Klavium, Killer Hurts & Scars Of Remembrance – The Live Rooms, Chester – 27/06/2019

00 Poster (At top please)

Klavium, Killer Hurts & Scars Of Remembrance
The Live Rooms, Chester – 27/06/2019
Review by Beth Jones

It had been a couple of weeks since we had been to a live show, and this was a gig that we had earmarked when it was announced, even though it was on a school night! It was a chance to catch up with the guys in Scars Of Remembrance before their Bloodstock adventure, and also to see a couple of new names for us, Classic Thrashers Killer Hurts and a new name to the scene, all the way from Trinidad and Tobago, Klavium.

The gig was in the smaller room at the Live Rooms, which we have never been in before. It is still a good sized room and perfect for this type of gig.

Scars Of Remembrance
Fresh from their M2TM finals win, SOR opened the show in great fashion. They still continue to improve each time we see them, and this performance was no exception. Their brand of 90’s inspired riffs with death metal vocals, and punchy grooves really got the gathered crowd going and in the mood for some heavy tunes.
Front man Mike Edwards really likes to get in with the crowd and paced like a man possessed throughout the set, which motivated the audience to move along with him. The sound was awesome and the whole band looked more than ready for their trip to Catton Park in August.

01 Scars Of Remembrancehttps://www.facebook.com/scarsofremembrance/

Killer Hurts
Norwich based Killer Hurts do their thing very well, and their thing is classic, no nonsense Thrash. They were a man down for this performance, with their lead guitarist unable to make the gig, so they were performing as a three piece.

Whilst I’m not a massive fan of classic Thrash, what I will say is that they were super tight, and obviously well versed in the business, because their performance was spot on. It did lack the guitar solos that I am assuming would have been there if the lead guitarist had been available. Rick absolutely loved them, as it is one of his favourite genres, but musically, despite being very tight, they weren’t really for me if I’m honest. Each to their own though isn’t it!

(Rick Here: Yes I did love them. I understand why some might say they are a bit samey, but for me Killer Hurts are all the things I love about an old-school Thrash band. Think of Slayer crashing head on into Destruction and Exodus and you might be somewhere close although you’ll probably hear your own influences)!

02 Killer Hurtshttps://www.facebook.com/Killer-Hurts-308343311010/

Klavium
Its not every day you get a metal band from Trinidad & Tobago playing on your doorstep! Add to that the fact that they are only a two-piece band, and it becomes rarer still. They are Kahdil Beharry Singh on Vocals and Guitar, and Dylan Beharry Singh on Drums.
We were intrigued to see what sort of noise they made. The answer to that was BIG! Unbelievably big considering their lineup! But it wasn’t just big, it was tight, it was chunky, and it was heavy as hell. They were superb! This was Thrash that I could get onboard with. It was fast paced, with fantastic rhythms, and immensely powerful vocals. They sounded like a band that had at least five members, and after the gig we asked Kahdil how he managed to make it sound so big – was he putting his guitar through a bass amp, or using some crazy effects pedals? The answer was no – Just a regular guitar cab, and one pedal! It just goes to show that sometimes less is more, and all the technology in the world doesn’t necessarily make you any better. Although I do now suspect that these guys are wizards, as that sound should not have been possible with that set up!!! Brilliant, and terrifically nice and humble blokes too. If you get a chance to check these guys out, and you like early Metallica, great musicianship, catchy songs and HEAVY Metal then do it!

What a quality night we had, as did the small crowd who had made the effort to be there. That is my only gripe about the night – that more people didn’t make the effort to come out. Yes, it was a school night, yes it was the day before payday, but still. These guys had come on a shoestring from Trinidad & Tobago to play their first UK Tour – everyone should be getting off their asses and encouraging them, they definitely deserve it! I consider myself to be one of the lucky ones, having seen them here, and would like to say a big thank you to them, and to North East Wales Metal Productions for putting on the show.

03 Klaviumhttps://www.facebook.com/klavium/

LINKS:
https://www.facebook.com/N.E.WMetalProductions/
https://www.facebook.com/skyyrockfestival/
https://www.facebook.com/fatangelbookings/
https://www.facebook.com/intenartist/
https://www.facebook.com/evermetal2017/

 

Disclaimer: This review is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Edenveil, Melodic Metal Night – The Portland Arms, Cambridge, UK – 30/04/2019

Edenveil

Edenveil
Melodic Metal Night
The Portland Arms, Cambridge, UK
30/04/2019
Review by Paul Monkhouse

Edenveil are the brainchild of singers Vera and Onyx, two classically trained vocalists who, after touring the circuit as an acoustic duo decided to go over to the dark side and unleash their full symphonic rock side. Whilst the two are incredibly polished and their soaring voices mesh perfectly with the material, the real surprise was the quality of the whole ensemble considering this was their debut gig as a full band. There was a real nervous energy and excitement onstage that translated across through the music and filled the room with a lush soundscape that truly befitted the genre.

