Miasthenia – Sinfonia Ritual (feat. Ifall)

Sinfonia Ritual Cover

Miasthenia – Sinfonia Ritual (feat. Ifall)
Mutilation Productions
Release Date: 31/08/2019
Running time: 30:32
Review by Victor Augusto

One thing that I do admire in some bands is when they constantly keep evolving even after two decades of existence. If they can still impress their fans after so much time, they probably deserve all the attention they get. Firstly, I do have to describe Miasthenia’s music to make it clear. Miasthenia are a Pagan Metal band who bring the creepy sonority from Black Metal, but they play it incredibly with the harmonies, melodies and techniques of a great Heavy Metal band. The Portuguese lyrics are far from the silly Satanism or Antichrist themes you often get. Vocalist Susane Hécate delves deep into old civilization histories and describes how the Christians enforced their dogmas and culture, sometimes with bloodshed, during the 16th Century colonization. She has a Doctor’s degree in history and teaches at a local university and both of these things help her to create romances based on the theme.

Her keyboard parts are very noticeable on the compositions and have a great contrast with all the riffs. Marcos Thormianak is a killer guitar player too and his riffs and guitar work, together with Hécate’s keyboards, create a dense atmosphere. It is not superbly overblown like the symphonic parts from bands like Dimmu Borgir, however, it is as well composed, and Miasthenia just play it in a simpler manner. Basically the band have extreme and aggressive songs, that talk about Maya or Indians. All of this is strongly highlighted with an awesome record production, but don’t forget that I am talking about a band that was born from Black Metal influences in Brazil. Can you believe that this is possible? Yes, it is!

“Sinfonia Ritual”, specifically, consists of songs from Miasthenia’s last three albums, Antípodas (2017), “Legados do Inframundo” (2014) and “Supremacia Ancestral” (2008) that have been rearranged into totally symphonic versions. If the original tracks are amazing by their arrangements and heaviness these versions, created in collaboration with producer ‘Ifall’, create a vastly more epic atmosphere. Orchestration has reproduced all the riffs, vocals and keyboards. Just the drums and solos have been left behind.

The extract from the five songs that you can read on the CD booklet says: “In the ritualistic disease of the singing and dancing of Taqui Ongo’s preachers, Andean priests lamented the forgetfulness of ancestral rites and they announced the rebellion of the Huacas (Andean spirits) against the Christian religion. In Yucatán, the Mayan priest Chilam Balam predicted the “13 Ahau Katún”, that is an age marked by the arrival of Christians colonizers and it corresponds to the end of an ancient era, when agony evokes the force of blood sacrifices in the revival of death-rebirth-life rites to Xibalbá. In North America, the great tribal alliance of the Iroquois gave rise to the “Kayanerehn Kowa” or “The Great Law of Peace” which celebrated the end of wars and conflicts, in rituals that ensure the balance and harmony among native nations that fight for your rights. In 1542, in the South America forests, the powerful female Indian warriors Coniupuyaras confronted the Orellana conquering troops on the huge Amazonas River, disturbing the Christian and patriarchal order imposed by colonialism. “Deuses da Aurora Ancestral” celebrates the ancient tribal resistances that inspire us and connect us with the infinite ways of be, ways of being and ways of resist; in the past or in the present”.

Listening to “Sinfonia Ritual”, I felt like I had entered inside the soul of Miasthenia and discovered thorough details from them. It is like I can see their skeleton and ‘spinal tap’ from them their melodies, music structures and harmonies; all of it without the “Skin” of heaviness of the original songs. You just have to open your mind and embark on this saga to feel how glorious Miasthenia are.

01. Taqui Ongo
02. 13 Ahau Katún
03. Kayanerehn Kowa
04. Coniupuyaras
05. Deuses Da Aurora Ancestral

Susane Hécate – Vocals, Keyboards
Thormianak – Guitars
Prometheus – Drums
Ifall – Arrangements, Synths, Vocals and Percussion





Disclaimer: This review is solely the property of Victor Augusto and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Damim – A Fine Game Of Nil

A Fine Game Of Nil Cover

Damim – A Fine Game Of Nil
Apocalyptic Witchcraft Recordings
Release Date: 28/06/2019
Running Time: 42:40
Review by ‘Dark Juan’

It is Saturday night in rural France. The local gossips have returned to their homes after disseminating all possible information to the entire village, and probably have been strapped back into their scold’s bridles by the husbands who are STILL covering up twenty year old affairs of the heart with the lady on the Rue de Ty Lidec. I, Dark Juan, The Gothfather, Love Commando and Sex Fuhrer to toffs and gentry, am sitting, beer in hand and having my face torn clean off by this piece of SAVAGERY masquerading as music entitled “A Fine Game Of Nil” by British neo-blackened metallers Damim – Damim being Arabic/Aramaic for bloodshed, I believe. That’s about the only useful fact you’ll get out of this stream of consciousness bollocks you’re about to read, so treasure it, ok?

