Speed Queen, Toledo Steel & Skyryder – The Firehouse, Southampton – 13/09/2019

00 Gig Poster1

Speed Queen, Toledo Steel & Skyryder
The Firehouse, Southampton 13/09/2019
Review by Lotty Whittingham

Heavy Metal therapy should be a thing. Think about it; you have had a stressful week or month; you attend a heavy metal show that matches this energy and that helps you get it all out. You also enjoy this experience with likeminded individuals who might be there for the same reason. This was the feeling I got on Friday 13th September when witnessing Speed Queen, Toledo Steel and Skyryder conquer The Firehouse, Southampton.

As the doors opened, it was great to see punters coming in early. Some grabbing a much-needed pint or two from the bar, others finding the ideal spot to watch the bands from and catching up with some friends. It was brilliant to see that support for local music is still going strong. Given that a number of venues are closing all over the country, it’s more important than ever to keep on going to venues and support the scene!

SKYRYDER
The first band to kick off proceedings on this night of pure class heavy metal were the colourful Skyryder! Colourful in stage wear most definitely and in personality too come to think of it. From the energy and passion in their performance, it was evident they were having a great time on stage. This enjoyment was passed onto the crowd who really seemed to take to their set consisting of slick guitar work, on point harmonies and excellent vocal work. Their brilliant musicianship combined with their fantastic sense of humour made them a fantastic opening band!

01 Skyryderhttps://www.facebook.com/skyryderuk/

TOLEDO STEEL
Local boys Toledo Steel were next to take to the stage. I have seen them on previous occasions and they always put on a great show. Friday night was no exception. Their mission is to offer straight to the point, no nonsense Heavy Metal and they did this plus more. Their passion and energy on stage was incredibly infectious. They performed a great selection of songs from across their discography and the crowd got to hear two brand new songs that will be on an upcoming album. A great set of heavy metal goodness from Toledo Steel once again.

02 Toledo Steelhttps://www.facebook.com/toledosteelband/

SPEED QUEEN
From the moment Speed Queen started to play, it was evident the name was more than appropriate, mainly in terms of musical tempo. It states on their Facebook page that they are a mixture of speed and heavy metal mixed with a nasty and sexy stage attitude. Judging from their performance on Friday night, it is easy to see that claim was incredibly accurate. Their mind-blowing performance consisted of finger blistering guitar work, dominant vocals and powerful stage presence. You didn’t need to be a detective to figure out who was in control of the crowd the whole time they were on stage. Let’s hope it’s not long until they come back to Southampton.

03 Speed Queenhttps://www.facebook.com/speedqueenofficial/

If Friday night proved anything, it’s that Heavy Metal is still alive and kicking. There was some solid music and passionate live performances, as well as the comradery from the community. If these bands tour together again, I highly recommend catching this line up in action!

Hyborian Viper Promotions
https://www.facebook.com/hyborianviperpromotions/

Images courtesy of Tomasz Wrobel at TzW Photography
https://www.facebook.com/Tzwphotography/

 

Disclaimer: This review is solely the property of Lotty Whittingham and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Rabidfest 2019 – The Bullingdon, Oxford 17/08/2019 – Day Two

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Rabidfest 2019
The Bullingdon, Oxford
17/08/2019, Day Two
Review by Beth Jones & Rick Tilley

Before we mention anything music based in this review, we would like to compliment the Cherwell Guesthouse for the comfort of their beds! I had an amazing night’s sleep, which is something I never say about hotels and even Rick managed a few hours which is not something that happens often! Feeling refreshed and full of the joys of spring (or apparently summer, although I am yet to see evidence that this season exists!) we headed off to the second venue, The Bullingdon, which was usefully only a couple of minutes’ walk from where we were staying and where the rest of the Festival would take place! Winner!! Today we would be seeing eleven bands grace the stage and all of them were bands we hadn’t seen before, so we were very much looking forward to checking them out.

We arrived slightly early and met up with the crew at the ‘stage door’ to the back of the venue, where they were attempting the near impossible feet of erecting two gazebos in quite strong wind! But with a bit of logical thought and knot skills any boy scout would be proud of, said gazebos stood firm and the first band loaded in, meaning it was time for some music!

A/M (Altered Myths)
When these guys came on to sound check, and there was only two of them, I was concerned that maybe some of the other band members hadn’t got the memo that they were on first, and were still asleep, but no – there were actually only two members in the band! But flipping heck did they make a big sound! They played through their set to the small gathered crowd, sounding huge and very well-rehearsed. Drummer ‘Matik’ was also the vocalist, and was adept at both jobs, whilst guitarist ‘Eskay’ managed to make his guitar sound like two guitars and a bass all at the same time. I believe they may be wizards – anyone who can tell me otherwise gets a gold star! They call themselves a ‘Two piece original recipe meal’ and that is spot on because they aren’t easy to pigeonhole! We both thought they were a great start to the day!

01 A-Mhttps://www.facebook.com/thebandam/

Villainous
From a reasonably empty stage, to a very busy one – next up were Villainous, A four piece heavy prog metal outfit from Brighton. They hit you in the face straight away with punchy rhythms and clever melodies, but the most mesmerising part of their performance was front man Sean Stakim, who was the re-embodiment of the late great Keith Flint! His punk look, with check trousers and skin head, combined with his use of the available space, movements and mannerisms, and wild eyes which were only tamed by the lights on a pair of night vision style goggles that he donned for most of the set, took me right back to a festival in Switzerland in 1997, where The Prodigy gave a performance that left 17 year old me speechless. Seeing this performance at Rabidfest excited me, because, whilst musically they were far flung from The Prodigy, the mannerisms and charisma that exuded from them on stage was right there! I spoke to Sean afterwards and he confirmed that Keith Flint was one of his biggest influences. We absolutely loved these guys! Well done!

