Lucifer – III

Lucifer – III
Century Media Records
Release: 20/03/2020
Running Time: 39:27
Review by ‘Dark Juan’
10/10

Good afternoon from the plague-ridden shores of the United Kingdom, where I continue to rant at you all with varying degrees of severity from my secret and heavily armoured eyrie. It is I, Dark Juan, Hellpriest to toffs and gentry, defiler of virgins and Jacob Rees-Mogg’s sister Annunziata and wrangler of useless hellhounds. All of which are currently upstairs guarding Mrs. Dark Juan from imagined intruders. At least, that’s supposed to be their remit but they are all snoring so I can only assume I will once more have to rely on the trusty Gunn And Moore cricket bat by my bed again if chez Dark Juan is invaded by miscreants… Update: Mrs. Dark Juan is fucked off with them all and has foisted the bastards on me. Currently the squishy faced morons are cleaning each other with a frankly disturbing thoroughness and Air Chief Marshal Sir Zeusington Zeus KCVG, VC, MM, DFC and Bar has taken all the available bed space and left me creasing my Second Invocation Robes (Morning Weight) in a most uncomfortable position crushed against the headboard.

This review is being brought to you on the back of a five-hour writing jag that happened last night and it appears there are still words that need to come out. I have drunk a small loch’s worth of tea because I have pickled my own liver during this social distancing malarkey and it’s time the poor, grossly abused organ had a rest. Anyway, this time I’m going to attempt to be vaguely professional and tell you all about the Scandinavian groovemeisters Lucifer’s third album, intelligently entitled “III”. I admire people who don’t mince their words. Ironic really, considering how much bollocks I spout. I also have to be somewhat more professional than usual because Century Media have actually asked for this one… Oh, fuck it!

Opener “Ghosts” reminds us straight away of the bluesy propensities of Lucifer, with a riff of awesome simplicity, magnificence and splendour. A simple affair of just a few notes, it breathes, and Lucifer lives. The smoky, sultry vocal of Johanna Sadonis kicks in and we are all transported back to the 70’s and Patti Smith records and sitting there smoking perfumed hash and listening to Free songs on a turntable in your bedroom. It’s very very good indeed. In fact, the whole album is a step forward from “II”, released in 2018 and reviewed by yours truly for another well known heavy metal record reviewing website. Johanna’s voice doesn’t sound as strained as it did on the previous release and the production on “III” is a much earthier affair than the previous offering and makes the record all the better for it. This style of organ tinged, fuzzed out 70’s inspired hard rock should not have a crystal-clear production. It should be bass heavy and slightly muddy, but with punchy drums and cymbals clearly heard. Lucifer have delivered this in spades.

There are many influences at work in the music of Lucifer – Fleetwood Mac, Bad Company, Patti Smith, Sabbath, Sir Lord Baltimore and Hawkwind are just a few I can hear. I am privately convinced this is the way Wolfmother see themselves in their heads. It is fucking cool, man. The grooveometer is off the scale, gentlemen and hotties. There is so much groovy going on here that Lucifer have formed their own groove continuum and are shaping their own groove reality. We are talking quantum groove here. A groove event horizon where all music goes to be turned into grooveonium. They are that groovy they are forming new elements. There is not a weak song on this entire record. To say I’m excited would be like saying that Hodgson Fartpants smells like a charnel house in the middle of a sewage treatment works. The sex wee quotient is reaching new and dangerous levels. Calderdale has only just got over the last episode of flooding, but it is in danger again… All pants destroyed. Send help.

This is rock and roll as it should be played. Bluesy, stonerish and doomy, dripping with melody, vocal harmonies and glorious riffs and solos combined with a singer who suits the style of the music to perfection. This is the sound of a band on top form – confident enough to have small pieces of silence in the music to allow the riff, or a sublime bass lick to fill it and carry you off into an ocean of musical nirvana. I love the time changes; I love the hint of maraca in ‘Midnight Phantom’. I love the riff on the verse of ‘Leather Demon’ reminding me of Python Lee Jackson’s ‘In A Broken Dream’. I love the bluesy singing style of Johanna Sadonis and how she interacts with the guitar and the backing vocals. I love the riffs, which can change from gentle and caressing to clearly having anger management issues and bouncing you off the far wall. Fuzzed out bliss awaits you all, dear acolytes. ‘Pacific Blues’ even has a slight suggestion of Iron Maiden (‘Flight Of Icarus’ melody? Anyone? Or is it just me?) in the phrasing of the verse.

Although I am slightly confused and more than a little worried about the fate of the sheep that appeared to have wandered into the studio at the start of the song entitled “Lucifer”, which incidentally has one of the most heartbreakingly wonderful bass guitar runs I have ever heard.

So, to officially confirm, I happen to be a massive Lucifer fanboy now. This record is fucking wonderful. Even the record cover art appeals to me because it reminds me of The Avengers (the original one with Emma Peel and John Steed, not costumed morons!) and Jason King and a formative time of Dark Juan’s life when all this music was new to me…

In conclusion – If you don’t buy this you’re clearly a twat. If you like the classic stylings of Ghost, Blue Oyster Cult and Sabbath and the like you’ll fucking love Lucifer III. If you’re a fan of more extreme music, you might still get something out of the slower, doomier passages. A fucking great rock and roll record and a modern classic.

Needs more cowbell, though.

The Patented Dark Juan Blood Splat Rating System is currently hyperventilating with joy because Lucifer have earned 10/10 for a fucking killer record. Can’t breathe… pass me some drugs. I don’t care which ones.

TRACKLISTING:
01. Ghosts (4:05)
02. Midnight Phantom (4:13)
03. Leather Demon (4:52)
04. Lucifer (3:56)
05. Pacific Blues (4:07)
06. Coffin Fever (4:12)
07. Flanked By Snakes (3:34)
08. Stay Astray (4:39)
09. Cemetery Eyes (5:49)

Lucifer (you bunch of magnificent bastards!) are:
Johanna Sadonis – vocals
Nicke Andersson – drums
Martin Nordin – guitar
Linus Björklund – guitar

LINKS:
www.facebook.com/luciferofficial/
www.twitter.com/LuciferBand
www.instagram.com/lucifertheband/
www.open.spotify.com/artist/4fqjeVEalB6iB3BhKu5HwZ

Disclaimer: This review is solely the property of Dark Juan and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Deathless Legacy – Saturnalia

Deathless Legacy – Saturnalia
Scarlet Records
Date: 13/03/2020
Running Time: 24:16
Review by Victor Augusto
10/10

Maybe it is not a surprise to hear Italian bands exploring their traditional music, like Opera, to play along with Heavy Metal or work on subjects from this beautiful culture. Some bands do it in an epic way while others go deeper into the heaviness or obscure sound. In all cases, they sound unique. In the case of Deathless Legacy, the theatrical side where all interpretations are so strong and are hugely different. So, why not explore the rich Italian history, from ancient Rome to be more specific, in a 24-minutes-long single. If you love songs like ‘Rime of the Ancient Mariner’ (Iron Maiden) or ‘Stargazer’ (Rainbow), you should stop everything you are doing now and join the band on this journey.