First of all, I have to say the production work on this record is extremely satisfying, almost to the point of orgasm. Everything is so crystal fucking clear the band might as well be sat in my head battering the inside of my cranium with high powered amplification and pneumatic drills. However this is ultra-precise savagery, because Damim as musicians are tighter than a duck’s arse, and probably considerably more waterproof because they write huge, coruscating songs of complexity, power and depth and play them at a speed that Formula One drivers would struggle to comprehend. There are many key changes and time changes but nothing of the music, even when it’s flitting from one tempo to another, is extraneous. The musical progressions are logical and impressive and it all fits together like a particularly complex heavy fucking metal jigsaw puzzle. Special mention must also go to Nathanael Underwood for his vocals – a primeval, visceral roar that appears to have come from the bowels of some previously undiscovered hell found underneath the foundations of Satan’s bit of it, yet retaining clarity and having words that are actually discernible as they are being sung! This is a momentous feat in death and blackened metal so bonus points to you, old chap!

Normally it just sounds like bears vomiting. Not that all this talk of intelligence, complicated musicianship and socially conscious lyrics should distract you from the fact that this is the dog’s testicles from a sheer metal point of view. There’s blastbeats and brutality in spades. It’s not a battlewagon of a record, it’s a sleek and shiny supersonic jet fighter of one. It’s blindingly fast and sharp and operates precision guided weaponry, and YOU are the target. Damim are out to kill you all with laser-guided accuracy.

So, compositionally exquisite, vocally exemplary and velocity unmatched! There has to be a downside, right? Well, fucking good luck finding one, mate. Damim are a phenomenally intelligent band. The lyrics are pertinent and relevant to events in the world today and even the album title alludes to zero sum game theory. Look it up, it’s actually genuinely fascinating. I love this record so much I have ruined yet more underwear and had to pause in my libertine pursuits of alcohol, laudanum and abusing young ladies to reflect on the sheer majesty and magnificence of what I have just heard. In fact, I have finished the record and literally just pressed play again to start over. It appears I want my face to look like burger meat, considering Damim are flaying it off bit by bit. Favourite tracks on here are ‘Beyond The Call Of Emptiness’, and the hilariously named ‘Something For The Weekend’. It’s hilarious because the song title seems so out of keeping with the rest of the record, OK? I also really like ‘NecroKino’, a tune that the intro reminds me greatly of the synthwave stylings of groups like Gunship offer before pulling out hidden weapons and proceeding to skin you alive with diamond sharp guitars and drums that can cause tectonic misery. The other titles skirt perilously close to one of my favourite sources of comedy – heavy metal word salad song titles. As we shall shortly see!

In short then – if you love extreme metal you’ll fucking love this. If, on the other hand, you think metal begins and ends with Avenged Sevenfold you’ll hate it so much you’ll savagely murder your own parents. “A Fine Game Of Nil” is PROOF that metal is one of the most phenomenally complex styles of music to play and also one of the most difficult to master. Damim have fucking mastered it, made it their collective bitch and are currently beating it into further compliance with flails and chains and all manner of unspeakable other things. The thing is, I am of the opinion that this record is that good that it might win a few converts from the less extreme fans, because although it is brutal deluxe, faster than a trip to the lavatory after a dodgy curry and heavier than a neutronium sex toy, it somehow STILL remains accessible and approachable. Damim have done something remarkable. They have made music bordering on black metal interesting again (which is not easily done as there hasn’t been a proper good black metal record since “Anthems To The Welkin At Dusk”) and also made it something even a new convert could enjoy instead of just the hardened heavy metal warrior. There’s much to enjoy as parts of the music touch on other styles like djent, the odd riff progression has a whiff of nu-metal about it and there is a thrash element running throughout the whole thing. I also think having an excellent production job will also win fans considering most extreme metal sounds like it has been recording using candy floss and asbestos as filters and recorded through the wall next door.

Anyway. A splendid effort from these gentlemen! I’m serious when I say that I consider this to be the album of the year so far. I fucking love it.

The Patented Dark Juan Blood Splat Rating System offers Damim a blood soaked and thoroughly gore coated 10/10. Extraordinarily good! I have run out of words.

01. In A Language They Understand
02. Descendant Of Amalek (If you don’t know, Amalek is described in the Hebrew Bible as a country that is an enemy of the Israelites It can also be referring to the nation’s founder, the grandson of Esau. You’re welcome. Just because I despise religion as social control doesn’t mean I haven’t studied the scriptures.)
03. Beyond The Call Of Emptiness (Surely emptiness can’t call? Because it’s like… empty?)
04. Something For The Weekend
05. NecroKino
06. Body Is Broken
07. Rising Of The Lights
08. Existential Epiphany Within A Waking Dream (The only existential things I get during waking dreams are crises…)
09. All I Want To Know Is (what the rest of this title is because my computer is refusing to tell me. Sorry, chaps.) – (RICK HERE, the full title is ‘All I Want To Know Is How It Ends’)

Nathanael Underwood – Vocals and guitars
Flow Toulman – Drums
Faust Perez – Bass
Edd Amos – Guitars





Damim Photo - Credit Tina Korhonen


Disclaimer: This review is solely the property of Dark Juan and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Photo courtesy of Tina Korhonen.



Bofo Kwo Logo


Hi Everyone. Welcome to our new EMQ’s interview with Finnish, Symphonic Black Metal band Bofo Kwo who, by the way, are brilliant as well as being hilarious! Huge thanks to them for taking part!

What is your name, what do you play and can you tell us a little bit about the history of the band?

