Victor Augusto’s Top Ten Albums of 2019

Victor Augusto’s Top Ten Albums of 2019
By Victor Augusto

Before I let you loose on Victor’s Top Ten Albums of 2019 I would just like to thank him for all of his hard work this year. It’s been great to have you onboard!

Definitely 2019 was not an easy year for me. After a couple of years of intense dedication to my local Heavy Metal scene, I realized I was walking in circles and wasting energies in the middle of many egocentrical people. I also lost time with bands that don’t appreciate my support.

Before I changed my focus to professional bands, I spent a few months trying to recover myself from my mental exhaustion and I wasn’t able to follow all the good releases, but the few I heard were enough for me. So here are my impressions of what were the best this year.

10 – Acid Reign – The Age of Entitlement

10 – Acid Reign - The Age of Entitlement

The UK band Acid Reign appeared at the end of the eighties and quit in the early nineties, but they returned in this decade and let clear to the world that they still can record a killer album. “The Age Of Entitlement” just shows their creativity to play incredible riffs, as a good Thrash Metal band does. The band also explored the melodies of classic British Heavy Metal bands. All of it together with an incredible recording/production was enough to show to the world that Acid Reign is really back.

https://www.facebook.com/acid.reign.thrash/


09 – Kamala – Live in France

09 – Kamala – Live in France

Since their first years, Kamala wasn’t just a one more awesome band among all other great Brazilian bands. They put some mantras and oriental music to complement their heavy music and built a great name in their country. In this decade they changed their sonority to a straight Thrash Metal and also started to tour in Europe. From all the countries that they played, France was the one that really embraced this trio with the same passion that the band put forward when playing for French Metalheads. “Live in France” is one more brick in this great career in Europe and a great way to show that Kamala is getting bigger, even after almost 17 years on road.

https://www.facebook.com/kamalaofficial/


08 – Acero Nacional – Trueno

08 - Acero Nacional – Trueno

If you think South American Metalheads are insane, you have probably never seen the Chilean ones. Bands from there also have this spirit and you just have to analyze the name Acero Nacional to understand it. The band’s name means “National Steel” and the steel is a reference to the people who works with this metal in metallurgy industries. The band represents the workers in their country and “Trueno” (Thunder in Spanish) sounds like the title; Strong, fast and devastator.

https://www.facebook.com/aceronacional/


07 – Fleshgod Apocalypse – Veleno

07 – Fleshgod Apocalypse – Veleno

As a fan of extreme Metal I have always loved Fleshgod Apocalypse since the first time I saw the video of ‘The Violation’ in 2012. For me, they are the great new mainstream band that appeared in this decade. Instead the same old stuff from all Death/Black Metal bands; they just put opera and al Italian influence. For my surprise, the band drastically changed their line-up for this album, but I still feel the same spirit in their music. Actually, they are better in my opinion. The songs are not extremely fast all the time as before and the production chose a more organic recording. For me, those changes helped to digest easier all the complexity of their arrangements. I loved as always.

https://www.facebook.com/fleshgodapocalypse


06 – Legacy Of Kain – Paralelo XI

06 - Legacy Of Kain – Paralelo XI

The first time I heard and reviewed Legacy of Kain in 2017, they were just a new band in Brazil, with old musicians that were playing Metalcore/Thrash Metal. I liked them, but the band was not so far my favorite of the year. Now they have changed their lyrics from Portuguese to English and decided to play a strong and furious Thrash Metal with a few elements of Metalcore. All the anger you hear in this new album is from the main theme that is about the slaughter of an Indian tribe in Brazil, which happened in 1963. For sure this record will make you angry too.

https://www.facebook.com/legacyofkainbrazil/


05 – Woslom – Paranoia

05 - Woslom – Paranoia

Woslom is a very famous Thrash Metal band in Brazil. In this decade they released three great full albums and toured a lot, not only in their country but also in Europe. Again, the band brought a great theme well represented in the cover art. “Paranoia” has a dizzy stairway and the opening riffs of the title track reproduce it too. Despite it is just a four track EP, this record can show what we can expect from the next full album. A technical and crazy Thrash Metal that always surprises the listener.

https://www.facebook.com/woslom/


04 – Hatefulmurder – Reborn

04 - Hatefulmurder - Reborn

One detail that makes me admire a specific band is when I have difficulty to find their band’s style. Hatefulmurder in an incredible Heavy Metal band that offers something similar to Thrash Metal, but they sounds as heavy as a Death Metal band. Sometimes the band flees to funky bass lines structure or other styles and is not repetitive with the songs structure. This is the third band’s album and the second with Angelica Burns on vocal. She brought all heaviness with her strong vocal, sometimes similar to Tomas Lindberg voice (At The Gates singer), but the band goes further to any kind of Death Metal. I suggest you listen to “Reborn” and make your own conclusions about it.

https://www.facebook.com/hatefulbook/


03 – Destruction – Born to Perish

03 - Destruction-Born-To-Perish

Destruction is a band that doesn’t need to be introduced to anyone. I was lucky to see them live twice (in 2016 and 2018) and I even met them backstage for few minutes last year. Schmier, Mike and Andy Black were very polite and I took a pic with them to save this moment in my memory. It was few months before they announced the Damir Eskić and returned to have two guitar players. Probably any Destruction album can easily perform in a top 10 list, but “Born to Perish” has this stronger sonority due the addition of the second guitar and this album sounds even more aggressive than the others.

