Ashen Crown – Obsolescence

Obsolescence Cover

Ashen Crown – Obsolescence
Independent
Release Date: 01/11/2019
Running Time: 42:24
Review by Sheri Bicheno
9.5/10

One thing you have to be absolutely clear about when you listen to Ashen Crown… is that you are going to get a walloping!

These guys have been going for almost three years and in that short time have taking a slice of the underground music scene like their very own hot morello cherry pie. SO! GOOD!

Their first major festival was Bloodstock’s New Blood Stage in 2017 and Ashen Crown have catapulted into both headlining and line-up shows including supports for some of the best; Obituary, Memoriam and King Parrot plus storming fests such as HRH Metal, Hammerfest, Uprising, and Manor Fest. This speaks volumes. If you haven’t seen these guys perform and want some filthy riffs to mesmerise you, then you have to give them a go.

Debut album “Obsolescence” does not disappoint.

I’m detecting tones in this album’s concept that a HUGE change will be happening in life before long… to become OBSOLETE! Faith, fate, politics, life and death or destruction! Lyrically, there are several tracks that shine a light on this.

First track ‘Unbroken Faith’ introduces the craft of Ashen Crown with ringing bells and rain, almost like something you would expect from a Black Sabbath track. Then an almost doomy riff slowly sets in… sedate, seductive…and then BAM, vocalist Kieran Scott starts off deep, gnarly and fast paced while the guitars, drums and bass come in hard, matching the vocals. It’s not very often an opening track takes you on a journey of pure onslaught and sets the bar for the rest of the album…however, ‘Unbroken Faith’ gives you tingling anticipation for what’s coming next!

On next track ‘Crimson Sea’, Mike Ellis’ drums are exceptionally fast and ever changing in direction. They absolutely batter you matching the aura of this album exactly. Guitarists Ste Fowkes, Jay Rogers and bass player Phil Milman take you down a winding path with their combination of riffs and strings. Let them take you with them…this is gonna be a hell of a journey!

What I really love is at about three minutes in the polar opposite happens… compete calm and all is quiet. Black and Grey…grieving strings and whispers which say “I wipe the ash from my eyes…, these rotting bodies burning around me!” The elements here are of an expression of loss and a fire burning dim. Use that as a metaphor however you might like. The beauty of music is that you can express it in any way you hear or feel it.
Then… we are taken upwards again through flames and utter destruction until the fade out. ‘Crimson Sea’ is going to be absolutely face-melting live!

Third track ‘Ultimatum’ hammers straight into you from the outset. This is a voyage of pure evil riffs and winding strings, fast paced and aggressive… then a third of the way through, another quiet section and a slowly rising shadow, with Kieran’s whispering growls and one heck of a build-up. The guitars here really shine and give you an utterly transdimensional space goat feel. (Rick here! I’m not quite sure what a ‘transdimensional space goat feel’ is but after listening to “Obsolescence” many times myself I can say that, whatever it is, it’s damn good!). Come away from this track with your mind set on what you should now fully expect for the rest of this album!

‘Right To Rise’ is full of riffing and hammering, the drums here are again, incredibly fast and pounding. There is no break in energy on this track and it full on pelts you. I imagine live it would suit those who like to non-stop pit throughout a song. It is absolutely chaotic and Kieran’s demonic growls are in full swing, in fact this is a very good example of how Kieran’s vocals and the rest of the band sync well with the pace. Fast vocals, riffs, bass and drums throughout… and they are perfectly in unison.

Track five is ‘Guilty Of Hatred’ and I gotta say – this reminds me more of a Thrash Metal Ashen Crown. Higher pitched vocals kick in half way through…“The voices speak to me. They tell me I am not the problem”! Say no more, the message is loud and clear!
This is a track full of energy and jump and I am envisioning a full on circle pit here in my lounge to this. I LOVE how this track is set out lyrically; sending the message of a battle of inner love and peace!

Next up is ‘Blood Beneath Us’ and, if you didn’t know, Ashen Crown have released an accompanying lyric video for this one.

This track introduces us to a suspenseful but mellow opening riff. Some hard hitting riffage and drums then come along and pull the metaphorical rug from beneath your feet for a little while. Then the chorus hits and there is a playful edge to of some of the lyrics. Pure evil tones are right here and then…Kieran’s demonic growls are beautifully accompanied and opposed by the operatic and haunting vocals of Francesca Stevens which places the perfect cherry on the cake to this track. ‘Blood Beneath Us’ is completely different to Ashen Crown’s other tracks and is a welcome change. There is a very beautiful balance apparent.

