entertain us, with entry to their gigs costing the same as a pint, but we can’t be arsed. Please, for the love of music, sort it out!!!!

As I dismount my soap box, I would like to say a huge thank you to the bands for giving me a brilliant evening’s entertainment, and also a huge thanks to North East Wales Metal Productions again, for putting on this gig, and for working tirelessly to reboot the scene around here. And before anyone say “Well you only go because you get press passes” or “You get given CDs for free”, NO – we buy tickets for these gigs to help support the scene, and we buy the CDs to help support the bands, so suck it up, don’t make excuses, and get out to watch bands – you might find something you like! GRRRRRRR!!

LINKS
https://www.facebook.com/N.E.WMetalProductions/
https://www.facebook.com/Grosvenor21/
https://www.facebook.com/Thesaddleinnchester/

 

Disclaimer: This review is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photos courtesy of Beth Jones and PhotograBee Images
https://www.facebook.com/PhotograBeeImages/

The Alma Inn September Showcase 2019 – The Alma Inn, Bolton – 28/09/2019

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The Alma Inn September Showcase 2019
The Alma Inn, Bolton – 28/09/2019
Review by Beth Jones

There is simply no better way to spend a wet and dreary late September day than listening to live music in a pub full of people. The Alma Inn September Showcase took place in these very conditions – the really fine rain that gets you properly wet was falling when we arrived, and we were glad to get in and grab a pint, sadly not an alcoholic one for me – I was driving, and settle in for another nine bands from the thriving underground metal scene. The line-up was more eclectic than the last showcase we attended, and two of the names on the bill were household regulars for us – Thrashatouille and Scars Of Remembrance, who we always look forward to seeing, however we were also eager to see some new names, and the day was to start with one of these.

OND
This young band from Leeds were here to start the day off in style, and they did just that! Calling their style ‘progressive spooky filth’, they whipped up the crowd with their lively and bouncy tunes that were perfectly fitting for their hyperactive charisma. I would say they were a great example of classic heavy metal, with a more modern and progressive twist. Their look and youthful exuberance took me back to the Bohemian Rhapsody scene in Wayne’s World and this made me happy. They are all extremely talented musicians too, and reading their bio on Facebook, I have learnt that they released an EP in 2018, and are currently working on their album, which I shall very much look forward to hearing! What a great way to start the day! Well done lads – four thumbs up from me and Rick!

01 ONDhttps://www.facebook.com/ondband/

Thrashatouille
We have seen these guys on a number of occasions now, and they are always dependable for a tight, but bonkers, food-based show and this performance was no exception. Front man Rob Sutton pulls some of the best faces ever, as he describes to us, through the medium of song, the pain of brain freeze, explosive chilli shits, and his love for red velvet cake. All this is backed up by the rest of the motley chefs, adorned in their chefs’ whites and crunching out banging tunes, which makes for a wonderfully nuts image to behold! I recently reviewed their EP “Rise Of The Bludgeonaise”(read it here: https://ever-metal.com/2019/06/21/thrashatouille-rise-of-the-bludgeonaise-ep/) and I can confidently say they are the same bonkers foodies on stage as they are on recording, and should definitely be a staple in any metalhead’s diet, and even if you don’t like their music, which I very much doubt, it is always immensely pleasurable to watch Rob smash a Red Velvet cake into his face at the end of their set!! Tasty!!

02 Thrashatouillehttps://www.facebook.com/Thrashatouille/

Blood Church
Next up were Blood Church, a blackened death metal outfit from Telford, who we knew of, but had not seen before. They have obviously thought a lot about their look and it is dramatic; Full corpse paint, and blood capsules made their genre instantly recognizable even before they had started playing! Thankfully their music lived up to their look, it was dark and doomy in places, but not dirgy, which was good. They took us through a 30-minute set of chunky, down tuned, roaring tracks which ate into your soul in a pleasurable way! Having spoken to front man Chris Thomas before the gig, it was quite amazing to see the transformation on stage – from a mild mannered and unassuming gent, to a crazed maniac fuelled by carnal rage, savagely emitting guttural roars and screams! I think he was possessed by the ram’s skull effigy with light up eyes that adorned the front of the stage! They were finalists in this year’s West Midlands M2TM and it is easy to see why they made it that far – they put on a very good show and we really enjoyed it!

