Disclaimer: This photo album is solely the property of Beth Jones. It is strictly forbidden to copy any part of these images, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.
Acid Reign: Tour Of Entitlement
w/Reaper and Thrashatouille
Central Live Music Venue, Wrexham
Review by Beth Jones
Gigs are back! Can I get a ‘Hell Yeah’?!! Whoop! And they have now become the busses of music – none for ages, then a load turn up at once! The beauty about tonight’s gig is it was, literally, a mile from Ever Metal HQ, and in the best venue Wrexham has! Winning! It was our second time in two weeks seeing the mighty Acid Reign, after an awesome headline spot at Beermageddon on August bank holiday weekend, so we knew we were in for a good show. And to make it even better, providing support were two of our favourite local-ish bands, food-based Death/Thrashers, Thrashatouille, and one of the most exciting young Thrash bands around, Reaper.
After arriving before doors, and having a lovely chat with long lost friends, and some much-needed hugs, we made our way in, purchased beverages, and headed down the front for our night openers, Thrashatouille. Having seen them at the very nervous occasion that was the Bloodstock Metal 2 The Masses North Wales final in July, it was lovely to welcome them back to the stage in a time where people had thrown caution to the wind, and no-one looked quite as terrified! And they brought us a show to match our re-invigorated moods! Since the M2TM final, they’ve worked on their sound and their stage show, and it told. It was heavier, crunchier, and more in your face than we’ve seen them before, and it really upped their game. They also finished differently to what we were used to, replacing the customary red velvet cake faceplant with a cover of ‘Word Up’ – or ‘Fry Up’ as they had lovingly repurposed it! They brought the show to the crowd, and the crowd was pleased. Great way to start the night.
Reaper were up next. These guys hold a special place in my heart after agreeing to play my 40th Birthday charity gig back in 2019, before the end of the world as we know it happened. I love their sound, and their passion, and am infinitely irritated by the immense talent they have at such a young age, but also have a huge amount of motherly pride and protective instinct for them. I am, pretty much, old enough to be their mum, and while that is disturbing, it also instils me with much pride when they smash it out of the park. And boy did they do that here! They play fantastic Progressive Thrash Metal, done superbly well, by uber talented youngsters, who are hungry as hell for the music they love, in its purest form. They played everything up for the audience, and frontman Dan Moran even gave a heartfelt speech on the anniversary of 9/11, one of the most devastating atrocities we have ever seen, to much applause from the audience. This was my favourite ever performance I have seen from them, and the crowd absolutely lapped them up. And that’s a really good thing, because it wasn’t just all the regulars at this gig, it was people who only come out of the woodwork for big names, too. And those people need to hear new and exciting music like this, because this is the future of metal right here. ** RANT ALERT** When the Big 4 have quit touring, and all the legends of old are swilling soup from sippy cups in retirement homes, these are the people who are going to be keeping the metal dream alive! Bands like Reaper, who are stupidly talented, endlessly endearing, and preposterously passionate about the music they love, are the lifeblood of Rock and Metal, and the sooner everyone gets on board that boat, the better. These are the people the legends were 40 years ago, but apathy is killing their game. Please, please, I implore you – if you haven’t seen a small band that you’ve never heard of before, make this year, and the return of live music, the time that you change that. If you don’t, this scene dies when the bands who were lucky enough to make it big in the glory years finally get too old for this shit.
From the new boys to the old boys. Our headline act, Thrashers, Acid Reign, have been kicking it, with a small hiatus(!), since 1985. And now they’re back, and clearly feeling incredibly entitled this year, given the name of their tour! So, (**with tongue firmly in cheek, and in complete jest** – thought it was better to point that out now than get angry messages) for the rest of this review, I will refer to them all as Karen! They had a torrid time leading up to this gig. Karen (Paul), one of their guitarists, was struck down with the dreaded lurgi, so couldn’t be at the gig – big love – be ok soon dude. The band had a choice to make – cancel, or play as a four piece. They (thankfully) decided that the show must go on (and boy are we glad about that). Then, their tour bus broke down halfway here, and they had to be rescued (or brought to their untimely death, depending on what your view of our little hometown is) by a lovely volunteer driver!
