Interview with Know Your Enemy

Know Your Enemy with Andy Jansons

Interview with Know Your Enemy
Roxy & Dukes Roadhouse, Dunellen, NJ
April 27th, 2019
By Andy Jansons

It’s always nice to see young bands ascending to new heights, more so, when they are from your own state. New Jersey’s local rockers Know Your Enemy have just released their first full length album called “Root Of All Evil”. Their material is fantastic, but to find out more about that you’ll have to read Stephen Moss’ live review.

I was fortunate enough to attend Know Your Enemy’s album release show and sit down with band members (except drummer Ralph Riccardi who was running late) and discuss their music, influences, new album and to introduce themselves to a new audience.

Andy Jansons: So this is your first full length album. Talk about the emotions, how it is to get your first album out?

Fonz Rodriguez (Vocalist): Well, I mean it’s super exciting, I’ve been like really excited, nervous, but in a good way, for a week or two, I’m just…the anticipation has been just crazy. You know, for me as a vocalist, to express how I see the world and how we see each other, from my own perspective. It’s really important for me personally because it’s difficult to get those emotions out verbally, you know? It’s not easy to just speak to people, so when you can you do your best, and the reaction and the feedback that we get, makes me feel like it’s worth it. This is a complete collection of how I truly feel like, really what embodies me as far as like me trying to be part of society. To me this album is like my feeling.

Jay Kent (Guitarist): Yeah. I’m very excited about the album. We put a lot of work into it. It’s a big collection of all of our thoughts on a lot of different subjects. And I think if you listen to it, you know enough, you’ll definitely feel what we’re trying to convey. I think we did a great job expressing our thoughts.

Steve Bishop (Bassist): Great lyrics, good music to it. I think it’s going to be something real exciting for people to listen to. It means so much to me.

Andy: Who wrote the lyrics for the songs?

Fonz: I would say on this album, probably about 80% of them I did. And the songs that I didn’t write fully, it was collaboration, let’s put it that way. You know, Jay wrote some of the lyrics. He wrote the lyrics for ‘Deep Inside’ and ‘Bound’, and there was a time period where I was not playing with the band and, for example, the song ‘Bound’ already existed. But it’s just the way he may have wrote it, the way he puts it, and then the way I deliver his lyrics, perfect and unique. Like he told me, they had a couple other guys try. He even tried himself. I’m not boasting myself or anything; this is just what he told me. So even though, I didn’t write the lyrics for it, I was able to tap in the emotions, the feeling of when he wrote those lyrics down.

Jay: He (Fonz) is a perfectionist, which really shows through, because he got so much of it just like spot on. Like what he’s trying to say. You can understand it fully; he did such a great job in writing the lyrics.

Andy: How would you guys characterize your music and the genre you play?

Steve: That’s a little iffy. Um, we’ve been compared to a bunch of other bands. Most of them were like back in the rap rock genre, like P.O.D. We’ve had that more than a few times and Killswitch and Sevendust. I guess hard rock with like some hip hop and a little bit of blues.

Fonz: I would say alt metal, not alternative itself, because we got something which seems like a mixture of genres. It got a metal base to it, and then we bring in just different genres. It’s really not intentional, it’s just like you hear it and you go, oh this is the part that it needs to be because this is how I feel it needs to go. I would say personally alternative metal, that’s how I feel it. As far as comparisons, recently someone said, Oh, you guys are like, if P.O.D. and Killswitch had a baby. It’s a compliment (laughs). And the other one I got that I liked that we sound like Anthrax and Faith No More. I mean I’m a huge fan of Anthrax. My favourite is the album with John Bush “The Sound of White Noise”. I always think, you know, we kind of like to admire someone and we try to like mimic in some way, something. So to me, and I know it’s hard, because I love hip hop and I love all genres, it’s hard to really like just one. So I think we bring a lot more stuff, which brings me back to the alternative part, so we bring a lot more, more different styles.

Jay: Uh, I am a huge Zack Wylde fan with Black Label Society, Sevendust, the old Metallica, you know the good Metallica? I love blues guys. I love Hendrix and Stevie Ray, all these guys and you can hear that in my playing, you know, from my solos and a little bit of the funky kind of melodies that we bring along to the music as well. So, yeah, that’s me.

Steve: Yeah, I think it’s a healthy mix. I don’t think you can pinpoint it in one way or another. I think we flow with a lot of different bands because of that. We play live shows all the time. And whether we’re playing with a metal band or a hard rock band, or occasionally with a sort of post hardcore, punk kind of band, I feel like we always fit because we don’t play one genre. What binds inspire me? I’ve been playing music since I was a teenager. I was really into Nirvana and Green Day and like all that stuff at the time. But since then I’ve listened to so much stuff. Uh, Gary Clark Jr and The Cure and I just love music. If it’s good, I’ll listen to it.

Fonz: One of my favorite bands is He is Legend; I love The E-Town Concrete, which is a New Jersey band. Honestly, my all time favorite band is Tool. Like, I just love them, I feel like they’re the band of our generation, like the Led Zeppelin of our generation. Their contribution to metal and hard rock is like, it’s unique, It’s different, It’s real rock. It’s like real rock star mentality; we didn’t give a shit about anybody. They don’t care. 10 years we’ve been waiting for their album now, we’ve been waiting forever. To me it’s like, every single member of that band is super important. You can’t replace any of them. So I would say Tool is number one for me. Yeah, definitely but we can’t forget about Rage Against the Machine. Yeah, that band changed my life!

Andy: Cue, the name of your band?

Fonz: That’s right! ‘Know your Enemy’, that song. They are an influential band, and I think for anybody that has this dissatisfaction with the way that things are, they deliver it right. They’re really super smart guys. You know, they were unique at the time and when it comes down to really going against the grain and being brash it’s RATM

Andy: Okay guys, let’s get back just to you. What are your plans now?

Fonz: Well, we definitely want to go touring, we’ve got a bunch of festivals planned for the summer, so that’s mainly what we’re going to do. I think we’re not going to be able to tour until after August, but we want to, definitely. I just want to take it on the road. I would love to go up to New England, you know, maybe down the east coast, and show what we do. That’s ideal. We talked about it a lot. It’s just difficult. You got to pay bills and it’s a little bit more of a balancing act if you’re going to go and hit the road. But that’s definitely going to happen.

Andy: Right now you are unsigned band, are there any movements towards finding a label?

Fonz: I would love to. I would love to, but I think we need to get the tour done first. We actually have already started writing the next album. So ideally if we can make the timeline correct, then we’ll tour, put new record out and then try to show to the label and see what happens. It’s so much work being independent, and trying to do everything. Even for example, the record release show, we did it independently and I feel like we’re lucky that we were able to find a venue and other bands and make it happen. It really takes away from rehearsing and writing and working on the other things to make more progress. And so a label is definite, you know, I mean it only makes sense to do that.

Andy: So obviously this is an important stepping stone with moving forward and how you see the road from here?

Jay: Uh-huh, I think, like Fonz said, we’re going to concentrate on continuing to write new material, get a new album going. The one that we’re just releasing today we will see where it takes us.

Steve: We planned to play a lot of gigs recently to support this album. We’re just going to keep writing, keep doing it. We put a lot of hard work into this particular album where I feel like we all learned what to do, what we do well and how to just keep doing that, and just to get our music out and see what happens from there.

Andy: Lastly, what have you got to say to your fans?

Fonz: If I could say anything, I just want to thank everybody who helped us and believed in us. And I mean there’s our friends, our family, and new friends and people that we’ve gotten to know as, you know, as we make our way through the scene. But I think that would be all the people out there who’ve listened to us. I feel like that is the number one most important thing is to be thankful and grateful for. I want to say that I’m super grateful for these guys (points to band mates). You know, because I’ve so many bands that we played with and we’ve met throughout the last few years. And I would say that a lot of ’em aren’t together anymore and there’s always problems! I could say that this is probably the smoothest relationship. These guys have made it, we just chill!

Jay: Likewise. Yes. We are very lucky to have a talent front this band, it’s been a long time for myself personally looking for somebody like him to come in and do this and he just blows us away every time he goes up there. So we’re just proud to be with him as well as, as any other.

Steve: That’s one of the better compliments we get. People think that we sound really tight. Our chemistry together, especially live is good. I hope it really comes through on this album. We tried to put it that up front and centre!

Andy: Thank you very much guys!

Huge thanks to Know Your Enemy and Andy for the interview!

LINKS:
http://www.enemyband.com
https://www.facebook.com/enemybandnj

https://www.instagram.com/knowyourenemynj/
https://knowyourenemynj.bandcamp.com/

https://www.youtube.com/channel/UCIaSnpDh-wL6oWPfVISQXCw

Interview with Dave Hunt of Anaal Nathrakh

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Interview with Dave Hunt of Anaal Nathrakh
By Sheri Bicheno

Good Evening – Rick Here. On 5th April Sheri was lucky enough to go to The Asylum in Birmingham to cover the Anaal Nathrakh / Akercocke Co-headline show. Whilst there she also got the chance to interview Anaal Nathrakh’s vocalist Dave Hunt. I’d like to thank both Dave and Sheri for a great interview. Read on…

I was invited to Uprawr Studios, Birmingham to have a chat with Dave Hunt, vocalist of extreme metal band Anaal Nathrakh. He greeted me warmly and we went to find a place to chat away from the hustle and busy sounds. We found an empty studio and with one chair between us, no one was rude enough to take it.

