Klavium, Killer Hurts & Scars Of Remembrance – The Live Rooms, Chester – 27/06/2019

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Klavium, Killer Hurts & Scars Of Remembrance
The Live Rooms, Chester – 27/06/2019
Review by Beth Jones

It had been a couple of weeks since we had been to a live show, and this was a gig that we had earmarked when it was announced, even though it was on a school night! It was a chance to catch up with the guys in Scars Of Remembrance before their Bloodstock adventure, and also to see a couple of new names for us, Classic Thrashers Killer Hurts and a new name to the scene, all the way from Trinidad and Tobago, Klavium.

The gig was in the smaller room at the Live Rooms, which we have never been in before. It is still a good sized room and perfect for this type of gig.

Scars Of Remembrance
Fresh from their M2TM finals win, SOR opened the show in great fashion. They still continue to improve each time we see them, and this performance was no exception. Their brand of 90’s inspired riffs with death metal vocals, and punchy grooves really got the gathered crowd going and in the mood for some heavy tunes.
Front man Mike Edwards really likes to get in with the crowd and paced like a man possessed throughout the set, which motivated the audience to move along with him. The sound was awesome and the whole band looked more than ready for their trip to Catton Park in August.

01 Scars Of Remembrancehttps://www.facebook.com/scarsofremembrance/

Killer Hurts
Norwich based Killer Hurts do their thing very well, and their thing is classic, no nonsense Thrash. They were a man down for this performance, with their lead guitarist unable to make the gig, so they were performing as a three piece.

Whilst I’m not a massive fan of classic Thrash, what I will say is that they were super tight, and obviously well versed in the business, because their performance was spot on. It did lack the guitar solos that I am assuming would have been there if the lead guitarist had been available. Rick absolutely loved them, as it is one of his favourite genres, but musically, despite being very tight, they weren’t really for me if I’m honest. Each to their own though isn’t it!

(Rick Here: Yes I did love them. I understand why some might say they are a bit samey, but for me Killer Hurts are all the things I love about an old-school Thrash band. Think of Slayer crashing head on into Destruction and Exodus and you might be somewhere close although you’ll probably hear your own influences)!

02 Killer Hurtshttps://www.facebook.com/Killer-Hurts-308343311010/

Klavium
Its not every day you get a metal band from Trinidad & Tobago playing on your doorstep! Add to that the fact that they are only a two-piece band, and it becomes rarer still. They are Kahdil Beharry Singh on Vocals and Guitar, and Dylan Beharry Singh on Drums.
We were intrigued to see what sort of noise they made. The answer to that was BIG! Unbelievably big considering their lineup! But it wasn’t just big, it was tight, it was chunky, and it was heavy as hell. They were superb! This was Thrash that I could get onboard with. It was fast paced, with fantastic rhythms, and immensely powerful vocals. They sounded like a band that had at least five members, and after the gig we asked Kahdil how he managed to make it sound so big – was he putting his guitar through a bass amp, or using some crazy effects pedals? The answer was no – Just a regular guitar cab, and one pedal! It just goes to show that sometimes less is more, and all the technology in the world doesn’t necessarily make you any better. Although I do now suspect that these guys are wizards, as that sound should not have been possible with that set up!!! Brilliant, and terrifically nice and humble blokes too. If you get a chance to check these guys out, and you like early Metallica, great musicianship, catchy songs and HEAVY Metal then do it!

What a quality night we had, as did the small crowd who had made the effort to be there. That is my only gripe about the night – that more people didn’t make the effort to come out. Yes, it was a school night, yes it was the day before payday, but still. These guys had come on a shoestring from Trinidad & Tobago to play their first UK Tour – everyone should be getting off their asses and encouraging them, they definitely deserve it! I consider myself to be one of the lucky ones, having seen them here, and would like to say a big thank you to them, and to North East Wales Metal Productions for putting on the show.

