EMQ’s with ENDUST

EMQ’s with ENDUST

Hi everyone! Welcome to our new EMQ’s interview with São Paulo, Brazil based Thrash/Progressive Metal band Endust. Huge thanks to guitarist Glauco Rezende for taking part.

What is your name, what do you play, and can you tell us a little bit about the history of the band?

I’m Glauco Rezende, and I play guitar on ENDUST, a thrash/progressive metal band from Brazil. I started the project in 2009, with the drummer Fernando Arouche. In 2019, we released our first album called “All Ends In Dust”.

How did you come up with your band name?

I took a long time to find this name. At first, Endust was just a meaningless word that came to my mind. After, I tried to find some meaning to this name, so I take the two words that make it, “End” and “Dust”, which gives the idea of the end of something, an old temple or a ruined city, the death… I thought it was cool and took this idea to the song “All Ends in Dust”, which is the title track of our first album.

What Country/Region are you from and what is the Metal/Rock scene like there?

I am from Jundiaí, state of São Paulo, Brazil. Here, everything is stopped due to the pandemic, but before it, the metal scene was not going well. I think most people here prefer to see only the famous traditional bands or covers rather than the local original bands, but there are still people and clubs that keep the scene alive.

What is your latest release? (Album, EP, Single, Video)

We released our first album in 2019, called “All Ends In Dust” and we are going to release a new EP very soon.

‘Someone To Blame’

Who have been your greatest influences?

In terms of guitar technique, I can talk about a lot of guitarists, but what most grabs my attention are the guitarists who, besides playing riffs and solos, are great composers in their bands, so my greatest influences are Michael Romeo (Symphony X), Mark Tremonti (Tremonti, Alter Bridge, Creed) and Dimebag Darrell (Pantera, Damageplan).

What first got you into music?

I think it was Metallica and Angra.

If you could collaborate with a current band or musician who would it be?     

With Mark Tremonti’s band “TREMONTI”.

If you could play any festival in the world, which would you choose and why?

Summer Breeze, in Germany. I watched many live shows from this festival on the internet. It’s in a beautiful place and has a very “metal” atmosphere for me.

What’s the weirdest gift you have ever received from a fan?

I think I’ve never received any gift from a fan ☹ hahaha.

If you had one message for your fans, what would it be?

Thanks for all the support and messages about our album and stay tuned because it’s just the beginning!

If you could bring one rock star back from the dead, who would it be?

Dimebag Darrel.

What do you enjoy the most about being a musician? And what do you hate?

What I like most about it is being able to have fun in a different way than most people, rehearsing, composing and playing. What I hate, is the difficulty of having it as a profession, everything is very unstable.

If you could change one thing about the music industry, what would it be?

Maybe I wouldn’t change in the industry, but in the people that consumes music. I want the public to be more open to meeting new music, go to shows and support the local bands.

Name one of your all-time favourite albums?

“Paradise Lost” from Symphony X.

What’s best? Vinyl, Cassettes, CD’s or Downloads?

I prefer the CD’s, but I have to say that I met many bands due to the downloads.

If you weren’t a musician, what else would you be doing?

I have no idea. Maybe I’d be having a more normal life hahaha.

Which five people would you invite to a dinner party?

Chuck Billy , Mattias Eklundh (Freak Kitchen), Russell Allen and Michael Romeo (Symphony X), Andreas Kisser.

What’s next for the band?

Now, we are about to release our new EP.  After it, we will start to search for a new singer to record the new full album.

What Social Media/Website links do you use to get your music out to people?

www.instagram.com/endust_band/
www.facebook.com/official.endust
www.youtube.com/user/RzFaproject
www.fanlink.to/bxc5

Jaffa Cakes? Are they a cake or a biscuit?

I didn’t know what that is. I googled it and realized that it is a discussion similar to the “biscoito or bolacha” that happens here. I think that Jaffa Cakes are cakes, judging by the content, not by the form.

Thank you for your time. Is there anything else that you would like to add?

