Warrant & Sweet Sienna “The Dirty 30 Tour” – The Starland Ballroom, Sayreville, NJ – 22/03/2019

Gig Poster

Warrant & Sweet Sienna
“The Dirty 30 Tour”
The Starland Ballroom, Sayreville, NJ
22/03/2019
Review and Pictures by Andy Jansons

One of the most popular Glam Rock / Hard Rock bands of last three decades, California rockers Warrant, are currently on tour for the 30th anniversary of the release of their first album “Dirty Rotten Filthy Stinking Rich”. This tour, which is currently seven shows in, started in January and will last till mid August. They don’t have a specific support band, but have a bunch of local Rock bands joining them on their show dates.

To be honest, I did not get a chance to see the first local band of the night, but I caught a most interesting and promising young band from New York, called Sweet Sienna.

Fronted by the beautiful and talented Katrien Van Riel they performed an electrifying set. Playing their songs ‘Rise’, ‘No Reflection’ and ‘Your Love’ among others, Sweet Sienna moved the audience with quality in music and showmanship on stage. Their sound is pure rock with some heavier riffs and melodic singing. Katrien interacted with the crowd like a seasoned professional, singing with emotion and passion. At this point your best option would be their website and social media to look up who they are and what they sound like. They are currently scheduled to perform as support for such rock legends as Ace Frehley, Skid Row and L.A. Guns to name just a few, so that may change quick, and they could become popular much faster than we might expect.

Warrant were received with some very loud screams, almost like it was still 80’s. All of the eight opening songs from their set came from the aforementioned anniversary album. They only left out ‘In The Sticks’ and ‘Ridin’ High’. All the other songs were played in the order they appear on the album starting with ‘32 Pennies’ and ‘Down Boys’ and finishing with ‘Heaven’ and ‘Cold Sweat’.

Another five songs were played from their huge second studio album “Cherry Pie and, obviously, the title song was the show closer. Until this day ‘Cherry Pie’ is the most recognized song from the band and the glam rock era.

From their newest album “Louder, Harder, Faster”, which was released in 2017, Warrant performed just two songs, ‘Only Broken Heart’ and the title track.

Current vocalist Robert Mason, who took over as Warrant’s front-man after Jani Lane passed away, and who has now been with them for over a decade, was phenomenal. He was joined on stage with original members Erik Turner, Jerry Dixon and longtime member Joey Allen although they are still without Steven Sweet who is recovering after being diagnosed with cancer.

The show was a great success with the venue near to capacity, and it was not only old fans that came to indulge in a trip down memory lane but quite a few younger rock fans as well!

SWEET SIENNA LINKS:
https://www.sweetsiennaband.com/
https://www.facebook.com/sweetsiennaband/
https://www.instagram.com/sweetsiennaband/

https://www.youtube.com/channel/UC-ktAuVGoCoZ76d5Pzc0qww

WARRANT LINKS:
http://www.warrantrocks.com/
https://www.facebook.com/warrantrocks/

https://www.instagram.com/warrantrocks/

https://www.youtube.com/channel/UCP0tGGgcnoHoPoobLkxVyIA
Warrant Pic

Disclaimer: This review is solely the property of Andy Jansons and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photographs courtesy of Andy Jansons.

Electric Revolution – Burn It Down

Electric Revolution - Burn It Down Cover

Electric Revolution – Burn It Down
Self-Released
Running Time: 35:00
Release Date: 01/01/2019
Review by Mark Pritchard
9/10

Recently I was approached by American based Hard Rock band Electric Revolution about the possibility of reviewing their brand new album “Burn It Down” I went on their Bandcamp page made an account and bought the album and I have listened to it ever since and I couldn’t be happier for the opportunity. When I listen to these guys it’s like when you wake up and have that first coffee in the morning and it gives you the feeling that the day can only get better.