Opening with ‘Seen Not Heard’, Edenveil soon stamped their mark on proceedings and staked their claim as ones to watch. Filled with a great sense of dynamics and with Vera and Onyx’s angelic and passionate voices diving in, out and over of the heavy guitar, drum and bass attack it was the perfect introduction to the new project. There was a real mix of influences from some of the giants of the genre but it was still very much their own creation, the twist and icing on the cake being two equally outstanding female vocals as opposed to the usual sole female or female/male vocal combinations that are established. There was a real freshness in that both voices are classical and the contrast this brought to the fire of the band. Having performed together for five years there was a real connection between Vera and Onyx, and this was enhanced by the carefully selected musicians, all the members gelling into a perfect storm.

Elements of folk music tinged ‘Weightless’, a haunting number that was a brave shifting down of gears after the opening barrage but built up the drama as it headed into a soaring chorus. As Vera delicately picked at her acoustic guitar, Onyx swayed, lost in the moment with the two coming fully to life as the song lifted and lifted. With the transition from acoustic to hard rocking there is obviously a period of adjustment going on behind the scenes as originally stripped back and naked songs are beefed up bit by bit, the songs slowly morphing from one thing to another. It will be interesting to see how the writing changes as the new six-piece band develop more and more material that stretches it beyond the original two voices and a guitar set-up.

This was always going to be a short set, squeezed as they were in an evening with three other bands; the Viking Metal of headliners Atorc, melodic thrashers Akilla and the incendiary Far From Refuge, but they were determined to be remembered. Third song ‘Wicked’ was another good indication of the direction they are heading towards with its galloping riff played over a piano melody, mirroring the perfectly balanced contrast of the symphonic rock style. Whilst it was obviously a joyful tribute and a well-known song, their set closing cover of Nightwish’s ‘Amaranth’ seemed a bit of a two-edged sword. It highlighted their musicianship and ability to make a classic their own but also may have indicated a lack of their own heavier material presently and the need for a filler. It would have been better to finish with another epic Edenveil original to be the lasting memory of their set but that will come in time. As for now though you can’t but help to be impressed with this fledgling outfit and more gigs and studio work will see them really grow.

LINKS:
https://www.edenveil.com/
https://www.facebook.com/edenveil/

https://www.instagram.com/edenveilofficial/
https://www.youtube.com/channel/UCWuiNb5wdsLkFLaVpQykxXQ

 

 

Disclaimer: This review is solely the property of Paul Monkhouse and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

P.O.D. Full Circle Tour 2019 – The Starland Ballroom, Sayreville, NJ – 21-05-2019

00 P.O.D. Gig Poster

P.O.D.
Full Circle Tour 2019
The Starland Ballroom, Sayreville, NJ
21-05-2019
Review and Pictures by Andy Jansons

Christian Nu Metal legends P.O.D. (Payable On Death) are currently on their second leg of a North American Tour supporting their tenth studio album “Circles” which was released on November 16th last year. They are supported on this Full Circle Tour by Nonpoint, Hyro The Hero, Islander & Nine Shrines.

P.O.D. is one of the rare bands that has got their original lineup almost unchanged. Founding members vocalist Sonny Sandoval, lead guitarist Marcos Curiel and drummer Wuv Bernardo accompanied by bassist Traa Daniels who joined the band one year later. Marcos left the band in 2003 to return just three years later. All guys showed great chemistry and their performance was seamless.

From the bands that started up the show I was lucky enough to see Nonpoint. This Florida Hard Rock band or as they classify themselves a Heavy Hard Rock, also toured with P.O.D. during the initial Circles Tour and were main support. No matter how Nonpoint classify themselves, they play a very similar style to P.O.D. just without Christian references and they know how to put on a show. If ‘Chaos and Earthquakes’, ‘El Diablo’ and ‘What A Day’ were not enough to blow the roof off, then ‘Bullet With A Name’ which they always play as the last song, did the job. In your face hard rock, played with full energy, with vocalist Elias Soriano fully engaging the crowd set the perfect atmosphere for the nights biggest stars.

P.O.D. came out with ‘Soundboy Killa’, ‘Rockin’ With The Best’ and exploded the place with ‘Boom’! Every song from first to the last was played with tireless energy and the crowd absolutely loved it. They followed up with ‘Rock The Party’ and ‘Panic Attack’ before unleashing one of their heaviest hits ‘Murdered Love.’