Sheri: “ANAAL NATHRAKH! That is from a film is it not?”

Dave Yes, it’s from Excalibur.

Sheri: In the 80’s. No?
Dave Well, I first saw it in the 80’s – I think early 80’s is when it came out. It’s just a film that me and Mick both liked. It’s all it was. There’s no great significance to it to begin with, because when we started out doing stuff, we were just knocking about in the front room of a… shit house (laughs). So we weren’t thinking “what would you like your band to be called when you’re on the bill at Wacken” or ya know, nothing like that was in our heads. It was just some name for a thing haha.

Sheri: Dark sounding, really haha.

Dave: Yeah haha that’ll do. But by the same token, I’ve said this in interviews before, what’s a Metallica? No one knows what a Metallica is because it’s just a bollocks word that’s just a name for a band. Ours has slightly more significance than that, so in comparison to that, we’re doing alright! Haha!
It’s part of this spell that’s used in the film, it’s a very destructive force that the actor who plays Merlin, he had a great voice… he did refer to it as The DRAGON haha!

Sheri: I’ve friends who have seen it who recommend it. So you guys have been going for 20 years now?

Dave: Apparently…

Sheri: Haha does it feel that long?

Dave: No it doesn’t, that’s the thing! We didn’t know. We’ve never paid much attention to things like that and we did this album and people are going “You’ve been going for 20 years now” and we’re like fucking hell really! I didn’t know. So to us, it’s never seemed that we’ve been going for more than about 4 or 5 years really.

Sheri: That’s really humble…?

Dave: Well, it’s the way it is, we don’t notice it, we’re not really self grandiosing and we’re not very reflective about what we’ve done…

Sheri: You’re just loving it?

Dave: Yeah, we’re just interested in what we’re doing now and what we’re doing next. So when I say apparently… haha. It’s true. I am now aware of it, but we weren’t until recently.

Sheri: You are now on tour with the guys in Akercocke… I’ve known Sam for a good few years, brilliant bunch of guys… you kicked things off in Bristol the other day?

Dave: Yeah, it’s only a Tourette, the one in Bristol and then the three over the course of this weekend – it’s not some great big long six week night liner affair, but it’s been nice to play with them, they are a good bunch of lads, we’ve been known and for years we’ve played with Sam and Dave haha! I like the idea of calling them Sam and Dave… I got an email that was addressed to me and it said “Dear Sam and Dave”, cuz I like my Motown and Soul music that Sam and Dave were, ya know, “Hold On, I’m Coming” and all that… But yeah, obviously we’ve played with them and the guys in Voices…

Sheri: I do love Voices!

Dave: Yeah, we’ve played with them a few times. It’s been nice playing with them and it kind of feels overdue cuz we’ve known them for years and we’ve played once or twice with Mistress when me and Mick used to be in another band called Mistress. So yeah, finally playing properly together like this, it’s kinda cool.

Sheri: It is cool, because you do compliment each other as artists and are compatible with each other.

Dave: There’s this thing in really early neuter, it draws a distinction because he used to go on about Ancient Greek culture and stuff, it draws a distinction between the Apollonian and Dionysian, stuff that takes after Apollo – and stuff that takes after Dionysian. I think that, in a weird way, sort of limits the difference between us and Akercocke. Apollo is clearly defined lines, it’s architecture so, in terms of its application…Dionysus is more drinking and dancing and no clear lines and the orgiastic experiences, they tend to be a bit more technical and a bit more sort of careful with the way their style of their playing and stuff like that and we’re a bit more punky and anarchic… we sort of compliment one another quite well.

Sheri: Two extremes on either side of the spectrum. I hear you. As you’ve have been going for this amount of time and with your experience… do you have any advice for aspiring bands that want to keep ideas fresh within their writing, inspiration and such? There isn’t a bad Anaal Nathrakh album so have you got any wisdom for other bands that you want to bestow?

Dave: In respect to younger bands… no. Haha. But also the opposite of no. I sort of actively haven’t denied them any advice within those lines. There’s loads of advice they should be given when they first start out. Haha. Most of it, in my experience, revolves around getting legal counsel when it comes to signing to record deals and I mean that’s in just one specific instance. But generally, just in general getting someone who knows that business side of things, just to make sure you don’t fuck up. Because no one wants to concentrate on that… that’s not why anyone does any of this. But you will get hamstrung by people who do concentrate on that and you know, aren’t necessarily interested in your creative output. So some advice along those lines, make sure someone is taking care of all that for you. They are doing so that you don’t have to think about it so much, THAT kind of advice, yeah. Know what PRS is, know what mechanical loyalties are, know what things like that are so that you don’t have to think about it. But on more of the creative side, certainly in terms of insuring longevity or anything like that… no. Because… if you don’t already have the answers to that, then just stop!

Sheri: There’s no point…You have to take your own journey?

Dave: I think, yes. You should have that in your mind, heart, and soul, whatever it is. Somewhere within you, you should have some kind of answer to that, even if you can’t put it into words before you pick up a guitar, before you write a song. Mick said to me once, as he records bands and stuff, he says sometimes he gets the impression some people aren’t sure why they’re doing it. One thing you have to do when recording bands is to help them get into the right head space to produce a good performance – and that can involve a conversation you know, remember what it is, what is this song about for you and all that kind of thing. I think if you struggle to answer questions like that then you’re doing something wrong in a more fundamental way. Then again maybe I’m just talking bollocks! Haha!

Sheri: Not necessarily at all. One of the things that I don’t see eye to eye in the music industry with is, you know, I work with festivals and a number of underground bands and there is a lot of exploitation going around with a number of people who are kinda out for themselves. I get that a business is to be run but doing things for the love of it is more rewarding…

Dave: I think so too. At the same time though, if you do things for the love of it, you’re laying yourself open sometimes to being exploited by people…

Sheri: And this is why you were saying you have to be clued up…?

Dave: Yeah exactly and that I say the two sides do have to go hand in hand. You have to know what you’re doing on the annoying business side just to make sure that someone isn’t taking advantage of you – but beyond that minimum, you shouldn’t have to worry.

Sheri: This in itself is good advice. So… your vocals – let’s talk about your vocals… they’re very diverse. Do you coach and stuff or…

(Dave shakes head sheepishly and grins)

Sheri: Ahh! Self-taught! I mean it’s very low, very high, very deep and then very raw all at once. A good example is ‘Reek of Fear’ – I was listening to that the other day – how do you go from one extreme to the other?

Dave: Badly usually haha! Maybe practice haha. I’ve always been guided only by what I thought sounded right. Sounds like the appropriate thing to do. I’ve never paid any attention to whether or not I could do it. Cuz if you try something and it doesn’t work, you just do something else. So you give it a go. But beyond that, I’m terrible! Haha, I haven’t got a clue about technique or anything like that. In the past couple of years, I’ve started doing a bit of warming up before gigs and that’s about all I’ve done… and that causes problems sometimes, you know, it can hurt and stuff like that. But… I’d rather have it that way. Because I’ve attempted at times to exercise a bit of technique or control or anything like that. Not that I know massively what I’m doing haha but you can find things on YouTube or whatever that tell you what to do. I think it’s antithetical to doing music properly, personally. I can’t stand the idea of being halfway through a gig and the thing that’s in the forefront of my mind is “hmmm, how’s my technique?” Just doesn’t seem right. And it’s… maybe you can get good enough at technique that it ceases to be something that enters your head and even though you’re doing it properly, you’re still thinking about what I would think are the right things. I don’t think Pavarotti struggled thinking about technique. He was able to stay focused on what he was doing because his technique was flawless in the first place. Or close enough to it. I’m not good enough for technique to do that, I’d have to be thinking about it and that to me detracts from what you’re doing. To me it’s more important to have the method acting sort of a mind set about it. It comes out the way it does because you felt the way you did. Not because you studiously practiced.

Sheri: With feeling behind it… and that’s how it should be?

Dave: I think so, yes. The thing is… that ends you up with a sore throat haha!

Sheri: And a multitude of Vocalzone haha?

Dave: Yeah haha! I’m not saying that is the right way to do it but that’s the only way I can…

Sheri: I think that’s probably good advice as well. I mean I have friends that are in younger bands that DO have that barrier there about their technique.

Dave: Music is about expression to me, if it’s not expression then you’re doing it wrong.

Sheri: This leads me onto… Where is the most interesting or most memorable place that you have played?

(Dave pauses for a moment in thought and laughs)

Sheri: I know you’ve been to many exotic corners of the world haha!

Dave: We’ve played a few…haha! So yeah… trying to think of something… I mean we not long came back, before Bristol last week, the show we did before that was in Brisbane in Australia. That was, in Australia, was sort of on the way home almost, from Japan. Four shows in Japan. Not to overlook Australia which is a wonderful and fascinating place in its own right, haha, but Japan being so exotic and so different to the West… especially in Osaka. We went around a few places and that can be weird, sometimes you go to a bit and it looks, sort of like… like England? But you know big cities all over the world, you know, big tall concrete buildings, great big state roads, but then you go to some places and the back streets of Osaka are not anything like that. Some places, you’re just like… I really am somewhere else… Cuz there are stages of difference. If you go from here to Holland, you know, then in Holland the buildings look a bit different and the people have a certain atmosphere about them that people do in every place and everywhere. But other than that, it’s mostly the same. Or you go to Germany and it’s very very similar, the food is quite similar and all that. But then if you go a little bit further to say, Greece or Bulgaria or somewhere like that. The writing is different on the road signs. You know, there are tell-tale signs that this isn’t the same place. Then it seems to me, having been around to a lot of places, possibly the strongest difference in that sort of thing is being translated somewhere in the back streets of Osaka, haha. Because you don’t know what anyone’s saying haha. You don’t know what any of the shops are because they’re selling things or doing things that you don’t get back home. You don’t know what any of the signs say, you don’t know what any of the food is. The smells are around you know…?