Nearing the end ‘Fall Of Thine Eyes’ gives us our last journey into that fast space rushing past you with harsh vocals and face melting riffs that get you moving like there’s a twister chasing you. This bit of chaos ironically eases us into the very last track ‘Under The Leaves’ which, shows a very raw, emotional and slightly softer, more melodic side to Ashen Crown. I think this one is one of my favourite tracks. It starts slow and spacey, taking you through the aftermath of all the chaos of the previous tracks… but still retains its own aggression and fire. I tell you what, turn off all the lights, lay down or chill out and blast this track. Let it take you places to still keep your fire burning…euphoria in the dark!

Also, it is worth mentioning that “Obsolescence” was recorded and mixed by Neil Hudson of Krysthla/Initiate Audio – hence, this beast of an album’s fantastic sound quality.

TRACKLISTING:
01. Unbroken Faith
02. Crimson Sea
03. Ultimatum
04. Right To Rise
05. Guilty Of Hatred
06. Blood Beneath Us
07 Fall Of Thine Eyes
08. Under The Leaves

LINE-UP:
Kieran Scott – Vocals
Ste Fowkes – Rhythm Guitar
Jay Rogers – Guitar
Phil Milman – Bass
Mike Ellis – Drums

Links:
www.facebook.com/ashencrown.uk
www.twitter.com/AshenCrown
FATangel PR Social Media:
F: www.facebook.com/fatangelpr/
T: www.twitter.com/fatangel_family
PR: Dan Carter dan@fatangel.co.uk

 

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Disclaimer: This review is solely the property of Sheri Bicheno and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

‘Diamonds In The Dust’ – Ones You May Have Missed! – 2019 Album Round Up Part One

‘Diamonds In The Dust’ – Ones You May Have Missed!
2019 Album Round Up Part One
Reviews by Paul Monkhouse

This year has been an absolutely bumper year for music and has seen a veritable tidal wave of superb releases. It would have been very easy to miss some great new recordings by bands large and small. Now, we don’t want you to miss some potential crackers so here’s a round-up of some of the best that are well worth checking out…

 

01 The Bloodshake Chorus - Live At Epic Cover

The Bloodshake Chorus – “Live At Epic Studios”
Independent
Released: 06/2019
8/10

East Anglia’s favourite rocking ghouls released this live album to great acclaim earlier this year and it truly catches their raw edged shows. Imagine, if you will, the perfect house band for The Munsters or The Addams Family and you get the idea of what these guys sound like, all psychedelic fuzz, 60’s covers and a truly entertaining show that will both thrill you and get you singing with happy abandon. Some off-kilter choices such as ‘These Boots Are Made for Walking’, ‘Jolene’ and ‘Delilah’ are superbly twisted but it’s on the soulful interpretation of ‘I (Who Have Nothing)’ that the band, in particular singer JJ Darby, shine showing their more artistic side. They may have been shunned by ‘Britain’s Got Talent’ after going down fantastically well in the studio but The Bloodshake Chorus will most definitely have the last (maniacal) laugh.

https://www.facebook.com/TheBloodshakeChorus/


The Body

Whitesnake – “Flesh And Blood”
Frontiers Music srl
Release Date: 10/05/2019
8/10

David Coverdale has always been one of the finest singers in rock and after the highs of his relatively brief tenure with Deep Purple he has gone on to conquer the world with the hard rock colossus that is Whitesnake. Purists may prefer the late 70’s / early 80’s classic line-up that produced some of the most exciting bluesy hard rock of the era but things change and it was with the ‘1987’ album that saw the band really take flight. The hard rock template produced by that album has been pretty much adhered to over the years and this new release is more of the same but also is one of his best since that particular record was released. Whilst the line-up seems to have rotated on a constant merry go round and there is a really audible roughness in DC’s vocals on the first track it seems like the current mix of guitarists Reb Beach and Joel Hoekstra have really upped the ante and the album bristles with some later period classic Whitesnake raunch and roll. The old swagger is back and the tongue in cheek single ‘Shut Up and Kiss Me’, rockers ‘Trouble is My Middle Name’, ‘Get Up’ and in particular the laid back mainly acoustic ballad ‘After All’ are just some of the highlights on the release. A real grower and one that proves there’s still plenty of life in this particular ‘Snake.