Providing a little slow down in the middle of the set with ‘Circle’, ‘Satellite’ and ‘Beautiful’, the bands vocalist Sonny Sandoval brought two boys onto the stage, both in their early teens. Both boys were gifted drum sticks by Wuv Bernardo and stayed on the stage to help singing smash hit ‘Youth Of The Nation;. Fans, and of course the kids parents, loved the scene. These boys will have something to remember for the rest of their lives.

After this cozy feeling the band dropped the beat with ‘Southtown’, their hard knock life anthem from their first major label debut album “The Fundamental Elements Of Southtown”. As always, for the desert (end of the show) they played ‘Alive’, if not their most successful song, then their most admired for the meaning and their Christian motives.

P.O.D. delivered a show full of excitement and positive energy, and maybe even for a moment making a believer from the God forsaken pagan who wrote this review. This band is absolutely a must have for a rock / metal fan to be at least familiar with and see them live at least once, they are really good and talented and will move you with their music.

LINKS:

Main Page



https://www.facebook.com/POD/
https://www.instagram.com/POD/

 

01 pod3

 

Disclaimer: This review is solely the property of Andy Jansons and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Photograph reproduced here with kind permission from Andy Jansons

Rebecca Downes – The Met Lounge, Peterborough – 29/03/2019

01 Rebecca Downes

Rebecca Downes
The Met Lounge, Peterborough
29/03/2019
Review by Paul Monkhouse

Many bands have turned to acoustic sets in the past but very few as well as the Quireboys, a band with the charisma and material to make it really work for them. When this is perfectly teamed with an opening slot by the brilliant Rebecca Downes it proves to be an evening when all you can do is be swept away by the music.

Having toured regularly up and down the length and breadth of the country with her full band playing support to bands such as Magnum, tonight sees her shorn of her full band but joined by partner in crime guitarist and vocalist Steve Birkett. The duo fill the sound with ease and you can’t help but warm instantly to Downes, her great humour and down to earth personality shine, displaying not a shred of over inflated ego. ‘Take Me Higher’ is an excellent showcase for her soulful vocals and really got the attention of all there. As has been proven many times before, huge talent isn’t always enough but needs to be matched with great quality material to really highlight the artist. The songwriting team of Downes and Birkett have that by the bucketload. Next song ‘It’s Not Easy’ is a prime example of this as it twists and turns in unexpected directions whilst the stripped-down acoustic arrangement really lets the vocals shine.

Refreshingly, Birkett doesn’t just play second fiddle to the singer as the two are evenly matched in musical chops and it comes over as a perfect partnership. There is a genuine warmth exuding from them and when showcased in such great fare as the sparkling ‘Waving Goodbye’ it’s pretty unbeatable. The richness of the voices glides perfectly over a hooky chorus, as the track has a classic, almost pop, soulful tone. It would have been difficult to follow that gem but the Radio 2 playlisted ‘Sailing on a Pool of Tears’ ups the ante even more. A big, spellbinding ballad, it contains elements of chilled flamenco and is both instantly catchy and heartrending.

The pace changes with ‘1000 Years’, an upbeat blues number with a truly cocky strut that easily dispels the narrow view that the blues is solely downbeat tales of suffering. The short set finishes with the title track from last album ‘Believe’, another forceful wake up call that is both defiant and life affirming. Featuring an acoustic breakdown, its sense of dynamics proving it was the perfect number to finish on. Returning later for an incendiary duet with Spike for the Quireboys encore, Downes was the ideal choice as touring companion for these dates and was clearly having a ball on the road with a band she’s long been an admirer of. With her expressive Midlands accent she doesn’t sound like one of the Windsors in conversation but, make no mistake, when she sings Rebecca Downes is UK Blues royalty. If you want to know the roots of hard rock and metal, get yourself into the blues. You really can’t go wrong with the lethal combination that this partnership offers of filthy barroom rock ‘n’ roll and soul. Catch them when you can.

LINKS:
https://www.rebeccadownes.com/
https://www.facebook.com/RebeccaDownes/

https://www.instagram.com/rebeccadownesuk/

 

02 Poster 2019

 

Disclaimer: This review is solely the property of Paul Monkhouse and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

 

Twisted Illusion & Friends Excite The Light Tour 2019 – The Zanzibar Club, Liverpool – 12/05/2019

00 Twisted Illusion Excite The Light Tour Flyer

Twisted Illusion & Friends
Excite The Light Tour 2019
The Zanzibar Club, Liverpool
12/05/2019
Review By Beth Jones with nonsensical ramblings by Rick Tilley

It is a little under 5 months since we saw Twisted Illusion last, and it is safe to say a lot has happened to the band in that time, from the shock announcement of two of its three members departure, to Matt, the life blood of TI, soul searching and wondering if it was all worth it, to being on the road touring and recording the second part of the ‘Excite The Light’ Trilogy, and now, as of last Friday, becoming a band again, after the confirmation that the line up of musicians guesting on the tour have now decided that it worked so well straight away, that TI (version 2.1.1) has been born, and that this is the new line-up! We couldn’t wait to see how they were doing as a group, given the short space of time that they have been working together.

