Vega – Grit Your Teeth
Frontiers Music srl
Release Date: 12/06/2020
Running Time: 42:11
Review by Beth Jones
I have an eclectic taste in music. I spent a good part of tonight listening to Mozart (who is incidentally the finest composer to ever grace the face of the earth, in my humble opinion). When I’m not indulging in a bit of classical or jazz, I like to get stuck into the heavier stuff. Anything from industrial and djent to power metal and classic heavy rock cuts it for me, as long as it’s got a bit of vim!
Enter stage left, “Grit Your Teeth”, the new release, and sixth studio album from Vega, the UK’s answer to Bon Jovi and latter era Aerosmith (who incidentally I both love)! I first became aware of these guys at Amplified 2017 and was instantly a fan! Their album release of that year, “Only Human”, is still on my regular playlist, and I’ve been hotly anticipating this new release for some months!
The band bring a certain edge to the classic 80’s AOR sound, which makes it current, and I really enjoy. This album is certainly no exception to their ‘classic with a modern twist’ feel. Every tune has an ‘anthem’ quality about it, and you can picture huge crowds at massive festivals having an absolute ball to it! This release has been created with the help of “The Graves Brothers” (Asking Alexandria, Funeral for Friend, The Family Ruin), and, for me, the production has stepped up a big level. I’m a stickler for production, as you may have noticed, and it’s superbly done here.
So, what makes Vega’s sound so good? Well there are a number of things. First and foremost, Nick Workman’s vocals. He has the perfect voice for this sort of music and has a brilliant range. He can deliver power and punch right to the top of his range, but also has the control to bring it down when the music requires. Vocal harmonies add an extra layer, and that backed up by the riffs and melodies on multiple guitars. There are some blistering solos throughout this album, but nothing is over-done. The rhythm section don’t over complicate things, instead opting to do solid well! This sits perfectly within their style. And finally, the atmospheric keyboards and synth elements add a variation in colour and depth which tastefully nods back to the classic sounds of the 80’s (also a superb musical era, and anyone who says any different is wrong).
This is an up-tempo album, which has you nodding your head and tapping your toes right from the start. Every track is perfectly positioned within the album, making it ebb and swell in all the right places. Even though every tune is a banger, and we do get a cracking ballad in the shape of ‘Consequence Of Having A Heart’, I think my favourite track on the album is ‘Battles Ain’t A War’, which is slower than the rest, and the most stripped back and deep song on the album. It is in a minor key, which gives it a lamenting feel that is pleasing, in a melancholy kind of way. It also has a great choral backing vocal section towards the end, and the addition of strings, which give it an extra layer.
Another one that sticks in my head is ‘Save Me From Myself’. It has a ridiculously catchy chorus hook, which I was singing along with by the second listen!
But, and you’re going to get sick of me saying this, we have another example of the cardinal sin of music, the fade out, putting in an appearance. It was all going so well, and then the penultimate track goes and does a fade out to finish! Tut tut! For the love of god, please will bands stop doing that and find a way to bloody finish the song instead!! It’s a double shame as there’s an epic little guitar solo in this track too, which is beautifully panned from left to right for effect. It would have been a ten out of ten album for me, but in keeping with my musical morals, half a mark docked for the fade! Sorry chaps!
Apart from that though, stunning album! A huge step forward from their last, and I hope that this is the start of a wider recognition for this immensely talented band, as they thoroughly deserve it! If you like classic AOR, with a Bon Jovi and 80’s/90’s Aerosmith feel, seriously try this album out for size, as you won’t be disappointed!
02. (I Don’t Need) Perfection
03. Grit Your Teeth
04. Man On A Mission
05. Don’t Fool Yourself
06. Consequence Of Having A Heart
07. This One’s For You
08. Battles Ain’t A War
09. Save Me From Myself
10. How We Live
11. Done With Me
Nick Workman – Vocals
Tom Martin – Bass And Guitar
Marcus Thurston – Guitar
James Martin – Keyboards
Mikey Kew – Guitar
Martin Hutchison – Drums
Disclaimer: This review is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.