Sheri: And that can be really cool actually. Just kinda getting lost and not really knowing where you are can be one of life’s most thrilling experiences.

Dave: It can be yeah! It does depend where haha! I was in Bogota in Colombia with Benediction and I was tempted to just go for a wander. I went to a place in Copacabana in Bolivia, it was about 3 or 4 in the morning and I was a bit drunk…and I thought I’d go for a good walk, go for a look around. The local guy as I was walking off, just grabbed my arm and was like “Dont go that way…go that way” (points to the opposite direction) and I was like right… and then it sort of dawns on you, actually I’m not in Kansas anymore and apparently down there, wherever down there was, was dangerous especially if you were foreign and stuff. The difference is sometimes of questionable benefit to you haha, you could end up in trouble kind of thing… but for the most part, difference is a good thing.

Sheri: Your most recent album was released at the end of September last year, it’s still pretty young but has had great reception, and one of my favourite songs from it is actually ‘Forward’!

Dave: Ok, cool!

Sheri: There are elements of, I think a World War One kind of vibe… can you elaborate on that a bit?

Dave: Yeah, World War 1 was one of the big aspects of inspiration for it. Because it was 2018, obviously it was 100 years since the First World War and although there had been a significant amount of commemoration of it, I thought culturally in this country, we had undersold the centenary of the First World War. Some good stuff on Radio 4 actually, they had a day to day series called Home Front and stuff like that. I mean there were things but it seems to have passed a bit more easily for me. One of the things I remember from school was some of the war poetry we studied. Which was our first exposure to it, I don’t know if kids nowadays, I don’t know if you did it at school, but it was standard…

Sheri: Haha I’m 32 this year, we studied pieces of scripture…!

Dave: There you go haha yeah, well I’m 10 years older than you haha, so things might have changed. But apparently not no, haha. But one of the things that made a profound impression on me from that was a poem called Dolce et Decorum Est – and that is basically a poem, a first-hand account of being in a Chlorine Gas attack.

Sheri: Wow.

Dave: Yeah…it’s not…fun. There’s another one by Siegfried Sassoon and the authors of those poems knew one another in real life…and Sassoon who did “Aftermath” which appears on the album, basically got to know Wilfred Owen, who wrote Dolce et Decorum Est, in hospital and begged him not to go back out into the war. But he did and was killed seven days almost to the hour before the Armistice was signed…so one week, on the 4th of November… and to know that was his story of this you know, poor sensitive boy who was thrown into Hell… and to read the words of that poem and others like it… that seems to me to capture something that was absent from the commemorations and centenary. So it felt fitting for us to include some of that for inspiration on the album.

Sheri: That’s a good concept to have for the album, it’s not something that many people would look into, and things are looked into on a much larger scale…

Dave: Yeah and one thing that struck me about reflecting on all of that, because first of all, the poetry and some of the art was pretty impactful and profound you see, but it was also the parallels between then and now, or last year – so for example, the mention of use of Chlorine Gas in that poem, Chlorine Gas had been used in warfare before – I am no war historian, I’m aware that it had been used before – but not on that scale, because no one would do that, because that’s just too horrific! … until they did it. Then at the time that we were putting some of the album together, the Satan 2 rocket system was unveiled by Putin. This is a continental ballistic missile system capable of delivering payloads anywhere on the globe, so i gather, including nuclear ones. It just struck me how strong the parallel was between that and Chlorine Gas. We can put a nuclear bomb anywhere on the planet – but we wouldn’t because that would just be too awful! In just the same way that Chlorine Gas was… and at the same time, Chlorine Gas was being used as an interior, still. Like, 100 years later, we are still doing this to people. So yeah, a series of parallels seem to crop up between that and the modern day as well. It was kind of like having settled on that idea of part inspiration, it was the gift that kept on giving, and you know, there’s loads more stuff that just falls out of it once you start to think about it. So there’s quite a lot going on the album haha! Conceptually speaking.

Sheri: Fantastic! Is there anything you can let us know that might be going on for this for you guys? What are you up to?

Dave: I mean obviously we’re doing shows and that so we’re not in the studio at the moment. At the moment, we had the last album, A New Kind Of Horror – with the last one that we had under the deal that we had with the record company – so technically, we are sort of not signed at the minute – I would expect there to be an offer to carry on haha!

Sheri: Absolutely, it’s not gonna be long at all.

Dave: No, I wouldn’t have thought so, we’re sort of trying to figure out what we’re going to do. So we’ve got these gigs lined up but we’ve also got a load of live audio from the Japan and Australia tour – so we might put together a live release or we might keep it back for bonus tracks on stuff. Other than that, everything’s sort of up in the air – and we quite like that! Haha! I’m not sure what’s gonna happen next but we’ll find out!

 

LINKS:
https://www.facebook.com/Anaalnathrakhofficial/
https://www.instagram.com/anaalnathrakh/
ANAAL NATHRAKH STORE
https://www.youtube.com/user/anaalnathrakhtv

 

Disclaimer: This interview is solely the property of Sheri Bicheno and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

 

 

Interview with Jodie Bowie, NozFest Organiser

Jodie Pic Top

Interview with Jodie Bowie, NozFest Organiser
By Lotty Whittingham

It’s no secret that it’s crucial to support your local music scene. It helps new bands progress in their careers, keeps venues open and it offers a great experience for the fans. Promoter Jodie Bowie is one of the promoters that is making sure this happens. She runs her own successful Rock Nights that showcase the best new talents. She is holding her first ever festival ‘NozFest’ at Southampton’s The 1865 on 10th August 2019 featuring the likes of Massive Wagons, Marco Mendoza, Beth Blade And The Beautiful Disasters and many more. I recently grabbed a few moments to do an email interview with her. We spoke about the importance of the local music scene, NozFest and how her story began in promotion. Enjoy the read.

Explain to the readers who you are and what you do.

I’m Jodie, I’m 23 years old. I’m a blogger, vlogger and promoter from the Bournemouth/Southampton area. I put on my own Rock Nights featuring a selection of bands from all over the UK. I have my first ever festival taking place in August featuring the very best of up and coming New Wave of Classic Rock bands.

You do both blogging and promoting, did one lead to another or did they both happen at the same time?

I started blogging when I was 16. I have always really enjoyed writing and still do. I was actually supposed to be going to University to study Music Journalism, but I stumbled into putting on gigs by complete accident when I was 18 and it led on from there.

What influenced you to start blogging and promoting?

I’ve always really loved writing, and I love bands and music so much. They are pretty much my entire world. I’ve sacrificed so much of my life for bands in all truthfulness and wouldn’t have it any other way. I was still a blogger whilst getting into promoting, however last year I decided I should turn my blog into a strictly music related blog as it goes hand in hand with what I do promotion wise. It really took off after that! As for promoting, I’m not sure anything really did influence me. I have just always wanted to help bands in whatever way I can.

You run successful Rock Nights, tell us how those started.

By accident! I volunteered at a local community centre to write press releases for their upcoming tribute band nights. They asked me if I had any ideas on how to bring in a younger audience, and I suggested putting on shows with young local bands and they pretty much said “you do it then”, so I did! I did Rock Nights there under their name for about 4 – 5 years. It was a pretty big venue so even if a night was a success, it didn’t visually look like it was.
As the years went on, they became less supportive of my ideas. After one show, a local band called Our Propaganda recommended that I start my own Rock Nights under my own name. So I gave it a go, and it literally took off within a couple of months – however 2019 was when I really started proper booking them in.
I had two Jodie Bowie ones in 2018 and both of them sold out. I also put on a show with Marco Mendoza in June 2018, he let me choose the supports and that also sold out. I’m just always looking for the next big idea, and to make my line-ups more and more awesome.

Tell the readers what NozFest is.

NozFest is a self-funded, self-run, self-promoted festival featuring New Wave of Classic Rock bands from all over the UK. It is a one day festival taking place at The 1865 in Southampton on Saturday 10th August. It features 9 bands for just £20.
NozFest is solely run by myself, and I have put the whole thing together by myself, including booking the bands and all the other stuff that goes with it.

Where did the idea come from?

Out of nowhere really. I’m always looking for the next big thing to try and push myself out of my comfort zone. At the time I had recently discovered a lot of new bands and was kind of envious about all the festivals that were going on in the summer etc. One night I just thought “be pretty cool if I had my own festival”.
My friend Luke actually phoned me that night, and we talked about exactly what I could do, how I could fund it, what bands I could put on etc, I stayed up all that night and planned the entire thing. Since then it was just a matter of piecing it all together.
In September 2018, I got fed up of waiting for the venue I chose to hold it in messing me about – I had a friend design the poster, it was all hand-drawn, they’d spent a lot of time making it perfect etc, I had bands who wanted to play but needed the date confirming, sponsors were dropping out etc and nothing was happening. I went home and pitched my idea to my folks, luckily enough for me they believed in my vision and we decided to fund the whole thing as a family.

Why choose Southampton for the location?