Bofo Kwo: I am Bofo Kwo, the tribe leader and lead vocalist. The band was formed in 2014 based on a novel by Theodore Salmondi Egger, called the Legend of a Cannibal King. The Band then took it further, went to space and after several decades, hopefully, the first Metal band to ever perform in outer space.

Wamufo: I am Wamufo. I arrange and compose the chants and rituals we need for our feasts. I also play the noise machine you call guitar during our feasts.

Bomari: I am backup vocalist Bomari, I also do the makeup and costumes and general creative stuff.

How did you come up with your band name?

Bofo Kwo: It is based on the Main Character of the Legend of a Cannibal King Novel.


Bomari: Also based on a true cannibal story but with some twist and turns.
What country are you from and what is the metal scene like there?
Bofo Kwo: Finland, I guess cold?

Wamufo: I’ve lost count on the numerous home worlds we’ve had.

Bomari: Norway, make a guess.

What is your latest release (Album, EP, Single, Video)

Bofo Kwo: Our latest single is called “Second Sun” and it is from our upcoming album to be released fall 2019, the album is called “Space/Time Carnivorium”.

Bomari: Second SUN

Who have been your greatest influences?

Bofo Kwo: Space/Time, Aliens, Cannibal Documentaries, Black Metal, ROCK, and Grunge!

Wamufo: Black metal, cheap sci-fi TV and everything I can gather from the junkyard.

Bomari: Life.

What first got you into music?

Bofo Kwo: The search for the end of the endless agony of being human and what not.

Bomari: Feeelings and stuff.

Wamufo: Refuse to answer!

If you could collaborate with a current band or musician who would it be?

Bofo Kwo: Rumours are that we will collaborate with a Rodent King of the Mighty “Dirty Rats” from Australia already on the upcoming album.

Bomari: Rob Zombie

If you could play any festival in the world, which would you choose and why?

Bofo Kwo: Download festival because I heard they don’t make you shave your bush.

Bomari: Can’t think of any

Wamufo: Roadburn, Dour, Wacken

What’s the weirdest gift you have ever received from a fan?

Bofo Kwo: Bold of you assuming that we have fans? I am under contract to hand over any gifts I get to Wamufo so he has to answer this one.

Bomari: Anxiety

Wamufo: Bofo Kwo might be obligated to hand over the gifts, but I know he’s hoarding them somewhere. People seem to like posting us these pieces of paper with numbers on them, and after some investigation they seem to disappear in to Bofo Kwo pillow or he traded them for cat food.

If you had one message for your fans, what would it be?

Bofo Kwo: Be one with the Metal, and please share our content so more people discover or get offended by our music.

Bomari: Be yourself

Wamufo: The message is gone. Long live the message

If you could bring one rock star back from the dead, who would it be?

Bofo Kwo: Dimebag

Wamufo: Nah, let the dead rest. They deserve it

Bomari: Lemmy

What do you enjoy the most about being a musician? And what do you hate?

Bofo Kwo: Free food I enjoy the most, I hate the most that the food is not human flesh tho.

Waumfo: There are some super comfortable couches hidden inside the venues of feasting. Napping on those. Napping inside the trunk of our “tour vehicle” is the worst, unless I kidnap the money pillow, which is super comfy.

Bomari: Being creative, the pressure

If you could change one thing about the music industry, what would it be?

Bofo Kwo: Artists gets paid first and the most instead of last and maybe nothing.

Bomari: The pressure of releasing and squeeezing the creativeness out of artist is the worst, if we could let artist work on their own time and using their creative energy when it’s there and not squeezing it. It’s the killer.

Name one of your all-time favourite albums?

Bofo Kwo: Behemoth – “The Satanist”

Wamufo: Khanate – “Things Viral”

Bomari: Blank, can’t think of one spec

What’s best? Vinyl, Cassettes, CD’s or Downloads?

Bofo Kwo: Vinyl!

Wamufo: Claymation

Bomari: Vinyl for sure

What’s the best gig that you have played to date?

Bofo Kwo: Our secret gig in Amsterdam March 2019. Weird stuff happened.
VIDEO HERE: https://www.youtube.com/watch?v=NTwxniHLcTY

If you weren’t a musician, what else would you be doing?

Bofo Kwo: Working for the Earth Space Defence.

Wamufo: Sabotaging the ESD.

Bomari: I’m actually a fisherwoman on the side…

Which five people would you invite to a dinner party?

Bofo Kwo: The tastiest fattest peoples, they are the best to make stew of.

Wamufo: I’d rather not get criticized for cold canned ravioli by five people.

Bomari: *laughing* and nobody knows why.

What’s next for the band?

Bofo Kwo: New Single, new Album and Fall live shows. Album will be called “Space/Time Carnivorium”

What Social Media/Website links do you use to get your music out to people?


Jaffa Cakes? Are they a cake or a biscuit?

Bofo Kwo: I met a dude named Jaffa on a planet far away, he tasted more like lasagne but maybe a bit Cakish?

Wamufo: You should ask that from J. Cakes.

Bomari: It doesn’t matter, they’re fucking tasty.

Thank you for your time. Is there anything else that you would like to add?

Bofo Kwo: Ever Metal is amazing. To think that they supported a rural space Black Metal band like us is just outstanding.

