Kissin’ Dynamite w/BlackRain & Serpentyne – The Underworld, Camden, London – 18/10/2019

00 Kissin_ Dynamite Gig Poster

Kissin’ Dynamite
w/BlackRain & Serpentyne
The Underworld, Camden, London
18/10/2019
Review by Lotty Whittingham, Picture by Natalie O’Neill

On my way to the venue, given it was the same night as the sold out Gloryhammer show, it was difficult to know what to expect with regards to audience size. The last time Kissin’ Dynamite were in the UK, they were the opening band for Powerwolf. They were now doing their own headline tour and they were making a stop in London. No better place than The Underworld, Camden; the alternative heart of London.

As I arrived, it was great to see people there already. Some of them had seen the band on the Powerwolf tour; others were long-time fans of the band who had been waiting to see them in the UK. Whether fans were securing their space to watch the bands, buying their first drinks or browsing the merch; the atmosphere was buzzing with excitement and anticipation.

The first band to take to the stage were London based Serpentyne. Sometimes when a band is a completely different style to the rest of the line-up, this can pay off massively or back fire immensely. Their haunting sound consisted of angelic vocals, brilliant guitar work, some energetic stage antics (one including the guitarist jumping on top of the drum kit) and orchestral pieces on the system. The only criticism I have regarding their set was that sometimes you couldn’t quite hear these orchestral parts, then again, that could have been to do with the sound system. Overall, they were a great choice to open up proceedings.

https://www.facebook.com/Serpentynemusic/

French Hard Rockers BlackRain were the main support act for the night. From the moment they took to the stage, it was clear they weren’t here to mess around. They brought no nonsense Mötley Crüe and Airbourne style rock to The Underworld. This stadium like atmosphere was reinforced by the fact that fans and new listeners were already singing along to their songs. The setlist consisted of a mixture of songs from across their discography, mainly from their latest album “Dying Breed” that was released this year. If closing with a cover of Twisted Sister classic ‘We’re Not Gonna Take It’ didn’t get them nice and warmed up then who knows what would have?

Regarding headliners Kissin’ Dynamite, I came across them a few years ago through the song ‘DNA’ when casually browsing on YouTube. In turn, I discovered the album “Megalomania” that was released the same year. I was finally getting to see them headline a UK show at one of my favourite venues.

They kicked off the night with anthems ‘I’ve Got The Fire’ and ‘Somebody’s Gotta Do It’. I’ve Got The Fire is one of my go-to songs when I need to smile and need that morale boost. The power of the song increased when it was performed live and it instantly lifted those spirits.

The thing with stadium shows is that they are built up with magical moments that are unforgettable. I know this wasn’t a stadium show but given the way they performed; you would have thought you were at one. I will never forget their live performance of ‘Heart Of Stone’ with a piano; it was a great way to tone down the wild atmosphere for those few moments. I was also highly impressed that they were able to lug a huge piano down to the stage in a venue with no lifts.

Another was the song ‘I Will Be King’, especially where vocalist Hannes Braun sang whilst sitting on a silver throne and wearing royal garments. Like the piano, getting the throne onto The Underworld stage was impressive. A personal highlight for me was when they performed ‘DNA’; this was the first song that got me into the band so it was great to experience the energetic performance of this song.

I should also mention that Ana Bruner (Exit Eden) joined the band on stage for a few numbers, including their duet ‘Ecstasy’. The title of this song is incredibly apt because of the energy which comes across. When it was performed, this energy transitioned to the crowd. Ana’s powerful voice and her passionate energy on stage made her a great addition to the band.

They closed their remarkable set with ‘You’re Not Alone’ and Ana joined them one last time for ‘Flying Colours’. These gave the audience one last blast before ending the night on a literal high, with Hannes Braun standing on top of a mini pyramid.

I deliberately made the notes after the show as I was busy soaking in every aspect of their mind-blowing performance, sometimes literally soaking from all the sweat. It was clear they worked incredibly hard to pull out all the stops to give The Underworld a stadium like atmosphere. Hannes Braun was in control of the crowd that night, his charisma and passion to give fans an unforgettable show shone through.

Judging from the crowd’s reaction and the band’s mind-blowing performance, it is more than safe to say they will be welcome back to the UK anytime.

LINKS:
https://www.kissin-dynamite.de
https://www.facebook.com/Kissindynamiterocks/

https://www.instagram.com/kissin_dynamite/

https://www.youtube.com/kissindynamiterocks

 

01 Kissin_ Dynamite

 

Disclaimer: This review is solely the property of Lotty Whitingham and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photos courtesy of Natalie O’Neill

(the) Melvins Escape From L.A. Tour – The Stone Pony, Asbury Park, NJ – 11/10/2019

01 Gig Poster

(the) Melvins
Escape From L.A. Tour
The Stone Pony, Asbury Park, NJ
11/10/2019
Review and Pictures by Andy Jansons

It would be hard to argue with someone about American rock bands (the) Melvins legacy and influence with anyone connected to the Grunge and Punk music scene. Far too many legends have mentioned them as an influence, Nirvana, Soundgarden, Tool and Faith No More to name but a few. Originally formed back in 1983 they have released about 27 studio albums, many EP’s, live albums and compilations. Well, regarding studio albums, people have actually lost count as I’ve found that number fluctuating widely, however I counted 27. This shows just how hard the band is working, fully dedicated to their music. There remains only one founding member at this point, vocalist and guitarist Buzz Osborne also known as King Buzzo, although current drummer Dale Crover joined The Melvins shortly after their formation and has been with the band since. He also was part of early Nirvana recordings and helped with their debut LP “Bleach”.

At The beginning of September (the) Melvins embarked on the dubbed ‘Escape From L.A. Tour 2019’, alongside Redd Kross and Toshi Kasai, consisting of a whopping 54 dates running until November 8th when they will wrap it up in California. Basically in two months they will have only a few days off!!

On October 11th these legends came to wonderful South New Jersey venue ‘The Stone Pony’. This is the place where people basically worship Bruce Springsteen and Steve Van Zandt, where other New Jersey native bands Bon Jovi and Skid Row played at the beginning of their careers, as well as many big time national tour bands like Green Day and Papa Roach.

I will tell you honestly, this was my first time experiencing (the) Melvins. I did my due diligence to listen to their music before showing up to work on their set, but to listen and see them live was a whole different experience. They opened with three songs called ‘Sesame Street Meat’, ‘Kicking Machine’ and ‘Anaconda’. All three seemed like a good mix of grunge, punk and sludge metal; sometimes bringing out sort of an early Black Sabbath feel too. The tracks had many different tempo changes but guitar solos that all sounded quite similar. This was not an issue with more seasoned fans, who packed the venue to the max. They followed with ‘Queen’ and ‘It’s Shoved’. Their level of play and energy did not show any signs of letting down, despite the gruelling tour schedule. Buzz didn’t do much talking between songs; it was just a continuous music extravaganza. For many older attendees this was almost a trip down memory lane when this place was a regular for punk rock bands, and they enjoyed it fully.

I realised how much I had missed by not listening to (the) Melvins before. Their work is experimental, extraordinary and exceptional. Great music by a great band! Find them in your choice of music streaming platform and take a listen if you haven’t already!

