Trippy Wicked and The Cosmic Children of The Knight – Moving On Singles
Release Date: 30/10/2019
Running Time: 21:24
Reviewed By: Dark Juan
Good evening, my initiates. It is I, the Ipsissimus of all things Groovy, Dark Juan, and I am here to take your mind off the mundane and into realms of cosmic thought never truly encompassed in the human journey before. Or I could just write a record review.
However, I’m sure you have all become accustomed to me babbling incoherently about anything but the record I am supposed to be writing about AND THIS TIME IS GOING TO BE NO DIFFERENT! However this time, it’s a simple message I want to share with you all. After all this unpleasantness to do with rich bastards squabbling over who gets to tell us what to do and lying about what they will give you to make you like them is out of the way (they won’t give you what they promise anyway) take the time to reconnect with people who might have different opinions to you.
Love everyone without question, my people, for that is what makes the world a better place. Not which motherfucker in a suit sits in a leather chair and talks a lot. Love each other and for fuck’s sake look for the good in each other because I have never seen such venom and vitriol flying amongst friends before. It’s fucking depressing to see friendships that are years old fall apart because of shitposting on the internet. Us alternative people only have each other to depend on – so fucking love each other, drink the fucking beer, smoke the fucking weed, hug fucking strangers and turn them into fucking friends and dance the fuck out of every piece of metal you hear. So sayeth My gospel. Here endeth the sermon…
Trippy Wicked and The Cosmic Children of The Knight. Now there’s a name to conjure with and no mistake. I like it. I like it a lot. This EP comprises four songs that didn’t make the Movin On (I hate it when bands do this. There’s a G at the end of the word for a reason. STOP IT FOR FUCK’S SAKE!) album recorded in 2009 and as the demented pscyhonauts themselves put it, “10 songs had made the album while the other 4 went in the cupboard under the stairs and were forgotten about for a while. Since then we’ve played a whole bunch of gigs, released another album and a few EPs, went on a few tours around the UK and Germany, and generally did what bands do. The 10 year anniversary is a perfect opportunity for us to revisit the recording on Movin On, give those 4 extra songs a release and finally share them with our fans. So here they are. Dig it.”
Quite. So here we have four songs based on absolute fuzz heaven. Fuzzy fuzzy fuzz fuzz with a bit of fuzz-wah thrown in for variety. It is stoner doom distilled down to the most basic elements of stoner doom – highly distilled Sabbath riffs, lazy tempos, thunderous fuzzy bass (if only the bass player was called Fozzy, then my life would be complete) and a drummer who seems intent on reducing his drums to their component atoms instead of playing them.
Opening track “Evil” starts with the sound of a bad earth before the instruments all kick in together with the kind of punch in the guts a certain Mr. Tyson might deliver if you upset him and a heartbreakingly beautiful palindromic riff of such stoner splendour this hellpriest fell to his knees and wept against the sofa. Hodgson Fartpants (the only dog to be classified as an illegal chemical weapon under both NATO rules and the Geneva Convention. Not even the Russians would have him) was sat on it at the time and gave me a look best described as quizzical and not “What the fucking fuck is that fucking demented human bastard doing this time and why does it not involve feeding me?” It is very, very good as it stomps all over the landscape like some kind of ironclad assault walker. Vocals from Peter Holland are very Ozzy-esque as well, having that high pitched, throaty and raw quality that the auteur Mr. Osbourne had when he fronted Sabbath the first time.
Track two “Hark At You” is more of the same wholesome stoner wonderfulness but a bit faster this time, as if the boys had put down the weed and decided a bit of the old Billy Whizz was the way to go this time. It’s a bit of a goer, this song, like it’s had its arse whipped sore by a vigorous rider and moves along at a brisk canter.
“Things Go Up” is the third song in. This is where Peter decided that we needed to hear his fuzz-wah. He was right. We all needed to hear his fuzz-wah. Fuzz-wah me, baby. It’s soooooooooo good. I love it when you fuzz-wah me. Don’t stop. Drummer Chris West had apparently also decided that his cymbals had to die on this song and gave his crashes the kind of thrashing that only Basil Fawlty can deliver with any conviction.
The final song on the record is called “I Wanna Be” and sees the entire fucking kitchen being thrown at the song, not just the sink. There’s wah, there’s phaser, there’s the kind of monolithic riffs Kirk Windstein and Tony Iommi would face off in a grim battle to the death to claim to have written. And the bass. Oh, the bass. Dicky King (probably deploying the smile of champions he is displaying in the band photo) goes into some kind of fuzz nirvana and disappears (in my head anyway) into a pineal focus streaming outwards from his third eye in glorious psychotropic colour, dissolving into a self-contained universe of the groove…
Ok, I have managed to contain myself. It’s cost me a pair of pants, as it usually does. Trippy Wicked are awesome. Buy their music.
Trippy Wicked, I salute you. Now I’m going to drink this beer.
The Patented Dark Juan Blood Splat Rating System is floating motionless in a universal groove constant and awards Trippy Wicked etc etc 9/10 for a trip through the psychedelic heartlands that leaves me wanting more…
Hark At You
Things Go Up
I Wanna Be
Trippy Wicked and The Cosmic Children of the Knight are: quite clearly insane.
Pete Holland – vocals, guitars, brass, slightly worrying propensity to look at your left ear when talking to you.
Dicky King – bass, winning smile, award winning face fuzz.
Chris West – drums, knowing smirk. This man has seen things – things that would fuck you right up.
Disclaimer: This review is solely the property of Dark Juan and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.