Lords Of Salem Logo


Hi Everyone. Welcome to our new EMQ’s interview with German based Rock/Metal/Gothic/Doom band Lords Of Salem! Huge thanks to them for taking part!

What is your name, what do you play and can you tell us a little bit about the history of the band?

Hello, my name is Apostel and I’m the vocalist from Lords Of Salem. First plans to start this band came up 2015, when Marple (Bass) travelled to Wacken. In 2016 the first line up was complete we started with the songwriting and rehearsals. 2017 we entered the stage for the first time.

How did you come up with your band name?

Inspired by Rob Zombie’s movie “The Lords of Salem”!

What country are you from and what is the metal scene like there?

We are from Germany and of course the metal scene is quite big. Everybody listens to different styles of Rock & Metal. There are festivals like Wacken, Summerbreeze, Bang Your Head, With Full Force and many more. So the German metal scene is pretty vital.

What is your latest release? (Album, EP, Single or Video)

Our latest release is our EP “Hell Over Salem” and 2 videos “Hell Over Salem & “Rock n Roll Machine”, now we are at work on the next video.

Who have been your greatest influences?

In my case, Kiss, Mötley Crüe, Alice Cooper, Motörhead, Iron Maiden, Saxon, Alien Sex Fiend, The Cure, Bauhaus and so many more.

What first got you into music?

Kiss, Kiss and Kiss!

If you could collaborate with a current band or musician who would it be?

Beastö Blancö!

If you could play any festival in the world, which would you choose and why?

Wacken ’cause it’s the biggest in Germany!

What’s the weirdest gift you have ever received from a fan?


If you had one message for your fans, what would it be?

Guys, you rock!

If you could bring one rock star back from the dead, who would it be?

Lemmy Kilmister!

What do you enjoy the most about being a musician? And what do you hate?

Love – Playing live / hate – pay to play!

If you could change one thing about the music industry, what would it be?

Nothing, it is what it is.

Name one of your all-time favourite albums?

Ace Of Spades – Motörhead

What’s best? Vinyl, Cassettes, CD’s or Downloads?

In earlier days I preferred Vinyl, now I buy CD’s!

What’s the best gig that you have played to date?

Walpurgisschlacht Hexentanz Festival

If you weren’t a musician, what else would you be doing?

A fighter pilot!

Which five people would you invite to a dinner party?

Paul Stanley, Alice Cooper, Rob Zombie, Vince Neil and Mikkey Dee

What’s next for the band?

Songwriting for the first Album!

What Social Media/Website links do you use to get your music out to people?

Spotify, Apple Music, Deezer, Bandcamp, YouTube and many more…

Jaffa Cakes? Are they a cake or a biscuit?

Don’t like ’em at all.

Thank you for your time. Is there anything else that you would like to add?

Thank you for your support and making this interview possible and THX to our fans – rock on guys! LORDS OF SALEM.


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Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Cadence Noir – Physical Copy

physical copy cover

Cadence Noir – Physical Copy
Release Date: 22/12/18
Running Time: 33:09
Review By Beth Jones

After 8 years of fannying about, Cadence Noir, my favourite Gothic Folk’n’Rollers (yes, it is a genre, shut yer face) have finally released their debut album. It dropped just in time for the Christmas panic buyers to slip it into a loved one’s stocking (shrewd move chaps, shrewd move!) I almost fell off my chair when they announced the news that it was actually happening, so eagerly awaited its arrival, and am now finally getting round to writing my thoughts on it a month after the event!

It is instantly recognisable as Cadence Noir. It is the sound that The Levellers would make if they had been playing all-night drinking games and jamming blues with Jim Morrison, Lemmy and Ozzy! Its raucous, its loud, its heavy, its bouncy and its blues folk jazzy! They are a proper party band, with an unmistakably unique sound, and that has transferred well onto the album. Ade’s scratchy vocals juxtaposed with Emma’s soaring, pure violin, and backed up by solid rhythms and crunchy guitars, with more than a smattering of Celtic influence, makes for a really interesting mix.

The album is a fine selection of ditties, with their classic, and one of my favourites, ‘The Traveller’ kicking off proceedings. It is an upbeat foot tapper which is sure to get things swinging, so it is a great way to start an album. The majority of the album moves at a frenetic pace and keeps your attention, however one song, which is 80% ballad, sticks out for me; ‘A Truth Held Dear’. It has a deep melancholy about it that I really like.

In the band’s press release, they say:

“Is it polished? No. Is it the height of pro audio production? God no. Does it sound like Cadence Noir? Yes it does.”