LINKS:
https://www.facebook.com/melvinsarmy/
https://www.instagram.com/melvinsdotcom/

 

02 (the) Melvins

 

Disclaimer: This review is solely the property of Andy Jansons and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photos courtesy of Andy Jansons

Arkdown w/ In Which It Burns & Scarfoot – G21 At The Saddle Rock Bar, Chester – 05/10/2019

00 Gig Poster

Arkdown
w/ In Which It Burns & Scarfoot
G21 At The Saddle Rock Bar, Chester
05/10/2019
Review by Beth Jones

Another Friday, another trip to the G21! This week’s entertainment was being brought to us by a familiar name in the shape of Scarfoot (but with their new bass player) and two names who were completely new to me – In Which It Burns and Arkdown. Sadly, Rick was laid up with his back again, so I took my substitute gig companion and oldest child, Sian.

For those who haven’t been to the G21, it is an intimate venue created from an old stable building at the back of Chester’s best rock venue, The Saddle Bar. It is a great place to spend an evening and this is something that I am going to rant about in a bit, so be warned! First, to the bands!

Scarfoot
Having seen these guys on a number of occasions before, we knew what they were about, and regular listeners will know that I have always said that they were ok, but something was missing. Enter stage right their new bass player, Rhys, and bingo! This was what I had been waiting for from these guys! It felt so much tighter than it was before, and Vocalist/Guitarist Oliver Carins and drummer Phil Eakins, the backbone of the band, looked so much happier and content with the sound. Everything had more depth, more confidence and more groove. They have also filled the gaps between songs and developed more of a stage presence. I am so happy to be able to write this about them – there is nothing more pleasing than seeing a young band find themselves and look genuinely content and relaxed. This enjoyment also rubbed off on the crowd, and they were grooving along with them for the whole set. Whilst they were probably the lightest band on tonight’s bill, they have a chunky sound, enhanced by the gruff dual vocals of both Oliver and Phil. The new bass sound, with little fills, and more complex riffs really complimented this and I am really excited to see where this rebirth takes them next!

01 Scarfoothttps://www.facebook.com/thescarfootband/

In Which It Burns
Because I like to go into things with no preconceptions, I had no knowledge of these guys at all. From their name, I had had a guess at what type of band they would be, and I wasn’t sure whether I was going to like them or not – this is the beauty of actively seeking out new music. From the first riff, my ears picked up, and by the end of the first song, my mind was made up – they were bloody good!! Joining us all the way from Pembrokeshire, these guys deliver heavy grooves and roaring vocals, and would be enjoyed by fans of early Metallica, through to Pantera but also fans of more modern, Djent style Metal. They were really tight and well-rehearsed, and a special mention must be given to drummer Eugene Lowe, who was an absolute machine! I was gutted Rick wasn’t there to see it to be honest, as he would have been falling over himself with superlatives to describe this guy’s rhythms! They all had a great presence, and their personalities and technical prowess stood side by side to create a brilliant performance – they even had a pit going at the front for one of the songs – not an easy thing to start in the G21!

02 In Which It Burnshttps://www.facebook.com/InWhichItBurns/

Arkdown
Our headliners tonight were joining us from Sheffield, and from their logo, I had deduced that they were probably going to be pretty heavy! They got a big tick in my book before they even started playing, as they had brought their own stage lights! Anyone who has followed any of my reviews / photography outings will know my biggest gripe is lighting! The G21 lacks lights and makes me say words my mother would not be proud of, however I was able to snap away to my heart’s content with these guys! They play a brand of modern metal that, in all honesty, has the ability to get right on my tits when it’s not done right, however these guys really know how to do it right and their performance was superb. Everything was like a well-oiled machine, from the stops and changes within the songs, to the programming of the lights, even down to the choreographed headbanging – nothing was out of place, nothing was over or under done and it was bloody spectacular! The shared vocals duties of front man Kyle Dawson and Guitarist Mike Dyson had a kind of call and response feel in parts, which really worked, and their voices blended together well to create a brilliant version of the scream type sound that has become synonymous with the modern metal style. When it is done well, like these guys do it, I love it! I really cannot find anything to criticise about them. Everything was superb. I picked up a copy of their EP “The Calling” and listened to it in the car on the way home, and their stage sound was just as good as the recording. I am so glad I was one of the select few in the audience and I can’t wait to see them again!

03 Arkdownhttps://www.facebook.com/ArkdownOfficial/

Right, so that is my band write up done, now I am going to rant about something that I have kept my mouth shut about up until now, but that came to a head at this gig and really pissed me off (anyone who knows me will know it takes a hell of a lot to piss me off).

Here we had three great bands, who have been playing up and down the country, working their backsides off to bring shows to people, and by the time Arkdown were on stage, they were playing to a handful of people – literally. One of the audience members was me, two were girlfriends of band members, and one was the gig organiser – if you take us out of the equation, the rest of the audience could be counted on one hand, but they still put everything into that performance, and played as if they were playing to a packed out stadium, and for that I have the utmost respect for them, because mentally that is tough.

This is sadly echoed in many town, in many countries globally at the moment, and then people complain when venues shut down – IF YOU DON’T USE THEM HOW ARE THEY GOING TO STAY OPEN DICKHEADS??!!! Don’t bloody complain that you didn’t know it was on, or that you hadn’t heard of the band – ACTIVELY GO OUT LOOKING FOR NEW STUFF!!! In an age of social media, where our entire lives are there at the touch of a button, we have become fucking lazy, and expect everything to be spoon fed to us – STOP IT! Check out your local venues’ Facebook or Twitter to see what is on! Search for your local scene and like any pages that come up that are connected to it, and check them out regularly to see what they are up to! In the old days we used to get the ‘What’s On’ guide somewhere in the back of the local free paper every week, and we would search through the paper to find it, and circle in red, or cut out and stick on the calendar the things we wanted to go to! There is zero reason why we can’t do the same now, using the technology that we all have in our back pockets, but we’re too fucking lazy!!! These bands, and hundreds like them on the emerging and underground scene, deserve more than we are giving them. They are working so hard to entertain us, with entry to their gigs costing the same as a pint, but we can’t be arsed. Please, for the love of music, sort it out!!!!

As I dismount my soap box, I would like to say a huge thank you to the bands for giving me a brilliant evening’s entertainment, and also a huge thanks to North East Wales Metal Productions again, for putting on this gig, and for working tirelessly to reboot the scene around here. And before anyone say “Well you only go because you get press passes” or “You get given CDs for free”, NO – we buy tickets for these gigs to help support the scene, and we buy the CDs to help support the bands, so suck it up, don’t make excuses, and get out to watch bands – you might find something you like! GRRRRRRR!!

LINKS
https://www.facebook.com/N.E.WMetalProductions/
https://www.facebook.com/Grosvenor21/
https://www.facebook.com/Thesaddleinnchester/

 

Disclaimer: This review is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photos courtesy of Beth Jones and PhotograBee Images
https://www.facebook.com/PhotograBeeImages/

The Alma Inn September Showcase 2019 – The Alma Inn, Bolton – 28/09/2019

00 Alma Inn September Showcase Poster

The Alma Inn September Showcase 2019
The Alma Inn, Bolton – 28/09/2019
Review by Beth Jones

There is simply no better way to spend a wet and dreary late September day than listening to live music in a pub full of people. The Alma Inn September Showcase took place in these very conditions – the really fine rain that gets you properly wet was falling when we arrived, and we were glad to get in and grab a pint, sadly not an alcoholic one for me – I was driving, and settle in for another nine bands from the thriving underground metal scene. The line-up was more eclectic than the last showcase we attended, and two of the names on the bill were household regulars for us – Thrashatouille and Scars Of Remembrance, who we always look forward to seeing, however we were also eager to see some new names, and the day was to start with one of these.