https://www.facebook.com/Whitesnake.official/


03 Barbe-Q-Barbies - Borrowed Time Cover

Barbe-Q-Barbies – “Borrowed Time”
Dissonance Productions
Release Date: 07/06/2019
9/10

This Finnish five piece shows that girls can rock just as hard as the boys and the album is jam packed with some truly brilliant party-ready hard rock and attitude. This isn’t dumb heads-down full-on metal but has a sense of melody and dynamics that shows a huge grasp of both instantly catchy songwriting that is imbued with real intelligence. With tracks like ‘Diz-Funk-tional’, ‘Alive’, ‘Made Of Scars’ and ‘Borrowed Time’ this has to be one of the best albums you’ll hear this year.

https://www.facebook.com/barbeqbarbies/


04 The Treatment - Power Crazy Cover

The Treatment – “Power Crazy”
Frontiers Music srl
Release Date: 22/03/2019
7/10

The Treatment have come a long way since they formed in the world famous academic environs of Cambridge eleven years ago and their brand of classic hard rock has seen them tour with the likes of Kiss, Motley Crue, Status Quo, Motörhead, Alice Cooper, Thin Lizzy, Steel Panther and Buckcherry amongst many others. “Power Crazy” is the quintet’s fourth album and their first with vocalist Tom Rampton who replaced the departing Mitchell Emms two years ago, the band gelling quickly and producing some of their strongest material on this set. Opener ‘Let’s Get Dirty’ sets their stall out with a number that takes its cues from the great AC/DC and could well point this album to be the perfect one to listen to whilst the Aussie giants work on their latest opus due next year. This isn’t to say that the band either ape Angus and Co or are derivative as that is far from the case, they have produced something that is full of all the best bits of the bands you love wrapped around some terrific songs and performances. ‘Bite Back’, ‘King Of The City’ and ‘The Fighting Song’ are worth the price of admission alone and there are another nine barnstormers to get your teeth into. Let’s get rocked!

https://www.facebook.com/TheTreatmentOfficial/


05 The Dead Daisies - Locked And Loaded Cover

Dead Daisies – “Locked And Loaded”
Spitfire Music
Release Date: 23/08/2019
7/10

Line-ups don’t get much starrier than The Dead Daisies. Having had past or present members of (amongst others): Whitesnake, Thin Lizzy, Journey, Guns n Roses, INXS, The Rolling Stones, Ted Nugent and Motley Crue in their ranks they can truly boast some of the biggest names in the business. This latest album is equally as stellar and is a collection of cherry-picked studio or live takes of some of the greatest songs in rock history, played by the various versions of the band since their inception. To hear them rip into such songs as ‘Midnight Moses’, ‘Fortunate Son’, ‘Rocking in the Free World’ and two Beatles numbers in the shape of ‘Revolution’ and ‘Helter Skelter’ is an absolute joy. Somewhat foreshadowing events, they also tackle ‘Highway Star’ and now can boast having Deep Purple’s Glenn Hughes join them following the recent departure of Marco Mendoza and John Corabi. Who knows what they will cover with ‘The Voice of Rock’ now fronting them, but, if it’s anywhere near as good as the tracks on this album, they’ll certainly be blowing the roofs off of everywhere they play.

https://www.facebook.com/TheDeadDaisies/


06 Wayward Sons - The Truth Ain_t What It Used To Be Cover

Wayward Sons – “The Truth Ain’t What It Used To Be”
Frontiers Music srl
Release Date: 11/10/2019
9/10

Led by the inimitable Toby Jepson, this, the bands sophomore album, shows just what a great unit they have become and that many hours on the road touring up and down the country has really paid off. With all songs written by the former Little Angel there is a both a continuity of style and a chance for the band to stamp their own individual identities on the recording process. It is, at times, an angry album, railing against social injustice and the nonsense that is happening in the world and shows a real depth of connection and heart way beyond the usual hard rock fare. Sure, there is much to enjoy and the myriad of touches show influences from such bands as diverse as The Clash, Queen and ELO alongside some epic (but never overwrought) guitar work by Sam Wood, great keys by Dave Kemp, thundering rhythm provided by Nic Wastell and Phil Martini, all topped by the outstanding vocals of Mr Jepson. An album that at once looks back to some of the classic rock bands of the past whilst very much looking to the future and developing their own groove with tracks such as ‘As Black As Sin’ and ‘Feel Good Hit’ really showing the way. It rocks hard and makes you think and because of that it’s one of the very best and most passionate albums you’ll hear all year.