I have to concur, especially on the production side. The mix is a little top-heavy for me and this lets it down – I’m a bass girl and like to hear a meaty bottom end full of boom! Admittedly that isn’t really what Cadence Noir are about, and they did record their parts in separate home studios, so I will give them a bit of leeway, but I think the top end could do with coming down just a touch! However, I do quite like the rawness of it in a musical sense – if it had been too polished, it wouldn’t have been right.

All in all, this is a pretty fine debut album – let’s not leave it another 8 years for the follow up eh, guys?!

I have based this review on the download version sent over by the band but we shall definitely be buying the CD because…if you purchase the physical copy of “Physical Copy” (It’s an awesome title for an album) you not only get an extra track in the shape of live favourite #FFBB (Fuck Fuck Boom Boom), you also get a DVD of Cadence Noir’s full set from Bloodstock 2018 plus some other DVD extras! Value for money indeed!

01 The Traveller
02 Remoaner
03 Demon’s Lament
04 Church
05 Voyages
06 A Truth Held Dear
07 Homage
08 Hold Me Down
09 A Dove Amongst Eagles
10 #FFBB (CD Bonus Track)

Adrien Perrie – Guitar/Vox
Emma Bennett – Violin
Tom Smith – Bass/Double Bass
David Budge – Drums/Percussion
Nick Chamberlain – Guitars
Martin Jackson – Guitar/Vox (Hold Me Down)




promo pic1 (photo credit robert balmer photography)


Disclaimer: This review is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.


Eleanor – Celestial Nocturne

Celestial Nocturne Cover

Eleanor – Celestial Nocturne
Mighty Music
Release Date: 30/03/2018
Running Time: 56.15
Reviewer Tsarina Wilson

When I first asked to review this album, I had no idea that it would all be in Japanese, so it was a little bit of a surprise when the album first started. I have previously reviewed bands who sing in both their native language and English, but this was a first for me and unfortunately, I don’t speak Japanese…!!

Eleanor are a Japanese Melancholic, Symphonic, Gothic Metal band (phew, a little bit of everything), founded in 2006 by Ippei J Malmsteen (guitars) and Shiori Vitus (vocals) in Osaka. Their sound has been influenced by bands such as The Gathering, Sentence and Amorphis, and, in fact, their name Eleanor was a song by The Gathering.

Their debut album “A Circle of Lament” was released in 2011 in Japan by Black-Listed Records. Two years later their second album “Breathe Life Into The Essence” was released also by Black-Listed records and was highly rated, with lots of attention from overseas. As a result, Eleanor appeared on the Metal Female Voices Fest Vol 11 in Belgium as the only Japanese Metal band.

They then went on to perform as an opening act for Eluveitie’s Japanese tour in 2014. In 2016, their third album “Celestial Nocturne” was released in Japan by Rubicon Music and they played the largest number of live shows in their history.

In 2017, Eleanor signed an international deal with Scandinavian leading Rock/Metal label Mighty Music and on the 30th March 2018, “Celestial Nocturne” was released world-wide and included three bonus tracks.

The band consists of Shiori Vitus on vocals, Ippei J Malmsteen on guitars and keyboards, Neo on guitars, Lupin on bass, Carlos on drums and Jet Rumi on chorus and percussions.

So, as I couldn’t actually understand the lyrics of the album, this was quite a difficult review to do but you can hear so much passion in Shiori’s voice and the riffs are almost haunting. I can imagine some of these tracks being used as end title music for a film of dark heartache or mystery as they have that sort of sound to them. And then you hear ‘Buried Alive!’ This track is such a change from the rest of the album, it’s very upbeat and light, a refreshing change as everything else is very dark and melancholy. But dark and melancholy is what the band are noted for.

The album has a lot of instrumental sections and there is nothing better than a good guitar interlude, this album giving you plenty of them, especially ‘Thirsty’ and ‘Defying’, a track which has an almost Spanish flamenco hint. Most of the tracks have a strong drum beat which keeps the album bouncing along nicely and mixed with great harmonies, you have yourself a very interesting album.

1.Fall From Grace
2.Defying Gravity
3.Far Beyond Dystopia
5.Eternal Moment
6.Empyreal Beauty
7.Buried Alive
8.Lazy Noise
10.War Cry
11.Mellow Ⅰ – Sleeping Water – (European Bonus Track)
12.Mellow Ⅱ – Far Beyond Dystopia – (European Bonus Track)
13.Mellow Ⅲ – Defying Gravity – (European Bonus Track)




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Disclaimer: This review is solely the property of Tsarina Wilson and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.