OND
This young band from Leeds were here to start the day off in style, and they did just that! Calling their style ‘progressive spooky filth’, they whipped up the crowd with their lively and bouncy tunes that were perfectly fitting for their hyperactive charisma. I would say they were a great example of classic heavy metal, with a more modern and progressive twist. Their look and youthful exuberance took me back to the Bohemian Rhapsody scene in Wayne’s World and this made me happy. They are all extremely talented musicians too, and reading their bio on Facebook, I have learnt that they released an EP in 2018, and are currently working on their album, which I shall very much look forward to hearing! What a great way to start the day! Well done lads – four thumbs up from me and Rick!

01 ONDhttps://www.facebook.com/ondband/

Thrashatouille
We have seen these guys on a number of occasions now, and they are always dependable for a tight, but bonkers, food-based show and this performance was no exception. Front man Rob Sutton pulls some of the best faces ever, as he describes to us, through the medium of song, the pain of brain freeze, explosive chilli shits, and his love for red velvet cake. All this is backed up by the rest of the motley chefs, adorned in their chefs’ whites and crunching out banging tunes, which makes for a wonderfully nuts image to behold! I recently reviewed their EP “Rise Of The Bludgeonaise”(read it here: https://ever-metal.com/2019/06/21/thrashatouille-rise-of-the-bludgeonaise-ep/) and I can confidently say they are the same bonkers foodies on stage as they are on recording, and should definitely be a staple in any metalhead’s diet, and even if you don’t like their music, which I very much doubt, it is always immensely pleasurable to watch Rob smash a Red Velvet cake into his face at the end of their set!! Tasty!!

02 Thrashatouillehttps://www.facebook.com/Thrashatouille/

Blood Church
Next up were Blood Church, a blackened death metal outfit from Telford, who we knew of, but had not seen before. They have obviously thought a lot about their look and it is dramatic; Full corpse paint, and blood capsules made their genre instantly recognizable even before they had started playing! Thankfully their music lived up to their look, it was dark and doomy in places, but not dirgy, which was good. They took us through a 30-minute set of chunky, down tuned, roaring tracks which ate into your soul in a pleasurable way! Having spoken to front man Chris Thomas before the gig, it was quite amazing to see the transformation on stage – from a mild mannered and unassuming gent, to a crazed maniac fuelled by carnal rage, savagely emitting guttural roars and screams! I think he was possessed by the ram’s skull effigy with light up eyes that adorned the front of the stage! They were finalists in this year’s West Midlands M2TM and it is easy to see why they made it that far – they put on a very good show and we really enjoyed it!

03 Blood Churchhttps://www.facebook.com/BloodChurchBand/

Today, They Are Older
Today, They Are Older – mathematically correct, but the name didn’t give us many clues as to what they were about! We found out pretty quickly when they fired into their first song! They bill themselves as progressive post hardcore, and that is exactly what they are – djenty rhythms and riffs, and screamo vocals. They were very lively and three members of the band spent a lot of their time playing and pitting in the crowd at the same time, which was fun, but I moved out of the way a little as I didn’t fancy getting impaled on a guitar whilst trying to get a picture of the vocalist – I’m too old for that shit now! Fetch me my slippers and a mug of tea will you?! Whilst this style isn’t really my bag, there is no denying that they were very good and very tight, and I can definitely see the appeal that they have to the younger generation! They are full of anger and rage, and it comes out with a bang in their performance. If you like this style of music, you need to get out and see these guys sometime soon.

04 Today, They Are Olderhttps://www.facebook.com/TodayTheyAreOlder/

Whipcord
We were taken from modern to classic next, with Whipcord, this being their comeback show after a few years’ hiatus, and appearing on drums with them was none other than local legend and workaholic, John Badger! This was the first of two appearances by him today, because organizing shows just isn’t enough is it John? (Think we should rename him Dennis Waterman – ‘Write the feeeme tooooon, sing the feeeme tooooon’ [NB if you haven’t watched Little Britain, look this reference up!]) Anyway, I digress, so this was Whipcord’s come back show and they were here to bring us some classic hard rock, and that is exactly what they did, much to the pleasure of us oldies. With some great harmonies and melodies, they certainly gave the day a different flavour, although they did look a little serious at times on stage but coming back after a break is a tough thing to do, so I will let them off! I would certainly like to see them again.

05 Whipcordhttps://www.facebook.com/whipcord/

Scott Beveridge Project
Again, this is another of those bands that we had heard a lot about but had never seen. This was also Badger’s second outing on the drums – getting in practice for his ‘Drumming Up Change’ charity event coming in a month or so. Scott Beveridge Project (SBP) is the brainchild of front man Scott Beveridge, backed up by a variety of musical heads who appear in other bands too – kind of a supergroup of the Manchester Underground scene! Drawing influence from some of the great heavy metal musicians, their sound is good honest heavy metal, complete with widdly diddly solos, headbanging riffs and Hetfield style vocals. They are the sort of outfit that you know what you are getting, and I like that – it is comforting! We are definitely going to be checking them out again at the earliest opportunity. Loved it!

06 Scott Beveridge Projecthttps://www.facebook.com/ScottBeveridgeProject/

Asylum City Zoo
I was starting to hit the wall a little by this point – I’ll say it again, I’M OLD AND BROKEN OK?! But enjoyed these guys even if my outward persona looked like I had gone into stasis animation! They describe themselves as Beardcore/Stomp/Welly Metal, and I have to agree! I’m not entirely sure what that is, but I can definitely say that they are it! It is kind of early Metallica, with a more modern twist and better vocals! They were very tight, and they have a definite idea of who they are, which is always good to see. This assumption is also backed up when you visit their website, which is very nicely done – I recommend checking it out! I had to duck out and have a sit down about halfway through their set, sorry guys – I can’t hack the pace, but I really enjoyed their sound and next time I see them I promise I will watch the whole thing! In the meantime, I am going to digest a bit more of their music, which is available on their website, as it is right up my street!

07 Asylum City Zoohttps://www.facebook.com/asylumcityzoo/

Scars Of Remembrance
These guys were our North Wales M2TM winners this year, and their sound just gets better and better each time we see them. It was touch and go whether they were actually going to be able to perform here, as vocalist Mike Edwards was delayed, and the band were unsure if he would arrive on time – frantic reorganization ensued including which parts of the vocal duties would be taken on by guitarists Daniel Dawson and Mark Harris, and some nervous pacing from drummer Ben Burke and bassist Karl Ditcher, however Mike made it in the nick of time, and we all breathed a collective sigh of relief! AND they managed to do it again – they turned their anxiety into an absolute stonker of a performance that had the whole place bouncing. They mix together classic and melodic styles, with screamy death vocals, and pepper it with some groove, to create a unique sound that we love. Never be afraid to be different. Spot on guys – top show once again.

08 Scars of Remembrancehttps://www.facebook.com/scarsofremembrance/

Beyond Salvation
Our final band for the evening was Beyond Salvation – again another band we had heard great things about. Fronted by Jon Pedley, of Pedley Art, they are a four-piece technical thrash outfit from Manchester and are a huge part of the Manchester scene. Fast paced and meaty as hell, they make a huge sound that you can’t help but get involved in, with Jon’s roaring vocals and some epic guitar work from both Jon and Arun Kamath hypnotizing you into a thrash trance! As regular readers will know, I am picky when it comes to thrash – some of it floats my boat, most of it doesn’t. I am pleased to say that Beyond Salvation fell on the correct side of my metaphorical fence, and I am very happy about that! We had to duck out a little before the end, as the tempestuous weather was closing in, my body had finally hit the wall, and I still had to drive us back to Wales! But what a smashing performance to finish off a great day – again nice one guys.