02 Villainoushttps://www.facebook.com/Villainousbanduk/

Master Charger
Any band that was to follow Villainous had a tough job in my opinion. That job fell to Master Charger, who were a late addition to the bill, and were heading straight off after this performance to a gig in Nottingham later that day – that is dedication! In contrast to what we had seen so far, Master Charger served up a dose of Stoner/Groove Rock, which was sludgy and in places quite grungy. For me it was a good, solid performance and they made a good sound, but it didn’t excite me as much as Villainous had, however Rick really loves their monster Southern Groove riffs and was very pleased that he had finally got to see them!

03 Master Chargerhttps://www.facebook.com/mastercharger/

Damaged Reich
Next up were local chaps, Damaged Reich, who we had heard a lot about, but had never seen. If anyone else is in that same boat and you like good, honest Thrash, I suggest you seek them out and go and bang your heads to one of their performances – they were really good! I am fussy with thrash – some of it bores me and leaves me cold, but this was not one of those bands, as for Rick, Thrash is one of his favourite genres so he was in his element. Again the stage was full of energy, and frontman Joe Samuels commanded the audience and drew them into his powerful vocals, backed up by the speed and groove of Adrian Irving and Liam Hodgkins on guitar, the meaty bass and backing vocals of Dan Atkins and metronomic beats of Hayden Wheable on drums.
So far this was a very successful day of metal in my book, as everyone was playing a blinder!

04 Damaged Reichhttps://www.facebook.com/damaged.reich/

Ascaris
Want to make a statement on stage, and inflict heat exhaustion on yourself in the process? If the answer to this question is yes, then do what Ascaris do, and play a set in the height of summer, wearing full dinner suits! Why not eh!! That’s exactly what these three nutters from Gloucester did and it was bloody good! I did spend way too much time trying to get the perfect photo of guitarist Sam Godding’s hair flick, which was mighty impressive! They took us through a rip-roaring 30 minutes of Blackened Death Metal, with some killer vocals and licks, and many facial expressions, showing that a good sense of humour and Black/Death Metal can work in harmony! Again, I am fussy when it comes to this style, and like very little of it, but I could get into Ascaris and, yet again, Rick had a massive grin on his face when watching them.

05 Ascarishttps://www.facebook.com/AscarisOfficial/

Hell’s Gazelles
Again, this is a band we had heard lots about, but not seen in a live setting. I have one word to sum up their performance – WOW!! This took it to a whole new level. This was proper! We both loved every minute of it. Hard Rock, tight as hell, and full of life! The energy and passion this performance held was truly commendable – frontman Cole Bryant reminded us of Freddie Mercury in his performance (no mean feat), giving an incredibly lively performance, most of which was spent vaulting over the pit barrier and performing in the crowd! It was exciting and accomplished in equal measures and for us was the performance of the day so far! We cannot wait to see these guys again, and will be seeking them out very soon!

06 Hell_s Gazelleshttps://www.facebook.com/HELLSGAZELLES/

Kinasis
From down that there Somerset way, Kinasis brought to the table some uber technical extreme metal, and they were rather good at it too! All their guitars had too many strings, and their stunningly technical riffs and rhythms made use of all of them! Whilst some technical stuff makes me look on with disdain for the level of twattishness, these guys just made me look on in awe and disbelief, because they all appeared almost shy of their talent, and gave a very humble, but completely brilliant and lively performance! They also looked so young, none more so than drummer Noah, who has the cherubic face of a child, but the timing of a seasoned master – which made Rick, a former drummer of 30 years, very, very jealous ! Damn fine technical shizzle chaps!

07 Kinasishttps://www.facebook.com/Kinasis/

VIG
It was now time for one of the event organisers, Mark Gibbs, to take to the stage for the final ever performance of his band VIG. Again hailing from the local area, they brought a proper dose of thumping groove metal to the day, and the audience lapped it up. Having spoken to Mark a fair bit since arriving in Oxford, it was quite a surprise to see this pleasant and mild-mannered gent roaring like a man possessed up on the stage! They again were a band that made your rib cage vibrate! I mean, is it really a gig if you don’t come out with at least one of your internal organs slightly displaced, right? It is a shame that they are not going to be a thing any more really, because we would have recommended you all to go and see them, but now you can’t, and we have seen them so ha!

08 VIGhttps://www.facebook.com/VIGbandUK/

Confessions Of A Traitor
Now we were getting towards the business end of the day, the stakes were higher, and it was time to ramp things up yet again with some metalcore in the form of London’s own, Confessions Of A Traitor. To me they were basically what you would get if you fed Aerosmith lots of sugar, cigars, and bourbon, and them made them really, really angry! They were a pretty bunch who had the look of a much lighter style, but they were lively, heavy and technical as hell, and frontman Stephen MacConville’s hair metal appearance was all a ruse, as his vocals were powerful hellish growls that had the audience, which was now much larger than earlier, going absolutely wild!! Again he spent a lot of time in the crowd – even getting involved in the pit whilst still singing, whilst the rest of the band kept things kicking on stage in impeccable fashion! Energy and effort was a ‘10 out of 10’ from me!

