Absolva – Side By Side Rocksector Records Release Date: 17/04/2020 Running Time: 58:17 Review by Tsarina Wilson 9.5/10
back Absolva with their fifth album “Side By Side” and it’s good to hear they have
come back in such style. These guys are at the top of their game when it comes
to keeping us entertained with their songs! Yes, we can compare some of their
music to great bands such as Maiden & Saxon etc but they stand proud on
their own merit. With ten new tracks and two covers they give us nearly an hour
of pure Heavy Metal! Absolva are led by the strong vocals of Christopher
Appleton, who also plays lead guitar and produced the album, along with Luke
Appleton (Iced Earth) on rhythm guitar and backing vocals, Martin Mcnee on drums
and Karl Schramm on bass and backing vocals. The drumming was recorded in
Belgium in November 2018 and other parts of the album were recorded at
Rocksector HQ in Manchester during 2019/2020. Mastering was done by Ade Emsley
(Iron Maiden, Voodoo Six and Tank amongst others) The front cover art work was
the work of Akriant Illustrations (Iron Maiden, Star Wars, Blaze Bayley) and
I’m telling you this because Absolva always deliver a great package.
Side” is very much an album of anthems, ‘The Skies Your Limit’ is one such
track with some absolutely crazy riffing and manic drumming, Absolva certainly
keep you on your toes. On the title track you can imagine a large crowd singing
the chorus at the tops of their voices, fists held high. Just when you think
it’s going to be a slower song…boom you get hit by the guitar solo and drumming
and then it’s back to the slower vocals and the combination is brilliant. Christopher’s
voice is so powerful yet you hear every single word he sings and with the, also
powerful, backing vocals coming in at just the right times everything feels
track is definitely ‘Legion’! I’ve sat with my head phones on listening to this
song over and over and the epic guitar riffs are so air guitar worthy, you end
up banging your head along while yelling Legion every time they do (sorry
neighbours, oops) but I don’t think the guys would be too worried if they knew,
I get the feeling they love what they do and like to whoop up the crowds at
their gigs. Other tracks like ‘Eternal Soul’ prove that although they get
compared to other great band’s they have their own identity and following. It’s
great to hear such a talented bunch, musically and vocally, all combined
together delivering quality song after quality song!
tracks of ‘2 Minutes To Midnight’ (Iron Maiden) and ‘Heaven And Hell’ (Black
Sabbath) are both brilliantly covered but never take away from Absolva’s own
raw talent, they really stand on their own two feet! Yes we know all bands are
influenced by others they have listened to and admired from their past but the
fresh material from Absolva, and the very obvious talent they have, puts them
on a pedestal!
going from strength to strength with each album, this is their fifth since they
got together in 2012 (plus a live album/DVD), are certainly showing others how
it should be done and that a smaller UK band can easily compete with larger,
more established acts. They work tirelessly but absolutely love what they do
and it shines through on “Side By Side”. This is an album I shall have on
repeat for a long time. Well done lads!
01. Advocate Your Fate 02. Burning Star 03. The Sky’s Your Limit 04. Side By Side 05. Living A Lie 06. Legion 07. Eternal Soul 08. End Of Days 09. Heart Lets Go 10. From This World
11. 2 Minutes to Midnight (Iron Maiden Cover) 12. Heaven And Hell (Black Sabbath Cover)
Disclaimer: This review is solely the property of Tsarina Wilson and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.
Disclaimer: This photo album is solely the property of Beth Jones. It is strictly forbidden to copy any part of these images, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.
Pentre Fest 2020 Day Two Mcleans, Pentre, North Wales 22/02/2020 Review by Rick Tilley, Alun Jones and Beth Jones Pictures by Beth Jones
Saturday’s Pentre Fest, Day Two review is a
collaborative affair between myself, Alun and Beth. I’ve made it clear who
wrote what and I would like to thank them for their help, as well as looking
after a broken 52 year old (me!) who cannot get around as quickly as he used
On the Saturday
morning, pleasantly surprised that we weren’t hurting as much as we thought we
might, we set off back to Mcleans, pausing only to pick up Powerzone’s Dani
Maguire on the way, ready for a full day of Metal and Acoustic performances. It
was noticeably quieter upon arriving, but a fair amount of alcohol had been consumed
on the Friday, so I imagine there were a few sore heads! However, the always
faithful had dragged themselves out of bed to watch the opening band of the day
on the main stage…
Cheerfully Undiagnosed (aka Adam Robinson) had also performed early on the
Saturday at Pentre Fest the previous year, waking everyone up and putting a
smile on our collective faces. Now expanded to a two piece, (with the addition
of a drummer) they did the same this year. Vocalist/Guitarist Adam will
probably be the first to admit that the material is simple, but he performs it
with a huge glint of fun in his eyes and is very comical to boot. Getting a selection
of hungover and tired metallers to sing along to tracks such as ‘I’ve Just Been
Sick’ and ‘Unsolicited Dick Pic’ was hilarious to watch and take part in and
it’s just the sort of thing you need to kick your day into gear!
