Severenth w/ Karma’s Puppet and The Shuffle – The Swan With Two Necks, Macclesfield

Severenth at The Swan With Two Necks

Severenth w/ Karma’s Puppet and The Shuffle
The Swan With Two Necks, Macclesfield
3rd December 2021
Review by Robb Sutton

It’s been many years since I’ve been to Macclesfield, and to The Swan With Two Necks, which was a venue/pub I loved as it has an intimate and homely feel to it. Going back there was a proper blast from the past, and it still has the same friendly atmosphere and probably the best smoking area of any venue I have been to this year! I called it ‘Granny’s Shed’ as that was the feel of it: sofas, old décor and lovely blankets everywhere.

Tonight wasn’t about Granny’s Shed however! It was about 3 bands. First up was The Shuffle, an Alt Rock/Metalish band who I’m sure I had seen in their previous guise Monkey Shuffle. This was their first gig in a very long time. The band said they had been going for 19 years, and their longevity shows, as they offer up a very nostalgic, MySpace era feel, with the nod your head riffs and pop/punk style vocals. Mix these with a couple of cheeky screams and it all fits together very nicely. It reminded me of Alexisonfire, a band I used to be into as a teenager, it’s the mid 00’s vibes that really get you going. To me this is what The Shuffle are, a fantastic trip down memory lane, although I did feel like there was one song too many in this set. But that’s a minor setback for what was a solid and truly enjoyable set.

https://www.facebook.com/theshuffleuk

Next up was a band I have seen a lot of online but never managed to see in the flesh, Karma’s Puppet. They certainly had an air of professionalism about them, with the stage covered in their logos, and a cheeky box for the vocalist to stand on. Karma’s Puppet seem to take influences from many places in music, most notably for me was the Lamb of God influenced riffs, which offered the grunt and speed to their set, and this was backed up with some solid drum beats as well. They seem to take a lot of influence from the Metalcore genre as well, adding a mix of both clean and growled singing. The growling was really good, it fitted beautifully with the pace of the songs, the singing however was not so much to my taste. It isn’t bad, but it reminded me of Billy Idol. It does work with their sound, but just isn’t quite my usual go to style. Karma’s Puppet as a whole performed a brilliant set, and from this, I can see why so many people were wearing their t-shirts, myself included. They are carving a name for themselves in the North West, and performances like this will be a reason why I would see them again.

https://www.facebook.com/karmaspuppet/

Finally was a band I have seen many times over the last decade, as well as having the honour of standing on stage with them at this year’s Bloodstock! It is, of course, Severenth. Each time I’ve seen them this year they have only had a half hour set, but this time was a full 45 minutes. This meant we were treated to the usual tracks, such as ‘Reveal’ and ‘Two Mirrors’, but also some others, including a brand new as yet unnamed track. This was a personal highlight for me, as it gave a glimpse into what’s to come in the next year for this band. Although, the new song still kept to the Severenth ‘UK band doing a German Metalcore’ sound, it did sound fresh. This performance was filled with little gems for us to enjoy; from the blistering drums to the jaw dropping dual guitar solos. Top this all off with a delicious mix of clean and screamed vocals and you have the recipe for a fantastic set. We were also treated to a really old song from their back catalogue, ‘Age of Paranoia’, which was a song I used to jam to so many times as a teenager. Here it did feel dated, though it was nice to hear the old song again. Severenth are one of those bands you can sing along to, mosh to, but most importantly, really enjoy watching, just hope they remember to get the merch out! Until next time boys!

https://www.facebook.com/OfficialSeverenth


One thing to note about this gig was the absence of a sound tech, this meant all the bands tonight were adjusting their own sound or helping others do so, this really shows the many talents that are hidden in the underground scene. It was another cracking gig with good bands, good music and lovely people. What more can you ask for?

The Swan With Two Necks Links:

Disclaimer: This review is solely the property of Rob Sutton and Ever Metal. All photographic images the property of Sheri Bicheno. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Internal Conflict w/ Hounds, Odysseus, and Unbroken – The Boulevard, Wigan 09/10/2021

Internal Conflict And Heavy Metal For Wigan Poster

Internal Conflict w/ Hounds, Odysseus, and Unbroken
The Boulevard, Wigan 09/10/2021
Review by Rob Sutton

Back in Wigan again, and it seems the bad weather of the North resides here, as yet again it is raining! As I’ve already commented on this fantastic venue before, I’m not going to do so in this review. What I will say though, is that the issue last time with the paint not being dry wasn’t actually the case. It was due to flooding in the area before hand. Luckily tonight there were no such problems, and the full floor space is able to be utilised.

A few years ago, when I played in Wigan, we played with a lovely groove metal outfit called Unbroken, and it was nice to see these guys back on a line-up so I could have the pleasure of watching them again. Tonight’s gig was their first back after lockdown, and while you could tell there were some nerves to begin with, they soon settled into their rhythm. Straight out of the gates was a song which stood out from all the others; A nostalgic trip back to the early 00’s, where the groove/nu metal trend was in full swing, and we even got some Slipknot style rappy vocals from G-Bar (vocals)! This was nicely backed up with Andy (Bass/Vocals) and Dave (Guitar/Vocals) adding more vocal layers. Honestly, this was a very strong opener, and set the scene for the rest of the show. While their music isn’t anything new, it is a nice blast from the past and is done very well. They’re a ‘smile on your face’, feel good kind of band, who provided a solid benchmark for the night, and while they were sometimes a little static on stage, they more than made up for it with banter and shed loads of character.

https://pages.facebook.com/unbrokenmetal/


Second up, and fresh from Bloodstock’s New Blood Stage, were Preston based Tech/Deathcore outfit Odysseus. I did manage to catch these at Bloodstock, but the sound really didn’t do them justice there. Tonight however, the sound was much better, and allowed them all to really show just how technically talented they are. The riffs provided by both Dylan (Guitars) and possibly the only guitarist able to smile for an entire set, Kev, were crisp and tight, and all held together beautifully by Tom (Bass), and Sam (Drums). Rach (Vocals) voice was solid through the set, and fitted the genre nicely, though I would have maybe liked a bit more range, especially when the breakdowns come in. For me, the thing that let these guys down the most was between the songs, the songs themselves are solid but all the energy is lost with huge gaps of silence. This led to the set feeling a lot longer than it was. Perhaps if they gave a mic to another member, it may take the pressure off Rach, or throw some samples between songs to keep the high energy that the actual songs set. Odysseus have a solid foundation to build on, though. This was massively apparent when they unleashed a new song second from the end; It was by far and away my favourite of the set, and I look forward to seeing what else is up their sleeves.