09 Beyond Salvationhttps://www.facebook.com/beyondsalvationthrash/

And that was that! We hobbled off to the car, via the kebab shop, and set about the drive home (which was absolutely horrific, and I wanted to cry, I may add!). Yet again we had had another day of fantastic music. The day did have a couple of mild irritations for me though. Firstly, the sound – the whole day was slightly marred with technical issues. A lot of bands were complaining that they couldn’t here themselves on stage, and fiddling with leads and swapping mics became a bit of a theme for the day. That being said, this highlighted the quality of all the bands, as they still gave brilliant performances despite the issues. My only other gripe was the state of the ladies’ loos – I believe the expression is ‘fucking gopping man!’ I’m not posh, but I do like to have some home comforts when I go to a gig, and I can’t do horrid toilets! Sort it out please!

Apart from that, the whole day was great. Thanks again to the venue and organisers, and we look forward to coming back again soon!

LINKS:
https://www.facebook.com/Badgerfestpromotions/
https://www.facebook.com/alma.inn/

 

 

Disclaimer: This review is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

 

Stone Temple Pilots, North American Fall Tour 2019 – The Met Philly, Philadelphia, PA – 19/09/2019

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Stone Temple Pilots
North American Fall Tour 2019
The Met Philly, Philadelphia, PA
19/09/2019
Review and Pictures by Andy Jansons

Once upon a time, there was a musical movement, it was called grunge. Somewhat forgotten, it lost many musicians to suicide with bands changing their style. Through all that one band has survived and tirelessly worked their way back to stardom. Their name is Stone Temple Pilots. After finding mega success in the 1990’s the band dissolved due to differences. Upon reuniting they lost eccentric and ultra talented lead singer Scott Weiland to apparent overdose and later his ‘replacement’ Chester Bennington to suicide, both considered generational talents. STP’s current vocalist Jeff Gutt has been great in fitting into those shoes, which has helped them to retain their identity. With Jeff on lead vocals the band last year released a brand new self-titled album, which happens to be the second self-titled album STP have released to date.

Their current tour with Rival Sons is somewhat short, just a little under a month, but touches down in most American Metropolitan areas. After this tour STP will play a festival in Mexico and next spring head out to Australia.

On a pretty nice and warm September day STP came to America’s Independence home Philadelphia and the show took place in the wonderful Metropolitan Opera House or Met Philly for short. After Rival Sons rocked the house, STP came on the stage a few minutes early, prompting some fans to run to their places while spilling beer along the way!
Stone Temple Pilots opened their set with ‘Silvergun Superman’ and ‘Vasoline’ from their second studio album “Purple”, which will have a 25th Anniversary release later in October. They were mixed in with ‘Wicked Garden’ and ‘Crackerman’ from their debut album “Core”. These two albums were the most represented on the set list this night.

STP’s performance was just like the old days. Brothers Dean and Robert DeLeo were so energetic as if it was still the 1990’s. Behind the drums Eric Kretz was spectacular and his hair was flowing in the wind from a fan to the delight of all the ladies in attendance. Jeff Gutt definitely has his own vocal style, but sometimes there were flashes of Scott Weiland which older fans really appreciated. His vocal range complemented well with all of the band’s songs.

From the latest self-titled album STP played just two songs ‘Meadow’ and ‘Roll Me Under’. Of course they played their most decorated hit single ‘Plush’ (that had won MTV, Grammy, Billboard and American Music Awards) and the show was closed with their banger ‘Sex Type Thing’.

It was a good way to finish because, needless to say, it left the fans wanting more..!

LINKS:

https://www.facebook.com/stpband

https://www.instagram.com/stpband

https://www.youtube.com/user/stptv

 

BOTTOM STP3

 

Disclaimer: This review is solely the property of Andy Jansons and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Speed Queen, Toledo Steel & Skyryder – The Firehouse, Southampton – 13/09/2019

00 Gig Poster1

Speed Queen, Toledo Steel & Skyryder
The Firehouse, Southampton 13/09/2019
Review by Lotty Whittingham

Heavy Metal therapy should be a thing. Think about it; you have had a stressful week or month; you attend a heavy metal show that matches this energy and that helps you get it all out. You also enjoy this experience with likeminded individuals who might be there for the same reason. This was the feeling I got on Friday 13th September when witnessing Speed Queen, Toledo Steel and Skyryder conquer The Firehouse, Southampton.

As the doors opened, it was great to see punters coming in early. Some grabbing a much-needed pint or two from the bar, others finding the ideal spot to watch the bands from and catching up with some friends. It was brilliant to see that support for local music is still going strong. Given that a number of venues are closing all over the country, it’s more important than ever to keep on going to venues and support the scene!

SKYRYDER
The first band to kick off proceedings on this night of pure class heavy metal were the colourful Skyryder! Colourful in stage wear most definitely and in personality too come to think of it. From the energy and passion in their performance, it was evident they were having a great time on stage. This enjoyment was passed onto the crowd who really seemed to take to their set consisting of slick guitar work, on point harmonies and excellent vocal work. Their brilliant musicianship combined with their fantastic sense of humour made them a fantastic opening band!

01 Skyryderhttps://www.facebook.com/skyryderuk/

TOLEDO STEEL
Local boys Toledo Steel were next to take to the stage. I have seen them on previous occasions and they always put on a great show. Friday night was no exception. Their mission is to offer straight to the point, no nonsense Heavy Metal and they did this plus more. Their passion and energy on stage was incredibly infectious. They performed a great selection of songs from across their discography and the crowd got to hear two brand new songs that will be on an upcoming album. A great set of heavy metal goodness from Toledo Steel once again.

02 Toledo Steelhttps://www.facebook.com/toledosteelband/

SPEED QUEEN
From the moment Speed Queen started to play, it was evident the name was more than appropriate, mainly in terms of musical tempo. It states on their Facebook page that they are a mixture of speed and heavy metal mixed with a nasty and sexy stage attitude. Judging from their performance on Friday night, it is easy to see that claim was incredibly accurate. Their mind-blowing performance consisted of finger blistering guitar work, dominant vocals and powerful stage presence. You didn’t need to be a detective to figure out who was in control of the crowd the whole time they were on stage. Let’s hope it’s not long until they come back to Southampton.

03 Speed Queenhttps://www.facebook.com/speedqueenofficial/

If Friday night proved anything, it’s that Heavy Metal is still alive and kicking. There was some solid music and passionate live performances, as well as the comradery from the community. If these bands tour together again, I highly recommend catching this line up in action!

Hyborian Viper Promotions
https://www.facebook.com/hyborianviperpromotions/

Images courtesy of Tomasz Wrobel at TzW Photography
https://www.facebook.com/Tzwphotography/

 

Disclaimer: This review is solely the property of Lotty Whittingham and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Rabidfest 2019 – The Bullingdon, Oxford 17/08/2019 – Day Two

00 Top

Rabidfest 2019
The Bullingdon, Oxford
17/08/2019, Day Two
Review by Beth Jones & Rick Tilley

Before we mention anything music based in this review, we would like to compliment the Cherwell Guesthouse for the comfort of their beds! I had an amazing night’s sleep, which is something I never say about hotels and even Rick managed a few hours which is not something that happens often! Feeling refreshed and full of the joys of spring (or apparently summer, although I am yet to see evidence that this season exists!) we headed off to the second venue, The Bullingdon, which was usefully only a couple of minutes’ walk from where we were staying and where the rest of the Festival would take place! Winner!! Today we would be seeing eleven bands grace the stage and all of them were bands we hadn’t seen before, so we were very much looking forward to checking them out.