One person we
certainly hadn’t expected to see was Edd Case. In the week running up to Pentre
Fest Edd had been taken ill, spending two days in hospital, so to see him turn
up on the Saturday with his guitar, looking like death warmed up was a bit of a
shock. After telling him off, he proceeded to blow us all away on the acoustic
stage with a short set of songs, and I don’t think I’ve ever seen him play or
sound better. His original songs are beautifully written and any covers he
plays are turned completely on their head, always recognisable but played in a
way only he can. He was excellent but, like Brian, he was still ‘a very naughty
boy’ for turning up!
Next up on the main
stage we were due to get our first proper Metal fix of the day from a band I
hadn’t seen live before but was really looking forward to, Manchester based
NWOTHM four piece Stormrider and ‘by the power of Greyskull’ did they deliver. If,
like me, you love a good dose of Trad Metal, mixed up with some Power and
Thrash influences, played as tightly as a gnat’s chuff and delivered with the
force of a Challenger Tank then you’ll love Stormrider. Their not long enough
set was excellent and looking around at the growing crowd it was clear I wasn’t
the only one who thought so. Afterwards I immediately went and bought their EP
and hope it isn’t too long before we see them again!
I nipped outside for
a breather and immediately got caught up talking to people. For my sins I
missed most of the next artist on the acoustic stage but, luckily, Alun didn’t
so here are his thoughts on Rhiannon.
Rhiannon Petrou (Why’d You Wanna Know)
Sadly, Pentre Fest
suffered a few casualties this year. One such example was on the acoustic
stage, where Rachel Sian Roberts, one half of the newly formed duo, Why’d You
Wanna Know, was hospitalised and (obviously) unable to perform. But the show
must go on: and Rhiannon performed a short but enjoyable set on the acoustic
stage. Admittedly out of her comfort zone, playing guitar as well as singing
(having only started to learn guitar a month ago) she soldiered on and won
plaudits for her effort. Only a few minor mistakes were noticed – and easily
forgiven. Possessing a beautiful singing voice she even managed to add a
ghostly, ethereal sheen to a cover of Michael Jackson’s ‘Bad’ – making it sound
good for the first time ever!
Having seen the end of Rhiannon’s set and thinking what a beautiful voice she had, I headed back to the main stage to get another blast of METAL, this time from Huddersfield Thrashers RipTide, another band I hadn’t seen live before. Now Thrash is one of my favourite genres. I’m old enough to have been around when it all began and saw bands such as Exciter, Exodus, Testament and Destruction etc play when they were starting out. I was also lucky enough to see Sy Keeler’s first gig singing with Onslaught, which still stands as one of the best live performances I’ve ever witnessed. Why am I on a trip down memory lane you may ask? Well, RipTide filled me with that same sense of open-mouthed awe I got as a teenager witnessing my idols for the first time. They possess everything a Thrash band needs and they do it with style. There’s definitely an old-school ‘Bay Area’ element to their sound, but it’s mixed with a modern-day twist and slightly harsher vocals, which brings everything into the 21st Century. They were incredibly tight, playing at break neck speed when they needed to, but slowing down and leaving space for the groove as well. A highlight of the weekend, you must not miss them if they gig near you!
Mine and Beth’s
recent return to Ever Metal, for some reason, seemed to be going down well for
many people attending and I got chatting again outside after Riptide. This
meant I missed the beginning of Mike West’s set on the acoustic stage. Having
seen him before I knew he was good, but Alun hadn’t, so here’s what he thought!