https://pages.facebook.com/odysseusuk

The first review I did for Ever Metal was back in July in Bolton, and sadly I missed a band when I was there. This time there were no distractions, so I finally got to watch Isle of White based Hardcore bruisers, Hounds. These boys really stepped up the night! They are ‘balls to the wall’ hardcore, and it’s done exactly how it should be. Maximum aggression, maximum engagement, and full on in your face! The speed these guys play really gets the adrenaline pumping and makes you want to jump in the pit. There was a pit, but for some reason a lot of the crowd had thinned drastically?! Maybe these guys were too energetic? Their influences are clear to see in each song, with Hatebreed and Terror springing straight to mind. Hounds just released their cover of Terror’s ‘Stick Tight’, and they performed it well here, but personally I wouldn’t have had this as their last song. While they weren’t the tightest band here, and Ash (Vocals) either lost his breath or forgot some of the lyrics, they provided the evening with a fast paced aggression that not many bands can deliver on, even ending on the very punk note of smashing a few instruments. Quality set, great fun.

https://www.facebook.com/houndsuk/


Headlining this show was a band from back in my old Synapse days, so I was very excited to see how far they’d come since then. Internal Conflict, from Leicester, are a metalcore band with a huge reputation behind them. They have now played Bloodstock a staggering 4 times, and from tonight’s performance, I can see why they keep getting asked back. First off, the stage was decked out with their logos and the band filled the stage. Each song was performed with pin-point precision, layered with beautiful solos, harmonic singing, and blistering drums. Adam (Vocals) pointed out that a reviewer of their latest album didn’t like his voice; personally I think it fits with this genre. While the music and clean singing remind me of As I Lay Dying, his voice has a more hardcore sound to it. It works and gives a good contrast between aggression and depression. On the subject of the new album, there were many songs from it played at this gig, and they sounded so good live! (Yes I did buy the album, and so should you). Internal Conflict is a band I could listen to over and over again, live or on recording. Tonight’s set flew by and I was left wanting a lot, lot more. They have been the most professional, tight and musically brilliant band I have seen so far this year. You guys have a new fan!

https://www.facebook.com/internalconflict

Tonight was another cracking gig, Oli at …And Heavy Metal For Wigan has knocked it out the park again, great bands, great sound, great turn out and nice beer. What more could you want? Oh, a few more people in the pit!

…And Heavy Metal For Wigan Link:

Disclaimer: This review is solely the property of Rob Sutton and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

And Heavy Metal For Wigan XXIII: Redemption

And Heavy Metal For Wigan, The Boulevard, Wigan 07-08-2021 Poster

And Heavy Metal For Wigan XXIII: Redemption
Defied w/ Solarshift, Shrike and Bloodmores
The Boulevard, Wigan, England
07/08/2021
Review by Rob Sutton

Another week, another gig and this time it’s off to Wigan. Did you know Wigan sent a pie to space? Anyway, The Boulevard is a venue I have not been to before and has also had a recent refurb. It’s a lovely venue with fantastic facilities and good beer (driving this time meant I didn’t have a chance to fully explore what the bar had to offer).

BLOODMORES

So, the terrible weather that had descended on the North had set the scene beautifully for tonight’s opening band Bloodmores. Now I have seen these boys many times and really think they don’t get the recognition they deserve and tonight proved this. This set was tight, insanely tight. Every song felt thoroughly rehearsed and it provided a very early assault on my ears. The absolute powerhouse behind the kit was not only brutally fast but incredibly technical with the beats and fills which was mesmerising! The sheer speed his legs were moving became just a blur. Guitar-wise the lead role was switched not only between songs but in some cases during. This really highlighted the immense talent that these guys had. Sadly, the vocals did get lost during a few songs but this was more of a sound issue as opposed to a band issue. When they could be heard they were that lovely meaty death metal growl, they really complimented the music. I did feel, that while the bassist was also very strong, he did feel distant from the rest of the band, this was most apparent when a breakdown would kick in and the whole band was in sync but he would just slightly bob. Saying this I did appreciate, during one breakdown, where he came off stage and just went crazy. More of that please! Now Bloodmores have been working hard as they are already on album number 2 and the tracks they played from this were on another level, I would have just liked something in the background while they changed guitars. Complete silence really lost a lot of energy. Having said all this, they were fantastic and if you’re a death metal fan I would highly recommend them!

https://www.facebook.com/Bloodmores

Now, as stated earlier, the venue had recently been refurbished. This meant that the floor in front of the stage still had wet paint. Because of this, barriers were put up in front of the stage which left almost no room for pits or even headbanging…hmmm not well planned here.

SHRIKE

Anyway, enough of me ranting as next up was Shrike, a band I have had the pleasure of sharing the stage with many times and with their new single ‘Martyrs’, was looking forward to seeing a new Shrike. ‘Martyrs’ was the opening number and this is a belter of a song! I love the tone of the guitars the brutality of the drums, everything about this tune. Sadly, after that I felt the energy drop; the clean singing didn’t work for me and personally I feel a lot of practice is needed to fully polish the style they are going for. The ‘oohs’ were out of tune and there were a few longer gaps between songs which let the energy drop further. Having said this they still maintained the heavy which I loved and the last song ‘In Pursuit Of The Wych’ feels like an old classic. Shrike have a lot of talent and a lot of quality songs. Their stage presence during the set is insane; they really use all their wireless instruments to their advantage and dominate the stage but, for me, this wasn’t the best I’ve seen them , but I know next time will be better.