09 Confessions of A Traitorhttps://www.facebook.com/confessionsofatraitor/

Red Method
We were outside, in the ‘performers’ area’ when these guys turned up, gurning out of the window of their lovingly titled ‘tour bus’, which was more like the Mystery Machine from Scooby Doo, and we knew at that point that they were going to be good fun to be around. What we didn’t know however was how flipping astronomically good they were going to be live!! Heavy/progressive/tech/death/metalcore shouldn’t work, but Red Method were here to prove that wrong! Bloody hell did they put on a show. They had everything right – the sound, the look, the energy, the charisma, the staging and the actual music itself was so fresh and exciting and heavy and punchy that you could not help but be blown away by their performance. We absolutely adored it, and definitely need more Red Method in our life! This was by a country mile our performance of the day, and it was going to take something very, very special to beat it as the performance of the weekend! But the best part was that they were all such great guys too – humble and down to earth, with no airs and graces – the way it should be. Considering they have only been around a short time you might wonder how they seem to have generated such a following, but knowing they are made up of ex members of Meta-Stasis and The Defiled puts a different spin on things. They know what not to do this time around and if they carry on like this then a Metal juggernaut has been well and truly created!!

10 Red Methodhttps://www.facebook.com/RedMethodBand/

Conan
We had heard a lot about Conan, and knew that they had a very large following, explaining their headline slot here. From what we had heard from various people, we were looking forward to seeing them. Sadly, for us, after what we had just seen, their performance was somewhat of an anti-climax. Firstly, they are Doom, which Rick likes but I don’t really do, but I was willing to give them a go. Secondly, and more importantly, because of their style, there was no lively jumping about, filling the stage, and drawing the audience in – it was more about the music than the performance. This is ok if you like that sort of thing, but for the members of the audience who wanted to bang their heads and were hyped after the likes of VIG, Kinasis, Confessions Of A Traitor, and Red Method, it was a bit like being a fly on the wall in a rehearsal room. That said, they were very tight in their performance, and the fans that had come to see them were obviously enjoying it. Perhaps at one of their own gigs, we would have had a different experience, but in the festival setting it didn’t quite work for us.

11 Conanhttps://www.facebook.com/hailconan/

That was Day Two in the bag. There was an after party for the people with more energy but we were both very tired, very sore and very hungry, so we stopped off at one of the many Chinese restaurants on Cowley Road for some proper Chinese food and it was bloody delicious!! With full bellies and reflective thoughts, we headed back to the lovely guesthouse to get our heads down and prepare for the final instalment of Day Three!

LINKS
https://www.rabidfest.co.uk/
https://www.facebook.com/rabidfest/

https://www.instagram.com/rabidfest/

 

Disclaimer: This review is solely the property of Beth Jones, Rick Tilley and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Stonedeaf Festival 2019 – Newark Showground, Nottinghamshire, UK – 24/08/2019

00 Stonedeaf Festival

Stonedeaf Festival 2019
Newark Showground, Nottinghamshire, UK
24/08/2019
Review by Paul Monkhouse

Welcome to your new favourite festival. It’s quite a bold opening statement but from the moment you step on site things are different. This truly is a festival that is all about the love of the music and the community of rock and metal fans joining together in celebration. The fact that this is only the second year and the numbers have swollen so much is testament to this. Here everyone is family.

Samarkind
Dublin based four-piece Samarkind kicked off the day in fine style, their bluesy hard rock fitting perfectly in with the sunshine vibe of the festival. Like a tougher version of Bad Company, they dripped cool in a set that showed just why there is such a tradition of great music from the Emerald Isles. Absolute stormers like ‘Fire and Blood’ and ‘Blue Mountain’ just scream quality and when the former slips in a snatch of ‘Heaven and Hell’ you just realise how natural these guys are. They work incredibly hard at what they do but it all pays off in no uncertain terms, making you wonder how anyone can follow such a performance.

01 Samarkindhttps://www.facebook.com/samarkindband/

Massive
Feral street fighting Aussie brawlers Massive followed and showed how their constant touring and never stop until you’ve given 110% attitude has won over a growing legion of fans this side of the World. There truly must be something in the water that produces such tough rock and roll bands and these guys are more akin to the incendiary Rose Tattoo than Angus and Co, glorying in the rougher edge of all out gonzo tracks like opener ‘Generation Riot’. Guaranteed to wake you up, the band ripped through a set that absolutely nailed it every time and the cover of ‘If You Want Blood (You’ve Got It)’ slot perfectly in as a nice tip of the hat to their fellow countrymen. It should be pointed out that they aren’t a one note band but there’s some great songwriting with light and shade as the brilliant ‘Ghost’ proved. Set closer ‘Long Time Coming’ brought back the fire and as lead singer Brad Marr drained a can of beer and poured the last few drops over his head you just knew that you’d witnessed a band giving their all for the crowd.

02 Massivehttps://www.facebook.com/MassiveOz/

The Amorettes
Next up were The Amorettes and it was the turn for the girls to show that they can rock just as hard as the boys with a positively red-hot set that matched the rising temperature of the day. This new version of the group featuring original singer / guitarist Gill Montgomery, Tequila Mockingbird’s Jacinta Jaye and Josie O’Toole and second guitarist Laurie Buchanan (Aaron Buchanan and the Cult Classics) are truly firing on all cylinders. Despite one or two technical issues they powered through a set packed with great songs, melody and a snotty bubblegum rock attitude. Numbers like the pounding ‘Coming Up the Middle’ and the ridiculously catchy ‘Everything I Learned (I Learned from Rock and Roll)’ ensured that The Amorettes continue their upwards trajectory and may well be headlining festivals like this one in the future.