Bomari: Cheers, shine on.

Wamufo: Eat your greens and stay hydrated.


Bofo Kwo Photo


Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

EMQ’s with Misanthropik Torment


EMQ’s with Misanthropik Torment

Hi Everyone. Welcome to our new EMQ’s interview with Lexington, Kentucky Metal band Misanthropik Torment. Huge thanks to Erick for taking part! He answered the questions differently from most so rather than change everything to fit, I have just left his answers here. His story is an extremely interesting one and deserves to be heard!

My name is Erick Leviathan Scarlet. I am vocalist, lyricist and founder of MISANTHROPIK TORMENT.

Coming up with the name MISANTHROPIK TORMENT was quite easy. I mean, I just spent the past 16 years of my life in prison for stabbing a pedophile and mutilating his genitals! So needless to say I have a lot of built-up rage due to the Injustices that I have seen in my 37 years of existence. By my nature I am not a hateful person, however I have a lot of hatred for most of humanity, because of what we are doing to this planet, because of the Injustices that go on in this world not to mention the abuse that children suffer from, so I am tormented by my own hatred, by my own misanthropy, thus the name Misanthropik Torment.

Misanthropik Torment has a simple message. Stand against all that is wrong in this world! If you’re not part of the solution you are part of the problem. The sole purpose of Misanthropik Torment is to stand against tyranny, as an advocate for the execution of all domestic terrorists alongside of pedophiles, rapists and those who would prey upon the weak, WE MUST KILL THEM! I for one will no longer sit back in the shadows quietly observing the sickness of humanity!

Misanthropik Torment is based out of Lexington, Kentucky. The underground metal scene is pretty badass out here and there are a lot of good underground metal bands who don’t get enough exposure and don’t get the recognition that they deserve. It is also my goal to help other underground bands get that recognition and exposure because, I myself, know how hard it is to kick this fucking door open.

I have to say that I am influenced by old school black/death metal bands like DEATH, DEICIDE, CANNIBAL CORPSE, KING DIAMOND & MORBID ANGEL etc. I mean the list goes on I could sit here and list off so many bands but what’s the point I think you all get the point. But my goal is to bring back the sound of old school black/death metal with my own unique twist to it.

At the moment I am independent but I would love to get endorsed by Roadrunner or Metal Blade. I have worked with several social media Outlets and at the moment I am working strong with METAL COFFEE PR in the hopes that one of these record labels will hear me and come swoop me up LOL one can only dream though right.

When I first started my goal was to just get a CD made and get on the radio, get my music out there for other people to hear and all, that was my first goal. I have to say that yes I have accomplished that goal but my ultimate goal at the end of the day, after I have met all of my smaller goals in my music, is to be signed by Roadrunner Records, Metal Blade or another label that is keeping the true sound of metal alive not the mainstream crap that is all over the radio. I understand that there are a lot of mainstream metal bands signed with Roadrunner and maybe some with Metal Blade but those record labels still keep the underground alive as well.

I really don’t have an answer to this question the digital age is new to me I mean I just spent over half my life Behind Bars and all this technology came out while I was there so I’m barely learning how to use any of this. The best thing I can say is remain undeterred and keep knocking your head against that wall until the wall cracks or your head does!
I myself have a goal to sound the same on a CD as I do live. I do not allow my producer to do any weird shit with my voice if I can’t pull it off live. So yeah, I do lose some respect for those bands who are putting autotone and all kinds of other crazy shit on themselves! I mean I don’t like it but everybody’s got their own tastes!

I am metal and I tell you what I despise… being divided in different genres. I believe that metal is metal and in my music I preach about the division that the government puts upon us down to the music that we listen to, to the shoes that we wear! It’s causing the division to keep us all distracted from what’s really going on out there in the world. Everybody’s so focused on fighting over what genre & what sub-genre and what belongs where and what box they fit into and while we’re all paying attention to that crap we’re not looking at what’s happening, slowly how the government is coming in and twisting shit and creating the Panic the profit from The Cure. So I subscribe to nothing I say metal is metal and leave it be!

I believe that I am good I mean a lot of people say I am. There’s 3,000 fans on my Reverbnation that say I am and I’ve only been doing this for four or five months, I mean I’m not sure if I’m the best and I don’t want to be the best I just want to be up there with the best if that makes any sense but no I would not like to be the new in thing I want to be the original thing I want to be the sound of metal and that’s it I don’t want to be another fucking Nickelback!

What people can expect from Misanthropik Torment is pure, raw, extreme aggression and other ways of evoking that raw emotion from people that might even make you fucking cry with anger. You know I say this shit, that everybody else is thinking but they’re too scared to say. When you come to a Misanthropik Torment show you will know that you are at a Misanthropik Torment show not some fucking carbon copy of some other band that did it first!

I haven’t put anything out yet as far as releases but I do have three albums done already. My first album It’s called rebelled Against The Establishment power belongs to the people. My second album is called “Purification”. And my third is a single titled ‘E.1.L.3.S.2.10PER10’. All three of these albums will be released in the middle of March. I want to come out swinging I wanted to do something that no other band has done before and I believe that I am accomplishing that cuz I don’t believe any other band has come out with three albums as their first approach., shortly after these albums come out misanthropik torment will be going back into the studio to record a “Decade of Endurance” which is an album diving into the psyche of the convict in prison life. Also there will be a book in the near future.