https://www.facebook.com/shrikeofficial

SOLARSHIFT

As I am from near Manchester I feel like I have seen most Manchester based bands on multiple occasions. However, Solarshift I have somehow never witnessed before. Why have I not seen them before?! Holy cheese balls these guys are good! The fantastic blend of KoRn style Nu Metal with the new age Metalcore is mix I never thought I’d like. Honestly the stagemanship of vocalist Ben is so engaging you can’t help but focus on him. This is not to say the rest of the band aren’t good, they really are. The drums, sound simple, but work beautifully in every song and provide the beat to bounce to. (There are a lot of bouncy beats, it’s like a workout). With the bass and guitars providing added meat, it makes this set feel like it should be on a large stage with a sea of people bouncing away. I had the same feeling watching these as I did watching Parkway Drive. Bounce, jump, spin, love life! Now I have to comment on the use of samples, for Beth, who will read this first. They are fantastic and add an extra layer to what is an already phenomenal sound. Also, bass drops! So, I have to bounce back to the front man, he has one of the best voices in the underground scene. Not only can he growl but he can shout and sing. All of these flow from each other seamlessly with such control and power. My only criticism with this set is I wanted more! Please check these guys out, you will not be disappointed.

https://www.facebook.com/solarshiftmusic

DEIFIED

This leads us to the final band of the evening. A band who are really gaining momentum in the UK metal scene, Deified. From the first beat this band oozes with professionalism and charisma. Is it any wonder they are playing the SOPHIE stage at Bloodstock? Now I will comment that they are the only band tonight who didn’t use in-ear monitors and this did mean that their set didn’t feel quite as tight as the previous three bands. However, they made up for this with fantastic melodies echoing that of At the Gates (love Melodeath) and utilising numerous guitar styles such as tapping and sweeping to make each song feel fresh, keep you engaged and guessing what they are going to do next. I love the humour front man Jamie has, he is a natural entertainer although, I don’t think, banging his head on the ceiling during the first song was in the script. Deified are a no B.S straight up metal band who always provide a good show, always look like they are having the time of their lives, no matter how big or small the crowd is, and because of this have become one of the most enjoyable live acts in the scene to watch.

https://www.facebook.com/deified

Tonight, was a real showcase of what metal in the Northwest has to offer. The calibre and professionalism of all the bands made this one of the best ‘local’ gigs I have ever been to. I would recommend checking all four of the bands out. I would recommend checking the Boulevard out as it is a fantastic venue and lastly I would recommend highly, going to one of And Heavy Metal For Wigan’s gigs as Oli has an ear for putting together incredible line ups!

LINKS:
https://www.facebook.com/andheavymetalforwigan
https://www.facebook.com/boulevardwigan
https://www.facebook.com/wiganart

Disclaimer: This review is solely the property of Rob Sutton and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

0161 Day Of Destruction – The York, Bolton 24/07/2021

0161 Day Of Destruction poster

0161 Day Of Destruction
The York, Bolton
24/07/2021
Review by Rob Sutton

After a short shift at work, and with BoJo now finally giving us our freedom back, gigs are back on the menu (couldn’t help a food reference).

This was my third gig of the year (second as a punter) and the first all originals as well. So off I ascended to the York, in Bolton, a venue I have never been to before. I was pleasantly surprised as the last venue I visited in Bolton was a bit of a dive. Most notably the terrible toilet facilities. Firstly, I am pleased to say the toilets were actually useable, there was a lock, bog roll and a door! Also, I have to add the whole place felt clean and with a lovely outdoor area. But most importantly for me, Newcastle Brown at the bar. We are onto a winner.

Unfortunately, I didn’t manage to catch Crowfire, a hard rock/metal band from Manchester. I guess I will have to wait for next time. Sadface emoticon.

https://www.facebook.com/crowfireofficial

The first band for me was I Am The Wreckage, a metallic hardcore band with masses of stage presence. Both Guitarist and Bassist used their wireless systems to their advantage by getting right up in the crowd’s face. Very fitting for the genre and engaging, so much so I found myself having a good ol’ mosh to band one, along with many of the other onlookers. This led to a few pits even at that early point in the day. If I have to pick at the set I would say try and ride through any technical difficulties. But all being said the whole sound these guys have is incredible, I would strongly recommend anyone to check them out!

https://www.facebook.com/IAmTheWreckage

Next up were newcomers Ecstasy Engraved, and I only found out on the night that this was their first ever live gig! It was brutal! The songs were well structured, and while they were in the groove of the songs looked to be having the time of their lives, as did the crowd as yet more pits began. However, between songs felt a bit awkward, this I would put down to nerves as it was their first gig. The vocalist had a fantastic voice, and the set flew by, making me want to hear more, especially when they complete their line-up. (No Bassist L)

https://www.facebook.com/Ecstasy-Engraved-324221248279053

Chimp In A Box was a band that, I’ll be honest, I didn’t really get when doing a listen before the gig, and in fairness I don’t get the joke? But all that aside, my god do these guys have groove! I loved it and could listen to those riffs for days. Maybe missing the joke stopped me enjoying these as much as I should have. or maybe adding a bassist will thicken the sound up more for me. But a solid set nonetheless and another band to see again.

https://www.facebook.com/ChimpInABoxBand

From three bands I have not seen before it’s onto the only band I had, and many times at that. Portrayal of Ruinn is a band I have gigged with often, and since their latest EP dropped it seems they are starting to gain the buzz they deserve. This gig was proof of that; they were the first band with the audience actually singing along to their songs, no mean feat, considering most people can’t understand metal vocals! This is a true testament to the traction these guys are building. The set was tight, brutal and immensely enjoyable. Pits were present throughout the whole show, with a sea of Portrayal t-shirts bouncing around. This was one of the best shows I have seen them play, and it would be nice to see them on a bigger stage, so they can really show off how they can dominate the stage.

https://www.facebook.com/portrayalofruinn

Sadly, I ended up missing Hounds, and again I am hoping to catch them when they are next in the area, as what I heard I liked!

https://www.facebook.com/houndsuk

The night closed with a band I have been following for a long time, Asleep At The Helm. These guys were mega! Full on new age of metalcore. This is exactly the genre I love, and they did not disappoint. The whole set was like listening to a pre-recorded album, with added energy and oomph. The mix of clean and growled vocals really added something extra here, as I hadn’t heard much actual singing (not complaining). When I say they were worthy headliners, I mean it, and I can see why they are getting picked up to support bands such as Our Hollow, Our Home. These are seriously a band to watch as I can see them going far!

https://www.facebook.com/AsleepAtTheHelmOfficial

So, gigs are back, and this was a belter! My only downfall was the Newcastle Brown which cost me a band. But aside from that, this venue is a fantastic new home for 0161 in Bolton, and I am looking forward to appearing at the next event!