We arrived slightly early and met up with the crew at the ‘stage door’ to the back of the venue, where they were attempting the near impossible feet of erecting two gazebos in quite strong wind! But with a bit of logical thought and knot skills any boy scout would be proud of, said gazebos stood firm and the first band loaded in, meaning it was time for some music!

A/M (Altered Myths)
When these guys came on to sound check, and there was only two of them, I was concerned that maybe some of the other band members hadn’t got the memo that they were on first, and were still asleep, but no – there were actually only two members in the band! But flipping heck did they make a big sound! They played through their set to the small gathered crowd, sounding huge and very well-rehearsed. Drummer ‘Matik’ was also the vocalist, and was adept at both jobs, whilst guitarist ‘Eskay’ managed to make his guitar sound like two guitars and a bass all at the same time. I believe they may be wizards – anyone who can tell me otherwise gets a gold star! They call themselves a ‘Two piece original recipe meal’ and that is spot on because they aren’t easy to pigeonhole! We both thought they were a great start to the day!

01 A-Mhttps://www.facebook.com/thebandam/

Villainous
From a reasonably empty stage, to a very busy one – next up were Villainous, A four piece heavy prog metal outfit from Brighton. They hit you in the face straight away with punchy rhythms and clever melodies, but the most mesmerising part of their performance was front man Sean Stakim, who was the re-embodiment of the late great Keith Flint! His punk look, with check trousers and skin head, combined with his use of the available space, movements and mannerisms, and wild eyes which were only tamed by the lights on a pair of night vision style goggles that he donned for most of the set, took me right back to a festival in Switzerland in 1997, where The Prodigy gave a performance that left 17 year old me speechless. Seeing this performance at Rabidfest excited me, because, whilst musically they were far flung from The Prodigy, the mannerisms and charisma that exuded from them on stage was right there! I spoke to Sean afterwards and he confirmed that Keith Flint was one of his biggest influences. We absolutely loved these guys! Well done!

02 Villainoushttps://www.facebook.com/Villainousbanduk/

Master Charger
Any band that was to follow Villainous had a tough job in my opinion. That job fell to Master Charger, who were a late addition to the bill, and were heading straight off after this performance to a gig in Nottingham later that day – that is dedication! In contrast to what we had seen so far, Master Charger served up a dose of Stoner/Groove Rock, which was sludgy and in places quite grungy. For me it was a good, solid performance and they made a good sound, but it didn’t excite me as much as Villainous had, however Rick really loves their monster Southern Groove riffs and was very pleased that he had finally got to see them!

03 Master Chargerhttps://www.facebook.com/mastercharger/

Damaged Reich
Next up were local chaps, Damaged Reich, who we had heard a lot about, but had never seen. If anyone else is in that same boat and you like good, honest Thrash, I suggest you seek them out and go and bang your heads to one of their performances – they were really good! I am fussy with thrash – some of it bores me and leaves me cold, but this was not one of those bands, as for Rick, Thrash is one of his favourite genres so he was in his element. Again the stage was full of energy, and frontman Joe Samuels commanded the audience and drew them into his powerful vocals, backed up by the speed and groove of Adrian Irving and Liam Hodgkins on guitar, the meaty bass and backing vocals of Dan Atkins and metronomic beats of Hayden Wheable on drums.
So far this was a very successful day of metal in my book, as everyone was playing a blinder!

04 Damaged Reichhttps://www.facebook.com/damaged.reich/

Ascaris
Want to make a statement on stage, and inflict heat exhaustion on yourself in the process? If the answer to this question is yes, then do what Ascaris do, and play a set in the height of summer, wearing full dinner suits! Why not eh!! That’s exactly what these three nutters from Gloucester did and it was bloody good! I did spend way too much time trying to get the perfect photo of guitarist Sam Godding’s hair flick, which was mighty impressive! They took us through a rip-roaring 30 minutes of Blackened Death Metal, with some killer vocals and licks, and many facial expressions, showing that a good sense of humour and Black/Death Metal can work in harmony! Again, I am fussy when it comes to this style, and like very little of it, but I could get into Ascaris and, yet again, Rick had a massive grin on his face when watching them.

05 Ascarishttps://www.facebook.com/AscarisOfficial/

Hell’s Gazelles
Again, this is a band we had heard lots about, but not seen in a live setting. I have one word to sum up their performance – WOW!! This took it to a whole new level. This was proper! We both loved every minute of it. Hard Rock, tight as hell, and full of life! The energy and passion this performance held was truly commendable – frontman Cole Bryant reminded us of Freddie Mercury in his performance (no mean feat), giving an incredibly lively performance, most of which was spent vaulting over the pit barrier and performing in the crowd! It was exciting and accomplished in equal measures and for us was the performance of the day so far! We cannot wait to see these guys again, and will be seeking them out very soon!

06 Hell_s Gazelleshttps://www.facebook.com/HELLSGAZELLES/

Kinasis
From down that there Somerset way, Kinasis brought to the table some uber technical extreme metal, and they were rather good at it too! All their guitars had too many strings, and their stunningly technical riffs and rhythms made use of all of them! Whilst some technical stuff makes me look on with disdain for the level of twattishness, these guys just made me look on in awe and disbelief, because they all appeared almost shy of their talent, and gave a very humble, but completely brilliant and lively performance! They also looked so young, none more so than drummer Noah, who has the cherubic face of a child, but the timing of a seasoned master – which made Rick, a former drummer of 30 years, very, very jealous ! Damn fine technical shizzle chaps!

07 Kinasishttps://www.facebook.com/Kinasis/

VIG
It was now time for one of the event organisers, Mark Gibbs, to take to the stage for the final ever performance of his band VIG. Again hailing from the local area, they brought a proper dose of thumping groove metal to the day, and the audience lapped it up. Having spoken to Mark a fair bit since arriving in Oxford, it was quite a surprise to see this pleasant and mild-mannered gent roaring like a man possessed up on the stage! They again were a band that made your rib cage vibrate! I mean, is it really a gig if you don’t come out with at least one of your internal organs slightly displaced, right? It is a shame that they are not going to be a thing any more really, because we would have recommended you all to go and see them, but now you can’t, and we have seen them so ha!

08 VIGhttps://www.facebook.com/VIGbandUK/

Confessions Of A Traitor
Now we were getting towards the business end of the day, the stakes were higher, and it was time to ramp things up yet again with some metalcore in the form of London’s own, Confessions Of A Traitor. To me they were basically what you would get if you fed Aerosmith lots of sugar, cigars, and bourbon, and them made them really, really angry! They were a pretty bunch who had the look of a much lighter style, but they were lively, heavy and technical as hell, and frontman Stephen MacConville’s hair metal appearance was all a ruse, as his vocals were powerful hellish growls that had the audience, which was now much larger than earlier, going absolutely wild!! Again he spent a lot of time in the crowd – even getting involved in the pit whilst still singing, whilst the rest of the band kept things kicking on stage in impeccable fashion! Energy and effort was a ‘10 out of 10’ from me!