Saturnalia was a celebration in ancient Rome that happened between December 17th and 23rd. It was a short period of rebirth when the slaves could enjoy and party as free people. This song tells a specific history, in the year of 86 AD. During a long war, Helius hears that his father Flaccus (the Pater Familia of the Adepphius family) is dying and he should return to be the new Pater Familia as he is the first-born. In the Cimini hills, near Rome, he decides to rest during the night before returning home. There, he rests forever after a criminal sets his tent on fire while he is sleeping. This is done by Tullius Murena’s servant. Tullius’ plan is to kill the first-born son and leave the Adepphius Family weak to own and run their land. What he cannot imagine is how things would change. It is within this scenario that the main character appears. His name is Lucius, a slave of Tullius who was whipped almost until death after he let Tullius’ wine fall on the floor due to a trick from a young child. Lucius recovers himself in time to celebrate Saturnalia with his best friend, and slave, Hecatia.

Declared the prince with horns by the slaves and under command of Laverna, Lucius  gives an order for Tulius to serve him wine during the Saturnalia celebrations and Hecatia uses the same trick of the young child to make him fall on the floor, looking a fool in front all of the slaves. Of course, this joke has terrible consequence and Tullius, feeling humiliated by his slaves, creates an ambush for Lucius and Hecatia. He gives them a secret mission to deliver a gold medallion for his bastard son’s mother. Suddenly, on the way to deliver it, some of Tullius’ servants emerge to rape and kill Hecatia in front of Lucius. After witnessing that murder, he is stabbed by Tullius’ sword. For a moment, he can meet his parents in heaven, but it isn’t his time, yet.

He awakes under the care of Laverna Priestess, the goddess who protects the Underworld from thieves and cheaters. The goddess of what lies in the shadows as no murder or punishment is allowed by what happens in Saturnalia. Tullius calls for him the wrath of Saturn. She heals Lucius with a potion, so he can find himself deep inside and begins his metamorphosis with all his grief and pain!

Spiritually dead, but physically alive, Lucius finds the mortal remains of Helius in the burnt-out tent. He also finds a rope of one of Tullius’ servants and he was still carrying the same gold medallion he carried during the ambush he suffered. He realises that the person who murdered Helius is the same who murdered Hecatia. It is the spark for his revenge. Lucius burns his face and wears Helius’ armour to pretend he is the Adepphius first born. With a disfigured face and using the same armour that Helius used, nobody can recognize him. He returns to his old home and a great feast is made to celebrate it because everyone thinks that Helius is dead. Tulius is shocked and whips the servant that hasn’t killed Helius. Now, Lucius is using a gold mask to hide his pain and fake his existence, as if he is the new Pater Familia. During the feast he shows to everyone, including Tullius, the gold medallion and the servant’s robe. The betrayer is finally discovered and Tullius is taken to die in Rupes Tarpeia. Therefore, the revenge is complete, and it finishes the tale of Saturnalia!

Musically, “Saturnalia” has strong guitar riffs and bass lines from Sgt. Bones and Deadwood Nick. They create many intense moments, from acoustic and melodic pieces to fast and heavy ones, mirroring the tempo of the story. Frater Orion’s drum parts are amazing, he doesn’t let the music become massive and tiring. He plays in many different tempos and variations. Another interesting thing is how the song has a symphonic approach, but pianos, keyboards and orchestrations are not always present. The instruments are very well mixed, bringing the spirit of classic Heavy Metal. Steva’s vocals are brilliant. She has a unique identity to interpret the drama and the history. The interesting thing in her voice is how she uses a melodic side, sometimes a bit angelical, together with a lot of evil power, reminding me of the way that Ronnie James Dio sings.

There is an accompanying short movie/official video of the track and it has the band members acting as characters, with the black and white scenes bringing an epical and dense atmosphere. The more I watch the film; the more this genial creation enchants me. Unique! Majestic! Maybe these words could describe this Italian masterpiece called “Saturnalia”.

Here is a link to the film/video

TRACKLISTING:
1. Saturnalia

LINE-UP:
Steva – Vocals
Frater Orion – Drums
Alex Van Eden – Keyboards
Sgt. Bones – Guitar
Deadwood Nick- Bass

LINKS:
www.facebook.com/Deathlessmetal/
www.facebook.com/scarletrecords/
www.youtube.com/user/DeathlessLegacy
www.instagram.com/deathless_legacy
open.spotify.com/album/3WIl8GeGQusozWJXzEHvap

Disclaimer: This review is solely the property of Victor Augusto and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Absolva – Side By Side

Absolva – Side By Side
Rocksector Records
Release Date: 17/04/2020
Running Time: 58:17
Review by Tsarina Wilson
9.5/10

We welcome back Absolva with their fifth album “Side By Side” and it’s good to hear they have come back in such style. These guys are at the top of their game when it comes to keeping us entertained with their songs! Yes, we can compare some of their music to great bands such as Maiden & Saxon etc but they stand proud on their own merit. With ten new tracks and two covers they give us nearly an hour of pure Heavy Metal! Absolva are led by the strong vocals of Christopher Appleton, who also plays lead guitar and produced the album, along with Luke Appleton (Iced Earth) on rhythm guitar and backing vocals, Martin Mcnee on drums and Karl Schramm on bass and backing vocals. The drumming was recorded in Belgium in November 2018 and other parts of the album were recorded at Rocksector HQ in Manchester during 2019/2020. Mastering was done by Ade Emsley (Iron Maiden, Voodoo Six and Tank amongst others) The front cover art work was the work of Akriant Illustrations (Iron Maiden, Star Wars, Blaze Bayley) and I’m telling you this because Absolva always deliver a great package.