https://www.facebook.com/waywardsonsbanduk/


07 Down _N_ Outz - This Is How We Roll Cover

Down ‘N’ Outz – “This Is How We Roll”
UMC
Release Date: 11/10/2019
10/10

Initially a love letter to the great Mott the Hoople, Joe Elliot and his all-star band of merry men have really broken out on their own with this album full of classy new songs and a terrific cover of a Tubes classic. Magic happens when you take one Leppard, three Quireboys, a Vixen and a Wayward Son into the studio and the results are as stellar as the bands line-up. Kicking off with the scorching ‘Another Man’s War’, it’s pretty much full pelt into a magical and wonderful musical mystery tour from that moment onwards as the album twists and turns, a mix of full-on hard rock ‘n’ roll, old school boogie, lush ballads and a touching tribute to David Bowie in the shape of ‘Goodnight Mr Jones’. The songwriting is superb, the performances brilliant and the production huge. Don’t expect Def Leppard or The Quireboys as the Down ‘n’ Outz are neither but what they’ve produced is the next step in a fascinating evolution. Seriously, you must own this album.

https://www.facebook.com/DownNOutz/


08 The Swamp Born Assassins - Dead Man_s Train Cover

The Swamp Born Assassins – Dead Man’s Train
Carnivora Records
Release Date: 01/06/2019
7/10

You can practically smell the bourbon the moment the first notes play. On this, the Assassins second album, the six-piece Glasgow rockers improve on and grow their passion for all things Southern Rock, surpassing their impressive debut with more layers of sound and a conviction that seeps through the recording like spilled blood on a wooden roadhouse floor. The moment you board this particular train, the title track blazing away, it’s an unstoppable adrenaline fuelled ride with no thoughts of putting on the brakes. Full of huge riffs, rapid fire rhythms, sway and thunder this really does run the gamut of the genre from heads down Southern boogie to Cajun blues that smoulder like a steaming bowl of gumbo. Amongst the highlights, ‘The Weeping Tree’ glistens with classic slide guitar, ‘Rise Up’ is full of Celtic spirit and ‘Crank It Up’ does exactly what the name suggests. Best listened to with a bottle of whiskey, this is a great meeting of North and South.

https://www.facebook.com/TheSwampBornAssassins/


 

Disclaimer: This review is solely the property of Paul Monkhouse and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authoritie

Atorc – Under The Raven Banner

Under The Raven Banner Cover

Atorc – Under The Raven Banner
Independent
Release Date: 04/04/2019
Running Time: 42:06
Review by Sheri Bicheno
8/10

Hailing from Suffolk, Battle Hardened Folk Metal Warriors, Atorc were formed in 2012. Their latest offering “Under The Raven Banner” comes two years after their first release, EP “Seven Tales Of Swords And Ale.”

They have been absolutely storming the UK, performing their tales and leaving audiences in sheer awe.

First look into the debut album and ‘OOOOOH MY GOODNESS THAT BEAUTIFUL INTRO’! Once first track ‘Hrafnsmerki’ starts, you visualise a landscape of misty mountains and lakes. A Norse linguist passage over Huldra’s violin is stunning here and sets off the album with a calming, yet anticipating medieval ambience.

Then we are thrown into title track “Under The Raven Banner” and this is a prime example of what Atorc are capable of delivering. This brings us that anticipated power and Viking metal mix, with harsher growls and vocals, a slight Iron Maiden vibe, from the power of vocalist Helbard. This tells us tales of riding into war, victory and glory bearing the symbolic flag that was historically flown by Viking chieftains and rulers.
Third track ‘The Mead Hall’ is notably catchy… “We drink, we fight, we dance all night”.

This is something the audience would want to join in on during Atorc’s live performances. The track starts off with a mix of tones and it can be hard to keep up until you get to that catchy chorus – then you’re catapulted into wanting to join in on this fun venture, horn of mead in hand, headbanging and swaying to the violins.

My favourite track, in regards to the way it is constructed, is definitely ‘Hammer To Anvil’ – this track see’s everyone‘s skills prominently on display. Boudikath’s keyboards and backing vocals complement Helbard’s very strong vocal features and give a soothing effect along with Huldra on violin. The guitar and bass from Scallywag and BattleBeast with their melodic and heavy riffing are something to behold. Vilir gives us drums that work well with the guitars, both incredibly fast paced with wonderful cymbal work in the melodic parts. This is a beautiful track and I’m looking forward to seeing it live.