In previous weeks I have listened to and reviewed some awesome bands who are heavier than these guys yet with Electric Revolution I don’t have to worry about injuries to my neck from headbanging. Instead I sit back in my computer chair, press play, close my eyes and let the music take me away. For the last three weeks my physical health hasn’t been the best and I have been bed bound for most of it but through all the sneezing, watering eyes and pain throughout my body, this album has taken my mind away from all of that and put me in a state of relaxation where none of that matters and I can just rest and try and recover which has been a huge help! Until I was approached about reviewing the album I hadn’t heard of the band but now I definitely won’t forget them.

Electric Revolution and “Burn It Down” remind me of AC/DC but I will say this! In my personal opinion, and as someone who likes AC/DC, this album is on the same level as them and even though it may sound bad I would pick this album to listen to over AC/DC.

As I’ve said in previous reviews I love discovering new bands that will replace the old guard! Only formed in 2014 Electric Revolution, just from this album, sound like they have been together much longer but just because they haven’t been doesn’t mean they aren’t definitely a force to be reckoned with and I can’t wait to see what they bring out next!

With Billie Pulera on Drums/Vocals, Chad Imler on Bass, Brock Betz on Lead Guitar and Dave Lawson on Vocals it makes for an amazing combination, band and music are so well balanced and such a joy to listen to! After listening to “Burn It Down” as much as I have I do have a favourite song and that is ‘God And The Devil. All the songs are good to listen to but this song is proper old school hard rock song similar to that of the 70’s and 80’s and it gives me chills to listen to.

Now it comes to rating the album and the toughest part of the whole review. “Burn It Down” is such a top album to listen to whether you’re having the best day, or like me, have been really down from being ill and for that reason I rate album 9/10, but the track ‘God And The Devil’ gets a 10/10! It is by far one of the best songs I have listened to as a reviewer.

I would like to say a huge thank you to Billie Pulera, who is also the bands General Manager, for getting in touch about reviewing this awesome album!

TRACKLISTING:
01. Prelude: Rise Of The Revolution (Part 1)
02. Tempted
03. God And The Devil
04. Burn It Down
05. Surrender
06. Cookie Jar
07. Runnin’ Away
08 No Time For Love (CODA)

LINKS:
https://www.facebook.com/electricrevolution/

https://electricrevolution2.bandcamp.com/
https://www.instagram.com/revolutionelectric/

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Disclaimer: This review is solely the property of Mark Pritchard and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

 

Conception – My Dark Symphony EP

My Dark Symphony EP Cover

Conception – My Dark Symphony EP
Conception Sound Factory
Release Date: 23/11/2018
Running Time: 26:41
Review by Mark Pritchard
Intro by Rick Tilley
9/10

Hi everyone, Rick here. I wouldn’t usually write an intro to another members review but I thought it important this time because of who the band is. Mark got in touch with me last week to double check the following review which was going on his blog and my ears immediately pricked up when I heard the band’s name, especially as Mark hadn’t heard of them before. Purely down to my workload, I hadn’t seen that Conception were back, for the first time in twenty years, and even more amazingly with original Conception and ex Kamelot vocalist Roy Khan at the helm. To say I am a huge fan of this man and his voice is an understatement and when he left Kamelot EIGHT years ago it was a big shock to many people. I have Conception’s four original albums which were recorded between 1991-1997 and if, like Mark, you haven’t heard of them before then I wholeheartedly recommend you check them out. This brand new EP is a wonderful return and proves, beyond a shadow of a doubt, that we need Roy’s stunning vocals back in the Metal world.

Read on for Mark’s full review!

Around seven days ago I was asked if there was a chance I would be interested in doing a review of an EP which was released in November 2018 called ‘My Dark Symphony’ by Norwegian Hard Rock band ‘Conception’. After being asked about the possibility of doing the review I started having a listen and thought I would happy to review the EP and I haven’t looked back. Over recent weeks I have reviewed all different types of bands which have been awesome in their own ways but these guys are nice to listen to because their music is slower than the previous bands which, after the intensity of the others, is amazing.