Now to start, but as a bit of an aside, I will say that I liked driving in Liverpool far more than I liked driving in Manchester, and I managed to navigate without any bus lane infringements, so already this was good! We arrived at the venue a little after the first band started, but still with enough time to get a good feel for them. A quick look around the venue let me know that it was going to be a down to earth place. It was a good old, no bells and whistles, grass roots venue, which to me is the perfect way to enjoy music. You don’t need fancy bollocks when the tunes are top quality! Anyway, enough of this – to the music!

Riptide Messiah
Although we only caught two-thirds of these guys’ set, what we heard was pretty good; Gruff, chunky, and in places fairly intricate. They are quite melodic too, which I like. I am going to call it Melodic Prog Stoner Doom! They were a good way to start the night, but my only criticism is there was too long between songs. I’m nit picking, but this is one of my bug bears. I know you have to tune and stuff, but you need to fill that time or people’s attention wanders! Musically though, they know what they are doing and what sound they want to achieve.

01 Riptide Messiahhttps://www.facebook.com/RiptideMessiah/

Ashen Reach
Fresh from their amazing gigs in Russia, supporting Bullet For My Valentine, these guys were stoked for a good show. Having seen them support Twisted Illusion at Christmas last year (when they were called Equinox), we knew what they were about, and that we liked it! They didn’t disappoint! They are so full of youthful exuberance, of which we are very jealous, and they hammered straight into a full-on set, with powerful vocals, fast paced melodies, and chunky rhythms. They are a good, solid, classic hard rock band, and they make you happy. Lead singer, Dan Moran, has such a presence on stage plus pulls some spectacular faces and drummer Jess Stanley is a whirlwind of arms behind the kit! We were chatting to them afterwards and they are such awesome and humble people, and we wish them every success moving forwards.

02 Ashen Reachhttps://www.facebook.com/ashenreach/

Scare Tactics
These guys are a name who, up until three weeks ago, I hadn’t come across (Rick is familiar with the name but hadn’t seen them live before). Having now seen them twice in the space of a month we would like to report that they are blisteringly good! If Dream Theater and Linkin Park joined forces, this is what they would sound like. Incredibly intricate rhythms, modern rasping vocals, mixed with clean harmonies, and stunning solos. They do remind me a bit of Killswitch Engage, who I also love. Why these guys aren’t bigger is beyond me. And again, they are thoroughly nice chaps too – Rick very much enjoyed having a chat and sharing a fig roll with lead singer Andy Barker, after they had come off stage! I was jealous. I love fig rolls. Damn you gluten intolerance!!

03 Scare Tactics UKhttps://www.facebook.com/scaretacticsuk/

Prognosis
After seeing these guys at Badgerfest last year, I knew they were heavy. I had found them a little too heavy for me on that occasion, but I think it might have been because it was later in the day, and I was knackered, and the sound wasn’t great. Here, I enjoyed them a lot more, and had more time to concentrate on what they were doing, which was very heavy prog metal done very well. Lead singer, Danny Daemon, is an absolute unit, who looks incredibly menacing in the mood lighting on stage! He makes guitarist Christian Hickson (also of Frozen In Shadows) look much small, which is quite an achievement! Musically though they are very, very tight and look completely at ease performing. A very good main support.