Well, the original idea was for the festival to take place at the community centre I worked at. However, they were unsupportive, and I wanted this festival so badly that I decided to look elsewhere. Southampton is a great town for live music. I have found through just doing my Rock Nights that venues are so supportive and are happy for you to use them to yours and their advantage.
Seeing as all my Rock Nights are in Southampton, it made sense to have the festival there as well. The 1865 are massively supportive of everything I do, and confirmed everything within a matter of moments. Very exciting, I cannot wait to work with them more in the future as they support my ambitions.
As a local, I have noticed Southampton is a lot more open to live music of whatever variety, whereas Bournemouth just isn’t really interested. There are A LOT of awesome bands from the Southampton area also, definitely a place to keep an eye out for local acts.

What can we expect from the first NozFest?

Fun and Rock ‘n’ roll! Hopefully people will discover lots of fresh new and exciting bands also. I love my events to have an atmosphere of love, happiness and just really positive vibes. I am 100% sure NozFest will also be a fantastic day and night full of happiness and positivity, with the chance to meet new people, see new bands and just have a really awesome time filled with rock ‘n’ roll in the summer.

What does the future hold for NozFest?

I am really hoping I am able to expand NozFest, however long that may take. Without trying to sound overly ambitious, I really would love to see NozFest become something as awesome as Download. I’d love to have more than one stage, and then have the event take place over a weekend – slowly surely, I really hope it gets to that level.
I also want it to stay run by my family and friends for as long as possible. I love giving my friends the chance to work in this kind of environment. I just want to give back to people and make people happy! I love seeing the happiness on people’s faces at shows, when that happens at an event of mine it fills my heart with so much joy and that is what I do all of this for.

What advice would you give to bands who are looking to apply for future Rock Nights and future NozFest?

Drop me and email over at nozfest@hotmail.com and send me over some music. If I don’t get back to you, keep pestering me. I do listen eventually; sometimes it just takes me a while – just keep messaging me, go completely over the top.

You and I both know how important it is to support local music, tell the readers why you think that is?

If we don’t support local music, music in general will just die out. If you’re bored of listening to what is on the radio, I totally urge you to check out your local music scene, or have a look at the New Wave of Classic Rock Facebook Group. There is so much talent out there right under our noses – don’t forget this is how The Beatles were found.
Also helps support local live music venues; it’s so sad seeing so many having to shut their doors. The only way to keep them open is really to support the acts that play there. Puzzles me how society is okay with paying £70+ to see a well-known band, but won’t even pop in to see a local band for free.

Given your love for rock and metal music, I am curious to know which five musicians/singers would you have around for a dinner party. They can be dead or alive.

Ooh I do love this sort of question! Has to be Brian Jones, the founding member of the Rolling Stones I adore that man so much. Baz Mills from Massive Wagons, he seems like an awesome dude and I’m sure he’d be a right laugh.
Scott Taylor of Mason Hill, just because his voice inspires me so much and I’d love to meet him.
Nikki Sixx or Tommy Lee? I’m going to choose Tommy Lee because he is a proper lad, he’d definitely add some entertainment to the evening.
Lastly, I think I’m going to say two because I can’t choose, but David Bowie as he is my idol (his conversation skills would be immense) or Ronnie Wood, I can imagine him and Tommy Lee getting on pretty well.
We would like to thank Jodie very much for the interview, Lotty will be attending and covering NozFest in August for Ever Metal so we will have a full review of the day and if you want to find out more about Jodie and her promoting or blogging then please follow the links below!

LINKS:
https://www.nozfest.org/
https://www.facebook.com/nozfest/
https://www.instagram.com/jodiebowie/
https://www.youtube.com/channel/UCXPgPYzdzbBn-4JQTvSAPpQ

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Disclaimer: This interview is solely the property of Lotty Whittingham and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

 

‘Candid Badger’ – Interview with John Badger

John Badger Pic

‘Candid Badger’
Interview with John Badger
By Beth Jones

The underground metal scene is full of immense passion and hard work at the moment, and one man that embodies that is Manchester’s own super human, the elusive Mr Badger! The brains behind Badgerfest, and some pretty hot drumming, John Badger has to be one of the hardest working souls in the industry right now. I grabbed a few minutes of his time recently to do an email interview with him about music, Badgerfest 2019 and his upcoming charity event, ‘Drumming Up Change’, and here it is.

Can you tell us who you are and what you do?

Hello! I’m Badger a drummer and organiser of Badgerfest!

Can you give us a bit of history about Badgerfest – what made you decide to do it, and how did you start it?

In December 2016 I organised a mini tour for Impavidus, with Deified and God Shaped Devil. All the bands had a great time, said it was well organised and fans loved it. A few people said, ‘you should do more promoting and maybe even arrange your own festival’! The suggested name, as a joke, was “Badgerfest”. After a few months of deliberation, I thought about it more and I decided to put a post out for feedback, asking “If I was to put a festival on, firstly would bands be interested in performing and, secondly, would anyone turn up?” I was overwhelmed by the response, so I decided to give it a go. Before I did anything, I decided to get some advice from Simon Yarwood at Resin Events / Uprising Festival, Steve Dickson at Terrorizer / Mammoth Fest and Jason McGuire at Breaking Bands Festival / HRH / Hammerfest for research.
Their collective was:
● Don’t aim too high
● Get a good headliner
● Get a small venue (200 maximum)
● Research the bands
● PR & Marketing
● Network (face to face)
● SELL OUT
I feel I did this to a high standard and as a result it was successful, bearing in mind this was my first time putting on an event! But I always knew it would succeed due to the insane line-up, affordable tickets, the backing of the bands, the music community from gig goers, the marketing, and most of all my commitment & desire to succeed. I was shocked when people were asking on the day, ‘will there be Badgerfest again next year’? I decided to say yes if people want another one! Two weeks after the initial event, I had secured the line-up for Badgerfest 2018- The Sequel!

What can we expect from this year’s Badgerfest?

I would like to say hopefully the same as 2017/18, but with more oomph! The bands this year are more diverse compared to the previous years, as I didn’t want to hash another similar line-up, especially going in your 3rd year. I have some things planned to get more interaction with the punters/ customers. I want Badgerfest to be a lasting memory, as it has been so far, especially for those who’ve attended before.

You have a lot of bands this year that are lesser known to the festival circuit – do you think this is a risk?

Well they’re only lesser known if you’re not familiar with the bands already. In the background I have a media team who I let know the bands before they’re announced to the public and most of the bands so far they haven’t heard of and I think that’s great! The response is always very positive, and it means they’re finding new bands to listen to, which is what I like to do with Badgerfest.

Badgerfest Mission Statement “KEEP IT FRESH, KEEP IT RELEVANT, and KEEP IT EXCITING”

What are your plans for the future of Badgerfest?

My plans for the future of Badgerfest is to open the door to more genres. At the moment Badgerfest is mainly a Metal festival and that’s only because it is the genre I’ve worked the most in as a musician, but I do have other musical tastes that I would like to incorporate in to Badgerfest. This is giving the customer an opportunity to find some other musical journeys. I understand this won’t be for everyone and they’ll go see the bands they wish.
Next year I am planning on having two venues; offering Metal (sub genres of) in one venue, and the other offering more Rock, Prog and Indie – another great way of bringing people together who all share a passion for music regardless of the genre.

What advice would you give to bands who apply for Badgerfest in the future – what are you looking out for in an application?

The best advice I can offer, as most other event organisers would agree on, is make sure you read the application details before applying. Imagine you are applying for a job and you really wanted it.
We have specific things we ask for from an applicant and only those who follow this will be provisionally accepted.

Tell us a bit about this year’s venue, and why you chose to move it there from Rebellion?

This year is at The Bread Shed, also in Manchester, and the only reason for the move was due to the fact the previous venue was going to go through a refurbishment and they were unsure whether or not it could accommodate two stages. I have seen events at The Bread Shed and think it’s a great venue, which has pub attached, so when people need a break there’s somewhere else to go.

Tell us a bit about the ‘Drumming up Change Challenge’ charity gig that you have set up?

Well in the last few years I’ve had the opportunity to play in a few different bands, whether that was to help out a band due to an injury a drummer has had, or if I’ve been invited to perform as a session player live. Now, there’s been a common theme, or a running joke that if I’m at a gig –I get asked how many bands I am playing with that night, which is quite funny! If it’s only the one band that night, then I’m slacking hahaha!!
So, I decided to up the stakes, let’s drum for 10 bands and raise money for good causes at the same time!!!

For this gig, you are going to drum with every band. Are you mad?!! Why did you decide to do this?

Yes, some people will say I am mad, but I am very excited to do this!!
The reason for doing this is drawn from my own personal experiences, but I wouldn’t want to burden anyone with the reasons why. I can say though this means a lot to me, and that’s why chose to raise money for The Homeless working in association with The Big Issue North and Mental Health (Charity to be confirmed), as more and more people are ending up with more mental health issues, being made homeless, and even taking their own lives, which is unacceptable.
This got me thinking about my own life, and whilst I’m here fit and healthy (touch wood) what can I do to make a difference to someone who is not?!
On the event itself, most charity gigs, in my opinion are not exciting; yes, bands get an opportunity to play, but a lot of the time it just feels like a normal gig or all-dayer, where someone goes around with a bucket getting donations for a charity, and in some situations it does work. Most run a marathon, jump out of plane, swim the channel, or cycle from Manchester to Blackpool, which is still an amazing way of raising money and awareness.
But I wanted to make a difference where I could, in a different way, drumming for as many bands as possible in one day! In my opinion it’s more exciting, more appealing and it allows people, including musicians, to get involved.

