Hi Everyone. Welcome to our new EMQ’s interview with New Jersey, US based Rock/Blues band, the brilliant Colossal Street Jam. Huge thanks to them for taking part!

What is your name, what do you play and can you tell us a little bit about the history of the band?

My name is Gene Potts and I am the lead vocalist for Colossal Street Jam.
Colossal started in the early 90’s and stayed a band until 95, we disbanded and came back together in 2014 with 2 new members joining myself, Sal Marra on guitar and vocals and Tony Flora on bass, we are the original members.

How did you come up with your band name?

Our name comes from our good friend John DiMaggio (the voice of Bender on Futurama). After seeing us for the first time he said we sounded like “one big colossal street jam”.

What country are you from and what is the metal scene like there?

We are from the United States and the metal scene here is huge, we come from the same area as Monster Magnet, Atomic Bitchwax, Overkill and Black Label Society. I am a huge metal fan but our band definitely is not categorized as metal, we an early 70’s Deep Purple, Grand Funk or Bad Company type band.

What is your latest release? (Album, EP, Single or Video)

Our latest release is “Just Take Hold”. It’s a 5 song EP that came out in late 2018.

Who have been your greatest influences?

Mark Farner of Grand Funk Railroad, Paul Rodgers of Free/Bad Company and my father.

What first got you into music?

My father is a gospel vocalist and listened to all types of music when I was growing up. I found my love for Grand Funk and soul music thru my father’s influence.

If you could collaborate with a current band or musician who would it be?

That’s a tough one…Markus King or Allen Stone. If Jeff Buckley was still alive I would definitely say him as well.

If you could play any festival in the world, which would you choose and why?

There is so many. I like all the European festivals like Download or Wacken Open Air. HRH in England is awesome as well. I think the European crowds get crazier for live music and rock bands.

What’s the weirdest gift you have ever received from a fan?

A signed picture of them!

If you had one message for your fans, what would it be?

Support unsigned music and indie bands. There is great music in your local area, support them, go to their shows, buy their music.

If you could bring one rock star back from the dead, who would it be?


What do you enjoy the most about being a musician? And what do you hate?

I enjoy the family atmosphere of the musicians I play with, I dislike the way unsigned and indie bands are treated. I run the business for our band and it can be very frustrating dealing with promoters, media, managers and etc who give unsigned bands little respect.

If you could change one thing about the music industry, what would it be?

One thing is tough, there’s so many but I’d say “Pay to Play”.

Name one of your all-time favourite albums?

This may throw you but “Reign in Blood” from Slayer is in my top ten.

What’s best? Vinyl, Cassettes, CD’s or Downloads?

Still like Vinyl but Downloads are easier.

What’s the best gig that you have played to date?

We opened for Mark Farner in NYC last year.

If you weren’t a musician, what else would you be doing?

I guess what I’m doing during the day, I’m an analyst for a messaging company out of Canada.

Which five people would you invite to a dinner party?

Mark Farner of Grand Funk, Tom Araya from Slayer, Phil Anselmo of Pantera, Paul Rodgers of Bad Company and Tatiana Shmaylyuk of Jinjer. You can come as well.

What’s next for the band?

European tour May 2nd thru 14th.Belgium, Netherlands and Germany.

What Social Media/Website links do you use to get your music out to people?

Facebook, Reverbnation, Spotify, iTunes

Jaffa Cakes? Are they a cake or a biscuit?

Never heard of them but willing to learn.

Thank you for your time. Is there anything else that you would like to add?

Thank you to online mags like yourselves for supporting Indie and unsigned bands.
Support your local musicians they are making some of the best music that not everyone is hearing. If you hear of Colossal Street Jam coming to your town please come see us, say hello!


Colossal Street Jam Photo


Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Stew – Hot EP

Hot EP Cover

Stew – Hot EP
Release Date: 01/06/2018
Running Time: 17:13
Review by Dawn “The Metal Priestess” King

Have you ever had that warm, fuzzy feeling of bliss and contentment when you stick a CD on and straight away it reminds you of times gone past? Yes? Well, that’s exactly the feeling I got when I started playing this new EP from Swedish band Stew. I didn’t really know what to expect as, once again, I hadn’t read the notes that came with the EP, but I was (very) pleasantly surprised.

Stew hail from Lindesberg / Ӧrebro in Sweden, forming in early 2017 and are made up of the power trio of Markus Asland on bass and vocals, Nicklas Jansson on guitar and Nicklas Dahlgren on drums. The music they play is a mix of classic rock, blues and soul, heavily influenced by the late 60’s and 70’s era.

