Dozer – Re-issues

Dozer – Re-issues
In The Tail Of A Comet/Madre de Dios/Call It Conspiracy
Heavy Psych Sounds
Release date: March 2020
Running time: 35:06/37:34/53:18
Review by Alun Jones
8.5/10
9/10
9.5/10

Don’t you just love it when you find a new band to obsess about? Music so awesome, so perfect that it just lights up your life. Well, Dozer have filled that gap in my existence recently – I can’t believe how I endured without them before. Though these three albums are all reissues from the early part of the 21st century, so fuck knows what I’ve been up to for the last 20 years. Seriously, what was I doing back then that meant I missed out on this?

Hailing from the wonderful land of Sweden, a place which must have some kind of genetic master code for musical excellence, Dozer are a mighty stoner rock collective delivering heavy, intense and groove laden tunes. I don’t know how or why the Swedes are so good at this – is it the long, dark winter isolation? The never-ending day light in summer? Agnetha Falkstog’s tight pants? There’s something magical happening there, that’s for sure.

Italian label Heavy Psych Sounds have done the world a remarkable, philanthropic favour by re-issuing these three albums by the band. And, praise Tony Iommi, on beautiful, sexy vinyl too. This really is a wondrous, benevolent gift to bestow upon us. 

So, what does the music sound like, you ask (at least you do if, like me, you were clueless enough to be unaware of Dozer previously)? First album 2000’s “In The Tail Of A Comet” (8.5/10) erupts into beautiful, head nodding, rolling riffs from the off. Layers of fuzzy, psychedelic invention and heavy rhythms usher us into their world. A particular highlight is the finale, ‘High Roller’, where although the band take their foot off the gas a little, they create a trippy, vast soundscape to get lost in.

Nay-sayers may choose to point out Dozer’s obvious similarity to Kyuss; hell, even singer Fredrik Nordin sounds like a carbon copy John Garcia. With their second album, 2001’s “Madre de Dios” (9/10), that influence becomes less pronounced as their own creativity develops. This second album seems more brutal, more aggressive. It doesn’t take long, however, to reveal more textures and experiments with the formula – see ‘Earth Yeti’. Album number two is a faster, heavier, punkier version of Dozer – yet still expanding on the desert rock template.

By the time we get to the final album of this reissued trio – 2003’s immense “Call It Conspiracy” (9.5/10) – Dozer have developed their own sound and personality yet further. The Kyuss/FU Manchu influence is still there, but Dozer have grown into something of their own. This album is the heaviest, most “metal” work – but still creative as it stretches those stoner boundaries into new, warped shapes. Whether it’s full throttle rock’n’roll with lead track ‘The Hills Have Eyes’ or groove laden head-nodder ‘Man Made Mountain’, there’s much to explore here.

Gushing praise, indeed: but if you, dear reader, are a fan of the crushing riffs, unrestrained groove and sonic washes of stoner/desert rock – these Dozer albums are highly recommended. Tune in, turn on and explore these revived classics now.

TRACKLISTINGS:

In The Tail Of A Comet (2000):
01. Supersoul
02. Lightyears Ahead
03. Speeder
04. Inside The Falcon
05. Riding The Machine
06. Cupola
07. Grand Dragon
08. Captain Spaceheart
09. High Roller

Madre de Dios (2001):
01. Let The Shit Roll
02. Freeloader
03. Soulshigh
04. Octanoid
05. Earth Yeti
06. Full Circle
07. Mono Impact
08. Early Grace
09. TX-9
10. Thunderbolt

Call it Conspiracy (2003):
01. Hills Have Eyes
02. Rising
03. Feelgood Formula
04. The Exit
05. Spirit Fury Fire
06. A Matter of Time
07. Man Made Mountain
08. Way to Redemption
09. Crimson Highway
10. Black Light Revolution
11. Glorified
12. Lightning Stalker

LINE-UP
Tommi Holappa – Guitar
Fredrik Nordin – Guitar/Vox
Johan Rockner – Bass
Olle Mårthans – Drums

LINKS:
www.dozermusic.com/
www.facebook.com/dozerband
www.instagram.com/dozer_band/
www.lo-fi-merchandise.com/band/dozer/
www.spotify.com/artist/57VFYrmiB0eCM2qXZmV96N
www.youtube.com/user/wwwdozermusiccom
www.heavypsychsounds.com/
www.facebook.com/HEAVYPSYCHSOUNDS/

Disclaimer: This review is solely the property of Alun Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Alunah – Violet Hour

Alunah – Violet Hour
Heavy Psych Sounds
Release Date: 11/10/2019
Running Time: 41:35
Review by Paul Monkhouse
8/10

Midlands four-piece Alunah show that, without doubt, you can take something primal and brutal but turn it into a thing of beauty. Their 60’s tinged doom metal follows in the footsteps of pioneers Black Sabbath but is, if anything, more unnerving than the Legends ever released and, with Siân Greenaway fronting the band, have a vocalist who can really seduce the listener. ‘Trapped & Bound’ opens with dense riffs and heavy as thunder drums before enchanting vocals come in sounding like an angry Grace Slick and finally Dean Ashton kicks in with a tasty, funked up guitar solo. ‘Dance of Deceit’ also makes a huge impression, driving and forceful, it doesn’t just bluster and crush but does something more subtle and deadly too.

Having the air of something that could have been penned at the tail end of the days of ‘flower power’, ‘Hunt’ is a gorgeous and seductive slice of heavy and twisted psychedelia. Hypnotic and strangely futuristic, it radiates a sense of edgy wonder as Greenaway comes across as a primal and earthy force.  The singer comes to the fore again as she mesmerises over the cascading stoner fretwork of the aptly titled ‘Hypnotised’, the track swirling and pulsating to a shuddering finish. The album’s title track turns more towards a menacing blues shuffle with drummer Jake Mason and Daniel Burchmore on bass really turning up the heat, their playing hitting a solid groove and they then truly launch into the galloping riff of ‘Unholy Disease’. One of the most epic tracks on the release, this is a full-blooded assault on the senses as the huge vocals and guitar solo lift the song out into the stratosphere.

Not to be outdone or anti-climactic, ‘Velvet’ blends a riff almost plucked from Sabbath’s ‘Iron Man’ with the mystical and Far Eastern vibe of Zeppelin’s ‘Kashmir’ to devastating effect but the band manage to top even this with closer ‘Lake of Fire’. Opening with some cool keys playing, the track is a real head trip, yet more exquisite vocals grow and swell until they’re the size to fill a cathedral. The huge scale and ambition of Alunah is encapsulated in this final track but, in truth, the whole album is a one titanic magic carpet ride from start to finish. The aural equivalent of Hansel and Gretel’s forest, “Violet Hour” is certainly something to get yourself lost in.

TRACKLISTING:
01. Trapped & Bound
02. Dance Of Deceit
03. Hunt
04. Hypnotised
05. Violet Hour
06. Unholy Disease
07. Velvet
08. Lake Of Fire

LINE-UP
Siân Greenaway – Vocals
Daniel Burchmore – Bass
Jake Mason – Drums
Dean Ashton – Guitar

LINKS:
https://www.facebook.com/alunah.doom/
https://twitter.com/alunah_doom
https://www.instagram.com/alunahband/
https://alunah.bandcamp.com/

Disclaimer: This review is solely the property of Paul Monkhouse and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.