Currently there is one video on YouTube titled ‘The Devil Made Me Do It .There will be future videos those are in the works at the moment.

I’m not sure how I feel about this you know I’m not doing music for the money although it would be nice to make some money for doing what I love. This is kind of a hard question to answer because Bandcamp, Reverbnation and SoundCloud etc, these help underground artists get their music out there as otherwise they wouldn’t be heard and the same thing with YouTube however nobody’s getting paid for it and we’re putting a lot of money into what we do I myself put a lot of money into this and not seen a dime back and I’m not complaining you know I’m just saying that at some point we all have to support our families or not just a bunch of crazy motherfuckers hanging from chandeliers that have loads of cash on standby.

Best moment in my career so far is being in the studio being free and out of prison and able to pursue my dream!

My message to the fans is I cherish each and every one of you. I get my music for myself, it is therapeutic and it helps me, however, I would not have a reason to continue to do it. I would get bored very quickly if I could not have you guys to enjoy what I do so thank you very much for giving me the opportunity taking the time to give me a shot and listen to what I do. With that I say eat sleep and breathe Metal!!!


Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.





Hi Everyone. Welcome to our new EMQ’s interview with German, Black/Doom Metal band Being “alive” Is Beautiful. Huge thanks to Christina Earlymorn for taking part!

What is your name, what do you play and can you tell us a little bit about the history of the band?

Hi folks! My name is Christina Earlymorn and I play the bass and sing. I started the band in 2017 as a solo project.

How did you come up with your band name?

Back in 2017, I wanted to end my life. I wanted to jump in front of a train. I said to myself: Being “alive” is soooo damn beautiful… Let’s end this existence! Well. Then I was thinking that BEING “ALIVE” IS BEAUTIFUL might sound like a good band name for a depressive metal project. So, I began to write the music instead of killing myself.

What country are you from and what is the metal scene like there?

I am from Germany/Bavaria (Munich region). Our scene is a mix between the South German metal scene and the North Austrian metal scene. It’s a small family like scene. Everybody kinda knows everyone and bands are helping out each other. I like it. We have thrash, death and extreme metal down here.

What is your latest release? (Album, EP, Single or Video)

Our latest release is a long-player which is called “UNFRIEDEN” (un-peace). It was released on April 4th. We also released a music video to it called SELBSTFINDUNG (self-finding) and is ready to watch on YouTube!

Who have been your greatest influences?

I am mainly a guitar playing girl. I started out 19 years ago on guitar. In BEING “ALIVE” IS BEAUTIFUL I only play bass, because we are a two piece band. Only drums, bass and vocals. No guitars.
But to answer your question, I have to say: Gorgoroth, Immortal, Megadeth, Zakk Wylde, Dimebag Darrell, Joe Bonamassa and Yngwie Malmsteen.

What first got you into music?

I was bullied over a very long time in school, plus abused by a Catholic Nun in elementary school for two years. My parents were always fighting at home and I had no one who cared/listened to me. After I listened to some Metallica, I knew what kinda sound was fitting to my soul and I wanted to play guitar. So, bullying brought me to Metallica, Metallica brought me to playing guitar and playing guitar brought me deeper into Metal music and different styles of music over the years also.

If you could collaborate with a current band or musician who would it be?

Zakk Wylde!

If you could play any festival in the world, which would you choose and why?

Too tough a question! I really don´t know. I always love to perform in front of people. IDGAF if it’s on the streets of nowhere, or if it’s at the Whiskey a Go-Go in Hollywood or at Wacken.

What’s the weirdest gift you have ever received from a fan?

I have not received any gift or weird gift from a fan. But fans are writing how I helped them through rough times with my music via Email and Facebook. That´s GIFT enough for me!

If you had one message for your fans, what would it be?

Life SUCKS, but with our music it pretty much gets acceptable :-). (Wait until we drop our new Single 😉 The title begins with “Life Sucks, but our….” …you will see!) We want to be a shoulder for you to lean on with our music, when nobody seems to care, see or understands you with your depression, problems, frustrations, fears, transsexualism, loss of a loved one or cancer diagnosis, ETC!

If you could bring one rock star back from the dead, who would it be?

Dimebag Darrell!

What do you enjoy the most about being a musician? And what do you hate?

Playing my instruments, recording music and getting creative!
I hate the hole grid steps that are often installed to get up to the stage, because I fall through the holes with my heels. I’ve got to have two pairs of shoes with me. That SUX!

If you could change one thing about the music industry, what would it be?

That talent would matter over the “if it sells, we support it” thing going on.

Name one of your all-time favourite albums?

Motörhead – “Bastards”

What’s best? Vinyl, Cassettes, CD’s or Downloads?


What’s the best gig that you have played to date?

Well, with BEING “ALIVE” IS BEAUTIFUL we haven’t had a gig yet, because it wasn´t planned to create a band and to play our songs live. So we rehearse a lot, to get to the right level!
With the other band, in which I play guitar (SUCKING LEECH) we play a lot of gigs. I can remember playing with SUCKING LEECH at Kaltenbach Open Air Festival. This is in the Austrian mountains. It was a good gig and a cool location! Otherwise I enjoyed playing the Obscene Extreme Festival with SUCKING LEECH back in 2017! The crowd was so intense!