The bands notes state that they play a “gritty and nostalgic fusion of classic rock and blues inspirations” and they are not wrong! You could almost have been transported back four decades as soon as this EP kicks in with the track ‘Might Be Keeping You’, which, by the way was picked for Classic Rock Magazine’s Best Of The Year in 2018!!

And Classic Rock, themselves, couldn’t have summed it up any better if they had tried; “spewing embers of psychedelic wonder, Stew emerged from Sweden this year with an album so far out that half of us still haven’t come back. This track is a highlight, a deep, rumbling ode to the days when metal was acid-rock and life was consistently wild.”

With groovy riffs, strong vocals (love this guy’s voice!) and swinging drums this is classic yet with a modern twist. With a little bit of blues, a little bit of rock and killer guitars, these guys have nailed the sound of the 60’s / 70’s with true musicianship.

With influences stated by the band including the likes of Jimi Hendrix, Free, Deep Purple, Grandfunk Railroad, Buddy Miles, Rory Gallagher and Spooky Tooth, these guys wouldn’t have been out of place at the great Woodstock Festival in 1969.

Despite only being around for just about two years, this band sounds like it is a seasoned veteran of the 60’s and 70’s and have decided to get back together for a reunion tour, playing all their old hits.

I loved this EP from the very moment it started and the only gripe I have with it is that’s it’s just not long enough! Just as I am really getting into it, it finishes. So, my next comment would be, I am REALLY looking forward to an album when one is done. I think that would be on my play list for a very long time to come!

The only other thing I can comment on about this EP and band is the fact that they are unsigned! Why these guys haven’t been snapped up by a record company is beyond me, but I hope they are very soon. With a little bit of support, Stew could really go places!!

1 Might Be Keeping You
2 If This Will Be
3 Tongue Tied
4 Dig For Gold




Promo Pic1

Disclaimer: This review is solely the property of Dawn “The Metal Priestess” King and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.


Black Paisley – Perennials

perennials cover

Black Paisley – Perennials
Release Date: 27/09/2018
Running Time: 51:12
Review By Chris Galea

Black Paisley are a Swedish band named after the Fender signature model guitar of Ritchie Sambora in Bon Jovi. And in fact you often hear connections with Bon Jovi throughout this album. Since I’m name-dropping…the lead vocals in “Perennials” sometimes reminded me of James Christian (House Of Lords) and comparisons with Thunder also seem inevitable.

But despite being very song-oriented and mainstream-friendly, “Perennials” is somewhat elusive when one comes to categorise its music and for me this is one of its main attractions. From catchy sing-along choruses to subtle but effective uses of keyboards and onto brilliant uses of choir vocals and Rock songs with punch…there’s more to this album than meets the eye. Then there are a couple of excellent piano-ballads, one of which is ‘Stronger’ – incidentally this is also the album’s strongest track (‘scuse my pun). Melancholy, vitality, Hard Rock, Blues Rock, AOR…there really is much to enjoy in this album.

On the other hand, since “Perennials” is very traditional in nature, it’s unlikely to have you gawping in amazement. But then again you never know. Personally, after an overdose of Metal, it feels right to keep testosterone levels in check with something like this.

1. I Want Your Soul
2. Day By Day
3. Sometimes
4. Mother
5. Miss Me
6. Without You
7. Step Back
8. Trying
9. Out Of My Life
10. Alone
11. Think
12. Stronger

Stefan Blomqvist – lead vocal and guitar
Ulf Hedin – guitars
Jan Emanuelsson – bass
Robert Wirensjö – keyboards
Mikael Kerslow – drums and percussion



https://www.youtube.com/watch?v=_CQaSeaKYTI (‘I Want Your Soul’ – Official Video)


Disclaimer: This review is solely the property of Chris Galea and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Airrace – Untold Stories

untold stories cover

Airrace – Untold Stories
Frontiers Music srl
Release Date: 10/08/2018
Running Time: 44:04
Review by Chris Galea

Although over the years the band has been active intermittently, the roots of Airrace go back quite a while. The band was formed around 1982 by Laurie Mansworth, former guitarist of More (who incidentally are expected to release a comeback album this year). Airrace was also the first recording band of Jason Bonham, son of John…late Led Zeppelin drummer. Although Jason has long since left Airrace, some elements of Led Zeppelin’s music still find their way into this album. For example the riff from ‘Different But The Same’ is strongly reminiscent of Zep’s ‘Black Dog’.

Pop music, Rock and Blues all blend together with excellent results. ‘Summer Rain’ has some choir vocals that work particularly well with the song. ‘Innocent’ struck me as a song Mr Big might have recorded. ‘Here it Comes’ is an infectious mood-brightener. You get the idea. Sharp musicianship all around but all band members are serving the song…and playing those very songs with a vibrant passion.

So don’t expect originality with “Untold Stories” but do expect finely crafted songs with a plentiful supply of hooks. I’m surprised it took me so long to notice this band.