I will admit that I hadn’t heard of Conception before and since listening to this EP I feel stupid for not having had. Straight away this made me feel calm and relaxed which is an amazing feeling to have when listening to music and because recently my mental health has been on edge this EP made it easy to see sense and stay being myself which has been something I have struggled with. Whilst listening to these guys you can hear the elegance of all four members as one!

‘My Dark Symphony’ starts out with the song ‘re:conception’ which is an instrumental and gives you the feeling of what the rest of the EP might be like but, in my opinion, it threw me a curve ball, I have enjoyed listening to the EP thoroughly and even though the first song seemed different it also shows what they can do whether the music includes vocals or not.

I have listened to ‘My Darkest Symphony’ more times than I count and I would suggest to anyone who likes Hard Rock or Metal in general to listen to these guys because they know what they are doing. Each song on this EP draws you in and that is always something I enjoy when listening to a release for review. I will say this is one of my favourites because of the dedication the band has put in. Since forming all the way back in 1989, a year after I was born, Conception have not released anything since 1997 but they have not lost any of their talent which is something most bands might worry about.

love this EP and each song I enjoy in each own way but for me there is a stand out song and that song is the title track ‘My Dark Symphony’. I don’t know what it is but this song stands out so much and I could listen to it a million times and would still enjoy it.

I would like to thank the friend who asked me if I would be interested in reviewing ‘My Darkest Symphony’ and would also like to thank the band itself, Roy Khan – Vocals, Tore Østby – guitar, Ingar Amlien – bass, and Arve Heimdal – drums, the dedication you have put into this after all these years is absolutely magnificent.

TRACKLISTING:
1. re:conception (Instrumental)
2. Grand Again
3. Into the Wild
4. Quite Alright
5. The Moment
6. My Dark Symphony

LINKS:
https://www.facebook.com/pg/conceptionmusi2/

https://www.instagram.com/conceptionmusic/

Conception Promo Pic1

Disclaimer: This review is solely the property of Mark Pritchard and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

 

Inglorious – Ride To Nowhere

Ride To Nowhere Cover

Inglorious – Ride To Nowhere
Frontiers Music
Running time: 43:00
Release Date 25/01/2019
Review by Lotty Whittingham
8/10

To those who say rock is dead clearly haven’t given Hard Rock outfit Inglorious a spin. Over the past couple of years, their presence has become well known amongst the music sphere. They have quite rightly been hailed the future of British Rock by Classic Rock Magazine and the belters on their latest album “Ride To Nowhere” provide concrete evidence of this statement.

The band spent most of 2018 locked away creating and recording the album. It was mixed by Kevin Shirley. With credits such as Led Zeppelin and Aerosmith on his portfolio, the album could not have been in better hands in terms of mixing. It’s clear from listening to the record that the band are a strong team, you can hear the music working well together which is what is great to listen to.

It starts off with a great number in the form of ‘Where Are You Now?’ One of the elements that strikes you first is the clean, crisp vocal work that also packs a punch. Alongside the slick riffs and infectious rhythm, this makes for an excellent album opening. To be honest, to say this ‘sets up a tone for the rest of the album’ would be a cliché but in this case this cliché rings true. It’s the opening act that paves the way for an excellent portfolio of Hard Rock mayhem.

Another given cliché that applies to this record is that no song sounds the same. Each song has a story to tell and will suit different moods.

The second track ‘Freak Show’ demonstrates that instantly. This track packs a punch and will encourage you to let out that inner doppelganger. That side of you that you wish to show but can’t.

The beginning of the track ‘Liar’ shows an interesting guitar riff. It sounds messy, but it’s done on purpose so in this case it works. Given that lying creates mess and destruction to people’s lives, that guitar technique is perfect. The lyrical content provides an inciteful layer, particularly the ending of the chorus about the truth setting you free. This pumping track will get audiences going at live shows.