“Side By Side” is very much an album of anthems, ‘The Skies Your Limit’ is one such track with some absolutely crazy riffing and manic drumming, Absolva certainly keep you on your toes. On the title track you can imagine a large crowd singing the chorus at the tops of their voices, fists held high. Just when you think it’s going to be a slower song…boom you get hit by the guitar solo and drumming and then it’s back to the slower vocals and the combination is brilliant. Christopher’s voice is so powerful yet you hear every single word he sings and with the, also powerful, backing vocals coming in at just the right times everything feels spot on!

My favourite track is definitely ‘Legion’! I’ve sat with my head phones on listening to this song over and over and the epic guitar riffs are so air guitar worthy, you end up banging your head along while yelling Legion every time they do (sorry neighbours, oops) but I don’t think the guys would be too worried if they knew, I get the feeling they love what they do and like to whoop up the crowds at their gigs. Other tracks like ‘Eternal Soul’ prove that although they get compared to other great band’s they have their own identity and following. It’s great to hear such a talented bunch, musically and vocally, all combined together delivering quality song after quality song!

The bonus tracks of ‘2 Minutes To Midnight’ (Iron Maiden) and ‘Heaven And Hell’ (Black Sabbath) are both brilliantly covered but never take away from Absolva’s own raw talent, they really stand on their own two feet! Yes we know all bands are influenced by others they have listened to and admired from their past but the fresh material from Absolva, and the very obvious talent they have, puts them on a pedestal!

Absolva are going from strength to strength with each album, this is their fifth since they got together in 2012 (plus a live album/DVD), are certainly showing others how it should be done and that a smaller UK band can easily compete with larger, more established acts. They work tirelessly but absolutely love what they do and it shines through on “Side By Side”. This is an album I shall have on repeat for a long time. Well done lads!

TRACKLISTING:

01. Advocate Your Fate
02. Burning Star
03. The Sky’s Your Limit
04. Side By Side
05. Living A Lie
06. Legion
07. Eternal Soul
08. End Of Days
09. Heart Lets Go
10. From This World

Bonus Tracks:

11. 2 Minutes to Midnight (Iron Maiden Cover)
12. Heaven And Hell (Black Sabbath Cover)

LINKS:

www.absolva.com
www.facebook.com/Absolva
www.instagram.com/Absolva
www.twitter.com/Absolva
www.youtube.com/user/Absolva

Disclaimer: This review is solely the property of Tsarina Wilson and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Scarlet Aura- Stormbreaker

Scarlet Aura- Stormbreaker
Silver City Records
Release Date: 27/03/2020
Running Time: 54:06
Review by Tsarina Wilson
10/10

Well I hope you are all ready for the return of Scarlet Aura because they are back with a bang and a loud one at that. Their new album “Stormbreaker” is like a very heavily shaken can of beer which erupts as soon as the opening track starts and doesn’t stop until the last note of the final song. First track ‘The World Is Not Enough’ is an instrumental but from the first vocal track ‘Metal Hell’, with Aura’s husky, but such powerful, voice you are completely drawn in and from then on, its pure metal all the way!

For those of you who may not be familiar with Scarlet Aura (where have you been living) you are in for a treat. Fronted by Aura Danciulescu, who has the voice of a metal angel, she is joined by Mihai Danciulescu on lead guitar and vocals, Rene Nistor on bass, guitar and vocals and last, but not least, Doru Gheorghita on drums. They are from Bucharest, Romania and pack a potent punch.

“Stormbreaker” continues the trilogy of “The Book of Scarlet”, which consists of three albums and accompanying fantasy books. “Hot n Heavy”, which I was also lucky enough to review, was the first album in the trilogy and was released in 2019 alongside first book “The Book of Scarlet-Ignition”. The books are written by Aura and combine song lyrics and the story of “Scarlet”, so you get an insight into their Metal/Rock world, it uncovers their storyline and for any fan it’s an absolute must.

It features the previously released single ‘High In The Sky’, which was debuted on their summer tour in 2019. It may start like some metal ballad but don’t be fooled by that and Aura’s vocal range is mind blowing. One thing I have found with all of their music is, no matter how intense it is you can hear every word that is sung! With this particular track I can imagine lighters/torches in the air and people singing it at the top of their voices.

One of my favourites is ‘Daddy’s Lil Monster’ this track has it all including great guitar riffs and drumming. It contains the line “I’m on your skin to skin like a spell” and this track will get under your skin and stay there; you won’t get it out of your head and will be singing it for hours. However, I think once you listen to ‘Scarlets United’ you will be hooked totally and this album will be on permanent repeat! This track is like a fan call and if we are all invited to be part of Scarlet United, well I’m signing up to be a part of it.

No matter which is your favourite track you cannot get away from the intense musicianship which sometimes overwhelms you. Not many Rock/Metal bands can combine catchy yet compulsive listening like Scarlet Aura do. Tracks dig into subjects that many bands don’t seem to cover from personal feelings of love to having the courage to do things and they aren’t scared to cover the journey of things that not only trouble others but themselves as well. Most of you would have heard of the quote “Music soothes the soul”, well Scarlet Aura are a band that do that for me. You can sit back and chill out to a track while the next has the hair on your arms standing on end and the next has you with your fist in the air.

Is it possible to sum up “Stormbreaker” in a few words? Powerful, mind blowing and unique come to mind but that doesn’t begin to cover it. Scarlet Aura go from strength to strength with each release and Aura makes a good point in one of her comments “Music heals the spirit, metal heals the heart”; yes, you are so right.

Scarlet Aura will be on tour in Spring 2020 which will see them playing through Germany, Switzerland, France, United Kingdom, Czech Republic, The Netherlands and Austria together with Visions of Atlantis and Edenbridge along with solo album release shows in Romania and Bulgaria. Beyond that they have already announced tour dates for the Autumn where the band will join Primal Fear and Freedom Calls, as guests, for 24 concerts in 10 countries during September-October 2020.

TRACKLISTING:

01. The World Is Not Enough
02. Metal Hell
03. Battle Cry
04. Stormbreaker
05. Loose Cannon
06. I Am The One
07. High In The Sky
08. The Heretic
09. Daddy’s lil Monster
10. A Blast From The Past
11. Scarlet United

LINKS:

http://www.scarletaura.net/
https://www.facebook.com/scarletaura
https://www.facebook.com/groups/scarletsunited/
https://www.instagram.com/scarlet_aura_/
https://www.youtube.com/scarletaura/
https://twitter.com/Scarlet_Aura_

Disclaimer: This review is solely the property of Tsarina Wilson and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

EMQs with Acid Reign

521_logo

EMQs with Acid Reign

Hi everyone. Welcome to our new EMQs interview with Acid Reign. Huge thanks to vocalist Howard H Smith for taking park!