03 Klaviumhttps://www.facebook.com/klavium/

LINKS:
https://www.facebook.com/N.E.WMetalProductions/
https://www.facebook.com/skyyrockfestival/
https://www.facebook.com/fatangelbookings/
https://www.facebook.com/intenartist/
https://www.facebook.com/evermetal2017/

 

Disclaimer: This review is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Edenveil, Melodic Metal Night – The Portland Arms, Cambridge, UK – 30/04/2019

Edenveil

Edenveil
Melodic Metal Night
The Portland Arms, Cambridge, UK
30/04/2019
Review by Paul Monkhouse

Edenveil are the brainchild of singers Vera and Onyx, two classically trained vocalists who, after touring the circuit as an acoustic duo decided to go over to the dark side and unleash their full symphonic rock side. Whilst the two are incredibly polished and their soaring voices mesh perfectly with the material, the real surprise was the quality of the whole ensemble considering this was their debut gig as a full band. There was a real nervous energy and excitement onstage that translated across through the music and filled the room with a lush soundscape that truly befitted the genre.

Opening with ‘Seen Not Heard’, Edenveil soon stamped their mark on proceedings and staked their claim as ones to watch. Filled with a great sense of dynamics and with Vera and Onyx’s angelic and passionate voices diving in, out and over of the heavy guitar, drum and bass attack it was the perfect introduction to the new project. There was a real mix of influences from some of the giants of the genre but it was still very much their own creation, the twist and icing on the cake being two equally outstanding female vocals as opposed to the usual sole female or female/male vocal combinations that are established. There was a real freshness in that both voices are classical and the contrast this brought to the fire of the band. Having performed together for five years there was a real connection between Vera and Onyx, and this was enhanced by the carefully selected musicians, all the members gelling into a perfect storm.

Elements of folk music tinged ‘Weightless’, a haunting number that was a brave shifting down of gears after the opening barrage but built up the drama as it headed into a soaring chorus. As Vera delicately picked at her acoustic guitar, Onyx swayed, lost in the moment with the two coming fully to life as the song lifted and lifted. With the transition from acoustic to hard rocking there is obviously a period of adjustment going on behind the scenes as originally stripped back and naked songs are beefed up bit by bit, the songs slowly morphing from one thing to another. It will be interesting to see how the writing changes as the new six-piece band develop more and more material that stretches it beyond the original two voices and a guitar set-up.

This was always going to be a short set, squeezed as they were in an evening with three other bands; the Viking Metal of headliners Atorc, melodic thrashers Akilla and the incendiary Far From Refuge, but they were determined to be remembered. Third song ‘Wicked’ was another good indication of the direction they are heading towards with its galloping riff played over a piano melody, mirroring the perfectly balanced contrast of the symphonic rock style. Whilst it was obviously a joyful tribute and a well-known song, their set closing cover of Nightwish’s ‘Amaranth’ seemed a bit of a two-edged sword. It highlighted their musicianship and ability to make a classic their own but also may have indicated a lack of their own heavier material presently and the need for a filler. It would have been better to finish with another epic Edenveil original to be the lasting memory of their set but that will come in time. As for now though you can’t but help to be impressed with this fledgling outfit and more gigs and studio work will see them really grow.

LINKS:
https://www.edenveil.com/
https://www.facebook.com/edenveil/

https://www.instagram.com/edenveilofficial/
https://www.youtube.com/channel/UCWuiNb5wdsLkFLaVpQykxXQ

 

 

Disclaimer: This review is solely the property of Paul Monkhouse and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

P.O.D. Full Circle Tour 2019 – The Starland Ballroom, Sayreville, NJ – 21-05-2019

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P.O.D.
Full Circle Tour 2019
The Starland Ballroom, Sayreville, NJ
21-05-2019
Review and Pictures by Andy Jansons

Christian Nu Metal legends P.O.D. (Payable On Death) are currently on their second leg of a North American Tour supporting their tenth studio album “Circles” which was released on November 16th last year. They are supported on this Full Circle Tour by Nonpoint, Hyro The Hero, Islander & Nine Shrines.