04 Prognosishttps://www.facebook.com/Prognosis1/

Twisted Illusion
In what seemed like no time at all, we were at the pièce de résistance, and what we had all been waiting for – the new look, five-piece, Twisted Illusion. Straight away, before they even started playing, there was an air about them. They looked comfortable, relaxed, and ready to put on a show! And Christ is that what they did, right from the first note! Now, we all know that Matt Jones is a formidable front man, and that Saxon Davids can play a bit of guitar, but not having seen the newly added Cici Powell – Melkonian, Chris Jenkins and Andy Gotteri before, our mind were blown within about 30 seconds by how good they all were as individuals, but also how amazing they sounded together as a collective. This was not the sound of a band that had only had a few weeks rehearsal time, this was the sound of a band who were seasoned pros, who had lived in each other’s pockets for years, and who had more experience than any of these baby faced cherubs kicking it on the stage! This should not be possible – but yet here it was, with a sound so massive and together, it can only be described as pure raw talent, combined with a deep love and understanding of live performance, and with a bit of help from fate, to make a Utopian level musical experience. They were a bit good!!! Matt’s songs came alive with the addition of Andy’s keyboards, and Cici looked like she had been born with a bass in her hand – her skills absolutely blew us away, and her constant smile is infectious. Add to that the masterful percussion of Chris, executing the demanding rhythms to perfection, and of course the immense noodling abilities of Saxon and huge vocals of Matt, and you have the perfect recipe for putting me into a euphoric trance. I was welling up by the end of their set and was so ridiculously happy that it sounded this amazing. Better than I could ever have expected. It was like witnessing the birth of something truly special. Quite simply stunning! Rick, who felt the same, spoke to Matt afterwards, to tell him that, as a live experience, what he had just seen was, for him, right up there with the live performances of early Queensryche (circa “Operation Mindcrime”) and Rush! These guys should not be playing small venues like this, they should be touring arenas. They are that talented. The world now needs to know who Twisted Illusion are. Always remember that every huge band started in a back-street pub. The sky is the limit now guys.

05 Twisted Illusionhttps://www.facebook.com/OfficialTIband/

That was a very, very special night and is going to take some topping! Currently, festivals aside, we have nothing on our radar that we can see coming close, until we go and witness Devin Townsend at Manchester Royal Albert Hall in December!

 

Disclaimer: This review is solely the property of Beth Jones, Richard Tilley and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photos courtesy of Beth Jones and PhotograBee Images
https://www.facebook.com/PhotograBeeImages/

UFO ‘Last Orders; 50th Anniversary Tour’ – The Junction, Cambridge – 22/03/2019

Tour Flyer

UFO
‘Last Orders; 50th Anniversary Tour’
The Junction, Cambridge
22/03/2019
Review by Paul Monkhouse & Photo by Daniel Ackerley-Holmes

Very few bands in rock are as legendary as UFO. Since forming in the late 60’s theirs has been a mercurial and notorious history, filled with fights, stellar musicians and peerless songwriting. When last year main man Phil Mogg announced his intention to retire, tickets for this 50th anniversary became some of the most eagerly awaited and sought after and rightly so. The ‘Last Orders Tour’ is a cherry-picked celebration of some of the finest slices of hard rock ever to be committed to tape.

When the lights dimmed and a bar bell rang, one by one the band strolled onto stage and tore into opening number Let It Roll like it was freshly minted. Buoyed by the ecstatic reaction of a packed crowd the band tackled the material with a passion that mixed their seasoned professionalism with a sense of genuinely having an absolute ball onstage.

Mogg in particular was in truly great form, looking fit and lean, cracking jokes between songs and with a voice that arguably sounded the best it ever has. With old friends and foils Andy Parker on the drums and Paul Raymond on keys and guitar it was a joy to see these three on stage providing a masterclass of muscular and melodic music. The two ‘new’ boys Rob De Luca and Vinnie Moore more than held up their ends, De Luca meshing perfectly with Parker to provide a tight rhythm section that pinned down the grooves of the songs with élan and Moore firmly stamping his own identity into tracks previously played by ex UFO alumni and world class six stringer Michael Schenker.

This wasn’t though just an exercise in nostalgia as newer tracks such as Baby Blue, Burn Your House Down and a brilliant Messiah of Love from 2015s ‘A Conspiracy of Stars’ stood shoulder to shoulder with the classics. In fact, along with a outstanding solo on Ain’t No Baby, the acoustic guitarwork on these three were some of the highlights of the evening and showed why Moore was such a great choice to replace the, once more, departing Schenker in 2003. Be it the interplay with the superb keys of Raymond or his own showcase during the extended workout of Rock Bottom Moore truly put his heart into his playing.

All you could wish for and more was played with each song being greeted like an old friend. Lights Out, Only You Can Rock Me and Cherry came in a rush of euphoria and a truly epic Love to Love was enough to make grown men cry, such was its magnificence. With the unbeatable one / two punch of set closers Too Hot to Handle and the aforementioned Rock Bottom there was only one way to come out for the encore. The moment the familiar glistening keyboard started and was joined by the tasteful guitar work, shivers ran down spines as the place erupted. This turned into the out and out adrenaline rush of THAT riff as every single voice in the place sang the titular opening lines “Doctor Doctor please…”. Probably the first song that most people get to hear by UFO, this is still one of the greatest tracks in rock and something that is seen as the bands very own calling card. Following that was nigh on impossible but a triumphant Shoot Shoot rounded off the night perfectly on part of what is potentially going to be the tour of the year. No-one quite knows what the future holds for UFO but even if this is their swan song they couldn’t go out in finer style. Absolutely unmissable.