 
What is your name, what do you play and can you tell us a little bit about the history of the band?

My name is Howard H Smith and I am vocalist with UK thrash band Acid Reign. We go back to the 80’s so history available here
https://en.wikipedia.org/wiki/Acid_Reign   It’s too much to type! 😊

How did you come up with your band name?

Bass player came up with it.

What country are you from and what is the Metal/Rock scene like there?

England. All good thanks, thriving.

What is your latest release? (Album, EP, Single or Video)

New album “The Age Of Entitlement” was out on September 27th 2019.

Who have been your greatest influences?

Fish from Marillion.

What first got you into music?

Marillion made me fall in love with music. I already liked music but they were my first love.

If you could collaborate with a current band or musician who would it be?

We are collaborating with one of my favourite artists Suzanne Vega on our new album.

If you could play any festival in the world, which would you choose and why?

Goodwood Festival of Speed, some of the most awesome cars you will ever see all gathered in one place. Heaven.

What’s the weirdest gift you have ever received from a fan?

A handmade Acid Reign lighter for my 47th birthday in Almera Spain.

If you had one message for your fans, what would it be?

See you out on the road!

If you could bring one Metal/Rock star back from the dead, who would it be?

Dave Mustaine. Too soon?

What do you enjoy the most about being a musician? And what do you hate?

Performing live and creating new music. People moaning on social media because bands do not plan their careers/tours/releases around THEIR wishes. Hence The Age Of Entitlement”.

If you could change one thing about the music industry, what would it be?

Festivals/venues taking a percentage of merch sales.

Name one of your all-time favourite albums?

Reign In Fucking Blood!

What’s best? Vinyl, Cassettes, CD’s or Downloads?

CD’s for the car, Vinyl for the house and Downloads on the move.

What’s the best gig that you have played to date?

Bloodstock 2015, hands down the best show this band has EVER played.

If you weren’t a musician, what else would you be doing?

I have been a stand-up comedian for 25 years and still am!

Which five people would you invite to a dinner party?

Mohammed Ali, Gore Vidal, Bill Hicks, Salvador Dali and Jeff Hanneman

What’s next for the band?

Touring our first album for 29 years, festivals and all that good stuff.

What Social Media/Website links do you use to get your music out to people?

Here you go:

https://www.facebook.com/acid.reign.thrash

https://www.instagram.com/acidreignukac/

https://acidreign1.bandcamp.com/

http://wwwyoutube.com/user/AcidReignTV

Jaffa Cakes! Are they a cake or a biscuit?

It’s a biscuit! You can tell by the shape and size, it’s a cake in name only.

Thank you for your time. Is there anything else that you would like to add?

Thank you for the support and to all of you reading this. It feels great to be back with a new album after all these years. If you haven’t heard it please seek out The Age Of Entitlement I promise it’s not shit! 😊

Thanks that was a lot of fun with some cool and unique questions.

 

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

 

EMQ’s with In Depths

In Depths Logo

EMQ’s with In Depths

Hi Everyone. Welcome to our new EMQ’s interview with Chester based Metal band In Depths! Huge thanks to Vocalist Callum Smith for taking part!

What is your name, what do you play and can you tell us a little bit about the history of the band?

Callum from In Depths here, I do vocals, I joined in October 2018 taking over from Liam Ruddock.

We formed in 2012 in college between members in Chester & Wrexham. Over the next few years there were several releases with varying changes in sound but with one constant, it’s always been heavy, this led up to the first full length album “Devil In The Deep” in 2018 which has seen success over varying platforms.

We have spent the last year playing lots of shows across the UK which has led us to meet & play with some great bands both on tours & in festivals.

How did you come up with your band name?

Liam originally came up with the name but I know depression & mental health were very important subject matters to him so to hazard a guess & say what I take from the name it would be struggling with mental health ‘drowning in the depths’ if you will & I think the album title almost confirms this.

What country are you from and what is the Metal/Rock scene like there?

From the UK (North Wales & England) it has a decent metal & rock scene, especially in terms of hardcore acts there’s a lot of really good music coming from some great guys. The underground is teeming with talent & energy right now. I think people are getting very pissed off with austerity & the effect it’s having on both health and mental health. The UK is angry and it shows.

What is your latest release? (Album, EP, Single or Video)

The “Devil In The Deep” album which has recently seen its one year anniversary, but we have some new music recorded & just being finalised for its release.

Who have been your greatest influences?

Personally I have many, gangster rap from early 2000s & metal like Marilyn Manson, Slipknot & the nu metal of the same period kicked it all off, flowing into the metalcore & deathcore scene of my teen years. Bands like Whitechapel, Job for a Cowboy, Waking the Cadaver creating the urge for needing something heavier as I grew older & bands like Cradle of Filth & Theatres Des Vampires pushing me towards something a little more melodic, whether that went into the speed and noise of gore & slam bands or simple thick low end heaviness of bands like Emmure or heavy yet beautifully melodic things such as Shadow of Intent’s titan of a release earlier this year.

I know our drummer Aaron was massively inspired by Chris Adler & Joey Jordison growing up, as teenagers we would watch these guys online all the time.

They all get thrown into the pot along with the rest of the guys influences but Nu Metal was huge for all of us so you’ll hear a lot of those influences in In Depths’ music.

What first got you into music?

I first started listening to the early 2000’s gangster rap that my brother would have on but oddly enough upon playing Need for Speed on PS2 I was introduced to metal. It was so angry and raw, I had to hear more.

From there I went to HMV & bought Marilyn Manson’s “Smells Like Children”, frankly it freaked me out but it grew on me and obviously shaped the love I have for evil sounding music.

If you could collaborate with a current band or musician who would it be?

Personally it would be Marilyn Manson, the dude is a genius & his vocal style is incredible, working with the man would be my life complete he’s always been a massive idol to me.

If you could play any festival in the world, which would you choose and why?

Headline Coachella for the ensuing hilarity.

But in all seriousness we ain’t fussy, Download is obviously a huge one but I think really if Warped Tour came back I’d kill for a slot.

What’s the weirdest gift you have ever received from a fan?