If the connection
between metal and outlaw country isn’t obvious to any readers, I can only pity
you. I’ve never witnessed Mike West before, but his amalgamation of southern
rock, dusty country and swampy blues was a delight to my old whiskey-soaked
soul. Mike delivers his songs with a hard rockin’ swagger, as if he’s just
busted out of Tombstone jail and is riding across the plains, lamenting women
and fortunes lost. A great voice and an outstanding presence, Mike is one to
catch when you can. Has anyone done a “Wild West” gag yet? If not, there’s a
headline for us there!
After Mike’s great
set, it wasn’t long before our Master of Ceremonies ‘Beany’ was rounding
everyone up to head back to the main stage. He didn’t have to coerce me because
I had been looking forward to seeing Forlorn Hope for about a year. Historical
Heavy Metal may sound odd to some (although, it’s never done Sabaton any harm)
but Forlorn Hope manage it with aplomb. They have been described as “a musical
version of Bernard Cornwall’s ‘Sharpe’ novels” and I couldn’t put it any better
myself. They haven’t been together that long, but arrived on stage like a much
more seasoned outfit. Their Classic Heavy Metal sound mixed with Military
History of the Peninsular War of 1807-1814 lyrics and a little in-between song
humour from vocalist/rhythm guitarist Chris Simpson works perfectly and you
should really seek them out. If there is one negative it is that keyboard
player Jade McKenna doesn’t get more involved or smile. Her playing is more
than acceptable, and the keyboards definitely add something to the music, but
she looks very ‘stiff’ on stage compared to the rest of the band!
By this point my
spine was starting to groan and I needed a break, so I’ll leave you in the more
than capable hands of Beth who went to check out Ben MIlford on the Acoustic
Normally we’re used to seeing Ben shredding in the shadows,
as he’s the super skilled, but incredibly humble, guitarist in OMV. His
acoustic performance wasn’t just a new experience for us – it was also the
first time he’d done an acoustic set on his own. Talking to him beforehand, we
discovered that he was pretty nervous about it, because it meant stepping out
of his comfort zone by singing as well as playing. He needn’t have been nervous
though, because his performance was brilliant, and he has a lovely voice. On a
couple of songs, he had extra vocal support from his band mate Richie, front
man of OMV, and the unstoppable Edd Case! To be honest though, he didn’t need
it. He did a fabulous job on his own, and we got to see another side of him,
which we really liked.
Scars Of Remembrance
Sore back or not, I
wasn’t going to miss our friends in Scars Of Remembrance, and it turned out to
be one of the best decisions I’ve made for a long time, so I hope you don’t
mind me waxing lyrical! Since vocalist Mike Edwards’ departure from the band
late last year, SOR have been without a steady frontman. They’d decided that,
for this gig, guitarist Mark Harris was going to sing (he already does backing
vocals and has a good voice), but it was clear beforehand that he was in pain.
It turns out he had cracked two ribs in a fall and wasn’t able to play guitar,
and I think there were nerves within the band as to how this was going to go
They needn’t have
worried, because within half a song, the now much more healthy crowd was
looking at the stage and at each other in astonishment. Regardless of the pain
he was in, which must have been very uncomfortable and deserves a medal on its
own, no-one could quite believe the voice (both clean and screamed) that was
coming from Mark’s lungs. He is a very quiet individual off stage, but this was
an absolutely mesmerising performance, and easily the best I had ever seen
Scars Of Remembrance play. Having just four of them on stage gives them more
space. Bassist Karl Ditcher certainly came out of his shell (he also joined in
on backing vocals presenting an excellent bear-like roar), guitarist Daniel
Dawson admirably covered the missing guitar with his riffing, and drummer Ben
Burke played like a man possessed, thumping the living daylights out of the
kit. However, Mark was the star of the show and it’s quite obvious that they
don’t need to find a new singer!
people spent an awful lot of time telling them this, and I really hope they
listen. I already thought they were a great band, but this performance elevated
them to the next level! My band of the weekend bar none!
Back at the acoustic
stage it was time for Adam Robinson to play a set and I shall leave Beth to
tell you about that.