But, despite fate trying to conspire against them, they made it, and they hit the stage! Karen (H) was on top form, running about the place, climbing on the speaker stack, stealing drumsticks to hit cymbals with, and making a trip to the bar mid-song, for alcoholic refreshments. He even had a customary wander into the crowd a few times to see what things looked like from the other side.
Now, at this point, I would like to mention an incident that occurred, which could have put a huge downer on the night. One of the (very drunk) revellers (who I don’t think, surprisingly, was from Wrexham) decided that it would be really fun to exit the pit backwards, at high speed, and plant the back of his head into a brick wall. Cue the awesome metal community! A couple of people put him into the recovery position, and a few others formed a wall to make sure that the continuing pit didn’t collide with him. He was up and smiling again within a couple of minutes, which was a massive relief, and everyone got on with the night. Karen (H ) checked he was ok, and announced it to the crowd, and all was well with the world again.
So back to the band! Karen on Bass (Pete) got really hot and took his T-shirt off, Karen (Cooky) on guitar gave a disapproving look, and then Karen (H) decided to join Bass Karen, because it was very, very hot. The lesser spotted Karen on drums (Marc) just kept his cool and did drum things, and pulled drum faces, because…drummer!
They also had a signed setlist from back in the day thrown on stage with them, from the crowd, after being turned into a paper aeroplane. In case you’re interested Acid Reign guys, it was thrown by a guy lovingly known as ‘Big Oggy’. He’s a massive fan…!
In all seriousness, seeing these guys in our small town was an absolute blast. They are tight as a nun’s chuff and consummate performers. When you have the talent to flow with a performance like this, you know you’re on to something good. And they are onto something good, and hilarious, and so, so endearing. What a fabulous show, despite being a member down. Long may this rebirth continue. Kudos to all the Karen’s of Acid Reign for wanting to feel the entitlement again, and to Fozzy and Beany of NEW Metal Productions for bringing their entitled asses to Wrexham. Don’t leave it so long next time guys, because we need your joy much more often. Love you xx
Disclaimer: This review is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.
Disclaimer: This photo album is solely the property of Beth Jones. It is strictly forbidden to copy any part of these images, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.
Beermageddon 2021 Day Three
Stoke Prior Sports & Country Club
Stoke Prior, Bromsgrove
Review by Beth Jones & Rick Tilley
The festival life throws up some weird and wonderful goings on, that only exist inside that little bubble for the time you’re in it. It’s because everyone uses it as a chance to let their hair down, and leave the grey, soul-destroying world of adulting behind for a few days. And a perfect example of this led us into the final day of the festival, in the shape of an unnamed gang of campers having an all-night party accompanied by a rather loud, and very eclectic playlist.
It was lovely to hear the happy singing at 1am. It had become slightly less lovely by 5am however, and I think this sentiment was shared by the majority of others on the campsite. So, when someone eventually shouted, “Will you shut the fuck up!!”, I’m confident I wasn’t the only one who did a little silent round of applause. ‘The Floral Dance’, much as it’s a very unique tune, is probably not the best thing to play full blast at 5am, whatever the setting! However, this…er…interesting night did manage to fuel sleep deprivation to the point of being hyperactive, but not quite hallucinating, meaning we were ready for the final day!
First up was the job of taking the traditional Beermageddon group photo. At the helm of this mission was press co-ordinator, photography extraordinaire, and all-round top bloke, Will Tudor. Gathering together a bunch of people three days into field dwelling (most of whom had an 80% proof ABV blood alcohol content) and making them all look the same way, is a little like herding cats who’ve been on a cat nip bender. But Will has a big voice, and the photo was achieved without any deaths. Result!