LINKS:
http://www.ufo-music.info/
https://www.facebook.com/UFOofficial/

DANIEL ACKERLEY-HOLMES PHOTOGRAPHY
https://www.danielackerley.co.uk

 

RockSinsUFO32

Disclaimer: This review is solely the property of Paul Monkhouse and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Photo supplied courtesy of Daniel Ackerley-Holmes

Warrant & Sweet Sienna “The Dirty 30 Tour” – The Starland Ballroom, Sayreville, NJ – 22/03/2019

Gig Poster

Warrant & Sweet Sienna
“The Dirty 30 Tour”
The Starland Ballroom, Sayreville, NJ
22/03/2019
Review and Pictures by Andy Jansons

One of the most popular Glam Rock / Hard Rock bands of last three decades, California rockers Warrant, are currently on tour for the 30th anniversary of the release of their first album “Dirty Rotten Filthy Stinking Rich”. This tour, which is currently seven shows in, started in January and will last till mid August. They don’t have a specific support band, but have a bunch of local Rock bands joining them on their show dates.

To be honest, I did not get a chance to see the first local band of the night, but I caught a most interesting and promising young band from New York, called Sweet Sienna.

Fronted by the beautiful and talented Katrien Van Riel they performed an electrifying set. Playing their songs ‘Rise’, ‘No Reflection’ and ‘Your Love’ among others, Sweet Sienna moved the audience with quality in music and showmanship on stage. Their sound is pure rock with some heavier riffs and melodic singing. Katrien interacted with the crowd like a seasoned professional, singing with emotion and passion. At this point your best option would be their website and social media to look up who they are and what they sound like. They are currently scheduled to perform as support for such rock legends as Ace Frehley, Skid Row and L.A. Guns to name just a few, so that may change quick, and they could become popular much faster than we might expect.

Warrant were received with some very loud screams, almost like it was still 80’s. All of the eight opening songs from their set came from the aforementioned anniversary album. They only left out ‘In The Sticks’ and ‘Ridin’ High’. All the other songs were played in the order they appear on the album starting with ‘32 Pennies’ and ‘Down Boys’ and finishing with ‘Heaven’ and ‘Cold Sweat’.

Another five songs were played from their huge second studio album “Cherry Pie and, obviously, the title song was the show closer. Until this day ‘Cherry Pie’ is the most recognized song from the band and the glam rock era.

From their newest album “Louder, Harder, Faster”, which was released in 2017, Warrant performed just two songs, ‘Only Broken Heart’ and the title track.

Current vocalist Robert Mason, who took over as Warrant’s front-man after Jani Lane passed away, and who has now been with them for over a decade, was phenomenal. He was joined on stage with original members Erik Turner, Jerry Dixon and longtime member Joey Allen although they are still without Steven Sweet who is recovering after being diagnosed with cancer.

The show was a great success with the venue near to capacity, and it was not only old fans that came to indulge in a trip down memory lane but quite a few younger rock fans as well!

SWEET SIENNA LINKS:
https://www.sweetsiennaband.com/
https://www.facebook.com/sweetsiennaband/
https://www.instagram.com/sweetsiennaband/

https://www.youtube.com/channel/UC-ktAuVGoCoZ76d5Pzc0qww

WARRANT LINKS:
http://www.warrantrocks.com/
https://www.facebook.com/warrantrocks/

https://www.instagram.com/warrantrocks/

https://www.youtube.com/channel/UCP0tGGgcnoHoPoobLkxVyIA
Warrant Pic

Disclaimer: This review is solely the property of Andy Jansons and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photographs courtesy of Andy Jansons.

Hollywood Undead – The Wellmont Theater, Montclair, New Jersey – 06/03/2019

HU9

Hollywood Undead
The Wellmont Theater, Montclair, New Jersey
06/03/2019
Review and Pictures by Andy Jansons

Since the release of their fifth studio album “Five”, California Rap Rock giants Hollywood Undead seem to always be on tour. After a worldwide album support tour they have embarked on The West Coast High tour co-headlining with Hip Hop legends Cypress Hill. In the midst of all this they are working on recording a new album slated to be released sometime this year.

Hollywood Undead are one of the cross over bands that are enjoying huge success to both Rock and Rap fans. Their latest album had a hard and heavy hitting track ‘California Dreaming’ and a hip hop style track ‘Black Cadillac’ featuring Cypress Hill front man B-Real. They can easily tour with Hard Rock bands and Rap artists, and enjoy a warm welcome from all music fans.

In the midst of the West Coast High Tour the band performed in the beautiful Wellmont Theater in Montclair, New Jersey. Hollywood Undead hit the stage after performances from Demrick and Xzibit who will be, most likely, unknown to Rock fans.