Adam Robinson (Cheerfully Undiagnosed)
Still stoked from what I’d just seen on the main stage, I
headed back to the acoustic room to watch Adam Robinson deliver his second set
of the day, this time acoustically and on his own. It was no less cheerful than
his earlier offering, and his witty banter and repartee kept the crowd
enthralled. Again, his chosen songs weren’t overly fussy or complex, just good
fun. He is a great act if the audience need a bit of a giggle and a livener,
and his endearing stage persona could warm the hearts of even the coldest of
At this point, along
with Dani from Powerzone, we had arranged to interview the bonafide superstar,
and absolute gentleman, that is Luke Appleton (Iced Earth & Absolva),
alongside Rishi Mehta (Babylon Fire) who would be performing an acoustic set
together later that day. While we did that Alun was watching OMV and here are
On the main stage, OMV entered dressed like a bunch of West
Coast gangsters in masks and bandanas. Introduced as “hardcore street metal”,
these guys definitely showed some great musical skills and energy. Somewhere
between Bodycount, Suicidal Tendencies and Biohazard is where I’d stack them.
Either way, OMV delivered some brutal songs and bounced around with massive
crossover riffs. They were very entertaining, although hugely confrontational
onstage – I wasn’t sure if they were actually going to pistol whip the audience
into submission. The music has enough intensity and power to speak for itself.
While I took a plethora of pain killers, washed down with a
pint (don’t have a go at me) Beth headed to the acoustic stage to watch the
second performance of the weekend from the excellent Cry For Mercy.
Cry For Mercy Acoustic
We’re quickly running out of adjectives to describe these
guys, but I’ll have a bash at a few more here, to describe their set on the
acoustic stage! We’re big fans of these guys at Ever Metal, and have seen them
many times now, but not stripped back like this. As usual though, their
performance was a masterclass in how to deliver a great acoustic rock and blues
set. Drummer Steven Taylor kept the rhythms going on Cajon, which gave the set
that extra acoustic feel, and the grooves were upheld by guitarist Andy Cutty
and bassist/vocalist Kev Plant. This set upheld their super-tight musicianship,
with all of them on point all of the time. One of the things I like most about
them is how comfortable they look when they play. The feel they give to the
music is both smooth and charismatic, and you can’t help being drawn into it,
making toe-tapping and head nodding obligatory! This set was so chilled that it
would not have been out of place on a ‘hideout’ stage at a midsummer festival
somewhere in the Texas Deep South. It oozed groove and proved just how
versatile these guys are.
By now I was going numb so I knew I could manage some more
music and I went back to the main stage to watch Son Of Boar, however Alun
rather enjoyed their set (I did too), so he’s written this short, but very
Son Of Boar
They have a cool name, and they looked pretty cool on stage
in matching denim battle-vests. From the very first notes of the bass rumbling
on the very first song, I had a feeling that Son of Boar would be something
special. I wasn’t wrong. These Bradford bruisers have everything in spades:
they’re unfeasibly heavy; they have slow, doomy riffs with a Sabbath-like
infectiousness and they have a sludgy, swampy groove that can pack an
aggressive punk punch. The best band of Pentre Fest 2020 as far as I was concerned,
Son of Boar were superb. I even bought a t-shirt!
At this point Edd Case played a second set on the acoustic stage and it was the one time, all weekend, we missed a performance. However, as we’d seen him earlier in the day and he was still a very naughty boy for even turning up, he’s going to forgive us…aren’t you Edd?
Back at the main
stage it was time for the awesome Severenth to play and, once again, they
showed why it is so good to have them back on the scene. When these guys were
around the first time they toured the US and played the hallowed Wacken Open
Air, among others and their pedigree shone through from start to finish.
Vocalist Peet Bailey is a wonderful frontman, possessing a huge voice and bags
of energy, Ben Jones thunders on the bass, guitarists Jack Somers and Adam
Sidor are the perfect foils for each other, and drummer Dave Roberts is a mass
of arms and rhythm. Together they a make a brutal, but very catchy team, and
the sooner they release a new album the better!
We were now heading
towards the climax of the Festival, but there were still two performances to
go. First up were the headliners on the acoustic stage, namely Luke Appleton
(Iced Earth, Absolva) and Rishi Mehta (Babylon Fire) who put on a wonderful
performance. As Alun hadn’t seen Luke acoustically before he kindly supplied
the write-up of the set!