03 Blood Churchhttps://www.facebook.com/BloodChurchBand/

Today, They Are Older
Today, They Are Older – mathematically correct, but the name didn’t give us many clues as to what they were about! We found out pretty quickly when they fired into their first song! They bill themselves as progressive post hardcore, and that is exactly what they are – djenty rhythms and riffs, and screamo vocals. They were very lively and three members of the band spent a lot of their time playing and pitting in the crowd at the same time, which was fun, but I moved out of the way a little as I didn’t fancy getting impaled on a guitar whilst trying to get a picture of the vocalist – I’m too old for that shit now! Fetch me my slippers and a mug of tea will you?! Whilst this style isn’t really my bag, there is no denying that they were very good and very tight, and I can definitely see the appeal that they have to the younger generation! They are full of anger and rage, and it comes out with a bang in their performance. If you like this style of music, you need to get out and see these guys sometime soon.

04 Today, They Are Olderhttps://www.facebook.com/TodayTheyAreOlder/

Whipcord
We were taken from modern to classic next, with Whipcord, this being their comeback show after a few years’ hiatus, and appearing on drums with them was none other than local legend and workaholic, John Badger! This was the first of two appearances by him today, because organizing shows just isn’t enough is it John? (Think we should rename him Dennis Waterman – ‘Write the feeeme tooooon, sing the feeeme tooooon’ [NB if you haven’t watched Little Britain, look this reference up!]) Anyway, I digress, so this was Whipcord’s come back show and they were here to bring us some classic hard rock, and that is exactly what they did, much to the pleasure of us oldies. With some great harmonies and melodies, they certainly gave the day a different flavour, although they did look a little serious at times on stage but coming back after a break is a tough thing to do, so I will let them off! I would certainly like to see them again.

05 Whipcordhttps://www.facebook.com/whipcord/

Scott Beveridge Project
Again, this is another of those bands that we had heard a lot about but had never seen. This was also Badger’s second outing on the drums – getting in practice for his ‘Drumming Up Change’ charity event coming in a month or so. Scott Beveridge Project (SBP) is the brainchild of front man Scott Beveridge, backed up by a variety of musical heads who appear in other bands too – kind of a supergroup of the Manchester Underground scene! Drawing influence from some of the great heavy metal musicians, their sound is good honest heavy metal, complete with widdly diddly solos, headbanging riffs and Hetfield style vocals. They are the sort of outfit that you know what you are getting, and I like that – it is comforting! We are definitely going to be checking them out again at the earliest opportunity. Loved it!

06 Scott Beveridge Projecthttps://www.facebook.com/ScottBeveridgeProject/

Asylum City Zoo
I was starting to hit the wall a little by this point – I’ll say it again, I’M OLD AND BROKEN OK?! But enjoyed these guys even if my outward persona looked like I had gone into stasis animation! They describe themselves as Beardcore/Stomp/Welly Metal, and I have to agree! I’m not entirely sure what that is, but I can definitely say that they are it! It is kind of early Metallica, with a more modern twist and better vocals! They were very tight, and they have a definite idea of who they are, which is always good to see. This assumption is also backed up when you visit their website, which is very nicely done – I recommend checking it out! I had to duck out and have a sit down about halfway through their set, sorry guys – I can’t hack the pace, but I really enjoyed their sound and next time I see them I promise I will watch the whole thing! In the meantime, I am going to digest a bit more of their music, which is available on their website, as it is right up my street!

07 Asylum City Zoohttps://www.facebook.com/asylumcityzoo/

Scars Of Remembrance
These guys were our North Wales M2TM winners this year, and their sound just gets better and better each time we see them. It was touch and go whether they were actually going to be able to perform here, as vocalist Mike Edwards was delayed, and the band were unsure if he would arrive on time – frantic reorganization ensued including which parts of the vocal duties would be taken on by guitarists Daniel Dawson and Mark Harris, and some nervous pacing from drummer Ben Burke and bassist Karl Ditcher, however Mike made it in the nick of time, and we all breathed a collective sigh of relief! AND they managed to do it again – they turned their anxiety into an absolute stonker of a performance that had the whole place bouncing. They mix together classic and melodic styles, with screamy death vocals, and pepper it with some groove, to create a unique sound that we love. Never be afraid to be different. Spot on guys – top show once again.