For this, when you play with every band, are you doing just one or two songs with them, or is it a full set with each band?

Yes, the plan is to play with every band and do full sets. The estimate of actual drum time will be about 5-6 hours, but the difficult thing is that it’s playing different styles, some of which are very intense, and it will certainly have its challenging moments!

Will you organise more charity events in the future?

I will, potentially, but only if I think I can put something on exciting.

We know you have recently parted ways with Impavidus. What brought you to this decision, and what are your plans going forward for yourself, as a musician?

Yes, I have recently parted with ways with Impavidus, but on very good terms. It was a personal decision to leave the band. It was just my time to move on. We are all very good friends and we will be gigging together in the future, but I’m also looking forward to seeing them play from out front!
Musically, for me at the moment, it is working hard with Frozen in Shadows on a new record, which is in the recording stages and due for release end of July/ early August. I also have another project with a Progressive Post-Black Metal band (unable to disclose who this is at the moment), and I am with Scott Beveridge Project currently as a live session drummer, which is great fun, and some other stuff in the background!
It’s fair to say I’m a very active person, and always on the go! My wife says she really admires my drive, but she has no idea where I get the energy from, and that maybe I should rest! I always say don’t worry “I’ll sleep when I’m dead”!

We have recently had our one remaining good venue in Wrexham close down, and venues across the country are under threat – what do you think of the live music scene at the moment, and what can be done to stop audience apathy?

This is a very tough time for venues across the country, and for people’s pockets. Over the recent years there has been a surge of new bands starting up, but the problem is that there aren’t enough venues to cater for them.
People unfortunately have to choose one band to go and see over another, and of course where they spend their money. Some venues don’t go out of the way to really push events, especially if you’re in saturated city.
What I also find is that some venues put on the same bands, which is potentially why a venue might suffer, and the same goes for a festival. Yes, we like seeing our favourite bands, but isn’t it good to see and hear something new and exciting? When I was given the opportunity to organise the bands at Grand Central, I said to venue owner and punters, ‘I will bring as many new bands as possible to Manchester’ and I did!

If you could have any band in the world to headline Badgerfest?

You put me right on the spot there??!! So, I’m being cheeky and putting a few down!
Metallica class 91-93
Carpenter Brut
Ministry
Anything that Dave Lombardo is involved with.
Sphongle
Strapping Young Lad
Kyuss

Is there anything else you would like to say?

Well of course come to Badgerfest 2019! Why else are we having this discussion!!!
On serious a note, yes, support your scene where you can.
Also, if you see anyone struggling, and you think you could help, go and do it! You’ll be surprised how good it feels to help someone, no matter how big or small it may be.
-Badger

We would like to thank Mr Badger for this brilliant interview. Personally, I can well recommend going to anything that he is involved in, as you will not be disappointed. This year’s Badgerfest is on 18th and 19th October, at the Bread Shed, Grosvenor Street, Manchester, and the Drumming Up Change charity event is on 16th November at Rebellion, Manchester. For more information, please visit the links below. Get yourselves down there and support the scene! We will see you there!

Badgerfest Event Page:
https://www.facebook.com/events/1460476854056521/
Drumming Up Change Event Page:
https://www.facebook.com/events/413232826083041/
Social Media:
https://www.facebook.com/Badgerfestpromotions/

https://www.instagram.com/badgerfestival_/
Badgerfest Main Sponsors:
https://www.facebook.com/OldJSpicedRum/
https://www.facebook.com/POLRServices/
https://www.facebook.com/ensomanagement/

 

Disclaimer: This interview is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Interview With Bearfist

 

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BEARFIST INTERVIEW

With the launch of their third EP “Smile You Son Of A Bitch” on January 18th 2019, which we have already posted a review for, I also had the chance to interview the band, who hail from just down the road from me! Here are their responses.

For those who don’t know who you are, can you tell us a little bit about the history of the band?

We’re Bearfist – a four piece metal band hailing from Chelmsford in Essex. We’ve been together for about 4 years, simply put we’re 4 mates who make loud music!

Where did the name Bearfist come from?

To be totally honest in the search for a name we started throwing two words into a hat and Bearfist came out. It came from nothing but we feel is actually quite fitting for our style now, loud and aggressive!

Your new EP “Smile You Son Of A Bitch” is due to be released in January 2019 (It was released on 18th January 2019). Are you getting excited about that?

This is our 3rd release to date and by far the most exciting one for us yes. Getting to work alongside Justin Hill has been such a great experience and we believe we have created a great EP for people to wrap their ears around.

Where is the launch party?

Unfortunately nothing official but if anyone fancies buying us a beer at any stage that’d be great….We are however playing Ice Breaker festival in Portsmouth on the 26th January.

This is your third EP. Do you think your sound has evolved since you released your first “Bearfist” in 2015?

100% I think it took us some time to find a sound that worked but we are well and truly in the Bearfist groove now.

There are four of you in the band. What do you think makes you gel together so
successfully?

The band was formed originally over a few beers, the songs tend to be written with a few beers and the live shows consist of having a few beers…In summary the gel that sticks us together is not gel it’s beer.

You played Bloodstock Open Air in 2016. Do you think this has been the highlight of your career so far?

We have been very fortunate to play some big stages over the last few years. As well as Bloodstock we have also played main stage at both HRH Metal @ Birmingham O2 academy and Hammerfest 2018.

It would be difficult to pinpoint a highlight but I would definitely say winning the London Metal to the masses to play Bloodstock in 2016 is our proudest moment.

Who is the main songwriter or songwriters? Do you write the lyrics first or the music?

Music always comes before lyrics, our main way of writing usually consists of Dan (guitarist) bringing 4 thousand riffs to rehearsal along with a massive grin! From that point on it becomes a fairly organic process.

Do any of the lyrics come from personal experiences? I know a lot of songwriters use this as inspiration for their songs.

If you were to read Bearfist lyrics out loud and even suggest any of them were to do with life experiences I think you would have to call the police and a mental health worker instantly!

Rob (vocalist) just really enjoys writing about death, blood and more death….

You released a video for “Destroy The Magnet” from the new EP in November. What has the response to this been like, both from the press and the listeners?

We have had positive feedback from both fans and Press alike, we are so happy with the video and again working with great people (Loki films) you get great results.

Check it out on YouTube! (https://www.youtube.com/watch?v=j-SeWxBJLxI)

What goes through your minds when you are on stage? Do you just focus on the music or can you take the time to appreciate the crowd?

A lot of the time concentrating on not falling over is the main objective!

Is the band your full time job? If not, how do you all cope with having day jobs as well as the band and would you like it to be a full time job?

Obviously the ultimate dream is to be a rock star! But unfortunately we are all at an age where we need to work to live.

So, are there any other activities that you participate in when you do have some down time from the band?

As mentioned above beer always plays a strong part in and outside of the band, Rob is also a keen golfer!

Who is the driving force within the band? Is there any particular one of you that takes control?

Not really, we’re pretty good at sharing the load to be honest, we’d be quick to let each other know if they weren’t pulling weight!

A lot of “older” metalheads complain that there is nothing new coming through with regards to metal music. Do you think this is the case?

I think if you get out to local shows and support local up and coming music it is amazing what you can find. We have been fortunate enough to play with some great bands over the last few years and in turn made some great friends.

So with venues closing down all the time and people seemingly preferring to listen to covers bands and tribute acts, where do you see the future of metal lies?

I think there is a big enough following of metal that it’ll never die. The concern about venues closing is always there but the only way to help that is by going out and having a few beers and watch some bands.

If you could bring back one metal legend who would it be and why?

Been a crap couple of years for legends leaving us hasn’t it? Was a few years ago for Dimebag but he and Vinnie Paul are the ones that stand out. We’re all of the age to have loved Pantera back in the day – so just on the off chance that a reunion could’ve happened it would have to be them.

And who have been your biggest influences, both individually and as a band?

This is always a tough question as we’re not really a band who wear our influences on our sleeve. We all have different tastes in music, and it just melds together into what you hear. We’ve used this quote a few times recently but it sums it up quite well – stick us 4 in a room and this is the noise we’ll make!

So, what’s next in 2019 for Bearfist?

We’re just looking forward to releasing this EP and getting out playing shows to support it – there’s a few shows and Festival slots in the diary so keep an eye on our social media for announcements!

Thank you for your time.

LINKS:
https://www.facebook.com/bearfistuk/

https://www.instagram.com/bearfistband/
https://bearfistuk.bandcamp.com

https://www.youtube.com/channel/UChDY68CgeuE6zCOzC1AY78Q

 

Disclaimer: This interview is solely the property of Dawn “The Metal Priestess” King and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Interview with Paul Logue from Eden’s Curse

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Interview with Paul Logue from Eden’s Curse
December 2018

Congratulations on the release of your “Testament – The Best Of Eden’s Curse” album Paul. Does that mean you guys are splitting up now? 😉.

PL: Haha! No, but I get the context. A lot of band’s seem to break up and then release a ‘Best Of’ album to fulfil contractual obligations. But I hate to disappoint you – we are going nowhere!

So why now then?

PL: The timing of the release came via discussions with our label AFM Records. We have such an open and close relationship, having worked together for over 12 years and we are constantly bouncing ideas off each other. We both felt it was the perfect time, especially with us heading out on a big UK tour with Michael Schenker Fest. One of our main aims on that tour was obviously to win over new fans and ‘Testament’ would hopefully be a great tool for helping convert those people who liked what we were doing on the night into hardcore fans.