In Scotland playing at The Fishermans Arms in Arbroath a few fans wanted us to sign set lists (which was an honour in itself) this one dude then eats the signed set lists whole making sure he shows me his open moth when finished so I knew he swallowed the entire thing.

So yeah if anyone wants to get us a gift just eat weird things for our amusement, it is appreciated.

If you had one message for your fans, what would it be?

To just be yourself & fuck what everyone else thinks. There’s so much pressure at the moment from family, friends, society etc. To be this & think that! Everyone has to be pigeon holed to a group & it’s so divisive, it’s complete bullshit. So yeah fuck all that.

If you could bring one Metal/Rock star back from the dead, who would it be?

Can I have two? Euronymous & Dead from Mayhem I want to know what really happened, those dudes have got to have some crazy stories & an old school line up Mayhem tour? Yes please! I’m sure Varg would be up for it.

What do you enjoy the most about being a musician? And what do you hate?

I love the feeling of being on stage, you sort of go into this headspace where you’re not really in control of your body & it’s amazing, pure ecstasy for at least an hour afterwards & love talking to new fans we’ve made at the show.

Worst thing is definitely (for me anyway) sleeping in the van & not being able to shower. I love my home comforts. (The lads rip on me for this)!

If you could change one thing about the music industry, what would it be?

More chances for local supports on bigger tours, I think it would be great to see the local lads opening for the big boys in the game. It would get their music out to a much wider audience because sadly there are people who don’t tend to frequent local gigs but go to see the larger bands playing.

Name one of your all-time favourite albums?

An album which means a lot to the band is Slipknot’s “Iowa”, it’s heavy and aggressive in a way that until that point hadn’t really been done and you can feel the effects of that album in so many metal & punk releases since as it is in our own music but personally I’d have to say Whitechapel’s “This Is Exile”. It blew me away vocally and a lot of the reason I do the style of vocals I do is because of that album.

What’s best? Vinyl, Cassettes, CD’s or Downloads?

For convenience I can’t deny downloads and the power they hold, it would have been impossible for us to have been heard by so many without the medium of download & streaming. On the flip side though I can see what harm it’s causing to bigger artists & nothing beats being able hold the product in your hand with this large artwork print so vinyl is the most satisfying as a consumer.

What’s the best gig that you have played to date?

Personally it was a hometown show we played in G21 in Chester, was only a small room but it was packed and the energy was insane. Everything was getting broke, glasses, mic cables, faces. Conducted my first wall of death, spent half the show in the pit to my own band & managed to do the encore feeling like I was on the verge of passing out of exhaustion.

It was the moment that made me go, this is home & this is what I need to be doing with my life.

If you weren’t a musician, what else would you be doing?

Well my other job is selling wood & agricultural products but I wouldn’t like to say I’d choose to be doing that. I’d actually really enjoy owning my own coffee shop so we’ll go with that, but music is the only thing I could see myself doing with as much passion.

Which five people would you invite to a dinner party?

1. Marilyn Manson (do I need to explain this one?)
2. Dickie Allen, I have a lot of respect for that man, he is a literal demon.
3. Junji Ito. A Japanese comic book horror artist, we couldn’t understand each other but he could draw me some great pictures.
4. That guy who makes fried doinks on Youtube.
5. Kanye West. He is our lourd and savior Yeezus.

What’s next for the band?

A few singles to be released to show the world the new In Depths. Shows, shows & more shows & writing for album number 2.

What Social Media/Website links do you use to get your music out to people?

https://www.facebook.com/InDepths/
https://www.instagram.com/indepthsofficial/
https://open.spotify.com/artist/4zDa3H9E7FwzkrUGkl0n4n

Jaffa Cakes! Are they a cake or a biscuit?

CAKE! Science proved it, they go hard when stale not soft like a biscuit.

Thank you for your time. Is there anything else that you would like to add?

Keep an eye out for new music & new video very soon along with some new lines of merch.

We’ll be destroying a town near you in 2020.

 

 

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

EMQ’s with Reaper

Reaper Logo

EMQ’s with Reaper

Hi Everyone. Welcome to our new EMQ’s interview with Liverpool based Metal band Reaper! Huge thanks to Vocalist, Guitarist and, apparently, punch bag Daniel Moran for taking part!

What is your name, what do you play and can you tell us a little bit about the history of the band?

Dan here! I’m the Lead Vocalist, one of the guitarists, and the designated comedic punch bag of the group. I do the latter brilliantly and the two former probably above average!
We started in 2011 with our first show being March 22nd. Anthony (Dalton) and I have known each other since we can remember and started learning Metallica tunes in my attic in our early teens. We’ve very slowly started to understand what it takes to call yourself a “serious project” and, in the first few years of fumbling about, we learned that the hard way. We were just dumb kids writing thrash head songs for the first time without any real clue of how the industry worked.

With the line-up we have now, we genuinely think that time spent understanding ourselves creatively will pay off in the long haul. Here’s to another 10!

How did you come up with your band name?

Ant said it one night and our eyes lit up and that was that! No major story there unfortunately, but, as the years have gone by, we’ve started to really relate to the name creatively aside from it being a catchy, one word name.

What country are you from and what is the Metal/Rock scene like there?

We’re from the UK, despite our bassist, Elliott, being part Greek, and Dalton being half Sicillian. Couldn’t tell you what the scenes are like there but the scene in England is bizarre. There are spaces like Plymouth, Manchester, and Glasgow that have treated us amazingly and have sourced some of the best crowds we’ve ever played for. On the other hand, our hometown is super hit and miss! We’re fortunate in that we have a very dedicated core fan base at home, but the venues are very few and far between and there are some nights where it can be pretty barren. We’ve seen some bands play to 100 people one gig and 6 months later play the same place with a serious PR push and barely break even. It’s very strange!

What is your latest release? (Album, EP, Single or Video)

Our latest single, as of now, is ‘Death Games’ (available on all major streaming services!!!). We recorded in the Motor Museum with Loïc Gaillard and the man is a godsend. We have never worked with such a forward thinking and productive engineer before and he is our go to for our eventual second release. We love you Loïc!!!
https://open.spotify.com/album/24UIv9qr9Yudif9NZXwWTQ

Who have been your greatest influences?

Over the years, the Testament, Megadeth, old school Metallica, and Iron Maiden influences have been plentiful. That said, this new line-up we have; it’s changed our scope a great deal in terms of what we’re coming up with to push the envelope. We’d say we are leaning WAY more into the progressive elements. We take inspiration from almost anywhere.