0161 LINK:

Disclaimer: This review is solely the property of Rob Sutton and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

The Wildhearts By Request

The Wildhearts Livestream Poster

The Wildhearts By Request
Livestream Presented by Crosstown Concerts
17/04/2021
Review by Simon Black
9/10

Love ‘em or loathe ‘em, Livestream events (whether they are truly live or not) are all we’ve had to keep us sane over the last year and a half. They are also about the only revenue stream currently available to musicians right now and have become something of a lifeline to many bands. Even though The Wildhearts have a bunch of real dates planned for later in the year, the reality of this actually happening is by no means certain, so doing something like this makes a huge amount of sense. I also personally think these types of events are going to continue to be a part of the furniture moving forward. More on this later however…

This band have had their fair share of ups and downs over the years and the line-up has been something of a revolving door around Ginger, but for many the golden years were that seminal line up of Ginger, CJ, Danny McCormack and Ritch Battersby, so I was delighted to find that that’s what we’ve got for this show. This group of four really are the essence of the act and even though we know in our hearts that this may not always stay stable forever, or that the four of them may not always be “in” The Wildhearts at any given time, but that none of them are ever never truly “out” either…

This event opened with ‘Dislocated’ from the 2019’s ‘Renaissance Man’ album, but being a fan requested show the vast majority of the set list was not going to come as much of a surprise to most. In some ways that’s a shame, as that recent album has some great material on it and is a massive return to form, but thanks to the joy that is Covid it’s not had time to worm its way into the fan consciousness live yet, but I am glad they opened with this song. You get the sense from Ginger’s sometimes caustic comments on the subject during the show that they were hoping for some more obscure requests for material that doesn’t get played live too often, but no, after eighteen months of lockdown, the fans wanted what they knew and love. Ginger refers to the debut “Earth Versus The Wildhearts” record as “The best of the Wildhearts” and that album certainly gets plenty of airplay in this set list with six of the thirteen songs coming from this disc (although with thirty years of hindsight “East West Versus The Wildhearts” would have been a more appropriate title for it). This included what might just have been the final performance of ‘Greetings From Shitsville’, as Ginger made it abundantly clear that he dislikes this one intensely – it’s his nemesis apparently and it’s officially got retired tonight by mutual band agreement, although personally having lived in the ridiculous overpriced squalor that was digs in London around the time this was written I can completely empathise with the subject matter.

The atmosphere of the performance is pure Wildhearts – no large hanger size sounds stages here, or fancy camera work and tableaux, no technical effects or staged gimmickry – this looks and feels like it’s coming from a small rehearsal space. The musicians are all pretty much facing each other rather than assuming stage positions with cameras crammed into the space between in the middle, so the overall feeling is that we’ve been allowed into their private and intimate home. The lighting is bare bones too – a few white par cans with the odd bit of flashing in time with the music, but absolutely nothing fancy at all. A brilliant decision and one that closes the gap of impersonality and distance that is the curse of streamed performances, creating intimacy and immediacy.

It does feel raw and live with no obvious recording gaps, so the banter, occasional instrument retuning and mistakes are as real as they would be in a live venue. The sound is perfect for the effect they are creating – crisp and clear; fat and rich, although the guitars are a bit back in the mix compared to the rhythm section. The filming is of the handheld in your face variety, which captures the atmosphere these guys work best in – a sweaty club with the tangible risk of dripping condensation causing an electrical fire. Now the reality is these events are not truly live, but importantly this one feels ‘as live’, without obvious edits and plenty of shots of tuning fun, inter-song banter and rehydration and all the other stuff you would get if you were in the room with them.

At the end we also get a guest vocal appearance from band friend and Million Dead frontman Frank Turner as Ginger gets his wish for a lead singer on the final two tracks, giving the chance for a cracking layered vocal harmony that would be a challenge otherwise live. Turner also acts as the interviewer for the numerous extras that are available in the deluxe package and his love of their music is tangible. Given that Ginger has moaned a lot over the years about having to be the main vocalist all the time I wonder if we may not see more of his input in the future, as his vocal tone fits a treat with the Wildhearts sound.

At an hour and fifteen minutes run time it was a little on the short side, but short is sweet here and otherwise spot on, although for those with access to the bonus package there was also the chance to hear a new track ‘Splitter’ as a plug for the upcoming album “21st Century Love Songs”. This is now available on pre-order, and the track is a bit more frenetic with time changes aplenty and a lovely slide guitar break from Ginger. It whets the appetite nicely, as indeed would anything recorded by this line up of the band, who are on an absolute creative roll right now.

This is the closest any of us can get to a gig now and frankly I don’t care about whether it’s pre-recorded or not. And neither should you, as these things are currently the only real revenue stream bands currently have and without labels, streaming platforms, promoters, venues and all the other assorted fleas and ticks of Rock’n’roll taking their cut, actually can be a financial life line for the artists, as they are relatively cheap to produce and the band should be getting a much larger slice of the revenue.

That’s why I think they are here to stay – not least from the fact that this pandemic is far from over, but that its impacts are only just getting started, with Brexit and all the woes and costs it adds to touring providing the icing to a shit cake of epic proportions in the UK live scene in particular. Many venues aren’t going to survive this; it’s going to be a while until the touring machine gets going again and in the meantime the bands need to eat. If someone’s ill, physically unable to tour or it’s not simply cost effective then bands are going to realise this delivery method is another trick in their arsenal, and one for which they see a lot more of a slice of the income. It also gives bands a chance to do something different (as Avatar did recently with a four show tour of almost their entire recorded catalogue) and that might not work commercially on tour but works perfectly for the streamed format.

Add to this the deluxe packages on sale can be worth the extra money. In this instance this got fans an event T-Shirt, the new sneak preview from the new album and an hour or so worth of interviews including a very frank and open discussion from Danny about his battles with mental health and drugs (and yes, I may just try CJ’s chicken curry recipe), because let’s face it, live streams are as cheap as chips for us as punters compared to the cost of going to a gig so why the hell would you not spend that extra couple of quid and keep the bands alive?