‘Testament’ is not your typical ‘Best Of’ release that has two or three CD’s full of the band’s greatest songs. You instead have opted for one disc with fourteen of the band’s best songs and a second disc of bonus tracks and a brand-new song. Can you explain why?

PL: Sure! The aim is simply to appeal to fans both old and new. Disc one is primarily aimed at potential new fans. If you always fancied checking out our music and don’t know where to begin this, is in our opinion, is a great starting point. For the guys that have the albums already, then it’s a good compilation with arguably all our big songs on one CD. Disc two was compiled especially with our long-time followers in mind. We are very much a band who listens to its fan base and for many years we have been asked “can you release all the bonus tracks on one disc?”. Unfortunately, for contractual reasons, that was unable to happen until now, as we extended our worldwide deal with AFM Records and they now hold all the rights. There are a couple of extra special tracks that have not seen the light of day on general release before and of course a brand-new song called ‘Forever’.

Who chose the tracks for the best album and put the running order together?

PL: I chose the songs with our A&R director at AFM Records, Mr Timo Hoffmann. I put together the running order exactly like we would perform it as a set list, if we were playing it live, and I think it really works.

In April 2019 you will undertake the ‘Testament’ tour in the UK. What will feature in the set?

PL: We will play ‘Testament’ in full along with the new song ‘Forever’.

And you have two amazing support bands in Mob Rules and Degreed as part of a brilliant triple package?

PL: Yes, that’s right! Mob Rules are one of my favourite bands, but I have never seen them live before. So naturally I was delighted when they accepted our offer. Degreed are relatively new to me. I have heard the name before but only caught them live for the first-time supporting H.E.A.T in Glasgow and then we played together in Malmo at Melodic Rock Fest Scandinavia in Sweden this past summer. So, I kept them in mind when it came to looking for a third band for the tour. We worked very hard on getting a package together that really stood out for the fans, and when it was announced it seemed to receive a very positive response. The proof is in the pudding though and it’s all about how many people turn out for the shows though. So, get your tickets bought people! 😉.

Speaking of tours, you are just hot off the UK tour supporting Michael Schenker Fest. How was that experience?

PL: The tour was excellent. As I mentioned above, our main aim was to win new fans and we certainly did that. We played very well every single night and got better as the tour went on. Some of the stage times were a little earlier than we would have liked, as Michael was playing a near three-hour set, but beggars cannot be choosers and we were delighted to be involved and playing on some of the UK’s most iconic stages.

What shows were the highlights?

PL: Glasgow, as always! SWG3 was packed and the gig went like a dream. We opened the Hard Rock Hell XII festival in North Wales in front of a very full room and London at the iconic O2 Forum in Kentish Town was superb.

What’s next for Eden’s Curse?

PL: First up, it’s a relaxing end of the year spending Christmas and New Year with our families. Then into 2019, we will perform at Planet Rock Radio’s Winter’s End Festival in England in March, and as mentioned above, we will undertake the ‘Testament UK Tour’ in April. For the remainder of the year though, we will be focusing on writing our next album, which we have begun but not in earnest.

So, you have actually started writing?

PL: Yes! I have recorded one instrumental track with our drummer John and have several new riffs and ideas recorded, but in very early stages, with maybe only one song pretty developed, instrumentally at this point.

You guys always seem to have a very clear idea of where each album is headed. Is it more of the same?

PL: First and foremost, I am always very sure of what I want to write, which for me is always just good quality melodic hard rocking metal music. It is never forced but I always write for myself first and foremost. We will never stray too much from what we are all about, after all it is our identity, but I think our fans can hear with the newer track ‘Forever’ what this line-up of Eden’s Curse is all about and capable of. We have several ideas that I am very excited about and that for me is what keeps writing fresh and interesting. If it doesn’t excite you then don’t bother!

Care to elaborate further?

PL: Not too much, but I am exploring some lyrical concepts that are pretty PL: I never said that haha!

But you never said no?

PL: No I didn’t haha! We will see. I am not committing to anything at this stage.

When do you expect to have the album ready?

PL: We haven’t even written it yet, so not before 2020.

Well there you have it folks – the Curse are going to be back with their sixth album at some point in the near future. Until then, we have the wonderful ‘Testament’ and the new track ‘Forever’ to whet our appetites. You can buy “Testament – The Best Of Eden’s Curse” and tickets for the tour with Mob Rules and Degreed from www.edenscurse.com and follow the band on Facebook at www.facebook.com/edenscurseofficial

 

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Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

 

Interview with Chris LoPorto, Vocalist for Can’t Swim

Can_t Swim

Interview with Chris LoPorto, Vocalist for Can’t Swim
Interview by Stephen Moss

Hi Everyone , Rick Here,

On 1st December our, Stateside, guest reviewer Stephen Moss went to see US rock band Can’t Swim play a gig at the (Le) Poisson Rouge in New York City. Whilst he was there he also managed to do an interview with vocalist Chris LoPorto. I’d like to thank Stephen and Andy Jansons at JM Pressphoto Agency for sending us the interview and, of course to Chris for answering the questions!

 

Stephen Moss: “Your uncle was a famous drummer and you played drums in many bands. When you took the role of lead singer and guitar player, did you find yourself overly critiquing the drum lines because you had so much experience as a drummer, or did you give your drummer the freedom to make their own lines?”

Chris LoPorto: “I recorded the drums on our first release. Now, Danny and I split the drumming duty when we record. But i’m not a control freak in any way, whoever is playing drums for us live, I always tell them to add their own spice to the parts.”

Stephen Moss: “How has your writing style evolved since you first released your Death Deserves a Name – EP?”

Chris LoPorto: “I think I have a better idea of what I want Can’t Swim to be now. I know what we can and cannot do. Also, it’s far more collaborative, we are a band who make records together, not just myself making demos on a laptop anymore.”

Stephen Moss: “It’s been said, “Music can cure things medicine can’t.” For many song writers, writing is therapeutic and it’s a way to help themselves. What’s it been like to hear stories and talk to people who use your music as a therapy treatment to help them cope with their life?”

Chris LoPorto: “It’s lovely and something I never thought would happen. Gives me a sense of purpose and pushes me to work hard at this band. It’s a realization that it’s not just loud rock music, if a person can feel better about their situation hearing about what I’ve been through, that’s a very special thing.”

Stephen Moss: “When you’re playing on stage and you hear the crowd singing your songs, are you able to take a second and soak that in or are you focused on the chords and the next lyrics?”

Chris LoPorto: “My job is very easy on stage, I can totally focus on the crowd and take it in. I wouldn’t want to do it any other way.”

Stephen Moss: “When writing songs, do you write the lyrics first or the music first?”

Chris LoPorto: “Depends. Usually the music and melody come first. Then i’ll write words to fit the melodies. I like for the vibe of the music to inspire the lyrics.”

Stephen Moss: “You had said before that some of your songs are first done on acoustic guitar. Is there any plans on doing an unplugged album?”

Chris LoPorto: “Oh jeez, I hope not hahaha.”

Stephen Moss: “You guys do a great live show, any plans for a live album or a cover album?”

Chris LoPorto: “I don’t think so, no.”

Stephen Moss: “If you could pick one band to tour with past or present, who would it be and why?”

Chris LoPorto: “Drake. I listen to his records a lot and he seems like a friendly guy.”

Stephen Moss: “Are you a sports fans?”

Chris LoPorto: “I’m not.”

Stephen Moss: “As someone from NJ, I have to ask…Taylor Ham or Pork Roll?”

Chris LoPorto: “Go veg, save the planet.”

Stephen Moss: “I spoke to Jesse from 10 Years and he said “I’ve been all around the world but there’s something special about coming to Knoxville because it’s home.” You guys have also toured around the globe. Is it still special coming back to Jersey?”

Chris LoPorto: “It’s funny, we started the band so abruptly, we don’t have much of a hometown feeling when playing NJ. it’s great to see friends and family but, we’ve probably played Nebraska just as much as we’ve played NJ.”

Stephen Moss: “So far, what’s been your favourite city to play a show in?”

Chris LoPorto: “Orlando.”

Stephen Moss: “What’s the weirdest thing that’s happened on the road?”

Chris LoPorto: “I’ve spent 3 years of my life looking at interstates.”

Stephen Moss: “As a band, what are some of your goals?”

Chris LoPorto: “We don’t really get too caught up in that stuff. We love what we are doing now and just want to do it more often. Getting a chance to play shows and make records is something we don’t take for granted.”

Stephen Moss: “Your tour schedule is crazy busy! Many shows are played back to back. How are you able to give 100% each show?”

Chris LoPorto: “Coffee! A lot of coffee!”

Stephen Moss: “I wish I was kidding but, every time I wear your shirt people ask me if I can swim. It’s a clever name because then I have to explain to them that it’s a band and we end up having a conversation about your band. So, I have to ask you, Have you learned to swim yet?”

Chris LoPorto: “Certainly not. Don’t plan on it either cause I can’t think of what else to call the band.”

Stephen Moss: “Will you be putting more of your videos on Apple Music?”

Chris LoPorto: “I have no idea. I don’t even have a smart phone.”

Stephen Moss: “I’m asking for selfish reasons but, there is a beautiful venue in Jersey City called “White Eagle Hall” or “Maxwells” in Hoboken where Nirvana played. Do you guys have plans to play any North Jersey gigs?”

Chris LoPorto: “Do they still do shows at Maxwells? I would love to play there, hook it up.”