With that, and a belly full of bacon and caffeine, it was time to turn our attentions to music again for the beginning of the final day. And providing the opening were Melted Messiah, a Stoner/Sludge, Jazz/Doom Black Metal duo from the wild North (Dunfermline, Scotland). Considering there was only 2 of them, they made a very big sound. Lots of crunchy rumble and distorted fuzziness from the guitar mostly filled the gap where there would usually be a bass, delivering a very doomy sound. And you could definitely hear some jazz influence in the drumming. They were good, and endearing, and the crowd looked on with pleasure.
Dead Mob were next, taking us from the sublime to the caw blimey! Hailing from up the road in Birmingham, this young Hardcore band were a bag of excited energy, which flowed out across the audience and made the entire room lurch. They certainly blew away any sleepy heads that were still trying to bring themselves round. But apart from being loud and full of chaos, these guys were tight and extremely talented. They brought me a lot of joy – at the ripe old age of 41, it’s great to see a young band who know exactly who they are and throw every bit of passion into their performance that they can muster. From a photography point of view, they were really fun to shoot, too. Constantly throwing shapes and moving, laying everything bare, and letting the audience feed off their power. Awesome set.
Next up, and keeping the pace afloat, were At Dawn We Attack; A 5 piece from the West Midlands who are a joyfully chaotic, crunchingly heavy multi-genre crossover collective, all of whom clearly have an appreciation for facial hair! Frontman Bryan was a live wire, thriving off the crowd, and ending up in it at one point, too. The best way I can describe him is, if you took Devin Townsend in the Strapping Young Lad days, made him smoke 50 Marlboro and drink a gallon of JD in quick succession, gave him some dreadlocks, and then injected him with the Tasmanian Devil, you’d be somewhere close. By now the room was bouncing. Damn it was good.
It was time to turn our attention to some good, salt of the earth, Old-School Thrash Metal next, with the maiden performance of UK Thrashers, Sun Of The Endless Night. With more than a little hint of the Big 4 in their sound, these guys took us through a rip-roaring set that continued to tear to shreds any Sunday-ness that we still had left. Powerful riffs and smashing rhythms, along with angry gravelly vocals made for a show that was confident and impressive, and I would recommend anyone to check them out.
Another band fresh from an appearance at Bloodstock graced the stage next; Alt/Progressive Metallers, Netherhall. Melodically I liked them. But in terms of performance, they were quite a stark contrast to the upbeat, feeding off the crowd, and quenching the onlookers’ thirst for engagement in return atmosphere that we’d been served with the last three bands. The invisible 4th wall between the audience and the stage seemed more noticeable than it had done the rest of the day. For me this made their set a little difficult to get into. But variety is the spice of life, and this is, of course, just my opinion.
After what had been a superb day so far, I decided it was time for food. Having cased out the menus looking for what I could eat at the beginning of Saturday, I knew exactly where I was heading – Little Al’s Kitchen, for Slow cooked beef. And it was the most awesome slow cooked beef and roast potatoes I’ve eaten in a long time (his Chilli on Saturday night was also superb)! I don’t think I’ve ever eaten so well at a festival ever and chatting to Al after partaking of his magnificent food made it clear that this was indeed his mission – to feed people properly and cater for intolerance ridden awkward heads like me – YAY! Between Al, and JW Catering, I’d managed to not eat shit all weekend, and that is an achievement!
Feeling full up and ready for more music, I headed back to the hall for the penultimate band of the festival, Symphonic Black Metallers, Kull. They were a new name to me, and I wasn’t sure what to expect, but from the second they started, I was in my element. Huge, full on symphonic synths, ridiculously precise rhythms, intricate and demonic guitars and bass, and the vicious and hypnotic vocals and presence of front man, Tarkan, made this the standout performance of the weekend for me. This thunderous and all enveloping sound had me transfixed from start to finish, and as soon as the performance was over, I headed to the merch stand to buy their music (incidentally, this was the point that I discovered their former guise. They used to be Bal-Sagoth!). The power of this music was addictive and I needed more! It’s been on in my car pretty much ever since. L-O-V-E-D IT!! I will be watching out for an opportunity to catch Kull again very soon.