Track ‘Ragnarok’ similarly stands out to me – this has more death growls and builds quite a variety of moods as the progresses. This is my favourite track on the whole album.

If you’re in the mood for a bit of power and folk metal, I’d say this album is the one for you. I have seen Atorc perform three times and they are deservedly making a name for themselves for when people suggest a folk metal band to follow.

TRACKLISTING:
1. Hrafnsmerki
2. Under The Raven Banner
3. The Mead Hall
4. Hammer To Anvil
5. Maidens Of The Shield
6. Sovngarde
7. Voice Of The Storm
8. Isle Of The Brave
9. Ragnarök
10. Shieldwall

LINE-UP:
Helbard – Vocals
Scallywag – Guitars
Huldra – Violins
Boudikath – Keyboard and backing vocals
BattleBeast – Bass Guitar
Vilir – Drums

LINKS:
https://www.facebook.com/AtorcOfficial/

https://www.instagram.com/atorcfolkmetal/
https://atorcofficial.bandcamp.com/

https://www.youtube.com/channel/UCIxfkWy2qmZ1mpfj2cDHpdg/videos

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Disclaimer: This review is solely the property of Sheri Bicheno and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

A Gathering Of None – One Last Grasp At Hope

One Last Grasp At Hope Cover

A Gathering Of None – One Last Grasp At Hope
Independently Released
Release Date: 06/04/2018
Running time: 44:00
Review by Vikkie Richmond
7/10

American hard rockers A Gathering Of None are no strangers to the music scene; having been around since 2012, in this transigent day and age, that could class them as veterans. “One Last Grasp At Hope” is their third release and their second full length effort.

I don’t like to pigeonhole bands, because the music a group of people create is unique and should not be put into a box labelled as one thing or another, however my first listen to this album (and my first listen to them as a band, full stop) had them partly in the ‘alt rock’ category and partly in the hard rock camp. It doesn’t really matter, the important point is whether the album is any good.

I confess I wasn’t set on fire by the first track, the speedy ‘What For’; featuring some nice guitar licks and some nifty percussive highlights, with a time signature change or two, but it did have me tapping my toes and nodding my head, so it can’t be all bad. Next up, ‘No Stone Unturned’ started off with a lick that was worthy of Thin Lizzy and continued with some nice vocal harmonies, despite a ‘vintage’ whiff about it. Tracy Byrd’s vocals don’t do a lot for me, but he does have a fair set of pipes on him.

Out of a total of eleven tracks, I didn’t dislike any of the songs, they were all listenable, with those worthy of further mention being the soaring ‘Break My Stride’ and the slightly dirty ‘Dissolution’.

Special mention goes to ‘You Stagnate’, which was worthy of Alice In Chains, or any other band that arose out of the dark ashes of the hair metal age at the start of the 90’s. In fact, I felt like I was listening to different albums at times, such were the style differences between some of the songs.

I liked this album; I feel that A Gathering Of None are competent musicians and having listened to some of their back catalogue, they are honing their craft as they go, album by album. It’s not an album I would listen to on repeat, but that’s just my choice. Take a listen yourself and make your own mind up; I suspect you’ll like it.

TRACK LISTING:
01 What For
02 No Stone Left Unturned
03 Break My Stride
04 Fabulous Mishap
05 You Stagnate
06 Reaching Out
07 Dissolution
08 Something You Should Know
09 Predatory Male
10 I Hope I’m Wrong
11 Move Along

LINKS:
https://www.facebook.com/AGatheringOfNone/

https://www.instagram.com/agatheringofnone/
https://agatheringofnone.bandcamp.com/

https://www.youtube.com/channel/UCeIEuZl2EvKKRkMakpH0yJw

 

Disclaimer: This review is solely the property of Vikkie ‘Queen of Rock’ Richmond and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

The Rocket Dolls – DeadHead

DeadHead Cover

The Rocket Dolls – DeadHead
Independent
Release Date: 06/04/2018
Running time: 44:00
Review by Vikkie ‘Queen of Rock’ Richmond
8/10

The Rocket Dolls are a trio of old rock hands hailing from the thriving seaside town of Brighton; they have been around since 2008 and I can’t believe that I’d never heard of them before I received this album, their second, for review. In a way, that’s always a good thing, as it means there are no preconceptions to constrain a review. “Deadhead” features eleven tracks over nearly 45 minutes of listening time and was produced and mixed by Mark Roberts (Black Peaks, Dorje).