1. Running Out Of Time
2. Innocent
3. Eyes Like Ice
4. Different But The Same
5. New Skin
6. Lost
7. Love Is Love
8. Men From The Boys
9. Summer Rain
10. Come With Us
11. Here It Comes

Adam Payne – vocals
Laurie Mansworth – guitar
Rocky Newton – bass
Dhani Mansworth- drums
Linda Kelsey Foster- keys


https://www.youtube.com/watch?v=zrqKcEj9w7E (‘Eyes Like Ice’ – Official Lyric Video)


Disclaimer: This review is solely the property of Chris Galea and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Bones, Gramercy Theatre, New York City, 12/11/2018


A full review of the gig can be found here:


Andy Jansons Links



Disclaimer: This photo album is solely the property of Andy Jansons. It is strictly forbidden to copy any part of these images, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Bones, Gramercy Theatre, New York City, 12/11/2018

Band Bones performance

Gramercy Theatre, New York City, NY
12th November 2018
Review by Andy Jansons

It’s not every night you hear a lady yell at you “get ready to get boned”… but that is exactly what lead singer Rosie Bones, from British born, female duo, rock band Bones declared to the audience right after ‘Happy’, the opening song of their set. She said that shortly after taking a sip from her whiskey flask. What a character!

Bones are currently on tour, supporting American fashion-art rock band Palaye Royale. On November 12th they made a stop, for a sold out show, in New York City’s Gramercy Theatre. Bones started out in London, UK but now call LA their residence!

Bones are stylish, provocative and ultra-talented and although, as of now, they have no record released, they still have a decent amount of songs for a set. Their most popular with the public seemed to be single ‘Beautiful Is Boring’ and the David Bowie cover ‘I’m Afraid Of Americans’. Rosie sings with a devilish style, she like toying with the audience while delivering lyrics that give a middle finger to the sky. Carmen Vandenberg is simply amazing on guitar, delivering solos like a seasoned rock star. They incorporate Blues, Alternative & Indie Rock in their style of playing and have defined themselves as ‘Future Rock’. Both ladies have a great chemistry on stage and it’s simply a matter of the time until Bones hit the big time!

Andy Jansons Links


Bones Links:




Tour Poster

Disclaimer: This review is solely the property of Andy Jansons and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

1968 – Ballads of the Godless

Ballads Of The Godless Cover

Release Date: 06/07/2018
Running Time: 38:24
Review by Alun Jones

Sometimes, without warning, it all comes flooding back and I’m thrust into the nightmare of that jungle. Thirty days on patrol with no chopper cover. The heat, unbearable; sweat running in rivers down my spine. Cradling my M16 like a good luck charm, praying under my breath that there ain’t no VC gonna unload a torrent of lead at me and my buddies. Trudging on, hour after hour, waiting to get back to the LZ for evac. Chukka-chukka-chukka, the Hueys overhead and the rush of wind from the blades.
Maybe these guys from 1968 were in Nam too. Maybe this debut album, “Ballads of the Godless” is actually a lost relic from those days that’s just been unearthed. Maybe 1968 invented heavy, psychedelic rock after hearing Hendrix and Cream and some of those old blues guys. Certainly seems crazy enough to be true.

Opening with “Devilswine”, 1968 lay out their ground plan confidently. It’s a mighty power groove that makes your head nod, setting the tone for the whole album. “Screaming Sun” follows and adds a more psychedelic shine, Jimi Coppack’s vocals soaring while the riffs hammer. “Temple of the Acid Wolf” adds further intricate detail, with shades of vintage Soundgarden. 1968 set about laying waste to all in its sights like Ozzy manning the Air Cav machine gun on a strafing run.

It’s not all Ride of the Valkyries mayhem however. Last track on Side 1 (vinyl lovers!), “S.J.D.” is an instrumental that provides a more reflective tone. Acoustic guitar and piano feature, in a stylistically fine salute to the classics of the genre.

This bleeds nicely into Side 2, track 1 – “Chemtrail Blues”, where guitarist Sam Orr gets chance to unleash Hendrixian guitar flourishes over a bluesy beat. It’s like that time me and my buddy chewed acid in a fox hole while under fire. The rocket traces in the sky lit up like God’s neon veins.

“McQueen” opens with some infectious bass, before melting out of a mellow vibe and into a crushing chorus. The bottom end is nice and heavy throughout, The Bear delivering pummelling yet warm playing.

Rhythms are also tight and show a groove more contagious than jungle malaria. Dan Amati on drums shines on “The Hunted” in particular. Final track “Mother of God” brings on a deceptively laid back, acid dripping feel as we finally get some R’n’R in Saigon.