Even the ballads ‘I Don’t Know You’ and ‘Glory Days’ contain the same amount of passion and sass as previous, faster tracks. The first song that comes to mind is Alter Bridge’s ‘Blackbird’. It contains the same impact and power. It’s a sweeping track that is deep and profound.

It ends on a beautiful note with ‘Glory Days’. It’s been stated before that tracks stripped of the distortion and heaviness showcase the vocals at their best. In this case that is certainly true. The prominent vocal work was a highlight of this record. It’s worth waiting for the ending track to hear these at their best. You can hear the full range.

If this album is anything to go by, it’s no wonder Inglorious have earnt a sterling reputation over the past couple of years. It’s an eclectic portfolio of songs that will bring forth a range of emotions. For Hard Rock fans, this is a gem you ought to find and never let go.

TRACKLISTING:
01 Where Are You Now?
02 Freak Show
03 Never Alone
04 Tomorrow
05 Queen
06 Liar
07 Time To Go
08 I Don’t Know You
09 While She Sleeps
10 Ride To Nowhere
11 Glory Days

LINKS:
http://inglorious.com/
https://www.facebook.com/weareinglorious

http://instagram.com/weareinglorious
https://www.youtube.com/channel/UCiZrGK18u1LyvOL1Vo_hhAA

 

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Disclaimer: This review is solely the property of Lotty Whittingham and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

 

Party Of The Sin – Party Of The Sin

Party Of The Sin Cover

Party Of The Sin – Party Of The Sin
Independent
Release Date: 2017
Running Time: 49:46
Review by Dawn “The Metal Priestess” King
9/10

Before I crack on with the review of this album, I would just like to thank the band for their amazing patience in waiting for this. At Ever Metal, we receive hundreds of albums to review and, still only being quite small, we cannot review everything. That being said, we promised these guys we would take a listen to their album and we always try to deliver on our promises.

I received the album a good few weeks ago but, due to personal circumstances and illness, it took me a while to get around to actually listening to it. And boy, should I have done it sooner!

Party Of The Sin are a Chilean band from Santiago and, to be honest, that is about the extent of my knowledge of them. I spent ages scouring the internet looking for information and there really is not much to find! Is this a band who like to keep themselves to themselves or are they SO new, that even the internet doesn’t know much about them? Whichever is the case, this is a band who should be promoting themselves EVERYWHERE and getting their name out to the many people who have yet to hear about them.

From the very first track, single ‘Explode’ I loved this album, and near on two weeks in my car is testament to that. Their Facebook page states they are “psychedelic Anglo rock” but this is not something I would necessarily agree with. Why we are still in an age where we must categorise and pigeon-hole music I don’t know, but seeing as we are, I really don’t know where they would be placed on the rock / metal spectrum.

At first, they come across as a rock band, in the vein of Def Leppard or Inglorious or Alterbridge. But after a while, you can also hear a hint of grunge creeping in. I was big into the grunge era in the early 90’s, and I can definitely hear influences from bands such as Pearl Jam, who were one of my favourites. Whether this was done deliberately I don’t know but it seems to work.

This is a band who are full of talent and really should be heard by a lot more people, which is where me and my review come in! If I can turn one more person onto their music, then I have done my job!

The band is made up of four guys and they are shown on their Facebook in the following manner: Crazy Drums – Pablo Stagnaro, Groovy Bass Guitar – Zack Arnstein, Magic Lead Guitar – Fernando Cordero and Emotional Vocals – Gabriel Sara, and I can’t personally think of a better way to describe them! Each one has something unique to bring to the table and together they mix extremely well, almost sounding as if they have been playing together for many years.

The album has a bit of a feel-good vibe to it. In terms of originality it doesn‘t bring anything new and much of it has, and to coin an over-used phrase, already “been done before!” BUT how many bands these days actually come up with anything totally original. These guys play great music, and they love what they do! They are passionate, ambitious and, above all, they believe in themselves! In this day and age, with too many bands being shot down before they have even started, to see a band who believe in what they can do, and seemingly not giving a stuff what anyone else thinks, is great.