09 Confessions of A Traitorhttps://www.facebook.com/confessionsofatraitor/

Red Method
We were outside, in the ‘performers’ area’ when these guys turned up, gurning out of the window of their lovingly titled ‘tour bus’, which was more like the Mystery Machine from Scooby Doo, and we knew at that point that they were going to be good fun to be around. What we didn’t know however was how flipping astronomically good they were going to be live!! Heavy/progressive/tech/death/metalcore shouldn’t work, but Red Method were here to prove that wrong! Bloody hell did they put on a show. They had everything right – the sound, the look, the energy, the charisma, the staging and the actual music itself was so fresh and exciting and heavy and punchy that you could not help but be blown away by their performance. We absolutely adored it, and definitely need more Red Method in our life! This was by a country mile our performance of the day, and it was going to take something very, very special to beat it as the performance of the weekend! But the best part was that they were all such great guys too – humble and down to earth, with no airs and graces – the way it should be. Considering they have only been around a short time you might wonder how they seem to have generated such a following, but knowing they are made up of ex members of Meta-Stasis and The Defiled puts a different spin on things. They know what not to do this time around and if they carry on like this then a Metal juggernaut has been well and truly created!!

10 Red Methodhttps://www.facebook.com/RedMethodBand/

Conan
We had heard a lot about Conan, and knew that they had a very large following, explaining their headline slot here. From what we had heard from various people, we were looking forward to seeing them. Sadly, for us, after what we had just seen, their performance was somewhat of an anti-climax. Firstly, they are Doom, which Rick likes but I don’t really do, but I was willing to give them a go. Secondly, and more importantly, because of their style, there was no lively jumping about, filling the stage, and drawing the audience in – it was more about the music than the performance. This is ok if you like that sort of thing, but for the members of the audience who wanted to bang their heads and were hyped after the likes of VIG, Kinasis, Confessions Of A Traitor, and Red Method, it was a bit like being a fly on the wall in a rehearsal room. That said, they were very tight in their performance, and the fans that had come to see them were obviously enjoying it. Perhaps at one of their own gigs, we would have had a different experience, but in the festival setting it didn’t quite work for us.

11 Conanhttps://www.facebook.com/hailconan/

That was Day Two in the bag. There was an after party for the people with more energy but we were both very tired, very sore and very hungry, so we stopped off at one of the many Chinese restaurants on Cowley Road for some proper Chinese food and it was bloody delicious!! With full bellies and reflective thoughts, we headed back to the lovely guesthouse to get our heads down and prepare for the final instalment of Day Three!

LINKS
https://www.rabidfest.co.uk/
https://www.facebook.com/rabidfest/

https://www.instagram.com/rabidfest/

 

Disclaimer: This review is solely the property of Beth Jones, Rick Tilley and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Stonedeaf Festival 2019 – Newark Showground, Nottinghamshire, UK – 24/08/2019

00 Stonedeaf Festival

Stonedeaf Festival 2019
Newark Showground, Nottinghamshire, UK
24/08/2019
Review by Paul Monkhouse

Welcome to your new favourite festival. It’s quite a bold opening statement but from the moment you step on site things are different. This truly is a festival that is all about the love of the music and the community of rock and metal fans joining together in celebration. The fact that this is only the second year and the numbers have swollen so much is testament to this. Here everyone is family.

Samarkind
Dublin based four-piece Samarkind kicked off the day in fine style, their bluesy hard rock fitting perfectly in with the sunshine vibe of the festival. Like a tougher version of Bad Company, they dripped cool in a set that showed just why there is such a tradition of great music from the Emerald Isles. Absolute stormers like ‘Fire and Blood’ and ‘Blue Mountain’ just scream quality and when the former slips in a snatch of ‘Heaven and Hell’ you just realise how natural these guys are. They work incredibly hard at what they do but it all pays off in no uncertain terms, making you wonder how anyone can follow such a performance.

01 Samarkindhttps://www.facebook.com/samarkindband/

Massive
Feral street fighting Aussie brawlers Massive followed and showed how their constant touring and never stop until you’ve given 110% attitude has won over a growing legion of fans this side of the World. There truly must be something in the water that produces such tough rock and roll bands and these guys are more akin to the incendiary Rose Tattoo than Angus and Co, glorying in the rougher edge of all out gonzo tracks like opener ‘Generation Riot’. Guaranteed to wake you up, the band ripped through a set that absolutely nailed it every time and the cover of ‘If You Want Blood (You’ve Got It)’ slot perfectly in as a nice tip of the hat to their fellow countrymen. It should be pointed out that they aren’t a one note band but there’s some great songwriting with light and shade as the brilliant ‘Ghost’ proved. Set closer ‘Long Time Coming’ brought back the fire and as lead singer Brad Marr drained a can of beer and poured the last few drops over his head you just knew that you’d witnessed a band giving their all for the crowd.

02 Massivehttps://www.facebook.com/MassiveOz/

The Amorettes
Next up were The Amorettes and it was the turn for the girls to show that they can rock just as hard as the boys with a positively red-hot set that matched the rising temperature of the day. This new version of the group featuring original singer / guitarist Gill Montgomery, Tequila Mockingbird’s Jacinta Jaye and Josie O’Toole and second guitarist Laurie Buchanan (Aaron Buchanan and the Cult Classics) are truly firing on all cylinders. Despite one or two technical issues they powered through a set packed with great songs, melody and a snotty bubblegum rock attitude. Numbers like the pounding ‘Coming Up the Middle’ and the ridiculously catchy ‘Everything I Learned (I Learned from Rock and Roll)’ ensured that The Amorettes continue their upwards trajectory and may well be headlining festivals like this one in the future.

03 The Amoretteshttps://www.facebook.com/theamorettes/

Diamond Head
Very few bands can be genuinely be called ‘legendary’ but Diamond Head are rightly part of that club, founding member Brian Tatler proudly steering the band ever forward with a cracking new album in ‘The Coffin Train’ and not just happy to rest on his laurels, feeding off the past. New numbers like ‘Death by Design’, ‘Belly of the Beast’ and ‘The Messenger’ pepper the set, showing the confidence the band have with the latest material and it’s well placed. Of course, most people are waiting to hear the classics and they certainly weren’t disappointed as ‘Borrowed Time’, ‘Lightning to the Nations’, ‘In the Heat of the Night’ and ‘It’s Electric’ were greeted like old friends, this incarnation of the band brilliantly injecting new life into songs written almost forty years ago. Rasmus Bom Anderson has both the voice and stage presence to make you forget that anyone else originally sung these songs and Tatler spends the set smiling, obviously loving playing the songs whose strength brought bands like Metallica and Megadeth into being. When a World War II Dakota flew in the skies over the stage during ‘Am I Evil?’ this mix of the sight and sound of two spine tingling classics was one of the outstanding moments of the day and was one of those moments long to be remembered.

04 Diamond Headhttps://www.facebook.com/DiamondHeadOfficial/

Geoff Tate
Bringing his ‘Operation Mindcrime’ show to Stonedeaf, former Queensryche front man Geoff Tate stole the show for a lot of people as he put on a peerless show, featuring some of the greatest tracks cherry-picked from his time with the Washington rockers. The time flew by from the moment that the first notes of ‘Empire’ rang out to the final seconds of ‘Eyes of a Stranger’, each song perfectly played and a testament to just how seminal the bands output was at this time. Tate seemed relaxed and happy, a tight group of musicians behind him, his voice better than ever and bringing out every nuance in the lyrics, powerful, moving and out and out jaw-dropping. Metal to stimulate your intellect as much as your eardrums, ‘Operation Mindcrime’, ‘Jet City Woman’ and an incredible rendition of ‘Silent Lucidity’ that was arguably the highlight of the whole day, all transported the audience to their own euphoric state where the only choice was to give themselves over totally to the music. Geoff Tate was utterly thrilling and untouchable.