03 The Amoretteshttps://www.facebook.com/theamorettes/

Diamond Head
Very few bands can be genuinely be called ‘legendary’ but Diamond Head are rightly part of that club, founding member Brian Tatler proudly steering the band ever forward with a cracking new album in ‘The Coffin Train’ and not just happy to rest on his laurels, feeding off the past. New numbers like ‘Death by Design’, ‘Belly of the Beast’ and ‘The Messenger’ pepper the set, showing the confidence the band have with the latest material and it’s well placed. Of course, most people are waiting to hear the classics and they certainly weren’t disappointed as ‘Borrowed Time’, ‘Lightning to the Nations’, ‘In the Heat of the Night’ and ‘It’s Electric’ were greeted like old friends, this incarnation of the band brilliantly injecting new life into songs written almost forty years ago. Rasmus Bom Anderson has both the voice and stage presence to make you forget that anyone else originally sung these songs and Tatler spends the set smiling, obviously loving playing the songs whose strength brought bands like Metallica and Megadeth into being. When a World War II Dakota flew in the skies over the stage during ‘Am I Evil?’ this mix of the sight and sound of two spine tingling classics was one of the outstanding moments of the day and was one of those moments long to be remembered.

04 Diamond Headhttps://www.facebook.com/DiamondHeadOfficial/

Geoff Tate
Bringing his ‘Operation Mindcrime’ show to Stonedeaf, former Queensryche front man Geoff Tate stole the show for a lot of people as he put on a peerless show, featuring some of the greatest tracks cherry-picked from his time with the Washington rockers. The time flew by from the moment that the first notes of ‘Empire’ rang out to the final seconds of ‘Eyes of a Stranger’, each song perfectly played and a testament to just how seminal the bands output was at this time. Tate seemed relaxed and happy, a tight group of musicians behind him, his voice better than ever and bringing out every nuance in the lyrics, powerful, moving and out and out jaw-dropping. Metal to stimulate your intellect as much as your eardrums, ‘Operation Mindcrime’, ‘Jet City Woman’ and an incredible rendition of ‘Silent Lucidity’ that was arguably the highlight of the whole day, all transported the audience to their own euphoric state where the only choice was to give themselves over totally to the music. Geoff Tate was utterly thrilling and untouchable.

05 Geoff Tatehttps://www.facebook.com/GeoffTateOfficial/

Wayward Sons
Following almost constant touring, barring a break to record their new album, the Toby Jepson fronted Wayward Sons are quickly engendering as much love and respect as his previous outfit, Little Angels. Whilst the Scarborough outfit saw their youthful hard rock take them from Yorkshire pubs to the stage of the Royal Albert Hall, Wayward Sons channel more of a spirit of classic rock and new wave bands into an instantly likeable mix that has the energy and fire of The Who and The Clash but adds some extra weight into the mix. Always a very good songwriter, Jepson has matured into a great one and the material the band have now is some of the very strongest he’s put his name too. Blistering opener ‘Alive’ hits like a prize fighter and for the whole of the eleven-song set you can hear more and more converts being made in the crowd, Jepson the consummate front man welcoming each and every one into the Wayward Sons family. Aside from their rollicking good tunes, the key ingredient in the success of the band is the feeling that the musicians themselves are having as enjoyable a time as the audience, like Massive before them they work hard but obviously love what they are doing.
Guitarist Sam Wood and bass player Nic Wastell made the most of the stage, throwing shapes and along with Jepson, drummer Phil Martini and keys players Dave Kemp exuded effortless cool, slamming into numbers like the debut album title track ‘Ghosts of Yet to Come’ and new anthem ‘Any Other Way’. ‘Crush’ featured a snippet of the Stranglers ‘No More Heroes’ and showed that the band are proud of their influences whilst another new song ‘Little White Lies’ had a real feel of The Beatles and ELO in it’s perfect grandeur. By the time that ‘Jokes on You’, ‘Something Wrong’ and ‘Until the End’ had finished the set, despite sound issues, the band had conquered Stonedeaf and are definitely set to be future headliners.

06 Wayward Sonshttps://www.facebook.com/waywardsonsbanduk/

Phil Campbell and the Bastard Sons
Absolutely the only way to follow them was with the visceral thrill of Phil Campbell and the Bastard Sons, the long serving guitarist from the legendary Motörhead and his band truly ripping the place apart. They are without doubt the real deal and Campbell’s years with Lemmy let him shine and develop into one of the most astute musicians on the scene, never overplaying but happy to step back and make the band and the music more important than the individuals. More than any other group on the day, they captured the dangerous spirit of rock and roll, walking the fine line between euphoria, recklessness and perfect control, Campbell cool with his gold plated Gibson Flying V glinting in the sunlight whilst his three sons Todd, Tyler and Dane wreaked havoc as vocalist Neil Starr’s powerhouse voice brings everything home.

It really is a testament to the band when self-penned tracks like ‘Big Mouth’, ‘Step into the Fire’ and ‘Straight Up’ make as much of an impression as Motörhead classics like ‘Rock Out’, ‘Born to Raise Hell’ and ‘R.A.M.O.N.E.S.’. Hawkwind cover ‘Silver Machine’ was a brilliant touch but it was the almost inevitable ‘Ace of Spades’ that switched the crowd into a seething mass of flying hair, lunatic dancing and mass singing. Final number ‘High Rule’ could have proven an anti-climax after that but once again showed the band to be very much their own men and a totally formidable rock machine that absolutely took no prisoners. If you’re not for them, prepare to get crushed under their wheels.

07 Phil Campbell and the Bastartd Sonshttps://www.facebook.com/PhilCampbellATBS/

Inglorious
The placing of Inglorious in the special guest slot was always a bit controversial, playing after such established artists, but the up and coming classic hard rockers rose to the challenge and won over the crowd by sheer force of personality and craftsmanship. A seismic change in line-up could have shattered the band but by sheer force of will main man Nathan James brought the band through this and they came out fighting even harder; leaner, meaner and determined to defy the odds. Opening number ‘Where Are You Now’ could have been directed to the departed members of the band as a bitter riposte but was instead a monstrous slab of hard rock, full of drama and melody.