If you weren’t a musician, what else would you be doing?

I would probably kill somebody.

Which five people would you invite to a dinner party?

My man, a GWAR band member, Donald Trump, a Clown and Evel Knievel to jump over us!

What’s next for the band?

We will finish our Single that we wanna put out. We also want to get a music video done for it. And in between we will rehearse the shit out of us!

What Social Media/Website links do you use to get your music out to people?


Jaffa Cakes! Are they a cake or a biscuit?

“Jaffa Cake” always remembers me of Teal´c. My man is a huge Stargate SG1 fan! There is a Jaffar warrior named Teal´c and I think he may dig this biscuit cake, because it says “Jaffa”!

Thank you for your time. Is there anything else that you would like to add?

Thank you so much for the Interview! Keep on rockin´ – rulin´!
Greetings from Munich!
Christina Earlymorn // Being “alive” is beautiful


Being _alive_ Is Beautiful Photo


Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Anaal Nathrakh/Akercocke/Khost – The Asylum, Birmingham – 05/04/2019

Gig Poster

Anaal Nathrakh
The Asylum, Birmingham – 05/04/2019
Review and Pictures by Sheri Bicheno

Having just had my chat with Dave Hunt of Anaal Nathrakh – myself, Jim Beerman and Dave Wilkins headed into The Asylum to get our metal on.

The Asylum downstairs main stage is dark, big and already starting to get full and down the front at the barrier, a crowd of people eager to get a similar amount of metal on is starting to take shape.

First band Khost are from Birmingham and if you like your doom, these are the guys to check out. They appear on the stage as a two man act with guitars, synths and raw, deep vocals, chanting and satanic growls, like something you’d expect from a horror movie ritual. Their track played live ‘Subliminal Chloroform Violation’ is a clear example of this. Stage presence is kept dark and smoky with an air of mystery about them. The drawn out, deep and bassy strings deliver an intoxicating feeling with the growling and backdrop of chants and cymbals. I really enjoyed watching these guys perform and liked that the doom and elements of black metal were not compromised.

01 Khosthttps://www.facebook.com/khostband/

Whilst waiting, Jason Mendonca goes along the front line and addresses everyone to ask if they are “READY FOR SOME METAL”. Behind me, the room has filled right up, jam packed to the very back – moving to another spot would be a challenging option here… and the hype is getting more and more intense as the stage fills with red lights and smoke, a red mist effect, and…

Akercocke take to the stage, Sam Loynes smashes right into the long drone of the keyboard synths and then the guitars and bass are let loose on the low and melodic intro to ‘Horns of Baphomet’. Immediately, Jason’s vocals are delivered to us at their full pelt, it is almost majestic. We get a combination of high growls & beautiful whale song type vocals through lyrics “I can hear you calling” to low & deep growling plus the emotion of the wailing for horrifying effect.

David Gray’s drums are masterful, the backbone of what holds Akercocke in place – everything just fits perfectly with the tempo and pace of vocals, strings and synths. How Akercocke can cram so many elements of their style into each song, from one extreme to the other and make it not sound like it’s thrown together is mind blowing.

We are then taken into the song ‘Verdelet’, it is fast paced and energetic. The pit behind me is already going crazy and the crowd surfers have begun. Everyone is having an utterly wicked time. As the set goes on, we get a proper journey through what Akercocke are about, performance wise. How they blend through tones that are hard, fast, energetic walloping into some gentle, progressive and beautifully paced moments to creating devastating emotion, are displayed throughout.

02 Akercockehttps://www.facebook.com/akercockeofficial/

They enter through a dark mist and the UTTER DESPAIR begins straight off the bat. Behind me, a sea of people are going absolutely mental – this is Anaal Nathrakh’s first home town show for a while and they are welcomed back with so much passion from their viewers. It’s bloody beautiful.

Upon entering the stage, the presence of these guys is something to behold. The utter energy that radiates off the stage… strings and beats just bounce off each other, the pace is ever changing and brings a new vibe around every corner. Dave Hunt’s vocals demonstrate demonic low growls and high pitched wails to a beautifully balanced range… all at once! The concepts that come out in the lyrics are of utter relevance, addressing the global issues of poverty, warfare and depravity.

The live track that stood out for me is ‘Forward’, taken from their most recent album “A New Kind Of Horror”.

Forget your fear, the guns at your back scream
Who gives a fuck if your enemy’s starving?
No place for cowards, up and over
Your country needs you, so start killing”.

Throughout their set, bodies are floating amongst the crowd and pints are flying from every direction. There’s a guy next to me that tries his hand at sitting on the barriers and getting his friends to catch him as he falls – which hilariously and epically fails but, unscathed, he emerges back to thrashing around in the room sized pit behind me… cue where Jim Beerman’s famous “Nathrakhccident” happened… but it’s ok, he found a new tooth. 🙂

If you’re not familiar with Anaal Nathrakh, now is a good time to get your ears into these guys. – mixing elements of progressive, death, black and extreme metal, they are a force to be reckoned with!

03 Anaal Nathrakhhttps://www.facebook.com/Anaalnathrakhofficial/

Rick Here;
Thanks Sheri, sounds like everyone had a fabulous night! If you haven’t then you definitely need to check out all three bands!