Luke Appleton and Rishi Mehta
A really fantastic
set was delivered by Mr Luke Appleton on the acoustic stage. In truth, this was
a duo performance with Rishi Mehta (of Babylon Fire) playing too, and it was a
genuine highlight of Pentre Fest 2020. Dubbed “acoustic metal”, the songs were
both suitably laidback, yet delivered with a metal edge. Expertly performed, we
had tunes from Luke’s solo “Snake Eyes” project, plus of course some Iced Earth
and Absolva numbers. Not to mention a bit of Dio and Tenacious D for good
measure! A real class act in every sense of the word, and both very talented
and down-to-earth gentlemen.
After a short break, where some of us braved the horrendous
wind that was pummelling Mcleans outside (actually, now I think about it,
bearing in mind who was due to appear onstage, it could well have been the
‘True Metal wind of Joey DeMaio’s 24 string bass guitar), we headed back to the
main stage to witness the climax of Pentre Fest 2020 – WomenOwar!! Now, there
had been rumblings (no, not from my stomach) that WomenOwar were threatening to
pull out of their performance as there’d been a massive argument between Floss
The Boss and Davina Shenkles over who was going to wear the deep blue eyeliner
and baby oil, but luckily tragedy was averted! Of course, had this been the real
Manowar we would all have been sat twiddling our thumbs calling Joey a complete
and utter wan…!
Yes I’m joking, sort of! WomenOwar are an ‘all women, not
all women’ Manowar Tribute band and they were absolutely brilliant! Formed for
a one-off performance in 2018 they now find themselves in demand, possibly
because Manowar really do argue over who is going to wield the He-Man sword and
get the best painted on six-pack, but more likely because they are very funny
and play the songs superbly!
Made up from members of the awesome Dakesis, Fury and
Christgrinder you just knew the musical prowess was going to be top notch, and
so it proved to be. Armed with a wig and mascara collection that Steel Panther
would be proud of (in fact Manowar would be proud of it as well), they
proceeded to blow us all away with a majestic set of Manowar classics that the
crowd lapped up! It was the perfect climax to a wonderful weekend. As it says
on their website “the band have weathered even the most unconquerable
challenges to consistently bring you 100% of the Manowar for 1% of the price of
actual Manowar”, and that says everything really. Go see them! You won’t be
disappointed, because WomenOwar will actually turn up and play!!
So, that’s Pentre Fest wrapped up for another year. In all
seriousness, it was incredible and everyone I spoke to enjoyed themselves
immensely. Sound was perfect all weekend on both stages and the only thing that
let us down was the weather but having the sometimes ‘not acoustic’ stage
inside really worked well!
Massive thanks must go to the team at North East Wales Metal
Productions for assembling another cracking line-up of bands and acoustic
artists, and especially to Fozzy for getting through what must have been an
awful weekend for him.
We were all well looked after by Pat and the staff at
Mcleans, they do a sterling job, the bands were friendly and approachable all
weekend and, of course, it wouldn’t be the same without all of you who turned
up to watch.
Pentre Fest is a wonderful grass roots event and it should
be thoroughly applauded. I’m already primed for 2021!
Disclaimer: This review and photographs are solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.
Absolva – Flames Of Justice Rocksector Records Release Date: 05/11/2012 Running Time: 51:47 Review by Rick Tilley 9/10
Hi Everyone. One of the previous places I wrote reviews for was US Radio Station Brutiful Metal Radio which closed its doors a while back and their website disappeared along with all the reviews I wrote! I thought it would be great if we could repost the reviews on Ever Metal so that they are not lost completely and, possibly, you can discover some great albums and bands you may have missed the first time around! Do bear in mind that line-ups may have changed and, in some cases, the bands may be no more but the albums created at that time are what is important so delve into the fairly recent path and have a read!
This Absolva review first appeared in 2013
What happens when your band is on the verge of breaking through and then the bass player gets asked to join metal titans Iced Earth? That is what happened to heavy rock trio Fury UK last year. Instead of replacing Luke Appleton, brother, lead guitarist and vocalist Chris Appleton and drummer Martin McNee put that band on hiatus and formed Absolva, “Flames Of Justice” was their debut album released in the second half of 2012 and they hit the ground running faster than Usain Bolt on steroids. Fusing the heavy rock sound of their previous act with classic metal bands such as Iron Maiden, Judas Priest and Saxon “Flames Of Justice” is a blinding album. Joined here by bassist Dan Bate and lead and rhythm guitarist Tom Atkinson (who has since departed due to other commitments), Absolva aren’t completely retro though. There is enough of a modern twist to their sound to keep fans old and new very happy, a point proved by the size and diversity of crowds at their gigs.