Elliott is a huge black metal fan, but equally loves Type O Negative, Scouse Dave is a modern metal fiend but is also an Elton John fanatic, Ant’s three favourite artists are Thin Lizzy, Megadeth and fuckin Eminem, and I’m a colossal Prog head but will equally scream along to The Pointer Sisters. It’s very eclectic but that’s what makes the creative energy in the room so freeing. There are absolutely ZERO boundaries.

What first got you into music?

My Dad found some old cassette tapes from the attic when I was a kid and got me to take a car ride with him one night to show me some stuff. Foreigner’s Urgent came on first and I enjoyed that but then Jukebox Hero came on and I was just entranced. All I can remember was saying to my Dad “I want to do that”. Never looked back!

If you could collaborate with a current band or musician who would it be?

Jesus, we can only pick one!? I mean, the dream would be supporting someone like Metallica or Judas Priest; the classic names. I’d obviously be ecstatic to work with Devin Townsend personally. However, if we’re talking someone we could see happening soon? I’d personally love to call out for Caligula’s Horse to come over to the UK and have us support them! If you haven’t heard them, get their album “Bloom” immediately, it is a must.

If you could play any festival in the world, which would you choose and why?

BLOODSTOCK! BLOODSTOCK! BLOODSTOCK! I’ve said it once and I will say it again. There is no place in the gigging area ANYWHERE in the UK that feels more like home. We’d play there every year if they’d have us. We’re really pushing ourselves after Simon Hall saw us at our M2TM Grand Final as the guest headliners and gave us some much appreciated, critical advice.

If anyone at the BOA camp sees this, you have our sword for as long as Catton Hill stands. Hellfest would be amazing too!

What’s the weirdest gift you have ever received from a fan?

Well we’ve not received a gift from a fan but thank you dearly for making us so insecure RICHARD!! (we love you really)

The strangest thing that happened to us as the result of a fan was a dude who had literally spent 3 years waiting to catch us live and, as soon as we finished our first song, before the crowd even had the chance to applaud, he just screamed “I HAVE BEEN WAITING ALMOST HALF A DECADE TO SEE YOU AND IT HAS FINALLY HAPPENED THANK YOU CHRIST!” Guess he was into it?

If you had one message for your fans, what would it be?

WE HAVE A SHOW DECEMBER 15TH AT REBELLION AND WE’RE PLAYING LOADS OF NEW SHIT SO BUY STUFF AND COME DOWN.

Also thank you all for your continued support we love you long time <3

If you could bring one Metal/Rock star back from the dead, who would it be?

Dio! Without hesitation! He left an enormous hole that isn’t getting filled any time soon. Hearing about him having passed was absolutely devastating. To have had him around just a little bit longer to tell him how much he has influenced us would have meant the world.

What do you enjoy the most about being a musician? And what do you hate?

For the band, I’d say what we love is experimentation. Metal elitism is something we absolutely loathe. The idea that being boxed into one position is how to be “a true metal band” is just asinine. We purposefully do our best to push the envelope and try different things so that we can find what makes us really tick as a unit. That’s what has made writing with this project so fulfilling for me.

The worst thing? The uncertainty! Let me make something clear to anyone reading this that isn’t aiming for a career in the music industry. This isn’t a fucking hobby. Musicians find themselves spilling their hearts out into their written works as well as needing the practical know-how to keep it running like a business. Planning tours, new merch, sending EPKs, recording albums, financing the whole thing; it’s all seriously hard work. To have the indoctrinated idea of luck being your arbiter in the back of your head, if you REALLY want to make a living doing this, is scary as all hell.

If you could change one thing about the music industry, what would it be?

The politics! We couldn’t care less what band likes who, who had problems with what project, whatever else. This job is hard enough without the bullshit bickering. Drama obviously brings eyes towards you but the stress of keeping that facade up is tangible, man. I don’t know how anyone could do it. Cancel culture online has a lot to do with it. We’ve got a lot to say on this next disc we’re working on regarding all that.

Name one of your all-time favourite albums?

To shed some light on a stellar local disc, “Legion” by Scare Tactics is an absolute triumph of an album. It is criminal that ST haven’t been picked up yet. Recommend them to the moon and back!!

What’s best? Vinyl, Cassettes, CD’s or Downloads?

It kind of depends on what you’re using it for and the convenience of it really! If we’re talking strictly about the sound of each, I’d say vinyl. There’s an imperfect warmness to them that I just cannot fault. A belter sound system, a top notch player and a night in! Cannae beat it pal!!

What’s the best gig that you have played to date?

With this line up, I’d say Glasgow. That crowd was just absolutely insane. They were by far the rowdiest bunch of guys we’ve ever played to and they’re super welcoming. We would absolutely love to come back.

All together though, I’d say BOA2017! The tent was packed to the rafters, even Theresa from Metaprism said it’s one of the biggest New Blood Stage crowds she had ever seen! And to send off our pal Chris Lillie properly there just felt fitting. It wasn’t the best we’ve ever played, but it was the best we’ve felt in front of a crowd.

If you weren’t a musician, what else would you be doing?

Truthfully, no idea! I have a lot of interests outside of music for sure but nothing that would fulfil me the same way. I’d like to consider being a therapist of some form, or maybe a chef? Tough question really! Short answer: something that wouldn’t leave me in a state of existential crisis on the reg.

Which five people would you invite to a dinner party?

I’d get Boris Johnson and have four cardboard cut outs of Trump surrounding him with “you never called” stapled to their chin.

I’d cook gammon.

What’s next for the band?

Finding shows for 2020, working MUCH harder on our YouTube page so you guys can get a little closer with us, a kickstarter for our second album, new single, more artwork and merch from our wonderful endorser, Crossfade Graphics, tighter live shows, some special occasion shows and HOPEFULLY getting ourselves around the festival circuit!

Next year is our year man, we can feel it in our bones.

What Social Media/Website links do you use to get your music out to people?

We are on ALL major streaming platforms and we are super active on Instagram, Facebook and Twitter SHAMELESS PLUGS!!
https://www.instagram.com/officialreaperuk/
https://www.facebook.com/OfficialReaperUK/
https://twitter.com/BandReaper

Jaffa Cakes! Are they a cake or a biscuit?

If you call Jaffa Cakes biscuits, you pronounce the J in fajita.

Cakes go hard when you leave them out. Biscuits go soft. Jaffas go hard, ergo they’re a fucking cake.