P.O.D. is one of the rare bands that has got their original lineup almost unchanged. Founding members vocalist Sonny Sandoval, lead guitarist Marcos Curiel and drummer Wuv Bernardo accompanied by bassist Traa Daniels who joined the band one year later. Marcos left the band in 2003 to return just three years later. All guys showed great chemistry and their performance was seamless.

From the bands that started up the show I was lucky enough to see Nonpoint. This Florida Hard Rock band or as they classify themselves a Heavy Hard Rock, also toured with P.O.D. during the initial Circles Tour and were main support. No matter how Nonpoint classify themselves, they play a very similar style to P.O.D. just without Christian references and they know how to put on a show. If ‘Chaos and Earthquakes’, ‘El Diablo’ and ‘What A Day’ were not enough to blow the roof off, then ‘Bullet With A Name’ which they always play as the last song, did the job. In your face hard rock, played with full energy, with vocalist Elias Soriano fully engaging the crowd set the perfect atmosphere for the nights biggest stars.

P.O.D. came out with ‘Soundboy Killa’, ‘Rockin’ With The Best’ and exploded the place with ‘Boom’! Every song from first to the last was played with tireless energy and the crowd absolutely loved it. They followed up with ‘Rock The Party’ and ‘Panic Attack’ before unleashing one of their heaviest hits ‘Murdered Love.’

Providing a little slow down in the middle of the set with ‘Circle’, ‘Satellite’ and ‘Beautiful’, the bands vocalist Sonny Sandoval brought two boys onto the stage, both in their early teens. Both boys were gifted drum sticks by Wuv Bernardo and stayed on the stage to help singing smash hit ‘Youth Of The Nation;. Fans, and of course the kids parents, loved the scene. These boys will have something to remember for the rest of their lives.

After this cozy feeling the band dropped the beat with ‘Southtown’, their hard knock life anthem from their first major label debut album “The Fundamental Elements Of Southtown”. As always, for the desert (end of the show) they played ‘Alive’, if not their most successful song, then their most admired for the meaning and their Christian motives.

P.O.D. delivered a show full of excitement and positive energy, and maybe even for a moment making a believer from the God forsaken pagan who wrote this review. This band is absolutely a must have for a rock / metal fan to be at least familiar with and see them live at least once, they are really good and talented and will move you with their music.

LINKS:

Main Page



https://www.facebook.com/POD/
https://www.instagram.com/POD/

 

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Disclaimer: This review is solely the property of Andy Jansons and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Photograph reproduced here with kind permission from Andy Jansons

Samantha Fish – The Junction, Cambridge – 13/05/2019

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Samantha Fish
The Junction, Cambridge
13/05/2019
Review by Paul Monkhouse
Photo by Laurence Harvey

Let’s just start by saying this: Samantha Fish is one of THE BEST guitarists you will ever see. Currently touring Europe, she has both the musical chops and the material to put on a real masterclass with her unique brand of country infused blues rock that is, by turns, seductive and eviscerating. Backed by a formidably tight three-piece band, she blew away the packed audience in a display of ferocious virtuosity showing that not only is Blues alive but just as vibrant and relevant today as it ever has been.

‘American Dream’ opens the set with a real swagger and kicks things off supremely, a template for the thrills to come. This was no warming gently into the show but a full-blooded leap into her world, the delightfully twisting rhythm of the song and fantastic vocal intonation of the chorus immediately drawing the crowd in. Whilst the band propel the groove, Fish is full of effortless cool and unleashes the first of many slide solos that highlight her deft touch and feel. Never someone to get complacent, there is a real shift in style to next number, the title track from the 2017 album ‘Chills and Fever’. With a delightful retro sound, it’s a much more jazzy/soul number that has a swing and style more akin musically and vocally to the late Amy Winehouse. With its terrific keys solo by Phil Breen, the song shows how Fish isn’t afraid to grow naturally and infuse her material with some of the best elements of 20th and 21st century music. In fact, it’s lazy to label her as ‘just a Blues artist’ because she is so much more than that and shows a really unique blend of different styles whilst at the same time very much having her own unique identity.