https://www.facebook.com/destruction/


02 – Death Angel – Humanicide

02 - Death Angel – Humanicide

It is very hard to not love anything that Death Angel release since I showed their concert in my hometown in 2010. That day I was lucky to stand in front of Rob Cavestany and he gave his guitar pick on my hands. He is as gentleman as a great riff composer. Actually he could be considered one of the best riff makers in the Thrash Metal history, but maybe the long time that the band was stopped disrupted the band’s trajectory. What really matters here is the fact that Death Angel released another insane album and I dare any Thrash lover doesn’t bang his head while listening such amazing album.

https://www.facebook.com/deathangel/


01 – DarkTower – Obedientia

01 – DarkTower – Obedientia

Before I put this record in the first place of my top 10 albums of 2019, I was really afraid to be unfair with the famous bands that have a great history in Heavy Metal, but DarkTower really touched me with this album. It is not just a matter of how they play Black/Death Metal, but how they put all anger and feeling to illustrate all chaos we live in Brazil. Since the political fights that our people have been doing to how we are losing our culture and our identity as a nation; everything was brilliantly described without attack directly at any side of this war. They just advise how people are stopping to think by themselves and how they have been manipulated by false heroes. Embark on this epical and realistic journey listening to “Obedientia”.

https://www.facebook.com/darktowermetal/


Special mention also has to go out to the following bands:

Miasthenia – Sinfonia Ritual

Here is a great Pagan Black Metal band that is the opposite of bands from this style. “Sinfonia Ritual” is not specifically an album because it shows a symphonic version of five songs from the last three band’s album. It is a great way to enter into the Miasthenia soul and discover how amazing they are.

https://www.facebook.com/miasthenia/


Endust – All ends in Dust

My special mention goes to The Brazilian Thrashers of Endust that released their first album “All Ends in Dust” even though they have never played any concert ever. Their music is a kind of Thrash with Nevermore influences, which increased melodies and changed the dynamic of this great record.

https://www.facebook.com/official.endust/


Infrared – Back To The Warehouse

Another special mention goes for the Canadian band Infrared. They also quit in the eighties and returned this decade. The album “Back To The Warehouse” rescued old compositions that received all aggression of their Thrash Metal.

https://www.facebook.com/infraredmetal/


 

 

 

Disclaimer: This Top Ten is solely the property of Victor Augusto and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Legacy of Kain – Paralelo XI

Paralelo XI Cover

Legacy of Kain – Paralelo XI
Self-Released
Release Date: 16/05/2019
Running Time: 45:23
Review by Victor Augusto
9/10

One of the memories I want to keep in my mind while I still have my sanity is the day I heard this album for the first time. How I felt that day? First, let me tell you some things about the band. I reviewed their previous album “I.N.V.E.R.S.O.” (2017) when the band was relatively new, and they used Portuguese lyrics and sung about political and human issues. The music itself was more oriented to Metalcore although they already had the Groove and Thrash, but now things have changed for the Brazilian Band Legacy of Kain.

The album title is a reference to a massacre that slaughtered a Brazilian Indian tribe (“Cinta Larga” tribe), in 1963, by people who were interested in their territory. As usual in Brazil, they were strongly motivated by political greed and money. This chapter in their history is so shameful that is hard to find details about the days of killing even with the few survivors from this tribe. The band didn’t record a concept album, but the main idea is get the feeling and hate from this genocide and put it inside the music.

The sound of happy kids playing in the intro song ‘The Nightmare’ comes with calm and clean notes that open the great track ‘This Pain Is For Me And You’. It all turns into a dense vibe when guitarist Karim Serri strikes your speakers with visceral and killer riffs followed by the strong drum beats of Tiago Rodrigues. Markos Franzmann deep voice completes the team and he makes heavy vocals parts with different tempos.

The furious Thrash comes with fast songs like ‘Worse Days Will Come’ and ‘The Throne’ showing the idea of what is coming. Tracks like ‘Indigenous Pride’ start to enter deep into the bloodshed that the tribe suffered, same as in ‘Split In Half’, but this one begins with a short depressive intro and also has Fernanda Lira (Nervosa) as a special guest.

Fernanda’s screams are like Chuck Schuldiner in style and it is a good contrast with Markos. She increases the anger of the lyrical theme. ‘The Genocide’ is a kind of intro of typical Indigenous music that suddenly changes to a sound of airplanes, shotguns and terror screams. Of course there are many others killer songs like ‘The Promises You Made’ and ‘Disease’ that don’t flee from the main subject, but talk about it in a different way.

The answer to the question I made before is: Amazed!!! Yes, amazed is how I felt when I heard this album for the first time. This album is like a multi chaptered movie where the soundtrack is enough to bring the feeling of anger and sadness from those who survived this tragic episode. Somehow the band made a political protest about problems that still happen nowadays. It shows how the battle between politics and people can bring pain for us all. “Paralelo XI” shows a more powerful and experienced band that is going to amaze all of you.

TRACKLISTING:
01. The Nightmare
02. This Pain Is For Me And You
03. Worse Days Will Come
04. The Throne
05. Indigenous Pride
06. Split in Half (Feat. Fernanda Lira)
07. Beneath The Mud
08. The Genocide
09. Paralelo XI
10. Silent Ground
11. The Promises You Made
12. This Means War
13. Disease

LINE-UP:
Markos Franzmann- Vocals
Karim Serri – Guitars
Tiago Rodrigues – Drums
João Lavinas – Bass

LINKS:
https://www.facebook.com/legacyofkainbrazil/
https://www.instagram.com/legacyofkainbrazil/

https://www.youtube.com/channel/UC0wep2AOJt5YzM41toDCiqg

 

Promo Pic1

 

 

Disclaimer: This review is solely the property of Victor Augusto and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.