And so, we reached our conclusion, with festival headliners, and all-round crazy nutcases, Acid Reign. The first time I saw Acid Reign was at Hammerfest 2018, so I was sure of two things. Firstly, we were in for some fun, and secondly, making a pictorial record of said fun was going to be hard work! The best way to photograph Acid Reign, and in particular front man, H, is to become a telepathic mind reader so you know where he’s going to, so you’re brain to hand co-ordination has time to make you press the button before he becomes a blur. I’m new and a novice at this photography lark, be gentle on me, please!!
First world photographer problems aside, what a show these guys gave us. The room was rammed full, and the crowd lapped up every second of this raucous romp through Thrashland, injected with comedic capers, crowd interaction, and a hell of a lot of love. From H disappearing in the middle of a song, and reappearing carrying a tray of beers he had just purchased from the bar to bassist Pete Dee getting involved in a pit, while still sustaining a steady bass line, this was a very special way to finish a very special weekend. No-one was frowning, no-one looked stressed, everyone was just having a great time.
And that, ladies and gentlemen, was a wrap. I’m not scared to admit that I got a touch emotional when it finished and the house lights came up, because it was all over. Apologies to Will Tudor, and Tony Gaskin for welling up in your general direction! We had just lived three days of pure blissful joy. I’m so glad that I talked myself back into going, and so grateful that we got to be there covering the event for Ever Metal. So, some huge thanks are due. To Jim Beerman, for being the Godfather of Beermageddon, and never giving up, to bring this beautiful thing to all of us. To Will Tudor for his infinite wisdom, photography and otherwise – I have banked all his lessons. To all the crew for creating, maintaining, and running this event like clockwork. To the bands who smashed everything out of the park to entertain us, the bar staff who kept our thirst quenched, the caterers who filled our bellies, whatever time of day we wanted it, and the security staff who kept us all safe, but had a good laugh with everyone too.
Incidentally, it appears that there were zero covid cases linked to this event, which in the current climate is a fucking magnificent achievement. But maybe that’s because this was more than just a festival, it was the reunion of a huge extended family, back together after far too long apart. And we were honoured to have been allowed into that family. See you next year xx
Beermageddon 2022 Event Page
Disclaimer: This review is solely the property of Beth Jones, Rick Tilley, and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.
EMQs with Acid Reign
Hi everyone. Welcome to our new EMQs interview with Acid Reign. Huge thanks to vocalist Howard H Smith for taking park!
What is your name, what do you play and can you tell us a little bit about the history of the band?
My name is Howard H Smith and I am vocalist with UK thrash band Acid Reign. We go back to the 80’s so history available here
https://en.wikipedia.org/wiki/Acid_Reign It’s too much to type! 😊
How did you come up with your band name?
Bass player came up with it.
What country are you from and what is the Metal/Rock scene like there?
England. All good thanks, thriving.
What is your latest release? (Album, EP, Single or Video)
New album “The Age Of Entitlement” was out on September 27th 2019.
Who have been your greatest influences?
Fish from Marillion.
What first got you into music?
Marillion made me fall in love with music. I already liked music but they were my first love.
If you could collaborate with a current band or musician who would it be?
We are collaborating with one of my favourite artists Suzanne Vega on our new album.
If you could play any festival in the world, which would you choose and why?
Goodwood Festival of Speed, some of the most awesome cars you will ever see all gathered in one place. Heaven.
What’s the weirdest gift you have ever received from a fan?
A handmade Acid Reign lighter for my 47th birthday in Almera Spain.
If you had one message for your fans, what would it be?
See you out on the road!
If you could bring one Metal/Rock star back from the dead, who would it be?
Dave Mustaine. Too soon?