‘Wild Heart’ adds another twist with its galloping and insistent riff, the song rocking along as the passionate vocals power over the top of it. Fish looks utterly consumed by the music as a curl of blonde hair falls over her eyes whilst she rips into her guitar, her whole body lost in the glorious sound. ‘You Can’t Go’ wasn’t so much an instruction as an impossibility, transfixed as the audience were by the four musicians onstage and featured yet another outstanding solo whilst the more mellow ‘Hello Stranger’ cooled the pace once more with its soulfulness. ‘Cow Town’ was introduced with the tongue in cheek “for all you Hillbillies out there” and featured a much more ‘country’ twang to the vocals. Breen was again given the platform to shine as individual solos by both keys and guitar took the spotlight and highlighted the superior calibre of musicianship, each member of the band a master of their craft.

The first of two newly released singles, ‘Watch It Die’ is an incredibly catchy taster from forthcoming album ‘Kill or Be Kind’, propelled along by a pedal to the floor riff that is unpinned by bass player Chris Alexander and drummer Scotty Graves who lock in to provide a rock-solid base whilst adding their own style and panache. Coming over like a heavier version of prime late 70’s Fleetwood Mac, it transported the Monday night Cambridge crowd to the widescreen vistas of desert highways of Mid-West America, speeding along in an open top Pontiac GTO, a testament to the songwriting flair and an evocation of Fish’s Kansas roots. Further capturing the spirit of America, ‘Little Baby’ was an exercise in joyful rockabilly that saw the band having as much of a ball as the audience, it’s lyrics of longing and regret juxtaposed with the upbeat bounce of the music. Once more, the rhythm section of Alexander and Graves shone as they drove the beat along, the live version ramping up the fire of the original recording.

The slow, soulful country blues of ‘Go Home’ provided a much-needed breather and showed how Fish could shine equally as well with an acoustic guitar as electric, delicately plucking at the strings as her plaintive voice soared. A truly beautiful number, the vocal harmonies lifted it even further into the realms of the angelic and there was a hushed awe as if the slightest noise could break the spell. Following that with another tender number would have proven impossible so ‘Gone For Good’ was a rocking, raging storm of bottleneck slide guitar masterstroke, sandwiched as it was between the ballad and the second of the new releases ‘Love Letters’. Again, it can’t be overstated that Samantha Fish is not only an incredible player but a superb songwriter too and the track is both slinky and seductive whilst being instantly memorable therefore making it a perfect single to release.

A phenomenal ‘Somebody’s Always Trying’ is an exercise of swing that strips the sound to a pulsating, mellow soundscape, its breakdown building to an extended solo that really is a highlight of the night as the guitar sighs and screams before heading back into the chorus to finish the song. Rounding off the set, ‘Shake Em On Down’ was a perfect slice of down and dirty blues, the four-string cigar box guitar adding exactly the right level of authenticity and grit as the song slides along with the smoothness and slightly rough edge of a good bourbon. Of course, the crowd weren’t going to let the band just go without an encore and their chants and claps were rewarded as, to a huge roar, the four musicians strolled back on stage. Ripping into the heavy-duty rocker ‘Bitch On The Run’, it’s snotty, snarling attitude and irresistible chorus squeezed ever last drop of energy out of the audience and left them empty before saying a final goodnight. A barnstorming showstopper in every sense of the word, it was the perfect end to a perfect evening and one that those lucky enough to be there will be talking about for years to come.

Absolutely incredible.