08 Scars of Remembrancehttps://www.facebook.com/scarsofremembrance/

Beyond Salvation
Our final band for the evening was Beyond Salvation – again another band we had heard great things about. Fronted by Jon Pedley, of Pedley Art, they are a four-piece technical thrash outfit from Manchester and are a huge part of the Manchester scene. Fast paced and meaty as hell, they make a huge sound that you can’t help but get involved in, with Jon’s roaring vocals and some epic guitar work from both Jon and Arun Kamath hypnotizing you into a thrash trance! As regular readers will know, I am picky when it comes to thrash – some of it floats my boat, most of it doesn’t. I am pleased to say that Beyond Salvation fell on the correct side of my metaphorical fence, and I am very happy about that! We had to duck out a little before the end, as the tempestuous weather was closing in, my body had finally hit the wall, and I still had to drive us back to Wales! But what a smashing performance to finish off a great day – again nice one guys.

09 Beyond Salvationhttps://www.facebook.com/beyondsalvationthrash/

And that was that! We hobbled off to the car, via the kebab shop, and set about the drive home (which was absolutely horrific, and I wanted to cry, I may add!). Yet again we had had another day of fantastic music. The day did have a couple of mild irritations for me though. Firstly, the sound – the whole day was slightly marred with technical issues. A lot of bands were complaining that they couldn’t here themselves on stage, and fiddling with leads and swapping mics became a bit of a theme for the day. That being said, this highlighted the quality of all the bands, as they still gave brilliant performances despite the issues. My only other gripe was the state of the ladies’ loos – I believe the expression is ‘fucking gopping man!’ I’m not posh, but I do like to have some home comforts when I go to a gig, and I can’t do horrid toilets! Sort it out please!

Apart from that, the whole day was great. Thanks again to the venue and organisers, and we look forward to coming back again soon!

LINKS:
https://www.facebook.com/Badgerfestpromotions/
https://www.facebook.com/alma.inn/

 

 

Disclaimer: This review is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

 

Luke Appleton Snake Eyes Acoustic Tour 2019 w/Edd Case – G21 At The Saddle Rock Bar, Chester – 27/09/2019

00 Luke Appleton Poster

Luke Appleton
Snake Eyes Acoustic Tour 2019
w/Edd Case
G21 At The Saddle Rock Bar, Chester
27/09/2019
Review and Pictures by Beth Jones

After not being to any live music for about six weeks, Rick and I were starting to get cabin fever, and were very glad to be getting out to one of our new favourite local venues, The G21 at The Saddle Rock Bar, Chester. This intimate venue is quirky and basic, but has an awesome feel about it and we were glad to be getting to see not only our favourite local acoustic legend, Edd Case, but also a stalwart of the scene, Luke Appleton, who is nearing the end of his 2019 ‘Snake Eyes’ acoustic tour. Here, he would be joined by the equally hard working and talented Becky Baldwin to add an extra depth to his acoustic set. But more importantly than all this, it was Ian ‘Beany’ North’s birthday, and we were intrigued to see how much he could drink!

We arrived to find everyone in high spirits, which instantly gave us that warm feeling of home that we had missed out on over the last few weeks. The stage was set, the drinks chilled, and the lighting delicately poised to make it possible to take pictures! First up to serenade us was Edd Case.

Edd Case
I have said it before and I will say it again, if you haven’t heard of Edd Case, and you are from round these parts, have you been living under a rock?! Edd is a multi-faceted individual, who has the perfect mix of comedy, seriousness, personality and humility. Having stared death in the face just over a year ago, he has bounced back and used this experience to give him extra passion. He plays a range of covers and original tracks, putting his own spin on everything. Here he played some crowd pleasers, and also introduced a couple of new original tracks, one of which, ‘The Underdog’, is now my second favourite of his original tracks, the first being ‘Letters Back Home’, which he played again in this set, and which brought the room to a hush – it is such an emotive song that the whole place, including me, had a communal lump in our throat and you could have heard a pin drop – THAT is how to gauge a special song. We love Edd. Simple as!

01 Edd Casehttps://www.facebook.com/profile.php?id=100014628035630

Luke Appleton
Our main event of the evening was the metal world’s answer to a Dynamo, Luke Appleton, with a special guest appearance from Becky Baldwin. These two musicians have got to be the hardest working pair on the scene at the moment. Down time is something that doesn’t exist in their world, which does two things. Firstly, and most importantly, it makes them fabulously tight and consummately professional – here they took us through 70 minutes of ‘Acoustic Metal’, which was fast paced, impeccably played, and planned to the nth degree, including the links between songs. The set list was comprised of Luke’s original acoustic material from his “Snake Eyes” album and more, along with tracks from Iced Earth and Absolva, both with which Luke is an integral part of. There is no denying that both Luke and Becky are insatiable musicians who ooze talent and always put on a great show, whether they are playing to ten people or ten thousand people – this performance, musically, being no exception.