Right from the offset, I was always going to give this album an 8 out of 10. I love the mix of rock songs with the more ballady types (I’ve always been a sucker for a ballad) and there really is not a bad song on the album (again, I know that is probably another over-used cliché.) Stand out songs for me also happen to be the singles released, ‘Another Sun’, ‘Explode’ and my absolute favourite on the album ‘My Head.’

But, after a few run throughs though, I changed this to a 9 out of 10. I loved it right from the start, but it grew on me a LOT more too, and no doubt, it might have even made its way up to nearly a 10 (and I don’t give those out that often!)

If you have never heard of these guys before, please go out and give this an album a listen. You will not be disappointed!

TRACKLIST:
01 Explode
02 She Stole
03 My Head
04 One Way Love
05 Another Sun (Short Version)
06 Falls
07 Live Forever
08 Celebration
09 Streets Of Man
10 Weaker
11 Another Sun

SOCIAL MEDIA:
http://www.partyofthesin.com/
https://www.facebook.com/partyofthesin

https://www.instagram.com/partyofthesin/

http://invocation.co/show/performer/party-of-the-sin
https://www.youtube.com/PartyOfTheSin

 

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Disclaimer: This review is solely the property of Dawn “The Metal Priestess” King and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Black Paisley – Perennials

perennials cover

Black Paisley – Perennials
Self-Released
Release Date: 27/09/2018
Running Time: 51:12
Review By Chris Galea
8/10

Black Paisley are a Swedish band named after the Fender signature model guitar of Ritchie Sambora in Bon Jovi. And in fact you often hear connections with Bon Jovi throughout this album. Since I’m name-dropping…the lead vocals in “Perennials” sometimes reminded me of James Christian (House Of Lords) and comparisons with Thunder also seem inevitable.

But despite being very song-oriented and mainstream-friendly, “Perennials” is somewhat elusive when one comes to categorise its music and for me this is one of its main attractions. From catchy sing-along choruses to subtle but effective uses of keyboards and onto brilliant uses of choir vocals and Rock songs with punch…there’s more to this album than meets the eye. Then there are a couple of excellent piano-ballads, one of which is ‘Stronger’ – incidentally this is also the album’s strongest track (‘scuse my pun). Melancholy, vitality, Hard Rock, Blues Rock, AOR…there really is much to enjoy in this album.

On the other hand, since “Perennials” is very traditional in nature, it’s unlikely to have you gawping in amazement. But then again you never know. Personally, after an overdose of Metal, it feels right to keep testosterone levels in check with something like this.

TRACKLISTING:
1. I Want Your Soul
2. Day By Day
3. Sometimes
4. Mother
5. Miss Me
6. Without You
7. Step Back
8. Trying
9. Out Of My Life
10. Alone
11. Think
12. Stronger

LINE-UP:
Stefan Blomqvist – lead vocal and guitar
Ulf Hedin – guitars
Jan Emanuelsson – bass
Robert Wirensjö – keyboards
Mikael Kerslow – drums and percussion

LINKS:
http://www.blackpaisley.se/
https://www.facebook.com/blackpaisleys/

https://www.instagram.com/blackpaisley_band/

https://www.youtube.com/channel/UC4p95d5wKIhEIdPT7acH5dA
https://www.youtube.com/watch?v=_CQaSeaKYTI (‘I Want Your Soul’ – Official Video)

 

Disclaimer: This review is solely the property of Chris Galea and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

A Gathering Of None – One Last Grasp At Hope

One Last Grasp At Hope Cover

A Gathering Of None – One Last Grasp At Hope
Independently Released
Release Date: 06/04/2018
Running time: 44:00
Review by Vikkie Richmond
7/10

American hard rockers A Gathering Of None are no strangers to the music scene; having been around since 2012, in this transigent day and age, that could class them as veterans. “One Last Grasp At Hope” is their third release and their second full length effort.