Three albums into a career, you can’t help but wonder just how huge the band is going to get as they launch into anthemic number after anthemic number, each one perfectly suited for filling stadiums. Sure, the riff in ‘High Flying Gypsy’ owes a huge debt to ‘Kashmir’ but if you’re going to have influences make them the very best you can and ‘Read All About It’ is hard rock with a real groove and edge that most bands would give their right arms for. One thing that James shouldn’t do though is to trade in the six string wonder that is Danny Dela Cruz, considering he is only just out of his teens (having just celebrated his birthday a few days previously) the guitarist is very much a future axe hero and one to watch. Long-time drummer Phil Beaver, guitarist Dan Stevens and perfectly quiffed bassist Vinnie Colla all play their part though, making their own individual mark and certainly not being pushed into the role of sidemen. A magnificent and unexpected cover of Alanis Morrisette’s towering ‘Uninvited’ caused goosebumps but it was the punishing ‘Ride to Nowhere’ and mass singalong of ‘Holy Water’ that left the most lasting impressions, showing that the future is really what they want to make of it.

08 Inglorioushttps://www.facebook.com/weareinglorious/

Glenn Hughes
Anyone who has ever seen Glenn Hughes live will know exactly why the K.L.F. dubbed him ‘The Voice of Rock’ when they featured him on their track ‘America: What Time is Love’. The man is a giant in an industry that seldom sees talent as anything but disposable, a survivor of a decade or so of excess that would have finished off most people and someone who has never been prepared to just accept second best, always pushing forward and stretching himself. An astounding singer, brilliant bass player and songwriter, there couldn’t have been a better choice to finish of the night and his current set that focuses on Deep Purple classics. The opening salvo of ‘Stormbringer’ and ‘Might Just Take Your Life’ were thrilling and made everyone forget the technical issues that extended the wait for Hughes coming on stage in an instant and ‘You Keep on Moving’ was so scorching that it threatened to turn the already dry field into a tinderbox. Ever appreciative of those who come to see him, the singer was a true professional, talking to the audience and singing A cappella through a set plagued by equipment problems, totally free of superstar tantrums and just wanting to get on with entertaining the people. ‘Mistreated’ couldn’t have been much bigger and the pairing of DP Mk II staple ‘Smoke on the Water’ with a beautiful and heartfelt ‘Georgia on My Mind’ was an unexpected but literally show-stopping end to the main set. Whilst neither song was penned by Hughes, he very much made them both his own and the playing of guitarist Soran Anderson, keyboard player Jesper Bo Hansen and the utterly phenomenal drumming of Ash Sheenan complemented every note. For the encores, the adrenalin rush of ‘Burn’ never fails to thrill and ‘Highway Star’ closed the festival in utter triumph: a definitive classic by one of the greatest bands in rock history, sung by a true giant of the genre. Quite how the organisers will top things next year who knows, but one thing’s for certain, they’ll certainly try. Due to copyright issues the festival is having to change its name so whilst Stonedeaf may have lasted two brief but beautiful years, Stonedead will continue to grow and grow. Rock will never die.

09 Glenn Hugheshttps://www.facebook.com/glennhughesonline/

ALL PHOTOS COURTESY OF SIMON DUNKERLEY
https://sd-photo.smugmug.com/
https://www.facebook.com/SD_Photography-308971442474820/
https://twitter.com/simond11

FESTIVAL LINKS:
https://www.facebook.com/groups/237397456749576/

https://www.instagram.com/stonedeaf_festival/
https://www.youtube.com/channel/UCCXF1P29FvLRXD_IqNhPNvA

 

Disclaimer: This review is solely the property of Paul Monkhouse and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Klavium, Killer Hurts & Scars Of Remembrance – The Live Rooms, Chester – 27/06/2019

00 Poster (At top please)

Klavium, Killer Hurts & Scars Of Remembrance
The Live Rooms, Chester – 27/06/2019
Review by Beth Jones

It had been a couple of weeks since we had been to a live show, and this was a gig that we had earmarked when it was announced, even though it was on a school night! It was a chance to catch up with the guys in Scars Of Remembrance before their Bloodstock adventure, and also to see a couple of new names for us, Classic Thrashers Killer Hurts and a new name to the scene, all the way from Trinidad and Tobago, Klavium.

The gig was in the smaller room at the Live Rooms, which we have never been in before. It is still a good sized room and perfect for this type of gig.

Scars Of Remembrance
Fresh from their M2TM finals win, SOR opened the show in great fashion. They still continue to improve each time we see them, and this performance was no exception. Their brand of 90’s inspired riffs with death metal vocals, and punchy grooves really got the gathered crowd going and in the mood for some heavy tunes.
Front man Mike Edwards really likes to get in with the crowd and paced like a man possessed throughout the set, which motivated the audience to move along with him. The sound was awesome and the whole band looked more than ready for their trip to Catton Park in August.

01 Scars Of Remembrancehttps://www.facebook.com/scarsofremembrance/

Killer Hurts
Norwich based Killer Hurts do their thing very well, and their thing is classic, no nonsense Thrash. They were a man down for this performance, with their lead guitarist unable to make the gig, so they were performing as a three piece.

Whilst I’m not a massive fan of classic Thrash, what I will say is that they were super tight, and obviously well versed in the business, because their performance was spot on. It did lack the guitar solos that I am assuming would have been there if the lead guitarist had been available. Rick absolutely loved them, as it is one of his favourite genres, but musically, despite being very tight, they weren’t really for me if I’m honest. Each to their own though isn’t it!