05 Geoff Tatehttps://www.facebook.com/GeoffTateOfficial/

Wayward Sons
Following almost constant touring, barring a break to record their new album, the Toby Jepson fronted Wayward Sons are quickly engendering as much love and respect as his previous outfit, Little Angels. Whilst the Scarborough outfit saw their youthful hard rock take them from Yorkshire pubs to the stage of the Royal Albert Hall, Wayward Sons channel more of a spirit of classic rock and new wave bands into an instantly likeable mix that has the energy and fire of The Who and The Clash but adds some extra weight into the mix. Always a very good songwriter, Jepson has matured into a great one and the material the band have now is some of the very strongest he’s put his name too. Blistering opener ‘Alive’ hits like a prize fighter and for the whole of the eleven-song set you can hear more and more converts being made in the crowd, Jepson the consummate front man welcoming each and every one into the Wayward Sons family. Aside from their rollicking good tunes, the key ingredient in the success of the band is the feeling that the musicians themselves are having as enjoyable a time as the audience, like Massive before them they work hard but obviously love what they are doing.
Guitarist Sam Wood and bass player Nic Wastell made the most of the stage, throwing shapes and along with Jepson, drummer Phil Martini and keys players Dave Kemp exuded effortless cool, slamming into numbers like the debut album title track ‘Ghosts of Yet to Come’ and new anthem ‘Any Other Way’. ‘Crush’ featured a snippet of the Stranglers ‘No More Heroes’ and showed that the band are proud of their influences whilst another new song ‘Little White Lies’ had a real feel of The Beatles and ELO in it’s perfect grandeur. By the time that ‘Jokes on You’, ‘Something Wrong’ and ‘Until the End’ had finished the set, despite sound issues, the band had conquered Stonedeaf and are definitely set to be future headliners.

06 Wayward Sonshttps://www.facebook.com/waywardsonsbanduk/

Phil Campbell and the Bastard Sons
Absolutely the only way to follow them was with the visceral thrill of Phil Campbell and the Bastard Sons, the long serving guitarist from the legendary Motörhead and his band truly ripping the place apart. They are without doubt the real deal and Campbell’s years with Lemmy let him shine and develop into one of the most astute musicians on the scene, never overplaying but happy to step back and make the band and the music more important than the individuals. More than any other group on the day, they captured the dangerous spirit of rock and roll, walking the fine line between euphoria, recklessness and perfect control, Campbell cool with his gold plated Gibson Flying V glinting in the sunlight whilst his three sons Todd, Tyler and Dane wreaked havoc as vocalist Neil Starr’s powerhouse voice brings everything home.

It really is a testament to the band when self-penned tracks like ‘Big Mouth’, ‘Step into the Fire’ and ‘Straight Up’ make as much of an impression as Motörhead classics like ‘Rock Out’, ‘Born to Raise Hell’ and ‘R.A.M.O.N.E.S.’. Hawkwind cover ‘Silver Machine’ was a brilliant touch but it was the almost inevitable ‘Ace of Spades’ that switched the crowd into a seething mass of flying hair, lunatic dancing and mass singing. Final number ‘High Rule’ could have proven an anti-climax after that but once again showed the band to be very much their own men and a totally formidable rock machine that absolutely took no prisoners. If you’re not for them, prepare to get crushed under their wheels.

07 Phil Campbell and the Bastartd Sonshttps://www.facebook.com/PhilCampbellATBS/

Inglorious
The placing of Inglorious in the special guest slot was always a bit controversial, playing after such established artists, but the up and coming classic hard rockers rose to the challenge and won over the crowd by sheer force of personality and craftsmanship. A seismic change in line-up could have shattered the band but by sheer force of will main man Nathan James brought the band through this and they came out fighting even harder; leaner, meaner and determined to defy the odds. Opening number ‘Where Are You Now’ could have been directed to the departed members of the band as a bitter riposte but was instead a monstrous slab of hard rock, full of drama and melody.

Three albums into a career, you can’t help but wonder just how huge the band is going to get as they launch into anthemic number after anthemic number, each one perfectly suited for filling stadiums. Sure, the riff in ‘High Flying Gypsy’ owes a huge debt to ‘Kashmir’ but if you’re going to have influences make them the very best you can and ‘Read All About It’ is hard rock with a real groove and edge that most bands would give their right arms for. One thing that James shouldn’t do though is to trade in the six string wonder that is Danny Dela Cruz, considering he is only just out of his teens (having just celebrated his birthday a few days previously) the guitarist is very much a future axe hero and one to watch. Long-time drummer Phil Beaver, guitarist Dan Stevens and perfectly quiffed bassist Vinnie Colla all play their part though, making their own individual mark and certainly not being pushed into the role of sidemen. A magnificent and unexpected cover of Alanis Morrisette’s towering ‘Uninvited’ caused goosebumps but it was the punishing ‘Ride to Nowhere’ and mass singalong of ‘Holy Water’ that left the most lasting impressions, showing that the future is really what they want to make of it.

08 Inglorioushttps://www.facebook.com/weareinglorious/

Glenn Hughes
Anyone who has ever seen Glenn Hughes live will know exactly why the K.L.F. dubbed him ‘The Voice of Rock’ when they featured him on their track ‘America: What Time is Love’. The man is a giant in an industry that seldom sees talent as anything but disposable, a survivor of a decade or so of excess that would have finished off most people and someone who has never been prepared to just accept second best, always pushing forward and stretching himself. An astounding singer, brilliant bass player and songwriter, there couldn’t have been a better choice to finish of the night and his current set that focuses on Deep Purple classics. The opening salvo of ‘Stormbringer’ and ‘Might Just Take Your Life’ were thrilling and made everyone forget the technical issues that extended the wait for Hughes coming on stage in an instant and ‘You Keep on Moving’ was so scorching that it threatened to turn the already dry field into a tinderbox. Ever appreciative of those who come to see him, the singer was a true professional, talking to the audience and singing A cappella through a set plagued by equipment problems, totally free of superstar tantrums and just wanting to get on with entertaining the people. ‘Mistreated’ couldn’t have been much bigger and the pairing of DP Mk II staple ‘Smoke on the Water’ with a beautiful and heartfelt ‘Georgia on My Mind’ was an unexpected but literally show-stopping end to the main set. Whilst neither song was penned by Hughes, he very much made them both his own and the playing of guitarist Soran Anderson, keyboard player Jesper Bo Hansen and the utterly phenomenal drumming of Ash Sheenan complemented every note. For the encores, the adrenalin rush of ‘Burn’ never fails to thrill and ‘Highway Star’ closed the festival in utter triumph: a definitive classic by one of the greatest bands in rock history, sung by a true giant of the genre. Quite how the organisers will top things next year who knows, but one thing’s for certain, they’ll certainly try. Due to copyright issues the festival is having to change its name so whilst Stonedeaf may have lasted two brief but beautiful years, Stonedead will continue to grow and grow. Rock will never die.