What do you enjoy the most about being a musician? And what do you hate?
Performing live and creating new music. People moaning on social media because bands do not plan their careers/tours/releases around THEIR wishes. Hence The Age Of Entitlement”.
If you could change one thing about the music industry, what would it be?
Festivals/venues taking a percentage of merch sales.
Name one of your all-time favourite albums?
Reign In Fucking Blood!
What’s best? Vinyl, Cassettes, CD’s or Downloads?
CD’s for the car, Vinyl for the house and Downloads on the move.
What’s the best gig that you have played to date?
Bloodstock 2015, hands down the best show this band has EVER played.
If you weren’t a musician, what else would you be doing?
I have been a stand-up comedian for 25 years and still am!
Which five people would you invite to a dinner party?
Mohammed Ali, Gore Vidal, Bill Hicks, Salvador Dali and Jeff Hanneman
What’s next for the band?
Touring our first album for 29 years, festivals and all that good stuff.
What Social Media/Website links do you use to get your music out to people?
Here you go:
Jaffa Cakes! Are they a cake or a biscuit?
It’s a biscuit! You can tell by the shape and size, it’s a cake in name only.
Thank you for your time. Is there anything else that you would like to add?
Thank you for the support and to all of you reading this. It feels great to be back with a new album after all these years. If you haven’t heard it please seek out The Age Of Entitlement I promise it’s not shit! 😊
Thanks that was a lot of fun with some cool and unique questions.
Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.
Victor Augusto’s Top Ten Albums of 2019
By Victor Augusto
Before I let you loose on Victor’s Top Ten Albums of 2019 I would just like to thank him for all of his hard work this year. It’s been great to have you onboard!
Definitely 2019 was not an easy year for me. After a couple of years of intense dedication to my local Heavy Metal scene, I realized I was walking in circles and wasting energies in the middle of many egocentrical people. I also lost time with bands that don’t appreciate my support.
Before I changed my focus to professional bands, I spent a few months trying to recover myself from my mental exhaustion and I wasn’t able to follow all the good releases, but the few I heard were enough for me. So here are my impressions of what were the best this year.
10 – Acid Reign – The Age of Entitlement
The UK band Acid Reign appeared at the end of the eighties and quit in the early nineties, but they returned in this decade and let clear to the world that they still can record a killer album. “The Age Of Entitlement” just shows their creativity to play incredible riffs, as a good Thrash Metal band does. The band also explored the melodies of classic British Heavy Metal bands. All of it together with an incredible recording/production was enough to show to the world that Acid Reign is really back.
09 – Kamala – Live in France
Since their first years, Kamala wasn’t just a one more awesome band among all other great Brazilian bands. They put some mantras and oriental music to complement their heavy music and built a great name in their country. In this decade they changed their sonority to a straight Thrash Metal and also started to tour in Europe. From all the countries that they played, France was the one that really embraced this trio with the same passion that the band put forward when playing for French Metalheads. “Live in France” is one more brick in this great career in Europe and a great way to show that Kamala is getting bigger, even after almost 17 years on road.
08 – Acero Nacional – Trueno
If you think South American Metalheads are insane, you have probably never seen the Chilean ones. Bands from there also have this spirit and you just have to analyze the name Acero Nacional to understand it. The band’s name means “National Steel” and the steel is a reference to the people who works with this metal in metallurgy industries. The band represents the workers in their country and “Trueno” (Thunder in Spanish) sounds like the title; Strong, fast and devastator.
07 – Fleshgod Apocalypse – Veleno
As a fan of extreme Metal I have always loved Fleshgod Apocalypse since the first time I saw the video of ‘The Violation’ in 2012. For me, they are the great new mainstream band that appeared in this decade. Instead the same old stuff from all Death/Black Metal bands; they just put opera and al Italian influence. For my surprise, the band drastically changed their line-up for this album, but I still feel the same spirit in their music. Actually, they are better in my opinion. The songs are not extremely fast all the time as before and the production chose a more organic recording. For me, those changes helped to digest easier all the complexity of their arrangements. I loved as always.