For me, the second thing that their non-stop pace does is make them tired, and I’m not talking just physically tired, that goes without saying, but more of an emotional and creative weariness. Whilst this performance was undoubtedly a brilliant musical performance technically, for me something was missing. They looked shattered, and their eyes told a different story to their smiles. I love and admire both these musicians immensely, but this performance left me feeling an odd kind of melancholy which I didn’t like. Maybe I’m just being far too sensitive, but I would really encourage them to seriously consider taking some time off, so they can refresh their passion for music, as it would be an absolute travesty to see talent like theirs burn out.

02 Luke Appleton and Becky Baldwinhttps://www.facebook.com/lukeappletonofficial/
https://www.facebook.com/BeckyBaldwinBass/

All that being said, it was a great night of music, and what a way for Beany to celebrate his birthday – that is class – having THE Luke Appleton play your birthday! The only question left is – Beany, how can you top that next year?! Thanks again to Fozzy and Beany for their hard work putting on these shows, and also to Edd Case, Luke Appleton and Becky Baldwin for bringing us the music.

LINKS:
https://www.facebook.com/N.E.WMetalProductions/
https://www.facebook.com/Thesaddleinnchester/
https://www.facebook.com/Grosvenor21/
https://www.facebook.com/Powerzonemetal/
https://www.facebook.com/phoenixrisingrocks/
https://www.facebook.com/GoodforaudioEntertainment/

 

 

Disclaimer: This review is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photos courtesy of Beth Jones and PhotograBee Images
https://www.facebook.com/PhotograBeeImages/

 

 

Stone Temple Pilots, North American Fall Tour 2019 – The Met Philly, Philadelphia, PA – 19/09/2019

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Stone Temple Pilots
North American Fall Tour 2019
The Met Philly, Philadelphia, PA
19/09/2019
Review and Pictures by Andy Jansons

Once upon a time, there was a musical movement, it was called grunge. Somewhat forgotten, it lost many musicians to suicide with bands changing their style. Through all that one band has survived and tirelessly worked their way back to stardom. Their name is Stone Temple Pilots. After finding mega success in the 1990’s the band dissolved due to differences. Upon reuniting they lost eccentric and ultra talented lead singer Scott Weiland to apparent overdose and later his ‘replacement’ Chester Bennington to suicide, both considered generational talents. STP’s current vocalist Jeff Gutt has been great in fitting into those shoes, which has helped them to retain their identity. With Jeff on lead vocals the band last year released a brand new self-titled album, which happens to be the second self-titled album STP have released to date.

Their current tour with Rival Sons is somewhat short, just a little under a month, but touches down in most American Metropolitan areas. After this tour STP will play a festival in Mexico and next spring head out to Australia.

On a pretty nice and warm September day STP came to America’s Independence home Philadelphia and the show took place in the wonderful Metropolitan Opera House or Met Philly for short. After Rival Sons rocked the house, STP came on the stage a few minutes early, prompting some fans to run to their places while spilling beer along the way!
Stone Temple Pilots opened their set with ‘Silvergun Superman’ and ‘Vasoline’ from their second studio album “Purple”, which will have a 25th Anniversary release later in October. They were mixed in with ‘Wicked Garden’ and ‘Crackerman’ from their debut album “Core”. These two albums were the most represented on the set list this night.

STP’s performance was just like the old days. Brothers Dean and Robert DeLeo were so energetic as if it was still the 1990’s. Behind the drums Eric Kretz was spectacular and his hair was flowing in the wind from a fan to the delight of all the ladies in attendance. Jeff Gutt definitely has his own vocal style, but sometimes there were flashes of Scott Weiland which older fans really appreciated. His vocal range complemented well with all of the band’s songs.

From the latest self-titled album STP played just two songs ‘Meadow’ and ‘Roll Me Under’. Of course they played their most decorated hit single ‘Plush’ (that had won MTV, Grammy, Billboard and American Music Awards) and the show was closed with their banger ‘Sex Type Thing’.

It was a good way to finish because, needless to say, it left the fans wanting more..!