LINKS:

Samantha Fish


https://www.facebook.com/samanthafishmusic/

https://www.instagram.com/samanthafishmusic/

 

01 Samantha Fish by Laurence Harvey

 

Disclaimer: This review is solely the property of Paul Monkhouse and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Photo reproduced here with kind permission of Laurence Harvey

 

Can’t Swim – House of Independents, Asbury Park, NJ – 23/03/2019

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Can’t Swim
House of Independents, Asbury Park, NJ
23/03/2019
Reviewed by Stephen Moss

This has been the first Headlining Tour for Can’t Swim. They ended the tour at home just a few miles from where it all began. They played at House of Independents in Asbury Park, NJ and this was their last show in the States before they embarked on their very first overseas tour playing the UK and Europe.

The atmosphere at the venue was incredible! I spoke to kids who had driven from other US States just to see this show!

This show was also Can’t Swim’s album release party. They played their brand new album “This Too Won’t Pass” in its entirety. During the very last song they brought out hundreds of big red balloons and dumped them all over the crowd.

After all the tracks on the new album had been played, the crowd still wanted more and kept chanting “One More Song!!!” Then Can’t Swim returned and played not one but three more songs and finished the show with their biggest hit ‘Stranger’.

01 Can_t Swim Middle

I can’t stress enough how awesome this band is! All the members are so humble and down to earth. Before and after their set you could find them in the crowd interacting with their fans!

I asked Can’t Swim for a band photo and they one upped me. They had every band come out on stage and I had the privilege of taking a tour photo! Please check out the accompanying photos of the show. You will see that whether it’s the first song or the last Can’t Swim play with the same intense energy and excitement. They give everything they have for each show and fans have taken note. Selling out venues is becoming common place for Can’t Swim!

This was my fourth Can’t Swim gig and each time I find myself saying, “No, this time was my favourite show.” It’s always refreshing to see a show where the band is so genuine and really connects to their fans.

LINKS:
https://www.cantswimmusic.com/
https://www.facebook.com/cantswim/

https://www.instagram.com/cantswim_/
https://cantswimmusic.tumblr.com/

 

02 Can_t Swim Tour Photo Bottom

 

Disclaimer: This review is solely the property of Stephen Moss and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photographs reproduced with the kind permission of Stephen Moss.

 

 

UFO ‘Last Orders; 50th Anniversary Tour’ – The Junction, Cambridge – 22/03/2019

Tour Flyer

UFO
‘Last Orders; 50th Anniversary Tour’
The Junction, Cambridge
22/03/2019
Review by Paul Monkhouse & Photo by Daniel Ackerley-Holmes

Very few bands in rock are as legendary as UFO. Since forming in the late 60’s theirs has been a mercurial and notorious history, filled with fights, stellar musicians and peerless songwriting. When last year main man Phil Mogg announced his intention to retire, tickets for this 50th anniversary became some of the most eagerly awaited and sought after and rightly so. The ‘Last Orders Tour’ is a cherry-picked celebration of some of the finest slices of hard rock ever to be committed to tape.

When the lights dimmed and a bar bell rang, one by one the band strolled onto stage and tore into opening number Let It Roll like it was freshly minted. Buoyed by the ecstatic reaction of a packed crowd the band tackled the material with a passion that mixed their seasoned professionalism with a sense of genuinely having an absolute ball onstage.

Mogg in particular was in truly great form, looking fit and lean, cracking jokes between songs and with a voice that arguably sounded the best it ever has. With old friends and foils Andy Parker on the drums and Paul Raymond on keys and guitar it was a joy to see these three on stage providing a masterclass of muscular and melodic music. The two ‘new’ boys Rob De Luca and Vinnie Moore more than held up their ends, De Luca meshing perfectly with Parker to provide a tight rhythm section that pinned down the grooves of the songs with élan and Moore firmly stamping his own identity into tracks previously played by ex UFO alumni and world class six stringer Michael Schenker.

This wasn’t though just an exercise in nostalgia as newer tracks such as Baby Blue, Burn Your House Down and a brilliant Messiah of Love from 2015s ‘A Conspiracy of Stars’ stood shoulder to shoulder with the classics. In fact, along with a outstanding solo on Ain’t No Baby, the acoustic guitarwork on these three were some of the highlights of the evening and showed why Moore was such a great choice to replace the, once more, departing Schenker in 2003. Be it the interplay with the superb keys of Raymond or his own showcase during the extended workout of Rock Bottom Moore truly put his heart into his playing.