“Flames Of Justice” kicks off with the screaming title track, and that alone leaves you in no doubt that Absolva mean serious business. Followed by ‘Hundred Years’, ‘Code Red’ (which is sure to become a live classic),’From Beyond The Light’ and ‘Breathe’, which thanks to Chris Appleton’s slightly Dave Mustaine style delivery could be a Megadeth song, in fact “Red Lamb”, Mustaine’s recent collaboration album with Dan Spitz would be a good reference point for Absolva. This is full of crunchy riffs, choruses that stay in your brain long after the album has finished, great solo and duel guitar work that fits the songs extremely well, a good variety of tempo and rhythm section of a very high calibre that ties the whole thing together beautifully. “Flames Of Justice” has been well produced, mixed and mastered by Matt Elliss, although if anything he hasn’t quite managed to catch the raw power that Absolva share on the live circuit. That is a pretty small criticism though for a band that really is set to keep the spirit of classic metal alive if they continue to produce work of this quality.
There is something strangely alluring about Absolva’s music. It feels very familiar, as if you have known the band for years, but at the same time it adds new and exciting flavours, a bit like a good wine, and that great mix has had me going back to this album time and time again to enjoy its contents. Another of the great bands on Rocksector Records you genuinely have to keep an eye out for Absolva because they are going places!
01: Flames of Justice
02 .Hundred Years
03: Code Red
04: It Is What It Is
06: State of Grace
07: From Beyond the Light
09: Love to Hate
10: Only When It’s Over
Disclaimer: This review is solely the property of Richard Tilley and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.
Luke Appleton – How Does It Feel To Be Alive? EP Running Time: 14:39 Release Date: 09/03/2018 Rocksector Records Review by Beth Jones 7/10
If it were possible to look up the Appleton family in the dictionary, the definition would read; ‘verb – to keep going and going and going, see also Duracell!’, and Luke is certainly no exception to that rule! Not content with a massive tour schedule, both as Bassist for Iced Earth, promoting their “Incorruptible” album, and Rhythm Guitarist with Absolva promoting their “Defiance” Album, Luke has now recorded a 4 track acoustic EP, “How Does It Feel To Be Alive?”, which he will be promoting as special guest on a 37 date up and coming European Tour with Blaze Bayley. I need a sit down just thinking about it!
Produced by Luke’s brother, Chris, singer and lead guitarist with Absolva and Blaze Bayley, the EP was recorded at their studio in Manchester and shows off the depths of Luke’s talent, passion and love of music.
With an almost folk – rock feel, Luke has laid down some beautiful melodies and harmonies, but has managed to keep a good pace to each track, which makes it easy to listen to but not an atmosphere killer. It makes me think of carefree summer evenings sat around a campfire with friends having a jam with a guitar and few beers.
I actually hate Luke right now for being so irritatingly talented! His obvious passion drives his talent, which in turn drives his passion, creating a technically complete musician. His vocals are great, well controlled and pleasingly wide ranging in dynamics – he isn’t too timid, but he doesn’t shout too much, and he still maintains a raw edge that lets you feel his inner rocker! His chord progressions and melody lines sit nicely, if a little safely at some points, and nothing is too frilly or over – done.
If I had to pick a favourite track, it would be ‘Three Eyed Crow’. For me this is the most technically complicated track, with lots of changes, overlapping rhythms and more interesting vocal harmonies. It has a largely different feel to the other three tracks. It feels like a full on acoustic song and is, for me, the most ‘complete’ track on the record.
It is this that would be my one criticism of the EP. Apart from ‘Three Eyed Crow’, the tracks feel like there is something missing; that they should actually be full on, whole band songs, but they have just been stripped down for an acoustic gig. I can’t listen to them and not put full on ‘Rock Band’ orchestration to them in my head. The vocals and guitar echo each other a lot and the same riffs are revisited a little too often – for me this detracts slightly from what are essentially really good, solid tunes. But in the grand scheme of things, he is nowt but a nipper and things like this will become more refined with experience, especially with the dedication that he throws in to everything he does.
Disclaimer: This review is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of both parties. Failure to do adhere to this will be treated as plagiarism and will be reported to the relevant authorities