09 Glenn Hugheshttps://www.facebook.com/glennhughesonline/

ALL PHOTOS COURTESY OF SIMON DUNKERLEY
https://sd-photo.smugmug.com/
https://www.facebook.com/SD_Photography-308971442474820/
https://twitter.com/simond11

FESTIVAL LINKS:
https://www.facebook.com/groups/237397456749576/

https://www.instagram.com/stonedeaf_festival/
https://www.youtube.com/channel/UCCXF1P29FvLRXD_IqNhPNvA

 

Disclaimer: This review is solely the property of Paul Monkhouse and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Klavium, Killer Hurts & Scars Of Remembrance – The Live Rooms, Chester – 27/06/2019

00 Poster (At top please)

Klavium, Killer Hurts & Scars Of Remembrance
The Live Rooms, Chester – 27/06/2019
Review by Beth Jones

It had been a couple of weeks since we had been to a live show, and this was a gig that we had earmarked when it was announced, even though it was on a school night! It was a chance to catch up with the guys in Scars Of Remembrance before their Bloodstock adventure, and also to see a couple of new names for us, Classic Thrashers Killer Hurts and a new name to the scene, all the way from Trinidad and Tobago, Klavium.

The gig was in the smaller room at the Live Rooms, which we have never been in before. It is still a good sized room and perfect for this type of gig.

Scars Of Remembrance
Fresh from their M2TM finals win, SOR opened the show in great fashion. They still continue to improve each time we see them, and this performance was no exception. Their brand of 90’s inspired riffs with death metal vocals, and punchy grooves really got the gathered crowd going and in the mood for some heavy tunes.
Front man Mike Edwards really likes to get in with the crowd and paced like a man possessed throughout the set, which motivated the audience to move along with him. The sound was awesome and the whole band looked more than ready for their trip to Catton Park in August.

01 Scars Of Remembrancehttps://www.facebook.com/scarsofremembrance/

Killer Hurts
Norwich based Killer Hurts do their thing very well, and their thing is classic, no nonsense Thrash. They were a man down for this performance, with their lead guitarist unable to make the gig, so they were performing as a three piece.

Whilst I’m not a massive fan of classic Thrash, what I will say is that they were super tight, and obviously well versed in the business, because their performance was spot on. It did lack the guitar solos that I am assuming would have been there if the lead guitarist had been available. Rick absolutely loved them, as it is one of his favourite genres, but musically, despite being very tight, they weren’t really for me if I’m honest. Each to their own though isn’t it!

(Rick Here: Yes I did love them. I understand why some might say they are a bit samey, but for me Killer Hurts are all the things I love about an old-school Thrash band. Think of Slayer crashing head on into Destruction and Exodus and you might be somewhere close although you’ll probably hear your own influences)!

02 Killer Hurtshttps://www.facebook.com/Killer-Hurts-308343311010/

Klavium
Its not every day you get a metal band from Trinidad & Tobago playing on your doorstep! Add to that the fact that they are only a two-piece band, and it becomes rarer still. They are Kahdil Beharry Singh on Vocals and Guitar, and Dylan Beharry Singh on Drums.
We were intrigued to see what sort of noise they made. The answer to that was BIG! Unbelievably big considering their lineup! But it wasn’t just big, it was tight, it was chunky, and it was heavy as hell. They were superb! This was Thrash that I could get onboard with. It was fast paced, with fantastic rhythms, and immensely powerful vocals. They sounded like a band that had at least five members, and after the gig we asked Kahdil how he managed to make it sound so big – was he putting his guitar through a bass amp, or using some crazy effects pedals? The answer was no – Just a regular guitar cab, and one pedal! It just goes to show that sometimes less is more, and all the technology in the world doesn’t necessarily make you any better. Although I do now suspect that these guys are wizards, as that sound should not have been possible with that set up!!! Brilliant, and terrifically nice and humble blokes too. If you get a chance to check these guys out, and you like early Metallica, great musicianship, catchy songs and HEAVY Metal then do it!

What a quality night we had, as did the small crowd who had made the effort to be there. That is my only gripe about the night – that more people didn’t make the effort to come out. Yes, it was a school night, yes it was the day before payday, but still. These guys had come on a shoestring from Trinidad & Tobago to play their first UK Tour – everyone should be getting off their asses and encouraging them, they definitely deserve it! I consider myself to be one of the lucky ones, having seen them here, and would like to say a big thank you to them, and to North East Wales Metal Productions for putting on the show.

03 Klaviumhttps://www.facebook.com/klavium/

LINKS:
https://www.facebook.com/N.E.WMetalProductions/
https://www.facebook.com/skyyrockfestival/
https://www.facebook.com/fatangelbookings/
https://www.facebook.com/intenartist/
https://www.facebook.com/evermetal2017/

 

Disclaimer: This review is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Edenveil, Melodic Metal Night – The Portland Arms, Cambridge, UK – 30/04/2019

Edenveil

Edenveil
Melodic Metal Night
The Portland Arms, Cambridge, UK
30/04/2019
Review by Paul Monkhouse

Edenveil are the brainchild of singers Vera and Onyx, two classically trained vocalists who, after touring the circuit as an acoustic duo decided to go over to the dark side and unleash their full symphonic rock side. Whilst the two are incredibly polished and their soaring voices mesh perfectly with the material, the real surprise was the quality of the whole ensemble considering this was their debut gig as a full band. There was a real nervous energy and excitement onstage that translated across through the music and filled the room with a lush soundscape that truly befitted the genre.

Opening with ‘Seen Not Heard’, Edenveil soon stamped their mark on proceedings and staked their claim as ones to watch. Filled with a great sense of dynamics and with Vera and Onyx’s angelic and passionate voices diving in, out and over of the heavy guitar, drum and bass attack it was the perfect introduction to the new project. There was a real mix of influences from some of the giants of the genre but it was still very much their own creation, the twist and icing on the cake being two equally outstanding female vocals as opposed to the usual sole female or female/male vocal combinations that are established. There was a real freshness in that both voices are classical and the contrast this brought to the fire of the band. Having performed together for five years there was a real connection between Vera and Onyx, and this was enhanced by the carefully selected musicians, all the members gelling into a perfect storm.

Elements of folk music tinged ‘Weightless’, a haunting number that was a brave shifting down of gears after the opening barrage but built up the drama as it headed into a soaring chorus. As Vera delicately picked at her acoustic guitar, Onyx swayed, lost in the moment with the two coming fully to life as the song lifted and lifted. With the transition from acoustic to hard rocking there is obviously a period of adjustment going on behind the scenes as originally stripped back and naked songs are beefed up bit by bit, the songs slowly morphing from one thing to another. It will be interesting to see how the writing changes as the new six-piece band develop more and more material that stretches it beyond the original two voices and a guitar set-up.

This was always going to be a short set, squeezed as they were in an evening with three other bands; the Viking Metal of headliners Atorc, melodic thrashers Akilla and the incendiary Far From Refuge, but they were determined to be remembered. Third song ‘Wicked’ was another good indication of the direction they are heading towards with its galloping riff played over a piano melody, mirroring the perfectly balanced contrast of the symphonic rock style. Whilst it was obviously a joyful tribute and a well-known song, their set closing cover of Nightwish’s ‘Amaranth’ seemed a bit of a two-edged sword. It highlighted their musicianship and ability to make a classic their own but also may have indicated a lack of their own heavier material presently and the need for a filler. It would have been better to finish with another epic Edenveil original to be the lasting memory of their set but that will come in time. As for now though you can’t but help to be impressed with this fledgling outfit and more gigs and studio work will see them really grow.

LINKS:
https://www.edenveil.com/
https://www.facebook.com/edenveil/

https://www.instagram.com/edenveilofficial/
https://www.youtube.com/channel/UCWuiNb5wdsLkFLaVpQykxXQ

 

 

Disclaimer: This review is solely the property of Paul Monkhouse and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.