(Rick Here: Yes I did love them. I understand why some might say they are a bit samey, but for me Killer Hurts are all the things I love about an old-school Thrash band. Think of Slayer crashing head on into Destruction and Exodus and you might be somewhere close although you’ll probably hear your own influences)!

02 Killer Hurtshttps://www.facebook.com/Killer-Hurts-308343311010/

Klavium
Its not every day you get a metal band from Trinidad & Tobago playing on your doorstep! Add to that the fact that they are only a two-piece band, and it becomes rarer still. They are Kahdil Beharry Singh on Vocals and Guitar, and Dylan Beharry Singh on Drums.
We were intrigued to see what sort of noise they made. The answer to that was BIG! Unbelievably big considering their lineup! But it wasn’t just big, it was tight, it was chunky, and it was heavy as hell. They were superb! This was Thrash that I could get onboard with. It was fast paced, with fantastic rhythms, and immensely powerful vocals. They sounded like a band that had at least five members, and after the gig we asked Kahdil how he managed to make it sound so big – was he putting his guitar through a bass amp, or using some crazy effects pedals? The answer was no – Just a regular guitar cab, and one pedal! It just goes to show that sometimes less is more, and all the technology in the world doesn’t necessarily make you any better. Although I do now suspect that these guys are wizards, as that sound should not have been possible with that set up!!! Brilliant, and terrifically nice and humble blokes too. If you get a chance to check these guys out, and you like early Metallica, great musicianship, catchy songs and HEAVY Metal then do it!

What a quality night we had, as did the small crowd who had made the effort to be there. That is my only gripe about the night – that more people didn’t make the effort to come out. Yes, it was a school night, yes it was the day before payday, but still. These guys had come on a shoestring from Trinidad & Tobago to play their first UK Tour – everyone should be getting off their asses and encouraging them, they definitely deserve it! I consider myself to be one of the lucky ones, having seen them here, and would like to say a big thank you to them, and to North East Wales Metal Productions for putting on the show.

03 Klaviumhttps://www.facebook.com/klavium/

LINKS:
https://www.facebook.com/N.E.WMetalProductions/
https://www.facebook.com/skyyrockfestival/
https://www.facebook.com/fatangelbookings/
https://www.facebook.com/intenartist/
https://www.facebook.com/evermetal2017/

 

Disclaimer: This review is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Edenveil, Melodic Metal Night – The Portland Arms, Cambridge, UK – 30/04/2019

Edenveil

Edenveil
Melodic Metal Night
The Portland Arms, Cambridge, UK
30/04/2019
Review by Paul Monkhouse

Edenveil are the brainchild of singers Vera and Onyx, two classically trained vocalists who, after touring the circuit as an acoustic duo decided to go over to the dark side and unleash their full symphonic rock side. Whilst the two are incredibly polished and their soaring voices mesh perfectly with the material, the real surprise was the quality of the whole ensemble considering this was their debut gig as a full band. There was a real nervous energy and excitement onstage that translated across through the music and filled the room with a lush soundscape that truly befitted the genre.

Opening with ‘Seen Not Heard’, Edenveil soon stamped their mark on proceedings and staked their claim as ones to watch. Filled with a great sense of dynamics and with Vera and Onyx’s angelic and passionate voices diving in, out and over of the heavy guitar, drum and bass attack it was the perfect introduction to the new project. There was a real mix of influences from some of the giants of the genre but it was still very much their own creation, the twist and icing on the cake being two equally outstanding female vocals as opposed to the usual sole female or female/male vocal combinations that are established. There was a real freshness in that both voices are classical and the contrast this brought to the fire of the band. Having performed together for five years there was a real connection between Vera and Onyx, and this was enhanced by the carefully selected musicians, all the members gelling into a perfect storm.

Elements of folk music tinged ‘Weightless’, a haunting number that was a brave shifting down of gears after the opening barrage but built up the drama as it headed into a soaring chorus. As Vera delicately picked at her acoustic guitar, Onyx swayed, lost in the moment with the two coming fully to life as the song lifted and lifted. With the transition from acoustic to hard rocking there is obviously a period of adjustment going on behind the scenes as originally stripped back and naked songs are beefed up bit by bit, the songs slowly morphing from one thing to another. It will be interesting to see how the writing changes as the new six-piece band develop more and more material that stretches it beyond the original two voices and a guitar set-up.

This was always going to be a short set, squeezed as they were in an evening with three other bands; the Viking Metal of headliners Atorc, melodic thrashers Akilla and the incendiary Far From Refuge, but they were determined to be remembered. Third song ‘Wicked’ was another good indication of the direction they are heading towards with its galloping riff played over a piano melody, mirroring the perfectly balanced contrast of the symphonic rock style. Whilst it was obviously a joyful tribute and a well-known song, their set closing cover of Nightwish’s ‘Amaranth’ seemed a bit of a two-edged sword. It highlighted their musicianship and ability to make a classic their own but also may have indicated a lack of their own heavier material presently and the need for a filler. It would have been better to finish with another epic Edenveil original to be the lasting memory of their set but that will come in time. As for now though you can’t but help to be impressed with this fledgling outfit and more gigs and studio work will see them really grow.