All you could wish for and more was played with each song being greeted like an old friend. Lights Out, Only You Can Rock Me and Cherry came in a rush of euphoria and a truly epic Love to Love was enough to make grown men cry, such was its magnificence. With the unbeatable one / two punch of set closers Too Hot to Handle and the aforementioned Rock Bottom there was only one way to come out for the encore. The moment the familiar glistening keyboard started and was joined by the tasteful guitar work, shivers ran down spines as the place erupted. This turned into the out and out adrenaline rush of THAT riff as every single voice in the place sang the titular opening lines “Doctor Doctor please…”. Probably the first song that most people get to hear by UFO, this is still one of the greatest tracks in rock and something that is seen as the bands very own calling card. Following that was nigh on impossible but a triumphant Shoot Shoot rounded off the night perfectly on part of what is potentially going to be the tour of the year. No-one quite knows what the future holds for UFO but even if this is their swan song they couldn’t go out in finer style. Absolutely unmissable.

LINKS:
http://www.ufo-music.info/
https://www.facebook.com/UFOofficial/

DANIEL ACKERLEY-HOLMES PHOTOGRAPHY
https://www.danielackerley.co.uk

 

RockSinsUFO32

Disclaimer: This review is solely the property of Paul Monkhouse and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Photo supplied courtesy of Daniel Ackerley-Holmes

Warrant & Sweet Sienna “The Dirty 30 Tour” – The Starland Ballroom, Sayreville, NJ – 22/03/2019

Gig Poster

Warrant & Sweet Sienna
“The Dirty 30 Tour”
The Starland Ballroom, Sayreville, NJ
22/03/2019
Review and Pictures by Andy Jansons

One of the most popular Glam Rock / Hard Rock bands of last three decades, California rockers Warrant, are currently on tour for the 30th anniversary of the release of their first album “Dirty Rotten Filthy Stinking Rich”. This tour, which is currently seven shows in, started in January and will last till mid August. They don’t have a specific support band, but have a bunch of local Rock bands joining them on their show dates.

To be honest, I did not get a chance to see the first local band of the night, but I caught a most interesting and promising young band from New York, called Sweet Sienna.

Fronted by the beautiful and talented Katrien Van Riel they performed an electrifying set. Playing their songs ‘Rise’, ‘No Reflection’ and ‘Your Love’ among others, Sweet Sienna moved the audience with quality in music and showmanship on stage. Their sound is pure rock with some heavier riffs and melodic singing. Katrien interacted with the crowd like a seasoned professional, singing with emotion and passion. At this point your best option would be their website and social media to look up who they are and what they sound like. They are currently scheduled to perform as support for such rock legends as Ace Frehley, Skid Row and L.A. Guns to name just a few, so that may change quick, and they could become popular much faster than we might expect.

Warrant were received with some very loud screams, almost like it was still 80’s. All of the eight opening songs from their set came from the aforementioned anniversary album. They only left out ‘In The Sticks’ and ‘Ridin’ High’. All the other songs were played in the order they appear on the album starting with ‘32 Pennies’ and ‘Down Boys’ and finishing with ‘Heaven’ and ‘Cold Sweat’.

Another five songs were played from their huge second studio album “Cherry Pie and, obviously, the title song was the show closer. Until this day ‘Cherry Pie’ is the most recognized song from the band and the glam rock era.

From their newest album “Louder, Harder, Faster”, which was released in 2017, Warrant performed just two songs, ‘Only Broken Heart’ and the title track.

Current vocalist Robert Mason, who took over as Warrant’s front-man after Jani Lane passed away, and who has now been with them for over a decade, was phenomenal. He was joined on stage with original members Erik Turner, Jerry Dixon and longtime member Joey Allen although they are still without Steven Sweet who is recovering after being diagnosed with cancer.