LINKS:

Wildhearts Live Stream

Disclaimer: This review is solely the property of Simon Black and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Bloodstock M2TM 2020 – North Wales Heat 2 – Mcleans, Pentre 07/03/2020

Bloodstock M2TM 2020 – North Wales, Heat 2
Mcleans, Pentre 07/03/2020
Review & Pictures by Beth Jones

We were still dusting ourselves down from the first heat of this year’s Metal 2 The Masses North Wales, when suddenly, quicker than you could say ‘get me on the New Blood stage’, it was time for heat 2! Originally this heat was going to be taking place in Bangor, on the North West Wales coast, but sadly the venue is now an ex-venue. However, because this is North Wales, and the NEW Metal Productions team can handle pretty much anything, it was reorganised to our regular haunt, Mcleans, Pentre!

Five bands were set to take to the stage in this heat, and there were rumblings that this was going to be the toughest heat we had ever seen. Our very own Rick Tilley was asked to stand in as a judge on this heat, as one of the regulars, Phoenix Rising’s John Matthews, was unable to attend. It was pretty certain the judges were going to have a hard task. The ‘order of service’, drawn before we arrived, was Winter Hotel, Thrashatouille, Lullaby For A Unicorn, Krank, and Leatherback. This was going to be fun!

Winter Hotel

Hailing from Bangor, these guys play a hard hitting, modern alternative metal style with a pretty hefty punch. They haven’t been round that long and were using a stand-in bass player. While they had done a fair bit of prep for this, bringing with them printed lyric sheets for the judges, their relative infancy showed in their stage craft, which this year is one of the main things the judges are looking at. Musically they were great, and the charisma of front man, Warren Porter, did shine through. But, in my opinion, they weren’t quite ready, performance wise. However, this is something that will come with practice, and more gigging. They definitely have something exciting to give; they just need to work out how to present it.

https://www.facebook.com/WinterHotelband/

Thrashatouille

We’ve seen these guys a good few times now, including last year’s M2TM North Wales, where they narrowly missed getting a spot in the final. Not to be downtrodden, they decided to return this year to give it another go. It was instantly noticeable that they had a new toy on stage – front man Rob Sutton had a synth that goes boom (not a technical term, but good enough to describe it – I’m old and all this synth trickery goes over my head)! I love the effect that you get out of them, so was looking forward to seeing how he used it, and to seeing how they’d come on since last year. I was not disappointed! From the first chord, to the final boooom, they were bloody brilliant! By far the best we have ever seen them perform. Their madcap food-based death/thrash metal, complete with inflatables, energetic movement on and off the stage from Rob, and a healthy dose of booooooom, was totally something I could imagine going down a storm on the New Blood stage. Epic performance!

https://www.facebook.com/Thrashatouille/

Lullaby For A Unicorn

After being within touching distance of the New Blood stage, as one of last years’ runners-up in the M2TM North Wales final, it was no surprise to see these guys coming to give it another go. I’ve lost count how many times we’ve watched them play but was still as eager to see them again. They are quirky and have an endearing band personality that makes you feel happy, despite the manic and slightly psychotic look in front man Justin Williams’ eyes! They seem to have a bit of a curse on them in this competition though, and they do have a nasty habit of over thinking it. In this performance, a gremlin had got into the sound, and they were plagued with feedback, which I feel threw them off their game a bit. There was none of the usual party popper madness either, which was possibly like taking away their comfort blanket. I still really enjoyed their set though, as I always do, and I was very hopeful that the audience would see past the gremlins, because I know what their ‘A game’ is like.

https://www.facebook.com/rockmyunicorn/

Krank

We last saw Krank in the M2TM heats two years ago, and back then they just weren’t ready, so I was interested to see how they’d come on. Musically they have definitely come a long way, and they make a very good sound together. Carrying on the theme of the evening, it was quirky, humorous, and heavy. They’d obviously spent a bit of time thinking about their stage show, as they had a projector playing a random video in the background, and they also had a large ‘Doomsday clock’ displayed on a laptop for the audience, and the front man to see, as apparently they have a tendency to run over time! They’d brought a lot of fans with them, so they went down well with the crowd. They threw a load of miniature squeaky rubber chickens in to crowd at the start of the set too, which caused a bit of a gigglesome fracas. Unfortunately, even though I think they’re really good musically, something about the front man’s over the top, bullishness really irks me. I find it irritating. Yes, I’m a grumpy old woman, but I just think he needs to tone it down a bit. Let the music do some of the talking, and please, for the love of god, put your tits away! Oh, and another thing – my daughter has now stolen the squeaky rubber chicken we brought home and will not stop squeaking it! Goddamn you!!

https://www.facebook.com/krankislife/

Leatherback

The final performance of the evening was a one-man techno/industrial/metal crossover. My first thought was, ‘I hope they’re going to put the stage lights back on, because the photos won’t be much good otherwise!’ I asked the all-knowing Fozzy, and his response was ‘Just wait and see’. Hmmm, I’m not good with surprises! When the performance started, it became clear what Fozzy meant! Strobe… Lots and lots of strobe! It was like being in a 90s rave! Musically, there were samples, synths and pedals being controlled like clockwork by Matt, aka Leatherback. At the same time, he was playing some pretty tight rhythm guitar. Combined with the strobing and colour changing lights, also controlled by the music, it made for a pretty hallucinogenic experience! I had issues with this performance though, both as a lover of old-school, and as a photographer. He does what he does very well, and with a lot of skill, however what he does, and what I like musically are two very different things. My second issue was the lights. I spent so long looking directly at a strobe, trying to actually capture some useable photos, that my eye and the side of my face went completely numb. That was my cue to leave. I’m going to leave it at that. Clever, but not my cup of tea! It did get the audience going, but on a performance level, I don’t think that it would transpose to a big stage like the New Blood.

https://www.facebook.com/leatherbackworld/

So, with all the bands done, it was time to vote. For me, there was one clear winner, who stood head and shoulders above the rest – Thrashatouille. After a short break, for the judges to deliberate and the audience to cast their votes, master of ceremonies, Beany, returned to the stage to announce the results. I totally couldn’t call it, so can imagine how tough it was for the judges.