I don’t like to pigeonhole bands, because the music a group of people create is unique and should not be put into a box labelled as one thing or another, however my first listen to this album (and my first listen to them as a band, full stop) had them partly in the ‘alt rock’ category and partly in the hard rock camp. It doesn’t really matter, the important point is whether the album is any good.

I confess I wasn’t set on fire by the first track, the speedy ‘What For’; featuring some nice guitar licks and some nifty percussive highlights, with a time signature change or two, but it did have me tapping my toes and nodding my head, so it can’t be all bad. Next up, ‘No Stone Unturned’ started off with a lick that was worthy of Thin Lizzy and continued with some nice vocal harmonies, despite a ‘vintage’ whiff about it. Tracy Byrd’s vocals don’t do a lot for me, but he does have a fair set of pipes on him.

Out of a total of eleven tracks, I didn’t dislike any of the songs, they were all listenable, with those worthy of further mention being the soaring ‘Break My Stride’ and the slightly dirty ‘Dissolution’.

Special mention goes to ‘You Stagnate’, which was worthy of Alice In Chains, or any other band that arose out of the dark ashes of the hair metal age at the start of the 90’s. In fact, I felt like I was listening to different albums at times, such were the style differences between some of the songs.

I liked this album; I feel that A Gathering Of None are competent musicians and having listened to some of their back catalogue, they are honing their craft as they go, album by album. It’s not an album I would listen to on repeat, but that’s just my choice. Take a listen yourself and make your own mind up; I suspect you’ll like it.

TRACK LISTING:
01 What For
02 No Stone Left Unturned
03 Break My Stride
04 Fabulous Mishap
05 You Stagnate
06 Reaching Out
07 Dissolution
08 Something You Should Know
09 Predatory Male
10 I Hope I’m Wrong
11 Move Along

LINKS:
https://www.facebook.com/AGatheringOfNone/

https://www.instagram.com/agatheringofnone/
https://agatheringofnone.bandcamp.com/

https://www.youtube.com/channel/UCeIEuZl2EvKKRkMakpH0yJw

 

Disclaimer: This review is solely the property of Vikkie ‘Queen of Rock’ Richmond and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Dynazty – Firesign

Firesign Cover

Dynazty – Firesign
Label: AFM Records
Release Date: 28/09/2018
Running time: 49:28
Review by Lotty Whittingham
8/10

It’s no secret that Sweden is one of the best breeding grounds for Metal and Rock bands, particularly when it comes to Hard Rock, and Dynazty are one of the recent bands to make it out onto the airwaves and into the hearts of Hard Rock fans on a global scale. Could they join the list of bands along with the likes of Eclipse and H.E.A.T? Well, if their latest album “Firesign” is anything to go by then most certainly!

One of the things “Firesign” does is ensures Dynazty’s fierce reputation for strong vocals, finger blistering riffs and dominant melodies. The bold sounds of the 80’s and 90’s are coming back to fruition and bands like Dynazty are here to ensure this sound will never die.

If you are not familiar with Dynazty, the sounds from the latest release could seem a little mediocre at first, especially with a name like “Firesign” when you would expect a lot more heat and passion. But, when you hear the story behind what they were going for, it becomes clear. They were aiming for a stripped-down version of their previous material and that is what they have given us. After finding that out it’s easier to relax and enjoy what’s playing.

“Firesign” kicks off with the gallant singles ‘Breathe With Me’ and ‘The Grey’. If Helloween and The Scorpions had concocted a track together then ‘Breath With Me’ would be it. It gets things moving with its empowering melody, consisting of brilliant riffs, great vocals and emphasising orchestral elements. ‘The Grey’ is a modern classic with its brilliant melody and chorus. Whatever they do to make their melodies memorable for days on end will remain a mystery but let’s hope they continue to use that magic.

The band showcase clear talent and energy throughout the album. They deliver an excellent portfolio of songs from the pumping ‘In The Arms Of A Devil’ to the sweeping beats of ‘Follow Me’.