Disclaimer: This review is solely the property of Sheri Bicheno and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Hecate Enthroned – Embrace Of The Godless Aeon

Embrace Of The Godless Aeon Cover

Hecate Enthroned – Embrace Of The Godless Aeon
M-Theory Audio
Release Date: 25/01/2019
Running Time: 53:11
Review by ‘Dark Juan’

This is nice. This I am enjoying. A Black Metal band that have not given themselves stupid names like ‘Stormbeast Fangmeister Murderwort’ or ‘Vvvvvvvnorthweit The Insalubrious’. This has already gained Hecate Enthroned bonus marks.

Good evening, Ever-Metal.com, I’m Dark Juan and I am very, very drunk. I have had a hard weekend of trying to interest my septuagenarian neighbour Helene in the latest releases from Gunship and Corpsefucking Art to no avail and busily defiling young women on the altars of the nearest Catholic churches in the area (there’s one at the top of my road, but before my father disappeared in the strange accident involving a crop dusting aircraft, Mossad and the song Josin E Spazjin (Google it and watch the attendant video. Immediately. I’ll wait…… Well, that’s something you’re not going to forget in a hurry, is it?) he told me to not shit in my backyard, so I go to Ploerdut 3 miles up the road and defile their altar instead) and doing that most metal of activities, DIY. Or in my case, swearing at various tools, drinking more beer and finding excuses to avoid it in the future. I bet Hecate Enthroned don’t do DIY…..

And with that extremely tenuous link to the band I am actually supposed to be reviewing, we shall plunge headlong into the cold, black waters of “Embrace Of The Godless Aeon”, being the first album release from these famous brutish British Black Metal bruisers for five years. The last time I heard Hecate Enthroned was in 1994 when they were on a bill at the original Bradford Rio’s (directly opposite a mosque. It made queuing to get in entertaining as Muslim gentlemen were waiting to get in to their prayers at the same time, and neither community quite knew what to do with the other. We became friends eventually. And then Rio’s moved into the centre of Bradford and lost all its charm) with other estimable (and indeed seminal) bands Bal Sagoth, Bonewire and a little known headline act called Cradle Of Filth. There is a point to this rambling, because Hecate Enthroned’s sound owes a lot to early Filth (think of the sound of “The Principle Of Evil Made Flesh” and “V Empire”) and Emperor circa “In The Nightside Eclipse”. To take the Cradle Of Filth influence ever further to the fore the record even enjoys a guest vocal appearance from the always wonderful Sarah Jezebel Deva, well known for her work with Cradle Of Filth, Therion, strange little goblin creature Mortiis and Angtoria.

So yeah, here we have Gothic Black Metal of the most atmospheric kind. There are the kind of keyboards normally played by a misshapen manservant called Igor in a draughty castle somewhere in Transylvania, guitars that can remove limbs at twenty paces, such is their speed and sharpness, bass which dislodges internal organs and forces them out of your nose, drumming at a pace that you would normally associate with heavy calibre assault weapons firing at full auto and a vocal that veers wildly from the kind of shriek that makes bats crash into trees to the low pitched growls that even wild boar would avoid for their own safety (wild boar are a thing here in France. I hit one with the Metal Machine [yeah, all right, it’s a particularly knackered Volkswagen Passat. It has a Hellbastard sticker on the boot. It’s metal. Scruff approves and that’s all that matters to this hellpriest] the other day. It got up, glared at me and ran off. It took most of the front end of the car with it. They are like prehistoric pigs with major anger management issues and appear to be utterly indestructible) and turns your lungs to jelly. All this is underpinned with the glorious mezzo-soprano of Deva enhancing three tracks in her own inimitable style.

Every song is high quality, blistering black metal in the classic sense of the words, right down to the slightly dodgy production and occasional total incomprehensibility of the lyrics when Joe (vocals) utterly loses his shit and disappears off into octaves where only dogs can hear him and bats enjoy a second flying rodent/ cellulose interface due to sonar interference. Standout song on the record is ‘Goddess Of Dark Misfits’. It’s incendiary.

The whole thing is a bombastic, joyful experience and a damned fine record.I love Hecate Enthroned. If you like Classic Gothic Black Metal, you will too. Well worth expending spondulicks on.

The Patented Dark Juan Blood Splat Rating System awards Hecate Enthroned 8/10 for a splendid evening’s entertainment although Mrs. Dark Juan is unhappy about the bloodstains on the sofa.

Be warned. I find Black Metal song titles absolutely hilarious. However, these are comparatively tame, so you can be spared my usual acerbic marginalia.
01. Ascension
02. Revelations In Autumn Flame
03. Temples That Breathe
04. Goddess Of Dark Misfits
05. Whispers Of The Mountain Ossuary
06. Enthrallment
07. The Shuddering Giant
08. Silent Conversations With Distant Stars
09. Erebus And Terror

Nigel – Guitars
Andy- Guitars
Dylan – Bass
Gareth – Drums
Pete – Keys
Joe – Vocals





Disclaimer: This review is solely the property of Dark Juan and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Magoth – Zeitgeist : Dystopia

Zeitgeist - Dystopia Cover

Magoth – Zeitgeist : Dystopia
shagnART Music
Running Time: 61:01
Release Date: 09/11/2018
Review by Mark Pritchard

Roughly two weeks ago to the day I was surprisingly approached by the head of promotion for the company MetalMessage where METAL is the message and the message is LOUD! about the possibility of reviewing one of the bands under the promotion and the band that I decided on the opportunity of reviewing is the Black Metal band ‘Magoth’ who are based in Germany and the album I am reviewing is called ‘Zeitgeist : Dystopia’, in all honesty as bad as it sounds I actually have never heard of these guys and so when I was given this opportunity to review them I was entering the complete unknown, like visiting a new city for the first time and not knowing what to expect but at the same time I was excited to experience a new band which is why I agreed to review ‘Magoth’.