Thank you for your time. Is there anything else that you would like to add?

Our best wishes to the Ever Metal family and a huge thanks to you guys for having us!

 

 

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

SuidAkrA – Echoes Of Yore

Echoes Of Yore Cover

SuidAkrA – Echoes Of Yore
MDD Records
Release Date: 15/11/2019
Running Time: 50:41
Review by Victor Augusto
9/10

We are almost at the end of 2019, with a new decade upcoming in less than a month, and I keep thinking to myself about the new styles/genres that will quickly appear and disappear like has happened in previous decades. I also wonder why Heavy Metal listeners are still so worried about the farewell tours of the mainstream bands, considering that we have plenty of new killer bands around the world. One other thing that I reflect on is how bands that were considered young a few years ago are now reaching, what can be considered, long careers and it is astonishing how they keep themselves alive and active. Within all of those questions the name SuidAkrA appears as a good example of what we will have in the near future.

The German Celtic Heavy Metal band SuidAkrA is celebrating 25 years of non-stop releases and tours. Instead of offering an easy and boring compilation album, why not record the classic and most famous songs again? With this in mind, they decided to ask their fans to choose 10 songs to re-record with a modern production but without losing the original spirit. But, they also had an extra gift for their fans and recruited former member Marcel Schoenen to record his original parts, increasing the original spirit of the record even more.

No matter from which album each song was originally released, the way that the band have worked this and the order they have put the songs in make the listener feel like they are listening to a new album. All the tracks connect to each other! If you like Celtic music then it is, obviously, the main influence here, but you can also hear Melodic Death Metal, similar to Dark Tranquility and even a touch of Black Metal but it is very well diluted in arrangements like ‘Hall Of Tales’. The beautiful and classic ‘Rise Of Taliesin’ (at least classic for me) comes at a perfect moment to calm down the listening.

I could spend hours describing each song, but they are all highlighted as favourites by the band’s fans and they received great attention during the re-recording process. I believe the band made the right decision to make “Echoes Of Yore”. If you have been a fan of SuidAkrA since the early days then you will enjoy this record. However, if you don’t know this classic German band, it is the perfect opportunity to discover the best of them and hear the great mix of heavy styles that the band incorporates over their Celtic music. After all, it’s not every day that a heavy metal group hits their 25th Anniversary

TRACKLISTING:
01. Wartunes
02. The Quest
03. Havoc
04. Morrigan
05. Rise of Taliesin
06. Hall of Tales
07. Pendragon’s Fall
08. Banshee
09. Warpipes Call Me
10. Lays from Afar

LINE-UP:
Arkadius Antonik – Vocals, Guitars, Orchestral Arrangements
Sebastian Jensen – Clean Vocals, Guitars
Tim Siebrecht – Backing Vocals, Bass
Ken Jentzen – Drums
Shir-Ran Yinon – Violin
Catalina Popa-Mörck – Flute
Bernhard Mahlmeister – French Horn
Robse (Equilibrium) – guest vocals on ‘Havoc’
Sascha Aßbach – Backing Vocals

LINKS:
https://www.suidakra.com/
https://www.facebook.com/Official.SuidAkrA/
https://www.instagram.com/suidakra_official

https://www.youtube.com/user/SuidAkrAoffical

 

Promo Pic1

 

 

Disclaimer: This review is solely the property of Victor Augusto and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Absolva – Flames Of Justice

Flames Of Justice Cover

Absolva – Flames Of Justice
Rocksector Records
Release Date: 05/11/2012
Running Time: 51:47
Review by Rick Tilley
9/10

Hi Everyone. One of the previous places I wrote reviews for was US Radio Station Brutiful Metal Radio which closed its doors a while back and their website disappeared along with all the reviews I wrote! I thought it would be great if we could repost the reviews on Ever Metal so that they are not lost completely and, possibly, you can discover some great albums and bands you may have missed the first time around! Do bear in mind that line-ups may have changed and, in some cases, the bands may be no more but the albums created at that time are what is important so delve into the fairly recent path and have a read!

This Absolva review first appeared in 2013

What happens when your band is on the verge of breaking through and then the bass player gets asked to join metal titans Iced Earth? That is what happened to heavy rock trio Fury UK last year. Instead of replacing Luke Appleton, brother, lead guitarist and vocalist Chris Appleton and drummer Martin McNee put that band on hiatus and formed Absolva, “Flames Of Justice” was their debut album released in the second half of 2012 and they hit the ground running faster than Usain Bolt on steroids. Fusing the heavy rock sound of their previous act with classic metal bands such as Iron Maiden, Judas Priest and Saxon “Flames Of Justice” is a blinding album. Joined here by bassist Dan Bate and lead and rhythm guitarist Tom Atkinson (who has since departed due to other commitments), Absolva aren’t completely retro though. There is enough of a modern twist to their sound to keep fans old and new very happy, a point proved by the size and diversity of crowds at their gigs.

“Flames Of Justice” kicks off with the screaming title track, and that alone leaves you in no doubt that Absolva mean serious business. Followed by ‘Hundred Years’, ‘Code Red’ (which is sure to become a live classic),’From Beyond The Light’ and ‘Breathe’, which thanks to Chris Appleton’s slightly Dave Mustaine style delivery could be a Megadeth song, in fact “Red Lamb”, Mustaine’s recent collaboration album with Dan Spitz would be a good reference point for Absolva. This is full of crunchy riffs, choruses that stay in your brain long after the album has finished, great solo and duel guitar work that fits the songs extremely well, a good variety of tempo and rhythm section of a very high calibre that ties the whole thing together beautifully. “Flames Of Justice” has been well produced, mixed and mastered by Matt Elliss, although if anything he hasn’t quite managed to catch the raw power that Absolva share on the live circuit. That is a pretty small criticism though for a band that really is set to keep the spirit of classic metal alive if they continue to produce work of this quality.

There is something strangely alluring about Absolva’s music. It feels very familiar, as if you have known the band for years, but at the same time it adds new and exciting flavours, a bit like a good wine, and that great mix has had me going back to this album time and time again to enjoy its contents. Another of the great bands on Rocksector Records you genuinely have to keep an eye out for Absolva because they are going places!