The show was a great success with the venue near to capacity, and it was not only old fans that came to indulge in a trip down memory lane but quite a few younger rock fans as well!

SWEET SIENNA LINKS:
https://www.sweetsiennaband.com/
https://www.facebook.com/sweetsiennaband/
https://www.instagram.com/sweetsiennaband/

https://www.youtube.com/channel/UC-ktAuVGoCoZ76d5Pzc0qww

WARRANT LINKS:
http://www.warrantrocks.com/
https://www.facebook.com/warrantrocks/

https://www.instagram.com/warrantrocks/

https://www.youtube.com/channel/UCP0tGGgcnoHoPoobLkxVyIA
Warrant Pic

Disclaimer: This review is solely the property of Andy Jansons and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photographs courtesy of Andy Jansons.

Red Hot Chilli Pipers – South Orange Performing Art Center, New Jersey – 06/03/2019

Red Hot Chilli Pipers

Red Hot Chilli Pipers
South Orange Performing Art Center, New Jersey
06/03/2019
Review and Pictures by Stephen Moss

I have to admit, I was sceptical about this show. After the first song however, I was blown away. Let me explain what happened!

Before the show started I had some preconceived ideas about what it would be like. For one, I’m not a big fan of Classic Rock. So, mixing Classic Rock with Celtic music, mmm, I didn’t think I was going to like it.

Celtic music does mix well with Punk, so I tried to keep an open mind. I love bands like Flogging Molly, The Real McKenzies, Street Dogs, and the Dropkick Murphy’s. The Red Hot Chilli Pipers are a little different from that, though. They are more on the Celtic side of the spectrum and really stress the bag pipes and make that the highlight.

At the show in Jersey, The Chilli Pipers played a mixture of Classic Rock tracks including ‘We Will Rock You’ and ‘Fat Bottomed Girls’ by Queen, ‘Don’t Stop Believin’’ by Journey, ‘Thunderstruck’ by AC/DC, and ‘Eye of the Tiger; by Survivor to name just a few.

One of the coolest things they did was actually a medley mash up of ‘Starlight’ by Muse and ‘Charlie Brown’ by Cold Play. They added more guitar and three bag pipes, and dudes, it worked! They also do cool versions of ‘Seven Nation Army’ by The White Stripes and put their spin on ‘Jump’ by Van Halen.

In 2007 the Red Hot Chilli Pipers walked away with the top spot on a UK TV show called “When Will I Be Famous.” They call their style of music “Bag Rock” and it has done well for them in the States. The show in South Orange was a sell-out and SOPAC, which is a beautiful Performing Arts Theater just outside of Newark, NJ, was full to the brim!

After the show, I immediately went to Apple Music and bought their albums.
If you’re looking for something new and outside the norm, I definitely recommend checking these guys out. They are currently on a huge world tour so check out their links for dates!

LINKS:
https://rhcp.scot/#
https://www.facebook.com/redhotchillipipersofficial/

https://www.instagram.com/redhotchillipipers/

US Tour Poster

 

Disclaimer: This review is solely the property of Stephen Moss and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Hollywood Undead – The Wellmont Theater, Montclair, New Jersey – 06/03/2019

HU9

Hollywood Undead
The Wellmont Theater, Montclair, New Jersey
06/03/2019
Review and Pictures by Andy Jansons

Since the release of their fifth studio album “Five”, California Rap Rock giants Hollywood Undead seem to always be on tour. After a worldwide album support tour they have embarked on The West Coast High tour co-headlining with Hip Hop legends Cypress Hill. In the midst of all this they are working on recording a new album slated to be released sometime this year.

Hollywood Undead are one of the cross over bands that are enjoying huge success to both Rock and Rap fans. Their latest album had a hard and heavy hitting track ‘California Dreaming’ and a hip hop style track ‘Black Cadillac’ featuring Cypress Hill front man B-Real. They can easily tour with Hard Rock bands and Rap artists, and enjoy a warm welcome from all music fans.