Before anything else I will say that this album is amazing to listen to, from start to finish this album is in your face, in my mind these guys are the literal meaning of intense, I have listened to a lot of albums that are intense but the intensity of these guys and this album brings it to a whole new level for me, this album is unrelenting throughout and after each song it doesn’t give you the chance to prepare for the next song and these songs aren’t just ‘oh yeah it’s a good headbanger’ this album makes you headbang, the first time I listened through the album I had no idea that I was headbanging so when I got a headache I was questioning why but since that first time the headaches are worth it because this album can’t be listened to without headbanging.

I will say that after each song with how intense these guys play I am amazed how they still have their arms intact because I don’t think any bands I have listened to have been as top notch and intense at playing than these but within the intensity you hear the screaming vocals which sound as if the Vocalist Heergott is right next to you and screaming it right down your ear, I enjoy listening to this album a lot and in this album of in your face songs there are a few that stand out to me but the one song that stands out the most and is my favourite from of the album is ‘The Fates Of Resurrection’, in previous reviews I have told how I like a little bit of a slow start to songs and this song gives me that for just a moment and then comes out at you non-stop, this song shows me that not only can they go all out but also at moments slow down even just for a little bit.

This album tells me that these guys didn’t just put the work in but that they went above and beyond it which makes me absolutely appreciate what they have done with this album, the guys in this band from left to right of the band picture are Shagnar on Lead Guitar, Heergott on Vocals and Rhythm Guitar, Widrir on drums and Havoc on Bass Guitar. Now it comes to my rating(s), I will be straight up and say that my rating for the album as a whole is going to be a respectable 8 out of 10 but separate to that my rating for the stand out song ‘The Fates Of Resurrection’ is 10 out of 10, I would suggest to anyone who loves black metal and metal altogether to hit these guys up, this is an amazing album and you won’t regret the chance of listening to this awesome group of guys. Below will be a few links for the band.

01. Rise
02. Once Ylem Began
03. Sinister Forces Arose
04. Above The Sacred Lands
05. Zenith
06. Beneath All Venom And Void
07. The Fates Of Resurrection
08. Summoning The Apocalypse
09. Decay
10. When Tyrants Shall Fall
11. Solidified Ashes Awake
12. The Nemesis Of A Blaze
13. Infinity



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Disclaimer: This review is solely the property of Mark Pritchard. It is strictly forbidden to copy any part of this review, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

In The Woods… – Cease The Day

Cease The Day Cover

In The Woods… – Cease The Day
Debemur Morti Productions
Release Date: 23/11/2018
Running Time: 54:43
Review by Chris Galea

It feels odd having an album from In The Woods… without the creative presence of the Botteri twins. Despite their departure, original drummer Anders Kobro and English singer James Fogarty (the latter of Ewigkeit fame) were determined not to let their efforts go to waste and with the assistance of guitarist Bernt Sørensen gave birth to this album.

Musically, “Cease The Day” is atmospheric Black Metal with Progressive attributes. Onto this are daubed epic and free-flowing emotional soundscapes. ‘Substance Vortex’ and ‘Strike Up With The Dawn’ are apt representations of these qualities. In comparative terms, “Cease the Day” is an improvement on “Pure”, its predecessor, but not as fulfilling as earlier In The Woods… albums such as “Strange In Stereo” or “Omnio”.

Peeling open “Cease The Day”….’Cloud Seeder’ is an excellent and catchy composition. ‘Transcending Yesterdays’ sometimes risks suffocating under its own weight but also contains some bewitching and cathartic moments. Taken as a whole, “Cease The Day” sometimes tries a bit too hard to be In The Woods… but by and large it should please the band’s fans. It certainly pleased me.

“As the fire becomes cold, there’s a story to be told” is a verse from the brief title-track that concludes the album. It’s also an accurate summation of the raison d’être of In The Woods…!

1. Empty Streets (09:30)
2. Substance Vortex (07:26)
3. Respect My Solitude (06:33)
4. Cloud Seeder (06:52)
5. Still Yearning (09:00)
6. Strike Up With The Dawn (06:26)
7. Transcending Yesterdays (07:05)
8. Cease The Day (1:51)

James ‘Mr Fog’ Fogarty – Vocals, Guitars, Basses, Keys
Bernt Sørensen – Guitars
Anders Kobro – Drums
Kåre Sletteberg – Guitars on 2.


https://www.youtube.com/watch?v=GI6IcuGxbiI ‘Empty Streets (Official Audio)

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Disclaimer: This review is solely the property of Chris Galea and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.