First to be announced, and winners of the public vote were Krank, which is a good bit of statistical evidence that other bands should take notice of – the more people you bring with you to your heat, the more likely it is that you’ll win the public vote (unless you really suck and all the people you brought secretly hate you!). The band taking the judges vote, because of their musical ability, professionalism, stage craft and preparation (and rightfully so, if you ask me) were Thrashatouille!

This heat had definitely been a tough one, and it was sad that there had to be winners and losers, but, by definition, that’s what competition is. Onwards and upwards my friends, onwards and upwards! Next up! Heat 3, which takes place on 4th April

LINKS:
https://www.facebook.com/N.E.WMetalProductions/
https://www.facebook.com/bloodstock/
https://www.facebook.com/groups/m2tmofficial/
https://www.facebook.com/Powerzonemetal/
https://www.facebook.com/phoenixrisingrocks/

Disclaimer: This review and photographs are solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Our Last Night, I See Stars, The Word Alive & Ashland – Webster Hall, New York City, USA – 30/11/2019

00 Tour Poster

Our Last Night – Let Light Overcome The Darkness North America Tour 2019
w/ I See Stars, The Word Alive & Ashland
Webster Hall, New York City, USA
30/11/2019
Review and Pictures by Andy Jansons

Our Last Night is a Post Hardcore band hailing from Northern US state New Hampshire. Although, for some, they are probably best known as a popular covers band, they are making waves with their own material. Recently the band released a two-part studio album, the first called “Let Light Overcome” and the second part, which came out little more than a month ago, called “Overcome The Darkness”. To promote their latest work they embarked on a month long tour together with Ashland, The Word Alive and I See Stars and although they would all be characterized as sitting in slightly different core subgenres, they all fitted together in a live setting seamlessly.

Due to the early start time I, unfortunately, missed Ashland’s performance, but speaking to fans in the crowd, I was told that it was awesome.

https://www.facebook.com/AshlandOfficial/

The Word Alive were next. These guys from Phoenix, Arizona are seasoned and well known Metalcore artists. Although the set did not include one of their biggest hits ‘Life Cycles’ it still packed quite a punch. ‘Trapped’ and ‘Why Am I Like This?’ were their most popular hits played that night. While the band is now reduced to a four piece after the departure of bassist Daniel Shapiro, that did not impact their sound. Telle Smith widely regarded as one of the best vocalists in metalcore was at peak performance the whole set. Five studio albums into their career and The Word Alive show no signs of slowing down.

01 The Word Alivehttps://www.facebook.com/thewordalive/

Next due on stage were Electronicore giants I See Stars. This music style is a fusion of Metalcore with a hefty dose of electronic sounds. Though not many artists would be attributed to this list, such well known bands as Bring Me The Horizon and Asking Alexandria have lately have made inroads with this style too. A more electronic sound has brought I See Stars a larger following in today’s scene than the truer Metalcore style. For their performance they brought out all heavy hitters – ‘Ten Thousand Feet’, ‘Murder Mitten’, ‘Running With Scissors’ and ‘Calm Snow’. All songs came from their latest albums “New Demons” (2013) and “Treehouse” (2016). There is no word yet when new material will come out!

02 I See Starshttps://www.facebook.com/ISeeStarsMusic/

Main act for the night Our Last Night came out onstage roaring with their mega hit ‘Same Old War’ from 2013 EP “Oak Island”. That track set a tempo and mood for the rest of the show. They continued with new song ‘The Beaten Path’. Altogether they included seven songs in their set from latest double album. During the show they resorted to playing only one cover song, which was American rapper Kendrick Lamar’s song ‘Humble’. Just to clarify, all of their covers are remade in the post hardcore style so it fit their set like a glove! Besides, these covers helped versions them rise above a sea of other aspiring post hardcore bands and reach the top faster.

Brothers Trevor and Matt Wentworth, the bands co-founders, together with Alex Woodrow on bass, provided all the fireworks at the front running and jumping around the stage which is so characteristic of a post hardcore show, while drummer Tim Molloy provided thundering drumming at the back. Their hhow was full of energy and they gave their New York fans a great experience.

Our Last Night finished their tour a few days ago and while no upcoming shows are announced yet we hope to see them on road again soon!

03 Our Last Nighthttps://www.facebook.com/ourlastnightband/

 

 

Disclaimer: This review is solely the property of Andy Jansons and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photos courtesy of Andy Jansons.

Buckcherry w/The Treatment & Rocky Kramer – The Tivoli, Buckley, North Wales – 01/11/2019

Gig Poster

Buckcherry
w/The Treatment & Rocky Kramer
The Tivoli, Buckley, North Wales
01/11/2019
Review by Alun Jones

It’s ridiculous how long it’s been since I last wrote a gig review. Time to end that drought with a write-up of a great band in one of my favourite local venues: yes, it’s the mighty Buckcherry at the Tivoli in Buckley, North Wales.

Yes, you read that right – US rock’n’roll giants Buckcherry were playing the Tiv. This legendary venue has welcomed many amazing bands over the years, and happily I’ve seen quite a few of them. Also sadly missed quite a few too, so I was determined not to miss this gig. Tickets were snapped up, super quick style.

The Tivoli was buzzing on arrival, the place was already busy and best of all – the main bar was open! Opening band Rocky Kramer had already started their set, so I grabbed a beer with my compadre, Ben the Swede, and checked them out.

Rocky and his band were very professional, and obviously extremely capable musicians. It was a bit melodic and keyboard heavy for my personal tastes, but they seemed to go down well with the already excited audience.

https://www.facebook.com/rockykramerofficial/

Up next were UK rockers The Treatment. This was a more gutsy affair altogether: their hard rock was energetic and brash; the sound bringing favourable comparisons to a certain massively successful Australian band that I can’t quite remember the name of… It’s a long way to the top if you wanna Rock’n’Roll, but The Treatment put on a great show that carried them far.

https://www.facebook.com/TheTreatmentOfficial/

Buckcherry have never been afraid of rock’n’roll. They seemed something of an anomaly in a post grunge world infested with sportsgear-wearing New Metal, but they stuck to their diamond-encrusted guns. And thank God they did. Opening with a thunderous version of Nine Inch Nails’ ‘Head Like A Hole’, their set was overflowing with swaggering anthems.