In the midst of the West Coast High Tour the band performed in the beautiful Wellmont Theater in Montclair, New Jersey. Hollywood Undead hit the stage after performances from Demrick and Xzibit who will be, most likely, unknown to Rock fans.

The first two songs in their set came from “Five”, ‘Whatever It Takes’ and ‘California Dreaming’. The second of those could make any Metal band jealous, arguably one of their heaviest songs to date. They played three more songs from “Five” during their set ‘Bad Moon’, ‘Broken Record’ and, of course ‘Riot’, an excellent song which got the crowd into a frenzy.

Other notable hits played included ‘Day Of The Dead’, ‘Hear Me Now’, ‘Comin’ in Hot’ and ‘Everywhere I Go’.

On ‘Comin’ in Hot’ Charlie Scene (the guys all have stage names) brought a random fan on stage to play the guitar, Anthony was his name, and he did not disappoint. He impressed band members and fans alike. J-Dog also had his family from Brooklyn in attendance.

Hollywood Undead performed the show without masks, as they have taken to do lately and they gave their all. Johnny 3 Tears, Funny Man and Danny were all amazing. Since 2017 they have been using a touring drummer, Matt Oloffson, for their shows and he did one hell of a job!

Whatever your subgenre preference is in Rock, it would be well worth your time to check out Hollywood Undead if you haven’t already done so. This was a great show!

LINKS:

  • https://hollywoodundead.com
  • https://twitter.com/hollywoodundead
  • https://www.youtube.com/channel/UCYEIC1WKHEJHR971HIySQMg
  • https://www.facebook.com/hollywoodundead
  • https://www.instagram.com/hollywoodundead
  • https://open.spotify.com/artist/0CEFCo8288kQU7mJi25s6E
  • https://www.deezer.com/en/artist/17000

 

 

Disclaimer: This review is solely the property of Andy Jansons and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photographs are courtesy of Andy Jansons.

Corrosion of Conformity – The Gramercy Theatre, New York City -13/02/2019

COC Gramercy Theatre 13-02-2019 Poster

Corrosion of Conformity
The Gramercy Theatre, New York City
13/02/2019
Review and Pictures by Andy Jansons

More than thirty years on from their formation, legendary North Carolina Heavy Metal band Corrosion of Conformity are still going strong and drawing sold out crowds. They are currently on tour throughout the US supporting their most recent album “No Cross No Crown”, which was released on January 12th 2018 via Nuclear Blast. They are being supported on the current tour with the excellent Metal bands Crowbar, Mothership and Weedeater. After February 13th show they will be replaced by The Obsessed. New York Cities, The Gramercy Theatre was almost filled to capacity, with very little room left to move around.

All the support bands did their job perfectly and got the crowd going, with Louisiana rockers Crowbar playing just before C.O.C. giving us that Southern Metal vibe readying everyone for what was to come!

Corrosion of Conformity started their set with ‘The Stonebreaker’ from their seventh studio album “In The Arms of God”, followed by ‘Wiseblood’ and the only song from the “No Cross No Crown” album called ‘Wolf Named Crow’.

They were amazing! COC’s longtime vocalist Pepper Keenan delivered an excellent performance and sounded just like he did in his youth, with a deep southern voice.

Bassist Mike Dean brought full energy to the show with his relentless running around the stage. Another long time band member Reed Mullin was flawless on the drum set whilst the only original band member and founder Woody Weatherman who has been in the lineup throughout the bands existence, delivered a perfect performance on the lead guitar.

The assembled crowd embraced all their songs with excitement, but COC’s hits ‘Albatross’ and ‘Clean My Wounds’ were the pinnacle the of the show!

LINKS:
http://coc.com/
https://www.facebook.com/corrosionofconformity/

https://www.instagram.com/coccabal/

 

COC12

Disclaimer: This review is solely the property of Andy Jansons and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photos courtesy of Andy Jansons.