The bouncy beginning riff in ‘Ascension’ provides a strong hint of the Sabaton hit ‘Gott Mit Uns’, so it’s only logical to imagine glossy hair swishing back and forth to the beat. The beat slows down to allow us to enjoy the strong melody right through to the punchy chorus. This track is interesting in terms of how many different elements of the song there are. Sometimes adding lots of these can either backfire or work highly in the band’s favour. In Ascension’s case it works.

The title track provides a sense of empowerment and hope, particularly when things are looking bleak across the board. The sweeping beat provides an excellent backing for the orchestral elements, powerful vocals and excellent riffs. It could be interpreted that the verses represent the negativity going on in the world and the chorus is the phoenix rising from the ashes, representing hope. But, the only people who would know that for sure are the band themselves.

The intro to ‘Follow Me’ provides strong reminiscence of the sounds of the 80’s. The catchy melody, huge vocals and mighty riffs reinforce this. This will be a song that will go down well at live shows with its punchy verses and choruses.

It ends on a rather grand note with ‘Starfall’. This provides a great climax, yet leaves the listener wanting more. “Firesign” is a grower, the more times you listen to it the more you like it!

This is a band who are going places and I hope they continue to do so!

Tracklist:
1. Breathe with Me
2. The Grey
3. In the Arms of a Devil
4. My Darkest Hour
5. Ascension
6. Firesign
7. Closing Doors
8. Follow Me
9. Let Me Dream Forever
10. Starfall
11. The Light Inside the Tunnel

Links:
http://www.dynazty.com/
https://www.facebook.com/dynaztyband/

https://www.youtube.com/user/DynaztyOfficial

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Disclaimer: This review is solely the property of Lotty Whittingham and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Zero Theorem – Ataraxis EP

Ataraxis EP Cover

Zero Theorem – Ataraxis EP
Tunecore on ShimSham, LLC
Release Date: 04/05/2018
Running Time: 20:44
Review by Dawn “The Metal Priestess” King
9/10

Since I started on my reviewing journey, I have started to appreciate a few things when it comes to music. One is that you should never base your opinion of an album by the band’s name or the artwork (common sense really but it’s surprising how many bands could get discarded by a listener just because their name suggests an “alternative” genre.) The second is that, despite the music industry as a whole trying to pigeon hole bands into stereotypical genres, there are bands that just do not fall into one particular style.

Zero Theorem are a band that both statements apply to. I didn’t really know what to think when I first plugged my little USB stick into my car to listen to this album. Their name suggested to me either a very progressive band or a death metal one. Opposite ends of the spectrum I agree but Zero Theorem are neither of these.

Blending alternative hard rock with the rhythmic and uncompromising intensity of metal, these are a band that can cover a whole range of genres, having drawn early comparisons to the likes of Disturbed, Five Finger Death Punch and Tool.

Initially set up as a cross country collaboration between cousins, Caesar, who was based in Chicago, and Joe Scarlotti, based in Los Angeles, they began writing songs by sending digital files to each other. Caesar eventually relocated to Los Angeles to further his musical ambitions and the first Zero Theorem demos were recorded in 2017.

Through word of mouth and tireless networking in Los Angeles, the band came together with guitarist Max Georgiev, bassist Eloy Palacios and drummer Jake Hayden, and work began on turning the demos into finished songs, all production work carried out by Kane Churko (Papa Roach, Five Finger Death Punch, In This Moment) at The Hideout Recording Studios in Las Vegas.

The band soon gained notoriety as a live act by performing with Doyle, Hed PE, Art of Dying and Motograter, to name but a few, and since late 2017, the single “Area” has steadily climbed in the Active Rock radio charts, and even jumped into the top 35, as well as being featured on various key hard rock play lists.

So, what of the EP?

“The Zero Theorem sound is groove metal with big melodies and some progressive material mixed in. Heavy metal itself is a lifestyle choice and we strive to embody that with both substance and wit,” says vocalist Caesar. And I couldn’t agree more.