‘Lit Up’ was obviously a highlight, but the whole gig was an electrifying performance. Sadly, I missed the classic track ‘Crazy Bitch’ when I went to the bar (I know, please shoot me) but made it back for the encore of ‘Say Fuck It’, a gloriously foul mouthed monster that finished the night off.

My only complaint was that the gig seemed maybe 15 minutes too short – hence my poor bar visit timing. I thought we had a good half an hour left. No complaints though, Buckcherry put on a fully entertaining testament to sex, drugs and rock’n’roll that was worth every penny.

https://www.facebook.com/buckcherry/

And finally, well done again to the Tivoli, who managed to stage something of a coup and host yet another world-class band! Thank you!

https://www.facebook.com/The-Tivoli-Venue-111869355544823/

Rick Here:
Big thanks to Alun for this review which was first published on his blog ‘Platinum Al’s Virtual Hot Tub’.

If you fancy reading more Music, Movie, Book, Comic Con etc reviews plus a whole host of other stuff then head over to

https://platinumalsvirtualhottub.com/

 

 

Disclaimer: This review is solely the property of Alun Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

 

 

 

Kissin’ Dynamite w/BlackRain & Serpentyne – The Underworld, Camden, London – 18/10/2019

00 Kissin_ Dynamite Gig Poster

Kissin’ Dynamite
w/BlackRain & Serpentyne
The Underworld, Camden, London
18/10/2019
Review by Lotty Whittingham, Picture by Natalie O’Neill

On my way to the venue, given it was the same night as the sold out Gloryhammer show, it was difficult to know what to expect with regards to audience size. The last time Kissin’ Dynamite were in the UK, they were the opening band for Powerwolf. They were now doing their own headline tour and they were making a stop in London. No better place than The Underworld, Camden; the alternative heart of London.

As I arrived, it was great to see people there already. Some of them had seen the band on the Powerwolf tour; others were long-time fans of the band who had been waiting to see them in the UK. Whether fans were securing their space to watch the bands, buying their first drinks or browsing the merch; the atmosphere was buzzing with excitement and anticipation.

The first band to take to the stage were London based Serpentyne. Sometimes when a band is a completely different style to the rest of the line-up, this can pay off massively or back fire immensely. Their haunting sound consisted of angelic vocals, brilliant guitar work, some energetic stage antics (one including the guitarist jumping on top of the drum kit) and orchestral pieces on the system. The only criticism I have regarding their set was that sometimes you couldn’t quite hear these orchestral parts, then again, that could have been to do with the sound system. Overall, they were a great choice to open up proceedings.

https://www.facebook.com/Serpentynemusic/

French Hard Rockers BlackRain were the main support act for the night. From the moment they took to the stage, it was clear they weren’t here to mess around. They brought no nonsense Mötley Crüe and Airbourne style rock to The Underworld. This stadium like atmosphere was reinforced by the fact that fans and new listeners were already singing along to their songs. The setlist consisted of a mixture of songs from across their discography, mainly from their latest album “Dying Breed” that was released this year. If closing with a cover of Twisted Sister classic ‘We’re Not Gonna Take It’ didn’t get them nice and warmed up then who knows what would have?

Regarding headliners Kissin’ Dynamite, I came across them a few years ago through the song ‘DNA’ when casually browsing on YouTube. In turn, I discovered the album “Megalomania” that was released the same year. I was finally getting to see them headline a UK show at one of my favourite venues.

They kicked off the night with anthems ‘I’ve Got The Fire’ and ‘Somebody’s Gotta Do It’. I’ve Got The Fire is one of my go-to songs when I need to smile and need that morale boost. The power of the song increased when it was performed live and it instantly lifted those spirits.

The thing with stadium shows is that they are built up with magical moments that are unforgettable. I know this wasn’t a stadium show but given the way they performed; you would have thought you were at one. I will never forget their live performance of ‘Heart Of Stone’ with a piano; it was a great way to tone down the wild atmosphere for those few moments. I was also highly impressed that they were able to lug a huge piano down to the stage in a venue with no lifts.

Another was the song ‘I Will Be King’, especially where vocalist Hannes Braun sang whilst sitting on a silver throne and wearing royal garments. Like the piano, getting the throne onto The Underworld stage was impressive. A personal highlight for me was when they performed ‘DNA’; this was the first song that got me into the band so it was great to experience the energetic performance of this song.

I should also mention that Ana Bruner (Exit Eden) joined the band on stage for a few numbers, including their duet ‘Ecstasy’. The title of this song is incredibly apt because of the energy which comes across. When it was performed, this energy transitioned to the crowd. Ana’s powerful voice and her passionate energy on stage made her a great addition to the band.

They closed their remarkable set with ‘You’re Not Alone’ and Ana joined them one last time for ‘Flying Colours’. These gave the audience one last blast before ending the night on a literal high, with Hannes Braun standing on top of a mini pyramid.

I deliberately made the notes after the show as I was busy soaking in every aspect of their mind-blowing performance, sometimes literally soaking from all the sweat. It was clear they worked incredibly hard to pull out all the stops to give The Underworld a stadium like atmosphere. Hannes Braun was in control of the crowd that night, his charisma and passion to give fans an unforgettable show shone through.

Judging from the crowd’s reaction and the band’s mind-blowing performance, it is more than safe to say they will be welcome back to the UK anytime.

LINKS:
https://www.kissin-dynamite.de
https://www.facebook.com/Kissindynamiterocks/

https://www.instagram.com/kissin_dynamite/

https://www.youtube.com/kissindynamiterocks

 

01 Kissin_ Dynamite

 

Disclaimer: This review is solely the property of Lotty Whitingham and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photos courtesy of Natalie O’Neill

Arkdown w/ In Which It Burns & Scarfoot – G21 At The Saddle Rock Bar, Chester – 05/10/2019

00 Gig Poster

Arkdown
w/ In Which It Burns & Scarfoot
G21 At The Saddle Rock Bar, Chester
05/10/2019
Review by Beth Jones

Another Friday, another trip to the G21! This week’s entertainment was being brought to us by a familiar name in the shape of Scarfoot (but with their new bass player) and two names who were completely new to me – In Which It Burns and Arkdown. Sadly, Rick was laid up with his back again, so I took my substitute gig companion and oldest child, Sian.