LINKS:

https://www.facebook.com/stpband

https://www.instagram.com/stpband

https://www.youtube.com/user/stptv

 

BOTTOM STP3

 

Disclaimer: This review is solely the property of Andy Jansons and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Speed Queen, Toledo Steel & Skyryder – The Firehouse, Southampton – 13/09/2019

00 Gig Poster1

Speed Queen, Toledo Steel & Skyryder
The Firehouse, Southampton 13/09/2019
Review by Lotty Whittingham

Heavy Metal therapy should be a thing. Think about it; you have had a stressful week or month; you attend a heavy metal show that matches this energy and that helps you get it all out. You also enjoy this experience with likeminded individuals who might be there for the same reason. This was the feeling I got on Friday 13th September when witnessing Speed Queen, Toledo Steel and Skyryder conquer The Firehouse, Southampton.

As the doors opened, it was great to see punters coming in early. Some grabbing a much-needed pint or two from the bar, others finding the ideal spot to watch the bands from and catching up with some friends. It was brilliant to see that support for local music is still going strong. Given that a number of venues are closing all over the country, it’s more important than ever to keep on going to venues and support the scene!

SKYRYDER
The first band to kick off proceedings on this night of pure class heavy metal were the colourful Skyryder! Colourful in stage wear most definitely and in personality too come to think of it. From the energy and passion in their performance, it was evident they were having a great time on stage. This enjoyment was passed onto the crowd who really seemed to take to their set consisting of slick guitar work, on point harmonies and excellent vocal work. Their brilliant musicianship combined with their fantastic sense of humour made them a fantastic opening band!

01 Skyryderhttps://www.facebook.com/skyryderuk/

TOLEDO STEEL
Local boys Toledo Steel were next to take to the stage. I have seen them on previous occasions and they always put on a great show. Friday night was no exception. Their mission is to offer straight to the point, no nonsense Heavy Metal and they did this plus more. Their passion and energy on stage was incredibly infectious. They performed a great selection of songs from across their discography and the crowd got to hear two brand new songs that will be on an upcoming album. A great set of heavy metal goodness from Toledo Steel once again.

02 Toledo Steelhttps://www.facebook.com/toledosteelband/

SPEED QUEEN
From the moment Speed Queen started to play, it was evident the name was more than appropriate, mainly in terms of musical tempo. It states on their Facebook page that they are a mixture of speed and heavy metal mixed with a nasty and sexy stage attitude. Judging from their performance on Friday night, it is easy to see that claim was incredibly accurate. Their mind-blowing performance consisted of finger blistering guitar work, dominant vocals and powerful stage presence. You didn’t need to be a detective to figure out who was in control of the crowd the whole time they were on stage. Let’s hope it’s not long until they come back to Southampton.

03 Speed Queenhttps://www.facebook.com/speedqueenofficial/

If Friday night proved anything, it’s that Heavy Metal is still alive and kicking. There was some solid music and passionate live performances, as well as the comradery from the community. If these bands tour together again, I highly recommend catching this line up in action!

Hyborian Viper Promotions
https://www.facebook.com/hyborianviperpromotions/

Images courtesy of Tomasz Wrobel at TzW Photography
https://www.facebook.com/Tzwphotography/

 

Disclaimer: This review is solely the property of Lotty Whittingham and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Geoff Tate’s Operation Mindcrime -Greatest Hits Tour – w/Gin Annie – The Underworld, Camden, London – 29/08/2019

Geoff Tate_s Operation Mindcrime Underworld Poster

Geoff Tate’s Operation Mindcrime
Greatest Hits Tour
w/Gin Annie
The Underworld, Camden, London
29/08/2019
Review by Dawn ‘The Metal Priestess’ King

Having attended Bloodstock at the beginning of August for the first time in what seemed like an eternity (it was actually six years, but you know how time can play tricks on us!), I was in the mood for some more live music. Tickets for this had been booked well in advance so it was a gig I was really looking forward to.

Having seen Queensryche perform a stonker at Bloodstock with the fantastic Todd le Torre, I wanted to see just how Geoff Tate’s Operation Mindcrime would measure up. Would they have the magic of the “old” Queensryche (although I had only seen the “original” Queensryche once before at High Voltage Festival way back in 2011 and, if I’m honest, they were pretty dire then!) or would they just sound like a covers band, which, I guess, technically, they are!?

So, the venue? The Underworld in London’s Camden Town. I, personally, like The Underworld. Its small so you don’t get the humungous amounts of people but large enough to have a decent crowd. There are a few pillars (holding up the ceiling I’m guessing!!) so depending on where you stand, your view could be obstructed a bit, but it really is only a problem if the downstairs (half a dozen steps down) is jam-packed!