“Ballads of the Godless” reveals more and more depth, thought and intricacy with each listen. On this first album, the band make good on a lifetime studying from the past masters. My only question is how will 1968 continue to evolve and add to their sound? I can’t wait to find out.

For now, it’s back to reality. No more choppers overhead, cries in the jungle and that oppressive, relentless heat. Until I spin “Ballads of the Godless” again…
01 Devilswine
02. Screaming Sun
03. Temple Of The Acidwolf
04. S.J.D.
05. Chemtrail Blues
06 McQueen
07. The Hunted
08. Mother Of God
Social Media:



Promo Pic1


Disclaimer: This review is solely the property of Alun Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.


Every Mother’s Nightmare – Grind

Grind Cover

Every Mother’s Nightmare – Grind
Running time: 20:31
HIGHVOLMUSIC and Rock N Growl Promotion
Release Date: 06/10/2017
Review by Dawn “The Metal Priestess” King

Despite being a fan of the hair metal/ glam metal era of music (albeit a few years after it actually happened!) Every Mother’s Nightmare only hit my radar when my then brother in law wanted a copy of their album “Deeper Shade of Grey.” I managed to get hold of it and, while doing him a copy of it, did myself one too, and there it sat on my cd shelf, only being played one or two times.

Now, if this album is anything to go by, I missed out on something there! This is the sort of rock that “brings back the feeling that we should probably just drink another beer, kick back and stay a while.”

Formed in the early 1990’s, Every Mother’s Nightmare arrived quickly onto the Memphis rock scene, where they were from, and as word spread about their high-energy live performances, they soon caught the attention of Clive Davis of Arista Records, signing with the label, and they soon became staples on MTV’s Headbangers Ball with their music videos for “Walls Come Down”, “Love Can Make You Blind” and “House of Pain.”

They opened shows for bands such as Cheap Trick and Dream Theater before they started to headline their own shows, drawing in large crowds and selling out venues. Over the years, they have been featured in hundreds of hard rock magazines, both nationally and internationally, and have appeared on many talk shows, such as The Joan Rivers talk show.

After their release of Deeper Shade of Grey in 2002, the band relied purely on their live performances, only releasing an EP called Grind in 2015. But, 2017 saw them make a comeback with their first full length album in 15 years, their sixth album, also called Grind.

The new album consists of eight studio tracks, produced by Justin Rimer at Cross Trax Studios, the five tracks on the original EP plus three brand new studio tracks, plus three new live tracks, recorded from the band’s live performance at Minglewood Hall in Memphis, Tennessee on 21st August 2016. These live tracks were produced by David Cowell at Cleaved Owl Productions, with mastering done by Brad Blackwood at Euphonic Masters.

The album also features some guest musicians in the form of Jim Dandy (The Jim Dandy), who guest vocals on the track Stand Up, Wayne Swinny (Saliva), guest guitarist on Snake and Zach Myers (Shinedown), guest guitarist on the album opener Loco Crazy, a catchy tune with monster guitar riffs and the song that told me this was going to be a great album!

Singer Rick Ruhl is the only surviving original member but has changed his look from the spandex, leather and makeup of the Glam Metal era, to a long-haired country boy dressed in jeans now. But, although the look may have changed, the sound is still the same.

This album has a bluesy, southern hard rock sound to it, with some stonking riffs and fantastic solos. Rick has surrounded himself with some very talented musicians, and this has produced a great southern flavoured rock album, full of great hard rock songs, pure rock tunes and a power ballad that has its own raw edge.

The band know their strength is in their live performances, reflecting this with the inclusion of the three live tracks at the end of the album and it is these live performances that have kept them going through nearly thirty years with just six albums recorded.

I loved this album. It is a feelgood album with some cracking tracks from some very talented guys. I wish I had listened to Every Mother’s Nightmare earlier and I will definitely be checking out that album that’s sitting on my cd shelf gathering dust.



  • Loco Crazy
  • Snake
  • Upper Hand
  • Blown Away
  • Sacred Circle
  • Days Are Through
  • Stand Up
  • Swing Again
  • Closet Down The Hall (Live)
  • Walls Come Down (Live)
  • Push (Live)



  • https://www.emnrocks.com/
  • https://en-gb.facebook.com/EMNBand/
  • https://tunein.com/artist/Every-Mothers-Nightmare-m19497/?autoplay=true
  • https://www.deezer.com/en/artist/8231388?autoplay=true
  • https://myspace.com/emnmemphis
  • https://twitter.com/search?q=every%20mothers%20nightmare&src=typd


Promo Pic2

Disclaimer: This review is solely the property of Dawn “The Metal Priestess” King and Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of both parties. Failure to do adhere to this will be treated as plagiarism and will be reported to the relevant authorities