LINKS:
https://www.edenveil.com/
https://www.facebook.com/edenveil/

https://www.instagram.com/edenveilofficial/
https://www.youtube.com/channel/UCWuiNb5wdsLkFLaVpQykxXQ

 

 

Disclaimer: This review is solely the property of Paul Monkhouse and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

P.O.D. Full Circle Tour 2019 – The Starland Ballroom, Sayreville, NJ – 21-05-2019

00 P.O.D. Gig Poster

P.O.D.
Full Circle Tour 2019
The Starland Ballroom, Sayreville, NJ
21-05-2019
Review and Pictures by Andy Jansons

Christian Nu Metal legends P.O.D. (Payable On Death) are currently on their second leg of a North American Tour supporting their tenth studio album “Circles” which was released on November 16th last year. They are supported on this Full Circle Tour by Nonpoint, Hyro The Hero, Islander & Nine Shrines.

P.O.D. is one of the rare bands that has got their original lineup almost unchanged. Founding members vocalist Sonny Sandoval, lead guitarist Marcos Curiel and drummer Wuv Bernardo accompanied by bassist Traa Daniels who joined the band one year later. Marcos left the band in 2003 to return just three years later. All guys showed great chemistry and their performance was seamless.

From the bands that started up the show I was lucky enough to see Nonpoint. This Florida Hard Rock band or as they classify themselves a Heavy Hard Rock, also toured with P.O.D. during the initial Circles Tour and were main support. No matter how Nonpoint classify themselves, they play a very similar style to P.O.D. just without Christian references and they know how to put on a show. If ‘Chaos and Earthquakes’, ‘El Diablo’ and ‘What A Day’ were not enough to blow the roof off, then ‘Bullet With A Name’ which they always play as the last song, did the job. In your face hard rock, played with full energy, with vocalist Elias Soriano fully engaging the crowd set the perfect atmosphere for the nights biggest stars.

P.O.D. came out with ‘Soundboy Killa’, ‘Rockin’ With The Best’ and exploded the place with ‘Boom’! Every song from first to the last was played with tireless energy and the crowd absolutely loved it. They followed up with ‘Rock The Party’ and ‘Panic Attack’ before unleashing one of their heaviest hits ‘Murdered Love.’

Providing a little slow down in the middle of the set with ‘Circle’, ‘Satellite’ and ‘Beautiful’, the bands vocalist Sonny Sandoval brought two boys onto the stage, both in their early teens. Both boys were gifted drum sticks by Wuv Bernardo and stayed on the stage to help singing smash hit ‘Youth Of The Nation;. Fans, and of course the kids parents, loved the scene. These boys will have something to remember for the rest of their lives.

After this cozy feeling the band dropped the beat with ‘Southtown’, their hard knock life anthem from their first major label debut album “The Fundamental Elements Of Southtown”. As always, for the desert (end of the show) they played ‘Alive’, if not their most successful song, then their most admired for the meaning and their Christian motives.

P.O.D. delivered a show full of excitement and positive energy, and maybe even for a moment making a believer from the God forsaken pagan who wrote this review. This band is absolutely a must have for a rock / metal fan to be at least familiar with and see them live at least once, they are really good and talented and will move you with their music.

LINKS:

Main Page



https://www.facebook.com/POD/
https://www.instagram.com/POD/

 

01 pod3

 

Disclaimer: This review is solely the property of Andy Jansons and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Photograph reproduced here with kind permission from Andy Jansons

Samantha Fish – The Junction, Cambridge – 13/05/2019

00 Samantha Fish Poster

Samantha Fish
The Junction, Cambridge
13/05/2019
Review by Paul Monkhouse
Photo by Laurence Harvey

Let’s just start by saying this: Samantha Fish is one of THE BEST guitarists you will ever see. Currently touring Europe, she has both the musical chops and the material to put on a real masterclass with her unique brand of country infused blues rock that is, by turns, seductive and eviscerating. Backed by a formidably tight three-piece band, she blew away the packed audience in a display of ferocious virtuosity showing that not only is Blues alive but just as vibrant and relevant today as it ever has been.

‘American Dream’ opens the set with a real swagger and kicks things off supremely, a template for the thrills to come. This was no warming gently into the show but a full-blooded leap into her world, the delightfully twisting rhythm of the song and fantastic vocal intonation of the chorus immediately drawing the crowd in. Whilst the band propel the groove, Fish is full of effortless cool and unleashes the first of many slide solos that highlight her deft touch and feel. Never someone to get complacent, there is a real shift in style to next number, the title track from the 2017 album ‘Chills and Fever’. With a delightful retro sound, it’s a much more jazzy/soul number that has a swing and style more akin musically and vocally to the late Amy Winehouse. With its terrific keys solo by Phil Breen, the song shows how Fish isn’t afraid to grow naturally and infuse her material with some of the best elements of 20th and 21st century music. In fact, it’s lazy to label her as ‘just a Blues artist’ because she is so much more than that and shows a really unique blend of different styles whilst at the same time very much having her own unique identity.

‘Wild Heart’ adds another twist with its galloping and insistent riff, the song rocking along as the passionate vocals power over the top of it. Fish looks utterly consumed by the music as a curl of blonde hair falls over her eyes whilst she rips into her guitar, her whole body lost in the glorious sound. ‘You Can’t Go’ wasn’t so much an instruction as an impossibility, transfixed as the audience were by the four musicians onstage and featured yet another outstanding solo whilst the more mellow ‘Hello Stranger’ cooled the pace once more with its soulfulness. ‘Cow Town’ was introduced with the tongue in cheek “for all you Hillbillies out there” and featured a much more ‘country’ twang to the vocals. Breen was again given the platform to shine as individual solos by both keys and guitar took the spotlight and highlighted the superior calibre of musicianship, each member of the band a master of their craft.