The EP begins with the explosive “Euthanasia”, a strong song to let us know just what we are to expect for the next twenty minutes. Or so we think!

First single “Area” is melodic and haunting, while fourth track “Rorschach” is heavy and abrasive, probably the heaviest on the EP.

Title track “Ataraxis” is slower-paced but just as well executed as any of the faster ones, and it is with this track that their similarity with the band Tool is noticeable. Time changes all over the place, Caesar’s dark and brooding voice, which makes him such a powerful frontman, easily comparable to that of Maynard James Keenan, lead vocalist with Tool.

This is an excellent and impressive debut. Its heavy yet melodic, with stomping riffs, and driving, bombastic grooves. They make not be the next best thing but they are certainly well on the way. If they continue to produce music of this quality and calibre then they could well be one of the top metal acts of the time.

This EP is only twenty minutes long but what a twenty minutes! I listened to this over and over and over and over again and never once got bored with it.

All I can say, is go grab yourself a copy and see for yourself just what this band can do.
Keep up the good work guys and I’ll see you at a gig in London sometime hopefully!!

TRACK LISTING:
Euthanize
Area
Becoming
Rorschach
Ataraxis
Low

SOCIAL MEDIA:
http://www.zerotheoremband.com/about/
https://en-gb.facebook.com/zerotheoremband/
https://twitter.com/ztheoremband?lang=en

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Disclaimer: This review is solely the property of Dawn “The Metal Priestess” King and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

 

 

Trevor and The Wolves – Road to Nowhere

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Trevor and the Wolves – Road to Nowhere
Nadir Music
Release Date: 02/02/2018
Running Time: 49:34
Review by Dawn “The Metal Priestess” King
8/10

Finding background on the band Trevor and the Wolves is not easy. There seems to be precious little information on the world wide web and the small bit that can be found, is mostly written in Italian!

Trevor and The Wolves is the side project of death metal band Sadist’s vocalist, Trevor Sadist, and this album couldn’t be more different if it tried.

Featuring a number of special guests including Christian Meyer (Elio E Le Storie Tese), Stefano Cabrera (Gnu Quartet), Paolo Bonfanti, Grazia Quaranta, Francesco Chinchella and Daniele Barbarossa (Winterage), the new album Road to Nowhere was recorded at the Italian Nadir Music Studios in Genoa, under the expert supervision of Tommy Talamanca as producer.

With obvious influences from the hard rock end of the rock and metal spectrum, this is a good old-fashioned rock and roll album. Its simplistic in style but that in no way takes away from the appeal of the music.

Think the Brian Johnson era of AC/DC, mix it with a bit of Motörhead and Saxon, and you are somewhere close to what this band sound like. I am not a HUGE fan of any of the just mentioned bands, but I do like this album. The rough vocals of Trevor are ideally suited to this type of rock, there are riffs galore and at just under fifty minutes in length, there is plenty to get your listening gear round.

The guitar solos are simple yet expertly executed and you can just imagine the drummer and bass player bouncing around the stage keeping everyone in time. I personally love to see musicians making music other than what they are known for and, having listened to a bit of Sadist just for comparison purposes, this is nothing like what Trevor is known for.

With enough grit and gravel to line all the roads in England during a cold snap of weather, I think this is a must for any hard rock fan’s collection. Slightly heavier than AC/DC, it still has the party feel about it and will certainly have you bounding round your living room strutting your stuff on your air guitar!

 

TRACK LISTING
From Hell To Heaven Ice
Burn At Sunrise
Red Beer
Black Forest
Bath Number 666
Spiritual Leader
Roadside Motel
Wings Of Fire
Lake Sleeping Dragon
Unforgivable Mistake

SOCIAL MEDIA
https://en-gb.facebook.com/trevorandthewolves/
www.twitter.com/TrevorSadist96
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Disclaimer: This review is solely the property of Dawn “The Metal Priestess” King and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.