For those who haven’t been to the G21, it is an intimate venue created from an old stable building at the back of Chester’s best rock venue, The Saddle Bar. It is a great place to spend an evening and this is something that I am going to rant about in a bit, so be warned! First, to the bands!

Scarfoot
Having seen these guys on a number of occasions before, we knew what they were about, and regular listeners will know that I have always said that they were ok, but something was missing. Enter stage right their new bass player, Rhys, and bingo! This was what I had been waiting for from these guys! It felt so much tighter than it was before, and Vocalist/Guitarist Oliver Carins and drummer Phil Eakins, the backbone of the band, looked so much happier and content with the sound. Everything had more depth, more confidence and more groove. They have also filled the gaps between songs and developed more of a stage presence. I am so happy to be able to write this about them – there is nothing more pleasing than seeing a young band find themselves and look genuinely content and relaxed. This enjoyment also rubbed off on the crowd, and they were grooving along with them for the whole set. Whilst they were probably the lightest band on tonight’s bill, they have a chunky sound, enhanced by the gruff dual vocals of both Oliver and Phil. The new bass sound, with little fills, and more complex riffs really complimented this and I am really excited to see where this rebirth takes them next!

01 Scarfoothttps://www.facebook.com/thescarfootband/

In Which It Burns
Because I like to go into things with no preconceptions, I had no knowledge of these guys at all. From their name, I had had a guess at what type of band they would be, and I wasn’t sure whether I was going to like them or not – this is the beauty of actively seeking out new music. From the first riff, my ears picked up, and by the end of the first song, my mind was made up – they were bloody good!! Joining us all the way from Pembrokeshire, these guys deliver heavy grooves and roaring vocals, and would be enjoyed by fans of early Metallica, through to Pantera but also fans of more modern, Djent style Metal. They were really tight and well-rehearsed, and a special mention must be given to drummer Eugene Lowe, who was an absolute machine! I was gutted Rick wasn’t there to see it to be honest, as he would have been falling over himself with superlatives to describe this guy’s rhythms! They all had a great presence, and their personalities and technical prowess stood side by side to create a brilliant performance – they even had a pit going at the front for one of the songs – not an easy thing to start in the G21!

02 In Which It Burnshttps://www.facebook.com/InWhichItBurns/

Arkdown
Our headliners tonight were joining us from Sheffield, and from their logo, I had deduced that they were probably going to be pretty heavy! They got a big tick in my book before they even started playing, as they had brought their own stage lights! Anyone who has followed any of my reviews / photography outings will know my biggest gripe is lighting! The G21 lacks lights and makes me say words my mother would not be proud of, however I was able to snap away to my heart’s content with these guys! They play a brand of modern metal that, in all honesty, has the ability to get right on my tits when it’s not done right, however these guys really know how to do it right and their performance was superb. Everything was like a well-oiled machine, from the stops and changes within the songs, to the programming of the lights, even down to the choreographed headbanging – nothing was out of place, nothing was over or under done and it was bloody spectacular! The shared vocals duties of front man Kyle Dawson and Guitarist Mike Dyson had a kind of call and response feel in parts, which really worked, and their voices blended together well to create a brilliant version of the scream type sound that has become synonymous with the modern metal style. When it is done well, like these guys do it, I love it! I really cannot find anything to criticise about them. Everything was superb. I picked up a copy of their EP “The Calling” and listened to it in the car on the way home, and their stage sound was just as good as the recording. I am so glad I was one of the select few in the audience and I can’t wait to see them again!

03 Arkdownhttps://www.facebook.com/ArkdownOfficial/

Right, so that is my band write up done, now I am going to rant about something that I have kept my mouth shut about up until now, but that came to a head at this gig and really pissed me off (anyone who knows me will know it takes a hell of a lot to piss me off).

Here we had three great bands, who have been playing up and down the country, working their backsides off to bring shows to people, and by the time Arkdown were on stage, they were playing to a handful of people – literally. One of the audience members was me, two were girlfriends of band members, and one was the gig organiser – if you take us out of the equation, the rest of the audience could be counted on one hand, but they still put everything into that performance, and played as if they were playing to a packed out stadium, and for that I have the utmost respect for them, because mentally that is tough.

This is sadly echoed in many town, in many countries globally at the moment, and then people complain when venues shut down – IF YOU DON’T USE THEM HOW ARE THEY GOING TO STAY OPEN DICKHEADS??!!! Don’t bloody complain that you didn’t know it was on, or that you hadn’t heard of the band – ACTIVELY GO OUT LOOKING FOR NEW STUFF!!! In an age of social media, where our entire lives are there at the touch of a button, we have become fucking lazy, and expect everything to be spoon fed to us – STOP IT! Check out your local venues’ Facebook or Twitter to see what is on! Search for your local scene and like any pages that come up that are connected to it, and check them out regularly to see what they are up to! In the old days we used to get the ‘What’s On’ guide somewhere in the back of the local free paper every week, and we would search through the paper to find it, and circle in red, or cut out and stick on the calendar the things we wanted to go to! There is zero reason why we can’t do the same now, using the technology that we all have in our back pockets, but we’re too fucking lazy!!! These bands, and hundreds like them on the emerging and underground scene, deserve more than we are giving them. They are working so hard to entertain us, with entry to their gigs costing the same as a pint, but we can’t be arsed. Please, for the love of music, sort it out!!!!

As I dismount my soap box, I would like to say a huge thank you to the bands for giving me a brilliant evening’s entertainment, and also a huge thanks to North East Wales Metal Productions again, for putting on this gig, and for working tirelessly to reboot the scene around here. And before anyone say “Well you only go because you get press passes” or “You get given CDs for free”, NO – we buy tickets for these gigs to help support the scene, and we buy the CDs to help support the bands, so suck it up, don’t make excuses, and get out to watch bands – you might find something you like! GRRRRRRR!!

LINKS
https://www.facebook.com/N.E.WMetalProductions/
https://www.facebook.com/Grosvenor21/
https://www.facebook.com/Thesaddleinnchester/

 

Disclaimer: This review is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photos courtesy of Beth Jones and PhotograBee Images
https://www.facebook.com/PhotograBeeImages/