TRACKLISTING:
01: Flames of Justice
02 .Hundred Years
03: Code Red
04: It Is What It Is
05: Breathe
06: State of Grace
07: From Beyond the Light
08: Free
09: Love to Hate
10: Only When It’s Over
11: Empires

LINKS:
http://www.absolva.com/
https://www.facebook.com/absolva/

https://www.instagram.com/absolva/

https://www.youtube.com/user/Absolva

 

 

Disclaimer: This review is solely the property of Richard Tilley and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Ashen Crown – Obsolescence

Obsolescence Cover

Ashen Crown – Obsolescence
Independent
Release Date: 01/11/2019
Running Time: 42:24
Review by Sheri Bicheno
9.5/10

One thing you have to be absolutely clear about when you listen to Ashen Crown… is that you are going to get a walloping!

These guys have been going for almost three years and in that short time have taking a slice of the underground music scene like their very own hot morello cherry pie. SO! GOOD!

Their first major festival was Bloodstock’s New Blood Stage in 2017 and Ashen Crown have catapulted into both headlining and line-up shows including supports for some of the best; Obituary, Memoriam and King Parrot plus storming fests such as HRH Metal, Hammerfest, Uprising, and Manor Fest. This speaks volumes. If you haven’t seen these guys perform and want some filthy riffs to mesmerise you, then you have to give them a go.

Debut album “Obsolescence” does not disappoint.

I’m detecting tones in this album’s concept that a HUGE change will be happening in life before long… to become OBSOLETE! Faith, fate, politics, life and death or destruction! Lyrically, there are several tracks that shine a light on this.

First track ‘Unbroken Faith’ introduces the craft of Ashen Crown with ringing bells and rain, almost like something you would expect from a Black Sabbath track. Then an almost doomy riff slowly sets in… sedate, seductive…and then BAM, vocalist Kieran Scott starts off deep, gnarly and fast paced while the guitars, drums and bass come in hard, matching the vocals. It’s not very often an opening track takes you on a journey of pure onslaught and sets the bar for the rest of the album…however, ‘Unbroken Faith’ gives you tingling anticipation for what’s coming next!

On next track ‘Crimson Sea’, Mike Ellis’ drums are exceptionally fast and ever changing in direction. They absolutely batter you matching the aura of this album exactly. Guitarists Ste Fowkes, Jay Rogers and bass player Phil Milman take you down a winding path with their combination of riffs and strings. Let them take you with them…this is gonna be a hell of a journey!

What I really love is at about three minutes in the polar opposite happens… compete calm and all is quiet. Black and Grey…grieving strings and whispers which say “I wipe the ash from my eyes…, these rotting bodies burning around me!” The elements here are of an expression of loss and a fire burning dim. Use that as a metaphor however you might like. The beauty of music is that you can express it in any way you hear or feel it.
Then… we are taken upwards again through flames and utter destruction until the fade out. ‘Crimson Sea’ is going to be absolutely face-melting live!

Third track ‘Ultimatum’ hammers straight into you from the outset. This is a voyage of pure evil riffs and winding strings, fast paced and aggressive… then a third of the way through, another quiet section and a slowly rising shadow, with Kieran’s whispering growls and one heck of a build-up. The guitars here really shine and give you an utterly transdimensional space goat feel. (Rick here! I’m not quite sure what a ‘transdimensional space goat feel’ is but after listening to “Obsolescence” many times myself I can say that, whatever it is, it’s damn good!). Come away from this track with your mind set on what you should now fully expect for the rest of this album!

‘Right To Rise’ is full of riffing and hammering, the drums here are again, incredibly fast and pounding. There is no break in energy on this track and it full on pelts you. I imagine live it would suit those who like to non-stop pit throughout a song. It is absolutely chaotic and Kieran’s demonic growls are in full swing, in fact this is a very good example of how Kieran’s vocals and the rest of the band sync well with the pace. Fast vocals, riffs, bass and drums throughout… and they are perfectly in unison.

Track five is ‘Guilty Of Hatred’ and I gotta say – this reminds me more of a Thrash Metal Ashen Crown. Higher pitched vocals kick in half way through…“The voices speak to me. They tell me I am not the problem”! Say no more, the message is loud and clear!
This is a track full of energy and jump and I am envisioning a full on circle pit here in my lounge to this. I LOVE how this track is set out lyrically; sending the message of a battle of inner love and peace!

Next up is ‘Blood Beneath Us’ and, if you didn’t know, Ashen Crown have released an accompanying lyric video for this one.

This track introduces us to a suspenseful but mellow opening riff. Some hard hitting riffage and drums then come along and pull the metaphorical rug from beneath your feet for a little while. Then the chorus hits and there is a playful edge to of some of the lyrics. Pure evil tones are right here and then…Kieran’s demonic growls are beautifully accompanied and opposed by the operatic and haunting vocals of Francesca Stevens which places the perfect cherry on the cake to this track. ‘Blood Beneath Us’ is completely different to Ashen Crown’s other tracks and is a welcome change. There is a very beautiful balance apparent.

Nearing the end ‘Fall Of Thine Eyes’ gives us our last journey into that fast space rushing past you with harsh vocals and face melting riffs that get you moving like there’s a twister chasing you. This bit of chaos ironically eases us into the very last track ‘Under The Leaves’ which, shows a very raw, emotional and slightly softer, more melodic side to Ashen Crown. I think this one is one of my favourite tracks. It starts slow and spacey, taking you through the aftermath of all the chaos of the previous tracks… but still retains its own aggression and fire. I tell you what, turn off all the lights, lay down or chill out and blast this track. Let it take you places to still keep your fire burning…euphoria in the dark!

Also, it is worth mentioning that “Obsolescence” was recorded and mixed by Neil Hudson of Krysthla/Initiate Audio – hence, this beast of an album’s fantastic sound quality.

TRACKLISTING:
01. Unbroken Faith
02. Crimson Sea
03. Ultimatum
04. Right To Rise
05. Guilty Of Hatred
06. Blood Beneath Us
07 Fall Of Thine Eyes
08. Under The Leaves

LINE-UP:
Kieran Scott – Vocals
Ste Fowkes – Rhythm Guitar
Jay Rogers – Guitar
Phil Milman – Bass
Mike Ellis – Drums

Links:
http://www.facebook.com/ashencrown.uk
http://www.twitter.com/AshenCrown
FATangel PR Social Media:
F: http://www.facebook.com/fatangelpr/
T: http://www.twitter.com/fatangel_family
PR: Dan Carter dan@fatangel.co.uk

 

ACpromo3

 

 

Disclaimer: This review is solely the property of Sheri Bicheno and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.