06 – Legacy Of Kain – Paralelo XI
The first time I heard and reviewed Legacy of Kain in 2017, they were just a new band in Brazil, with old musicians that were playing Metalcore/Thrash Metal. I liked them, but the band was not so far my favorite of the year. Now they have changed their lyrics from Portuguese to English and decided to play a strong and furious Thrash Metal with a few elements of Metalcore. All the anger you hear in this new album is from the main theme that is about the slaughter of an Indian tribe in Brazil, which happened in 1963. For sure this record will make you angry too.
05 – Woslom – Paranoia
Woslom is a very famous Thrash Metal band in Brazil. In this decade they released three great full albums and toured a lot, not only in their country but also in Europe. Again, the band brought a great theme well represented in the cover art. “Paranoia” has a dizzy stairway and the opening riffs of the title track reproduce it too. Despite it is just a four track EP, this record can show what we can expect from the next full album. A technical and crazy Thrash Metal that always surprises the listener.
04 – Hatefulmurder – Reborn
One detail that makes me admire a specific band is when I have difficulty to find their band’s style. Hatefulmurder in an incredible Heavy Metal band that offers something similar to Thrash Metal, but they sounds as heavy as a Death Metal band. Sometimes the band flees to funky bass lines structure or other styles and is not repetitive with the songs structure. This is the third band’s album and the second with Angelica Burns on vocal. She brought all heaviness with her strong vocal, sometimes similar to Tomas Lindberg voice (At The Gates singer), but the band goes further to any kind of Death Metal. I suggest you listen to “Reborn” and make your own conclusions about it.
03 – Destruction – Born to Perish
Destruction is a band that doesn’t need to be introduced to anyone. I was lucky to see them live twice (in 2016 and 2018) and I even met them backstage for few minutes last year. Schmier, Mike and Andy Black were very polite and I took a pic with them to save this moment in my memory. It was few months before they announced the Damir Eskić and returned to have two guitar players. Probably any Destruction album can easily perform in a top 10 list, but “Born to Perish” has this stronger sonority due the addition of the second guitar and this album sounds even more aggressive than the others.
02 – Death Angel – Humanicide
It is very hard to not love anything that Death Angel release since I showed their concert in my hometown in 2010. That day I was lucky to stand in front of Rob Cavestany and he gave his guitar pick on my hands. He is as gentleman as a great riff composer. Actually he could be considered one of the best riff makers in the Thrash Metal history, but maybe the long time that the band was stopped disrupted the band’s trajectory. What really matters here is the fact that Death Angel released another insane album and I dare any Thrash lover doesn’t bang his head while listening such amazing album.
01 – DarkTower – Obedientia
Before I put this record in the first place of my top 10 albums of 2019, I was really afraid to be unfair with the famous bands that have a great history in Heavy Metal, but DarkTower really touched me with this album. It is not just a matter of how they play Black/Death Metal, but how they put all anger and feeling to illustrate all chaos we live in Brazil. Since the political fights that our people have been doing to how we are losing our culture and our identity as a nation; everything was brilliantly described without attack directly at any side of this war. They just advise how people are stopping to think by themselves and how they have been manipulated by false heroes. Embark on this epical and realistic journey listening to “Obedientia”.
Special mention also has to go out to the following bands:
Miasthenia – Sinfonia Ritual
Here is a great Pagan Black Metal band that is the opposite of bands from this style. “Sinfonia Ritual” is not specifically an album because it shows a symphonic version of five songs from the last three band’s album. It is a great way to enter into the Miasthenia soul and discover how amazing they are.
Endust – All ends in Dust
My special mention goes to The Brazilian Thrashers of Endust that released their first album “All Ends in Dust” even though they have never played any concert ever. Their music is a kind of Thrash with Nevermore influences, which increased melodies and changed the dynamic of this great record.