I would like to thank everybody from Ever Metal, and all the people that listen and follow Endust.

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Victor Augusto’s Top Ten Albums of 2019

Victor Augusto’s Top Ten Albums of 2019
By Victor Augusto

Before I let you loose on Victor’s Top Ten Albums of 2019 I would just like to thank him for all of his hard work this year. It’s been great to have you onboard!

Definitely 2019 was not an easy year for me. After a couple of years of intense dedication to my local Heavy Metal scene, I realized I was walking in circles and wasting energies in the middle of many egocentrical people. I also lost time with bands that don’t appreciate my support.

Before I changed my focus to professional bands, I spent a few months trying to recover myself from my mental exhaustion and I wasn’t able to follow all the good releases, but the few I heard were enough for me. So here are my impressions of what were the best this year.

10 – Acid Reign – The Age of Entitlement

10 – Acid Reign - The Age of Entitlement

The UK band Acid Reign appeared at the end of the eighties and quit in the early nineties, but they returned in this decade and let clear to the world that they still can record a killer album. “The Age Of Entitlement” just shows their creativity to play incredible riffs, as a good Thrash Metal band does. The band also explored the melodies of classic British Heavy Metal bands. All of it together with an incredible recording/production was enough to show to the world that Acid Reign is really back.

https://www.facebook.com/acid.reign.thrash/


09 – Kamala – Live in France

09 – Kamala – Live in France

Since their first years, Kamala wasn’t just a one more awesome band among all other great Brazilian bands. They put some mantras and oriental music to complement their heavy music and built a great name in their country. In this decade they changed their sonority to a straight Thrash Metal and also started to tour in Europe. From all the countries that they played, France was the one that really embraced this trio with the same passion that the band put forward when playing for French Metalheads. “Live in France” is one more brick in this great career in Europe and a great way to show that Kamala is getting bigger, even after almost 17 years on road.

https://www.facebook.com/kamalaofficial/


08 – Acero Nacional – Trueno

08 - Acero Nacional – Trueno

If you think South American Metalheads are insane, you have probably never seen the Chilean ones. Bands from there also have this spirit and you just have to analyze the name Acero Nacional to understand it. The band’s name means “National Steel” and the steel is a reference to the people who works with this metal in metallurgy industries. The band represents the workers in their country and “Trueno” (Thunder in Spanish) sounds like the title; Strong, fast and devastator.

https://www.facebook.com/aceronacional/


07 – Fleshgod Apocalypse – Veleno

07 – Fleshgod Apocalypse – Veleno

As a fan of extreme Metal I have always loved Fleshgod Apocalypse since the first time I saw the video of ‘The Violation’ in 2012. For me, they are the great new mainstream band that appeared in this decade. Instead the same old stuff from all Death/Black Metal bands; they just put opera and al Italian influence. For my surprise, the band drastically changed their line-up for this album, but I still feel the same spirit in their music. Actually, they are better in my opinion. The songs are not extremely fast all the time as before and the production chose a more organic recording. For me, those changes helped to digest easier all the complexity of their arrangements. I loved as always.

https://www.facebook.com/fleshgodapocalypse


06 – Legacy Of Kain – Paralelo XI

06 - Legacy Of Kain – Paralelo XI

The first time I heard and reviewed Legacy of Kain in 2017, they were just a new band in Brazil, with old musicians that were playing Metalcore/Thrash Metal. I liked them, but the band was not so far my favorite of the year. Now they have changed their lyrics from Portuguese to English and decided to play a strong and furious Thrash Metal with a few elements of Metalcore. All the anger you hear in this new album is from the main theme that is about the slaughter of an Indian tribe in Brazil, which happened in 1963. For sure this record will make you angry too.