So, amazingly for me, I arrived at the venue in plenty of time, so I actually managed to watch the support band (something I very rarely do!) I must admit I hadn’t heard of them before the gig but then I was expecting a band with ‘Wolf’ in their name for some reason!! Must be the blonde in me!!

Anyway, the support were a hard rock band called ‘Gin Annie’ and I must say I was VERY impressed. Hailing from Wolverhampton in the UK they feature (and I quote this from their website) “heavy guitar driven songs whilst maintaining a melodic vocal style; hook-laden choruses, and classy melodies.” I couldn’t have put it better myself! They were absolutely fantastic and judging by the reaction they were getting from some of the crowd, I am guessing they were already pretty well known (late to the party AGAIN!!)

They had a contagious energy that just made you want to get up and dance along with them, and if I had drunk one or two vodkas, I think I probably would have done. The guitarists were awesome, and the singer’s voice just blew me away. There was nothing fancy about them. They are a good old-fashioned heavy rock band, who obviously enjoy what they do. I don’t think there was a time when all five of them weren’t up on that stage smiling! A great sign of a band that work hard but have immense pleasure in what they do.

They played nine tracks in total and I must say I was rather disappointed when they had to leave the stage! I wanted more…..so on my way out I bought the CD from the merch stand and had it in my car for over a week! Instead of getting bored with it each time I played it, I loved it more and more!! I would really love to see these guys as a headline

band, and I will now make it my mission to see them as such!

Outstanding work guys!!

So, after a break of what felt like forever (I don’t understand why there must be such a long break between supports and the headliners. Festivals manage a quick turnaround, so why can’t they?) it was Geoff Tate’s turn. I was looking forward to it, but I must admit I also had a bit of trepidation about the gig. Going by the previous time I had seen him perform, and reports of other gigs over the years, I wondered if it was just all going to be a waste of time.

The band came on first, playing the introduction to track ‘Neue Regel’ followed by the main man himself, to rapturous applause and cheering!

Now, I have been a Queensryche fan for as long as I can remember and to hear all of my favourite Queensryche tracks being played right there in front of me was awesome BUT….and yes there is a but….there was just a little something missing for me! I loved Geoff’s voice during his heyday, but I don’t think he can quite cut some of the notes now. And yes, before I get bombarded with messages of hate etc, I know singers can tend to lose their voice as they get older, but this is a review and I have to be honest!

Despite this, he did do the songs justice, but then he should have done, shouldn’t he? He has been singing these songs for three decades and should know them inside out and upside down. The heroes of the evening, for me, were the musicians he had backing him, Felix Bohnke, the drummer from EdGuy and Avantasia being one of them.

These guys were simply magnificent and if you closed your eyes it could quite easily have been the Queensryche of yesteryear up there on that stage. Personally, I think they are all too good to be in what could only be described as a Queensryche covers band but if that’s what they are happy doing, then good luck to them.

I had heard of Geoff being somewhat arrogant (something I really do not like), and this did come across occasionally while he was onstage and again, I am ducking to avoid anything that could be thrown at me at this point!

Overall, though, Geoff and the boys did a grand job. They played all the old Queensryche classics from ‘Operation:Mindcrime’ (the track) to ‘Empire’ to crowd favourite ‘Silent Lucidity’ and more. I am gutted I missed them on the tour when they played the whole of Operation Mindcrime 1 and 2 but this gig did make up for that.

So, Gin Annie get massive double thumbs up, for me, being the better band on the night and I WILL be going to see them again, while Operation:Mindcrime, although great, came in second!

Gin Annie – Setlist:
New Bad Habit
All I Want
Fallin’
Damage
Next 2 Me
Dying To Live Again
Chains
Love Ain’t Here
Born To Rock n Roll

Gin Annie Links:

WELCOME TO THE HOME OF GIN ANNIE


https://www.facebook.com/GinAnnieUK/

Geoff Tate’s Operation Mindcrime – Setlist:
Neue Regel
Screaming In Digital
Operation:Mindcrime
Speak
Spreading The Disease
The Mission
Take Hold Of The Flame
Empire
I Dream In Infrared
The Lady Wore Black
Walk In The Shadows
Breaking The Silence
I Don’t Believe In Love
Encore:
Silent Lucidity
Jet City Woman
Eyes Of A Stranger

Geoff Tate’s Operation Mindcrime Links:

Operation Mindcrime Tour


https://www.facebook.com/operationmindcrimeband/

 

Disclaimer: This review is solely the property of Dawn “The Metal Priestess” King and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.