The first two songs in their set came from “Five”, ‘Whatever It Takes’ and ‘California Dreaming’. The second of those could make any Metal band jealous, arguably one of their heaviest songs to date. They played three more songs from “Five” during their set ‘Bad Moon’, ‘Broken Record’ and, of course ‘Riot’, an excellent song which got the crowd into a frenzy.

Other notable hits played included ‘Day Of The Dead’, ‘Hear Me Now’, ‘Comin’ in Hot’ and ‘Everywhere I Go’.

On ‘Comin’ in Hot’ Charlie Scene (the guys all have stage names) brought a random fan on stage to play the guitar, Anthony was his name, and he did not disappoint. He impressed band members and fans alike. J-Dog also had his family from Brooklyn in attendance.

Hollywood Undead performed the show without masks, as they have taken to do lately and they gave their all. Johnny 3 Tears, Funny Man and Danny were all amazing. Since 2017 they have been using a touring drummer, Matt Oloffson, for their shows and he did one hell of a job!

Whatever your subgenre preference is in Rock, it would be well worth your time to check out Hollywood Undead if you haven’t already done so. This was a great show!

LINKS:

  • https://hollywoodundead.com
  • https://twitter.com/hollywoodundead
  • https://www.youtube.com/channel/UCYEIC1WKHEJHR971HIySQMg
  • https://www.facebook.com/hollywoodundead
  • https://www.instagram.com/hollywoodundead
  • https://open.spotify.com/artist/0CEFCo8288kQU7mJi25s6E
  • https://www.deezer.com/en/artist/17000

 

 

Disclaimer: This review is solely the property of Andy Jansons and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photographs are courtesy of Andy Jansons.

Corrosion of Conformity – The Gramercy Theatre, New York City -13/02/2019

COC Gramercy Theatre 13-02-2019 Poster

Corrosion of Conformity
The Gramercy Theatre, New York City
13/02/2019
Review and Pictures by Andy Jansons

More than thirty years on from their formation, legendary North Carolina Heavy Metal band Corrosion of Conformity are still going strong and drawing sold out crowds. They are currently on tour throughout the US supporting their most recent album “No Cross No Crown”, which was released on January 12th 2018 via Nuclear Blast. They are being supported on the current tour with the excellent Metal bands Crowbar, Mothership and Weedeater. After February 13th show they will be replaced by The Obsessed. New York Cities, The Gramercy Theatre was almost filled to capacity, with very little room left to move around.

All the support bands did their job perfectly and got the crowd going, with Louisiana rockers Crowbar playing just before C.O.C. giving us that Southern Metal vibe readying everyone for what was to come!

Corrosion of Conformity started their set with ‘The Stonebreaker’ from their seventh studio album “In The Arms of God”, followed by ‘Wiseblood’ and the only song from the “No Cross No Crown” album called ‘Wolf Named Crow’.

They were amazing! COC’s longtime vocalist Pepper Keenan delivered an excellent performance and sounded just like he did in his youth, with a deep southern voice.

Bassist Mike Dean brought full energy to the show with his relentless running around the stage. Another long time band member Reed Mullin was flawless on the drum set whilst the only original band member and founder Woody Weatherman who has been in the lineup throughout the bands existence, delivered a perfect performance on the lead guitar.

The assembled crowd embraced all their songs with excitement, but COC’s hits ‘Albatross’ and ‘Clean My Wounds’ were the pinnacle the of the show!

LINKS:
http://coc.com/
https://www.facebook.com/corrosionofconformity/

https://www.instagram.com/coccabal/

 

COC12

Disclaimer: This review is solely the property of Andy Jansons and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photos courtesy of Andy Jansons.

 

Evil Scarecrow, Ten Foot Wizard & Footprints In The Custard – The Tivoli, Buckley – 31.01.19

Evil Scarecrow - Tivoli, Buckley 31-01-2019 Poster

Evil Scarecrow, Ten Foot Wizard & Footprints In The Custard
The Tivoli, Buckley
31.01.19
Review and Pictures by Beth Jones

Ah the Tiv, my spirit home! I had a certain amount of de-ja-vu going to the Tiv for this gig, as once again the weather forecast was pants, and the roads were all snowy and icy! Our last trip to this venue had been the same, in December 2017 to see Mason Hill! Coincidence or are we Jinxed? Only time will tell.

For this gig my partner in crime was not our Ever Metal head honcho, Rick, but instead our trainee and my daughter, Sian, and she was very much looking forward to it!