Infrared – Back To The Warehouse
Another special mention goes for the Canadian band Infrared. They also quit in the eighties and returned this decade. The album “Back To The Warehouse” rescued old compositions that received all aggression of their Thrash Metal.
Disclaimer: This Top Ten is solely the property of Victor Augusto and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.
Alun’s Top 10 Albums of 2019
We have already posted a few of our reviewers’ Top Tens of 2019 and now it’s Alun’s turn. We would like to thank him for all the work he has done for us over the past year. He certainly knows what he is talking about music-wise so go check out the albums on his list and see what you think.
1. Crobot – Motherbrain
2. Monolord – No Comfort
3. Giant Dwarf – Giant Dwarf
4. Admiral Sir Cloudesley Shovel – Very Uncertain Times
5. Earth – Full Upon Her Burning Lips
6. Sunn O))) – Life Metal
7. Acid Reign – The Age of Entitlement
8. Obey – Swallow The Sun
9. Speedealer – Blue Days Black Nights
10. Mammoth Weed Wizard Bastard – Yn Ol I Annwn
With honourable mentions for Firebreather, L7, Sacred Reich, Wizard Rifle, Duel and Helligators
Disclaimer: This Top Ten is solely the property of Alun Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.
Acid Reign – The Age Of Entitlement
Release Date: 27/09/2019
Running Time: 44:05
Review by Victor Augusto
It is very interesting how Thrash Metal bands that appeared in the middle to late 1980’s have some similarities. First of all, their main purpose and sonority were different from the first Thrash Metal bands created, probably as a natural evolution of this musical genre. The second thing I think is similar between them is how they have great technique to play riffs to a very high level. I don’t know why many of those bands quit early, but returned after decades, for our happiness. Did the name Death Angel come to your mind while reading this? Yes! It is an example of a band that has a similar history to UK Thrashers Acid Reign.
Born in 1985, they had a great career with two full albums ‘The Fear’ (1989) and ‘Obnoxious’ (1990) before quitting in 1991. Their rebirth happened in 2015, where, had they not disbanded, they would have been celebrating 30 years of noise and now their new offering is the amazing “The Age Of Entitlement”. On first listen, I could hear bands such as Havok or Overkill as reference points, but after careful listening it has been possible to catch personal influences and details which make Acid Reign different.
Despite their experience to create remarkable riffs and an excellent recording/production that increases the killer compositions further, it is the influence of classic British Heavy Metal bands in some melodies and also of Hardcore/Punk in a few songs that register with the listener. Of course these just complement the band’s style, because the Thrash Metal reigns supreme here.
The instrumental song ‘T.A.O.E. ‘shows an epical spirit before the destruction of ‘The New Low’ kicks in with the main Thrash Metal elements that we all know. Slowing down the rhythms, ‘Within The Woods’ is a long eight minute track with a more complex structure and (again) I could feel a little of the classic British bands in it with all the harmonies and tempos changes. The Hardcore influence is strong in the short song ‘Ripped Apart’ as is the Punk Rock vibe on the dancing ‘Blood Makes Noise’. The awesome ‘Sense Of Independence’ explores the heavier side of Acid Reign as does the track ‘United Hates’ which closes the album.
There is no doubt that Howard, Paul, Cooky, Pete and Marc knew exactly what they wanted and desired when making this album. “The Age Of Entitlement” shows a mature band that has taken all the heaviness from great Thrash Metal and has mixed that with many good influences from other genres to create their own identity. It is a magnificent way to show the world that Acid Reign is really back.
2. The New Low
4. My Peace Of Hell
5. Blood Makes Noise
6. Sense Of Independence
8. Within The Woods
9. Ripped Apart
10. United Hates
Howard “H” Smith – vocals
Paul Chanter – guitars
Cooky – guitars
Pete Dee – bass
Marc Jackson – drums
Disclaimer: This review is solely the property of Victor Augusto and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.