Stephen Moss: “Do you guys still keep in touch with Andrea? (ex Can’t Swim drummer and long time friend) If so, any plans on having her be a special appearance and drum on a few tracks or shows?”

Chris LoPorto: “Totally, she played drums on two tracks of our newest record.”

Stephen Moss: “Did you guys have an epiphany moment where you realized, “Hey, we can do this full time.” Like, at what moment did you realize that this band had something special?”

Chris LoPorto: “When we first got signed, tours quickly started rolling in and we didn’t even have a chance to ponder if we could do it or not, we just had to. I think i’m still in that mind set almost like the alarm is going off and i’m rushing to make it to work on time.”

Stephen Moss: “When preparing for this interview, I was talking with a very good friend of mine named Melissa. Her favourite band is Taking Back Sunday. I asked her if she had the opportunity to interview Taking Back Sunday, what would she ask? She said two things, 1) “Can I be your best friend?” And 2) “Can I touch your hair?” Hahahaha. This made me think, what’s some weird things that you’ve been asked during an interview?”

Chris LoPorto: “If someone asks me if I can swim or if pineapple belongs on pizza, I’m probably going to quit the band.”

Stephen Moss: “Thank you for your time. I’ll see you at your next show in Jersey/NYC.”

Chris LoPorto: “Likewise. Be well and thanks for doing this.”

CHECK OUT CAN’T SWIM AT THE FOLLOWING LINKS:
https://www.cantswimmusic.com/
https://www.facebook.com/cantswim/

https://www.instagram.com/cantswim_/
https://cantswimmusic.tumblr.com/

Disclaimer: This interview is solely the property of Stephen Moss and Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Interview with Seven Sisters

 

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Seven Sisters are a four-piece metal band from West London, England forged from the same steel as the NWOBHM acts of yesteryear. They have gained a reputation as a “stellar” act in the heavy metal scene, playing shows all over the UK and Europe and proving that “they are not simply copying the template laid down by the fathers of heavy  metal but they are moulding their own sound to usher in a new era.”

I recently had the chance to interview Graeme from the band and here is what he had to say:

Hi, I am Dawn from Ever Metal. Thank you for taking the time to answer some questions for us. I hope you are all well?

All good here, cheers for talking to us!

Ok, for those who don’t know who you guys are, can you tell us a bit about the background of the band?

Sure! We’re a Heavy Metal band from West London, currently promoting and touring our second album which was recently released on Dissonance Productions. Our sound is a bit of a mix of old school Heavy Metal (the NWOBHM movement in particular) and elements of power metal, thrash metal and things like that. We’re pretty progressive in places, but our songs are heavily melodic and hopefully pretty catchy too.

So, your new album, The Cauldron and The Cross, was released in April of this year. How has it been received?

Yeah it’s been received really well on the whole! We’re not massively surprised as we were really happy with the way the album turned out, but it’s always nice when people understand and buy into what you’re trying to do as a band.

Would you consider yourself part of the NWOTHM (New Wave of Traditional Heavy Metal) movement? If not, what would you describe your particular genre?

Yeah I guess so. I’m not sure how much of a coherent movement it is, but there’s definitely a fair few bands around playing traditional-sounding metal, and we’re one of those bands. I don’t think we’re a straight up copy of the original sound of the late 70s and early 80s, but it’s definitely a major influence and I think that should be pretty obvious to anyone listening to our music. We prefer to just think of ourselves as a Heavy Metal band though, rather than trying to pigeonhole it too specifically. It’s too easy to become obsessed with genre labels, rather than just listening to something on its own merit and deciding if you like it or not.

We all have a guilty pleasure when it comes to music, what’s yours?

Not really, actually. I listen to all sorts of stuff, but I don’t feel guilty or embarrassed by any of it as it’s all music I like. I listen to plenty of stuff that isn’t Heavy Metal. But if you mean things that people might be slightly surprised by, then ABBA are one of my favourite bands of all time. That might be a guilty pleasure for some people, but I think they were amazing songwriters with an incredible sense of melody. Some of their song structures are more similar to the type of thing you’d expect a prog band to do than a pop group, but a lot of people don’t even notice as the songs are so well-written and catchy. I think that’s something a lot of metal bands could learn a thing or two from, actually.

What bands have been your greatest influences, both individually and as a band?

Obviously the NWOBHM movement, as I mentioned earlier. But we like a lot of European and North American bands too. Helloween really spring to mind here. We’re also pretty obsessed with Yngwie Malmsteen! We listen to all sorts of stuff individually though. I’m really into hair metal and AOR, Kyle listens to a lot of progressive rock (Frank Zappa is his idol), and Steve and Javi like some of the more extreme stuff like thrash and death metal. This probably all creeps into the overall sound of Seven Sisters in one way or another.

If you could bring back one metal legend, who would it be and why?

Most of my metal heroes are still alive actually. I’d maybe say Ingo Schwichtenberg. I really like the first three Helloween albums, they were a massive part of me growing up and getting into metal, and he’s one of my favourite drummers of all time. I would have loved to get to see him play live.

How have you been enjoying your recent gigs with Toledo Steel? I was gutted I missed the British Steel 2 Festival at the end of May.

Yeah they’ve been fun! Toledo Steel are good friends of ours, and they’re a great live band so it was cool getting to watch them do their thing every night. They’re really funny guys and great company too, so we had a right laugh driving round the country in a van with them. I can’t ever remember laughing as much as I did on that tour!

There has been some controversy over the price of gig tickets recently what with the Ozzy Osbourne/Judas Priest and Metallica gigs. Do you think metal shows are overpriced?

I guess they can’t be over-priced if people are willing to pay them and the shows still sell out, but personally I’m not interested in paying £140 to see Lars Ulrich attempting to play the drums. I’ve always found it interesting that Maiden’s ticket prices are significantly lower than bands like Metallica and Ozzy – and Maiden are actually still good live too. I guess maybe some bands treat their fans with a bit more respect than others, but that’s nothing new. If people are willing to pay crazy money to see a band, I don’t have a problem with it. I just have better uses for my severely limited bank balance myself!

Who is the driving force behind the band? Is there one of you that takes charge and organises everyone else?

Kyle is definitely our driving force. The vast majority of the music comes from him, although I chip in with a riff or two here and there if I have anything good. The lyrics are more of a collaborative effort between the two of us, and Steve and Javi then come up with their own drum and bass parts. So whilst Kyle is definitely the mastermind of the band, I think the songs wouldn’t sound the same if it wasn’t for the individual input of all four of us.

So, what’s next on the horizon for Seven Sisters?

We’re playing some shows in Europe and Ireland over the autumn to promote the new album, and we’re hoping to do as many summer festivals next year as we can. After that, I guess it’ll be time to sit down and start working on a third album!

Well, thank you for your time. Is there anything else you would like to add?

Not a problem. Thanks for talking to us, and cheers to anyone that took the time to read this!

 

SOCIAL LINKS:

  • https://sevensistersuk.bandcamp.com/
  • https://en-gb.facebook.com/sevensistersheavymetal/

 

 

Disclaimer: This interview is solely the property of Dawn “The Metal Priestess” King and Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of both parties. Failure to do adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Interview with Toledo Steel

 

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Toledo Steel are one the leading forces in the NWOTHM wave. Recently, I had the chance to do an email interview with Richard from the band.

Hi! I’m Dawn from Ever Metal. Thank you for taking the time to answer some questions for us. I hope you are all ok?

Hey! Yeah we’re all doing great cheers. Glad we can be doing this interview with you!

Ok, for those who haven’t heard of Toledo Steel before, can you tell us a little bit about the history of the band?

The band officially formed back in late 2011, myself and Matt Dobson (our drummer) are the only two original members from that first lineup though. We both wanted to form this kind of band for a few years prior to actually meeting each other but we didn’t have much luck finding likeminded people. This soon changed though after we put our heads together and it wasn’t long before we had our first lineup and were busy writing songs in preparation to get out there and play live.
Since our formation we released a bunch of demo tracks and followed it up with two self financed independently released E.P’s. We love playing live of course and have always tried to play as many shows as possible! Not just within the U.K but venturing over to Europe fairly frequently too.

Your debut album “No Quarter” was released through Dissonance Productions on the 18th May 2018. How is being received, both by the critics and reviewers and by the public? And, more importantly, how did the album release party go?

So far the feedback we’ve been receiving has been great! You only have one chance to make a statement with the first album and you don’t wanna drop the ball and undo the good work you’ve done in the years prior with the building up of the bands name and profile. We couldn’t have asked for a better album release show either, it was tied in with the Frost and Fire festival which took place in Camden and we played the official after party. The festival was totally sold out and everyone in attendance was already on a high from the whole thing so it only contributed even more so to a great atmosphere when we played.

You have been doing a lot of gigs with Seven Sisters, how has that been? How was the British Steel 2 festival at the end of May? I was gutted I missed that!

The shows with Seven Sisters have been awesome. They’re a great bunch of guys that we get along with really well so teaming up with them as much as we can makes total sense. The British Steel 2 event was cool also, that was also Primitai’s album release show who are also signed to Dissonance Productions so it was great to see that.

With festival season now in full swing, what would be your favourite festival to play and why?

There’s so many great festivals so that’s a tough question to answer but something like Sweden Rock or Hellfest would be great exposure to a bigger audience. There’s so many cool smaller festivals too that we want to play, Keep it True in Germany for example.