Thankfully, a good number of people had braved the weather in order to support all the bands on the bill, and as a thanks for that, we were treated to a cracking show. Complete with much silliness, a Mankini, fruit costumes and spontaneous baa-ing from the audience!

Footprints In The Custard where given the job of opening the night and warming up the crowd, which given the sub-zero temperatures, was no mean feat! But as usual they tackled it with ease, pleasing us with such jaunty little ditties as ‘Willies Are For Weeing’, ‘Gail Platter’ and their awesome cover of The Weather Girls, ‘It’s Raining Men’! As usual, they were on top form, and as usual, got semi naked half way through, with guitarist, Ross, sporting a very fetching shiny blue Mankini, and frontman Russ donning his trademark luminous green Tutu! These guys are always a great laugh, with bags of crowd participation, and they did a grand job considering the stage was pretty cramped with the amount of gubbins Evil Scarecrow had ready for their performance! If you haven’t yet experience Footprints, you really need to – there style of crazy metal, mixed with their childlike, ‘naughty school boy’ humour is a must see. Their onstage energy and charisma are impossible not to get hooked on.

01 Footprints In The Custardhttps://www.facebook.com/Footprintsinthecustard

Next up were Ten Foot Wizard. These chaps were a new name to me, but you could tell it was going to be interesting, when they had a microphone lodged in a Heron donned with Hawaiian lei, and a mic stand covered in Ivy! They have somewhat, a penchant for cow bell, oddness, and bright colours, and play a kind of stoner/doom/rock style which comes together to make a pretty hallucinogenic performance. Whilst I’m not a massive fan of that type of music, I have to give it to them – what they do, they do incredibly well. The Bassist was having a few issues with a dodgy lead, but he hid this really well, and managed to get it sorted, whilst the rest of the band played some very nice elevator music, which kept us all entertained! They brought out the big guns for their final song, ‘Covered In Tits’! The Heron microphone, loads of cow bell and a Theremin. I have never seen one of these played live before, so this made me happy!

02 Ten Foot Wizard.jpghttps://www.facebook.com/tenfootwizard

The main event of the evening was Evil Scarecrow. Now reaching the business end of their Lost In Antartarctica tour, it was great to have them play a venue so close to us! The stage was packed to the rafters with gadgets and gizmos and we spent a good few minutes guessing at what songs would be included in the set by which gizmos we could see – we guessed some, but not all! The show started at a rip-roaring pace and the crowd went to the next level. Everyone got a bit over excited when Dr Hell was teaching us the moves for ‘End Level Boss’ and broke out into spontaneous Baa-ing, much to the amusement of the band! Well, when in Wales and all that!

They also had a new member joining them, as Princess Luxury had not been available for part of the tour. Playing a mean Keytar, he was introduced to us all as Chucky The Bastard, and he was indeed a naughty little bastard! At one point he hijacked the drumstick of a rogue Ten Foot Wizard member, who had infiltrated the stage with a cowbell, and beat the poor cowbell within an inch of its life!

The performance included some of their classics; ‘Robototron’, ‘Crabulon’, and ‘Blacken The Everything’ being my favourites, and new songs from their latest album, “Chapter IV: Antartarctica”. You can tell the calibre of a band when the new songs already feel like classics – ‘Hurricanado’, ‘Red Riding Hood’ and ‘Polterghost’ already seeming like mainstays in their show. I particularly like ‘The Ballad Of Brother Pain’ as it is a total departure from what they normally do, and it is a really great song. The audience participation for ‘Cosmic Goth Moth Gong’ was also quite amusing. The stage props where as nuts as ever throughout – with the good old anti-gravity machine (powered by a 13 amp plug), the Robots, UFO’s and Crabulon, as well as some new additions – a giant slug, a severed head with glowing eyes, and one of those inflatable wavy things that you get outside car showrooms!

The night finished with the Ten Foot Wizard boys, donned in oversized fruit costumes and armed with cowbells, joining the Scarecrow gang on stage for a rumpus! How things didn’t get severely broken, including band members, is beyond me!

03 Evil Scarecrowhttps://www.facebook.com/Evil.Scarecrow

You can’t help but smile when you come out of a gig like that – what a top evening! The sound was great, the crowd were great, the bands were all epic, and the venue was brilliant. This was a proper party!! It is such a friendly atmosphere there, which takes me right back to the 90’s and my miss-spent youth. It makes me really happy to see this venue thriving again, and I would recommend anyone who has not been to seriously consider a trip there for one of their upcoming shows.

PS Sian loved it too!

The Tivoli:
https://www.facebook.com/The-Tivoli-Venue-111869355544823

 

Disclaimer: This review is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photos courtesy of Beth Jones and PhotograBee Images
https://www.facebook.com/PhotograBeeImages/