Opening gambit, ‘None Of This Is Right’ had some interesting effects with a impudent lick and some nice vocals, with a headbangingly heavy finish. I was cautiously optimistic about the rest of the songs after listening to this one.

‘She’s Starting Something Now’ featured a heavy intro, which whisked the listener into a harmony laden, soaring, repetitive refrain with earworm lyrics and some cheeky screams at the end. It was at this point that I started to relax; this was an album that I could enjoy whilst reviewing, rather than the pain of having to merely endure it. That, in itself, is worthy of a half decent review …

The title track featured booming drums, vocal harmonies worthy of Corey Taylor and a dirty little bridge to the chorus. It was impossible to sit still whilst it was playing, too. ‘She Said’ started with a punky, formulaic riff and continued with a poppy feel. Not one of my favourite tracks, but I appreciated the sentiment behind the lyrics.

I enjoyed the whole album, but the best of the rest were the vaguely orchestral and rather beautiful, ‘The Last Thing on My Mind’, the dark ‘Drowning’ and the pacey ‘Strain’. Anyone who has read any of my previous reviews will know that I like my rock dirty and I particularly enjoyed ‘Rusty Bones’, for the seedy riff.

This album gave a really good insight into what this band are about musically and frontman Nikki Smash really opened up with strong themes around his battle with addiction, depression and mental health issues. Don’t make the mistake of thinking that the songs are downers, though. The Rocket Dolls have taken some pretty heavy subjects and created a heavy, dark yet uplifting collection of songs. I found it pretty exciting to listen to; it reminded me of all sorts of influences, from Stonesour to Apocalyptica, from Alice in Chains to Theory Of A Deadman; they may not be breaking boundaries as such, but “Deadhead” stands, if not head and shoulders above the competition, then it’s got to be at least a few inches and that is enough to get you noticed and pulled out of the fast flowing stream of dirge that can sometimes demoralise a reviewer.

I’m gutted I missed the tour, but I will definitely catch TRD next time around.

TRACKLIST:
01 None Of This Is Right
02 She’s Starting Something Now
03 DeadHead
04 She Said
05 The Last Thing On My Mind
06 Stop The Dead Men Crying
07 Drowning
08 The Desperate
09 Strain
10 Rusty Bones
11 Trigger

SOCIAL MEDIA:
https://therocketdolls.co.uk/
https://www.facebook.com/therocketdolls/

https://www.instagram.com/therocketdolls/

Photo by Tina Korhonen © 2017, all rights reserved.

Disclaimer: This review is solely the property of Vikkie ‘Queen of Rock’ Richmond and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Hell’s Gazelles – Take Your Medicine EP

Take Your Medicine Cover (1)

HELL’S GAZELLES – TAKE YOUR MEDICINE EP
Independently released
Release Date: 27 July 2018
Running time: 18:00
Review by Chris White
8/10

When this landed on my lap for a review, I remembered the impression that Hell’s Gazelles made at a festival last year with a really energetic and exciting performance and I was intrigued to hear how their second EP would sound in comparison.

Tight riffs, a solid rhythm section and decent production really make the songs come alive, and I only wish more bassists would follow this example and engage in a bit of overdrive to fill out the sound in a four piece lineup.

My personal favourite track would be ‘Stone Cold’ as it has single material written all over it and part of vocalist Cole’s charm is that during the whole onslaught of five tracks, he has great Di’anno styled high screams in abundance.

Next track ‘Out Of Time’ features some nice, simple harmonised guitar parts that feel very classic but blend really well with the more contemporary production.

If I had to add a criticism, four out of the five songs were sub-four minutes and the guitarist never really got the chance to have a really frenzied attack on a longer guitar solo. But as you listen to the five tracks in this EP, eighteen minutes come and go so quickly that you feel forced to rewind to track one and enjoy from the start all over again.
TRACK LISTING

Give me Something
Stone Cold
Out of Time
Take your medicine
She Devil
SOCIAL MEDIA

http://www.facebook.com/HELLSGAZELLES

 

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Disclaimer: This review is solely the property of Chris White and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.