You are a favourite with Dean Archer at The Rock Den in Hatfield. What do you think of guys like him and what they are doing for the rock/metal scene?

I think that people like Dean are essential to the music scene and the future of Rock and Metal music. He makes a real effort to bring different bands to the Rock Den and play alongside some of the more established older bands. If every city had promoters and venues like this, there’s no doubt that the scene within the U.K could begin to thrive even more so.

Your website describes you as “one of the UK’s leading forces in the New Wave of Traditional Heavy Metal!” Is this just the new name for NWOBHM?

I guess so! The NWOTHM tagline just makes it clear that it’s a new wave of bands coming through with the NWOBHM inspired sound. The term NWOBHM is specific to that era so it makes sense to alter it slightly.

With venues closing down all the time and people seemingly preferring to watch cover bands and tribute bands, where do you see the future of metal lies? Some of the “older” metal heads are saying there is nothing new coming through. Do you think this is the case?

People who say that there’s nothing new coming through need to open their eyes and ears a bit more! Haha. There’s plenty of new rock and metal bands emerging the world over. Sure, it’s not all gold and you gotta scratch beneath the surface a bit to discover these bands but there most definitely is a lot of new stuff worth listening to.

How do you all cope with being in a band, with rehearsals and gigs etc as well as jobs and family life? You must all be knackered all the time!

None of us have kids so that simplifies things and we work it around our day jobs fairly easy enough. We’re not robots, so yeah there are days where we’re a little tired but I personally feel like I’ve always got energy. I like to be as active as possible really, I can’t sit down for hours on end in front of the T.V for instance. Having something to constantly look forward to or do band wise outside of day to day life suits us down to the ground really.

Who is the driving force behind the band? You know, the guy that organises rehearsals, gets you all together when you need to be, that sort of thing?

Matt is great with all the organisation of things and the finer details. He is essentially the band manager and he’s done a fantastic job. We tend to always rehearse on the same day each week so we all know the score with that, but the booking of shows and networking side of things is handled primarily by him.

So, what’s next on the horizon for Toledo Steel?

Next up we plan to continue getting out there playing live and promoting the new album of course! We’re also gonna start working on ideas for album number two fairly soon as well. A music video for one of the album tracks is well under way too and it won’t be long before we’ll be able to release that! We’re really excited to get that finished off and up online, it’s looking pretty cool so far.

Thank you very much for your time. Is there anything else that you would like to add yourselves?

No worries and cheers to everyone that’s supported us so far and continues to do so. “No Quarter” can be streamed online via Spotify or physical copies bought from us directly or via Amazon, HMV Stores or ITunes etc. Keep supporting emerging bands and spread the word to keep the music and scene alive!

 

Disclaimer: This interview is solely the property of Dawn “The Metal Priestess” King and Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of both parties. Failure to do adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Interview with Desolation Angels

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Desolation Angels were one of the forefathers of the New Wave of British Heavy Metal era. Now, nearly forty years later, they are still rocking and I, recently, had the chance to interview them.

Hi, I’m Dawn from Ever Metal. Thank you for taking the time to talk to us and I hope you are all ok?

Hi Dawn, yes we are all ok thanks.

Ok, so for those who have been hiding in a remote cave somewhere for the past thirty odd years, can you give us a quick background of the band?

Desolation Angels was formed in early 1981 by childhood friends Robin Brancher and Keith Sharp based in the East End of London. The band started writing and rehearsing and soon built up a reputation playing live.

The band’s first single, ‘Valhalla’, was recorded at a studio in Cheltenham in 1982 and, by this time, the band was touring extensively the UK. In 1984, their debut self titled album ‘Desolation Angels’ was recorded at Thameside Studios, London

After spending eight years in the USA playing live shows and recording, the band returned to the UK.

* After various personnel changes since the reformation of Desolation Angels in 2012, the band members are: Robin Brancher (guitar), Keith Sharp (guitar), Clive Pearson (bass), Chris Takka (drums) Paul Taylor (vocals).

Answered Clive Pearson

So, your latest album “King” (great name by the way!) was released on February 23rd of this year (2018), how is it being received? I see you have had some great reviews.

The name seems to have been a good choice, well done to Rob on that one….. it needs to be mentioned first that we were so fortunate to have Chris Tsangeridies listen to the demos and see the potential in the songs to agree to give us his time to make this album so special in so many ways. It so tragic that this was to be his final gift to the music world as he certainly took this on to ensure he handed over a fantastic album. He brought out the best in DA AND we will be ever thankful to his dedication to produce and engineer these songs which the ‘reviews tell it all. The enjoyment of working with Chris and hearing all his tales of his past were very entertaining when recording can be such a stressful experience. He put the fun and enjoyment into those weeks of hard work…. the album is selling very well and so it should as it is one of those albums that gets better each time you listen to it. That is down to the song writing and the great man CT…. thanks Chris may you RIP in Valhalla with your great friend Gary Moore.

Answered by Clive Pearson.

And how was it working with the late, great Chris Tsangeridis?

I may have answered that in previous question.

He was a true musician who loved working in the industry and to help those musicians around him. His history speaks for itself and no air of greatness within his personality which could really have been the case. He’d work with anyone who had desire and commitment to their music… see his autobiography as it would take the whole Metal Nation edition to cover his character and albums.

Answered by Clive Pearson.

The official launch party for the album was on March 23rd at The Devonshire Arms in Camden. I was gutted I couldn’t get there. How did it go? Lots of drunkenness and shenanigans?

The Dev is a perfect venue for this event as it is a true metal pub in Camden which is one of the most diverse towns in London. Great atmosphere and punters. I think my other half should cover the drunken shenanigans as she won that one hands down. I give you her number and the Premier Inn in London where she was carried to after the gig and made a grand entrance…….. I am sure they can fill you in on that one… lots of punters were up for a big night and it did not disappoint.

Answered by Clive Pearson.

So, you are happy with the line up now?

It’s not just a line up it’s a big family with all the wives and girlfriends part of the group.

Answered by Paul Chatfield

I checked out your latest tour dates on your website and I see you are doing a lot of double headers with another great band Sacrilege (and some with support from Satan’s Empire). What’s is like working with those guys? They are all a great bunch.

They are all a great bunch. We have got a few under our belts already and the one that stands out was at the Underworld in Camden … I seem to get on well in Camden……… Sacrilege are a real good time rock and roll party animals that enjoy themselves on and off stage. We are also pretty much the same age so got a lot of those old days to catch up on and reminisce about. Satan’s Empire have a new album out and sure deliver live. I know Paul Lewis from when he was in Belladonna so cool to be gigging with them now..
Look forward to the next ones coming up…

Answered by Clive Pearson.

And you have the NWOBHM GDR #3 in Nuneaton in November. Are you looking forward to that? It’s a shame it’s not in London again though.

We played the first one in London and good to see it gathering pace a few years now. Great to have Tokyo Blade, Tysondog on the bill plus The Deep & Airforce. We all gigging regularly over the years so will be a big party.

Tokyo Blade will be the 2nd time we shared the stage who are good friends with Rob and Keith so good times will be had…

You play in Europe a lot. Do you think your music is better received there and do you prefer playing there or on home soil?

We really enjoy playing in Europe, the fans seem more dedicated, they know the material and really appreciate the fact you come over. I suppose we were a bit spoilt for choice in the UK. There is, and has always been loads of great bands evolved here through the years so fans have a massive choice. Don’t get me wrong it’s fantastic to play to a great crowd in the UK but the European crowds seem to let their hair down a bit more and really rock out.

Answered by Paul Taylor

I am the first to admit that I am not the biggest fan of NWOBHM (yet here I am interviewing one of the original bands from the era!) and I must say I prefer the last album to the earlier stuff. What have you done that has changed your sound so that even a NWOBHM-disliker like me loved your album?

The NWOBHM label is just that, a label! It was just a way to remarket what had always been there, good old-fashioned rock bands. All the radio stations just played either disco music or punk. Purple, Sabbath, UFO, Uriah Heep, Wishbone Ash, Budgie, Lizzy and Priest were still all there and they inspired us, younger bands. So it could be that you like the King album because we’re now better at producing great rock albums than we were 30 years ago . The original values of the music are the same as they’ve always been, strong powerful guitar riffs with a solid rhythm section and melodic vocal tunes with interesting lyrics. We chose Chris T to produce the album because of his fantastic track record and his love of great rock music. He loved the album and did a brilliant job. It would seem that we’ve done what we intended to do, make an album traditional NWOBHM fans would like but also cross the boundaries in to the established hard rock fan base who would normally dismiss NWOBHM bands because of the label.

Answered by Paul Taylor

Ok, so I am friends with most, if not all of you, on social media of some sort, whether it’s Facebook, Twitter or Instagram and I have seen you “in the flesh” so to speak. You are all a great bunch of guys and I would love to interview you face to face after a gig at some point! Would this be ok with you guys?

For sure we always happy to give interviews and answer question for readers on Skype or phone.
Or come backstage after gig and we can have few beers and chat..

So, what’s next for Desolation Angels?

Keep on gigging for as long as we can and record the next album.

Answered by Paul Chatfield

Well, thank you so much for your time. I look forward to seeing you on the road and maybe we can get that interview squeezed in. Is there anything you would like to add?

Thanks for asking us to do this interview spread the word www.desolationangels.co.uk

 

Disclaimer: This interview is solely the property of Dawn “The Metal Priestess” King and Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of both parties. Failure to do adhere to this will be treated as plagiarism and will be reported to the relevant authorities.