https://www.facebook.com/legacyofkainbrazil/


05 – Woslom – Paranoia

05 - Woslom – Paranoia

Woslom is a very famous Thrash Metal band in Brazil. In this decade they released three great full albums and toured a lot, not only in their country but also in Europe. Again, the band brought a great theme well represented in the cover art. “Paranoia” has a dizzy stairway and the opening riffs of the title track reproduce it too. Despite it is just a four track EP, this record can show what we can expect from the next full album. A technical and crazy Thrash Metal that always surprises the listener.

https://www.facebook.com/woslom/


04 – Hatefulmurder – Reborn

04 - Hatefulmurder - Reborn

One detail that makes me admire a specific band is when I have difficulty to find their band’s style. Hatefulmurder in an incredible Heavy Metal band that offers something similar to Thrash Metal, but they sounds as heavy as a Death Metal band. Sometimes the band flees to funky bass lines structure or other styles and is not repetitive with the songs structure. This is the third band’s album and the second with Angelica Burns on vocal. She brought all heaviness with her strong vocal, sometimes similar to Tomas Lindberg voice (At The Gates singer), but the band goes further to any kind of Death Metal. I suggest you listen to “Reborn” and make your own conclusions about it.

https://www.facebook.com/hatefulbook/


03 – Destruction – Born to Perish

03 - Destruction-Born-To-Perish

Destruction is a band that doesn’t need to be introduced to anyone. I was lucky to see them live twice (in 2016 and 2018) and I even met them backstage for few minutes last year. Schmier, Mike and Andy Black were very polite and I took a pic with them to save this moment in my memory. It was few months before they announced the Damir Eskić and returned to have two guitar players. Probably any Destruction album can easily perform in a top 10 list, but “Born to Perish” has this stronger sonority due the addition of the second guitar and this album sounds even more aggressive than the others.

https://www.facebook.com/destruction/


02 – Death Angel – Humanicide

02 - Death Angel – Humanicide

It is very hard to not love anything that Death Angel release since I showed their concert in my hometown in 2010. That day I was lucky to stand in front of Rob Cavestany and he gave his guitar pick on my hands. He is as gentleman as a great riff composer. Actually he could be considered one of the best riff makers in the Thrash Metal history, but maybe the long time that the band was stopped disrupted the band’s trajectory. What really matters here is the fact that Death Angel released another insane album and I dare any Thrash lover doesn’t bang his head while listening such amazing album.

https://www.facebook.com/deathangel/


01 – DarkTower – Obedientia

01 – DarkTower – Obedientia

Before I put this record in the first place of my top 10 albums of 2019, I was really afraid to be unfair with the famous bands that have a great history in Heavy Metal, but DarkTower really touched me with this album. It is not just a matter of how they play Black/Death Metal, but how they put all anger and feeling to illustrate all chaos we live in Brazil. Since the political fights that our people have been doing to how we are losing our culture and our identity as a nation; everything was brilliantly described without attack directly at any side of this war. They just advise how people are stopping to think by themselves and how they have been manipulated by false heroes. Embark on this epical and realistic journey listening to “Obedientia”.

https://www.facebook.com/darktowermetal/


Special mention also has to go out to the following bands:

Miasthenia – Sinfonia Ritual

Here is a great Pagan Black Metal band that is the opposite of bands from this style. “Sinfonia Ritual” is not specifically an album because it shows a symphonic version of five songs from the last three band’s album. It is a great way to enter into the Miasthenia soul and discover how amazing they are.

https://www.facebook.com/miasthenia/


Endust – All ends in Dust

My special mention goes to The Brazilian Thrashers of Endust that released their first album “All Ends in Dust” even though they have never played any concert ever. Their music is a kind of Thrash with Nevermore influences, which increased melodies and changed the dynamic of this great record.

https://www.facebook.com/official.endust/


Infrared – Back To The Warehouse

Another special mention goes for the Canadian band Infrared. They also quit in the eighties and returned this decade. The album “Back To The Warehouse” rescued old compositions that received all aggression of their Thrash Metal.

https://www.facebook.com/infraredmetal/


 

 

 

Disclaimer: This Top Ten is solely the property of Victor Augusto and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.