The first of two newly released singles, ‘Watch It Die’ is an incredibly catchy taster from forthcoming album ‘Kill or Be Kind’, propelled along by a pedal to the floor riff that is unpinned by bass player Chris Alexander and drummer Scotty Graves who lock in to provide a rock-solid base whilst adding their own style and panache. Coming over like a heavier version of prime late 70’s Fleetwood Mac, it transported the Monday night Cambridge crowd to the widescreen vistas of desert highways of Mid-West America, speeding along in an open top Pontiac GTO, a testament to the songwriting flair and an evocation of Fish’s Kansas roots. Further capturing the spirit of America, ‘Little Baby’ was an exercise in joyful rockabilly that saw the band having as much of a ball as the audience, it’s lyrics of longing and regret juxtaposed with the upbeat bounce of the music. Once more, the rhythm section of Alexander and Graves shone as they drove the beat along, the live version ramping up the fire of the original recording.

The slow, soulful country blues of ‘Go Home’ provided a much-needed breather and showed how Fish could shine equally as well with an acoustic guitar as electric, delicately plucking at the strings as her plaintive voice soared. A truly beautiful number, the vocal harmonies lifted it even further into the realms of the angelic and there was a hushed awe as if the slightest noise could break the spell. Following that with another tender number would have proven impossible so ‘Gone For Good’ was a rocking, raging storm of bottleneck slide guitar masterstroke, sandwiched as it was between the ballad and the second of the new releases ‘Love Letters’. Again, it can’t be overstated that Samantha Fish is not only an incredible player but a superb songwriter too and the track is both slinky and seductive whilst being instantly memorable therefore making it a perfect single to release.

A phenomenal ‘Somebody’s Always Trying’ is an exercise of swing that strips the sound to a pulsating, mellow soundscape, its breakdown building to an extended solo that really is a highlight of the night as the guitar sighs and screams before heading back into the chorus to finish the song. Rounding off the set, ‘Shake Em On Down’ was a perfect slice of down and dirty blues, the four-string cigar box guitar adding exactly the right level of authenticity and grit as the song slides along with the smoothness and slightly rough edge of a good bourbon. Of course, the crowd weren’t going to let the band just go without an encore and their chants and claps were rewarded as, to a huge roar, the four musicians strolled back on stage. Ripping into the heavy-duty rocker ‘Bitch On The Run’, it’s snotty, snarling attitude and irresistible chorus squeezed ever last drop of energy out of the audience and left them empty before saying a final goodnight. A barnstorming showstopper in every sense of the word, it was the perfect end to a perfect evening and one that those lucky enough to be there will be talking about for years to come.

Absolutely incredible.

LINKS:

Samantha Fish


https://www.facebook.com/samanthafishmusic/

https://www.instagram.com/samanthafishmusic/

 

01 Samantha Fish by Laurence Harvey

 

Disclaimer: This review is solely the property of Paul Monkhouse and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Photo reproduced here with kind permission of Laurence Harvey

 

Can’t Swim – House of Independents, Asbury Park, NJ – 23/03/2019

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Can’t Swim
House of Independents, Asbury Park, NJ
23/03/2019
Reviewed by Stephen Moss

This has been the first Headlining Tour for Can’t Swim. They ended the tour at home just a few miles from where it all began. They played at House of Independents in Asbury Park, NJ and this was their last show in the States before they embarked on their very first overseas tour playing the UK and Europe.

The atmosphere at the venue was incredible! I spoke to kids who had driven from other US States just to see this show!

This show was also Can’t Swim’s album release party. They played their brand new album “This Too Won’t Pass” in its entirety. During the very last song they brought out hundreds of big red balloons and dumped them all over the crowd.

After all the tracks on the new album had been played, the crowd still wanted more and kept chanting “One More Song!!!” Then Can’t Swim returned and played not one but three more songs and finished the show with their biggest hit ‘Stranger’.

01 Can_t Swim Middle

I can’t stress enough how awesome this band is! All the members are so humble and down to earth. Before and after their set you could find them in the crowd interacting with their fans!

I asked Can’t Swim for a band photo and they one upped me. They had every band come out on stage and I had the privilege of taking a tour photo! Please check out the accompanying photos of the show. You will see that whether it’s the first song or the last Can’t Swim play with the same intense energy and excitement. They give everything they have for each show and fans have taken note. Selling out venues is becoming common place for Can’t Swim!

This was my fourth Can’t Swim gig and each time I find myself saying, “No, this time was my favourite show.” It’s always refreshing to see a show where the band is so genuine and really connects to their fans.

LINKS:
https://www.cantswimmusic.com/
https://www.facebook.com/cantswim/

https://www.instagram.com/cantswim_/
https://cantswimmusic.tumblr.com/

 

02 Can_t Swim Tour Photo Bottom

 

Disclaimer: This review is solely the property of Stephen Moss and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photographs reproduced with the kind permission of Stephen Moss.

 

 

UFO ‘Last Orders; 50th Anniversary Tour’ – The Junction, Cambridge – 22/03/2019

Tour Flyer

UFO
‘Last Orders; 50th Anniversary Tour’
The Junction, Cambridge
22/03/2019
Review by Paul Monkhouse & Photo by Daniel Ackerley-Holmes

Very few bands in rock are as legendary as UFO. Since forming in the late 60’s theirs has been a mercurial and notorious history, filled with fights, stellar musicians and peerless songwriting. When last year main man Phil Mogg announced his intention to retire, tickets for this 50th anniversary became some of the most eagerly awaited and sought after and rightly so. The ‘Last Orders Tour’ is a cherry-picked celebration of some of the finest slices of hard rock ever to be committed to tape.

When the lights dimmed and a bar bell rang, one by one the band strolled onto stage and tore into opening number Let It Roll like it was freshly minted. Buoyed by the ecstatic reaction of a packed crowd the band tackled the material with a passion that mixed their seasoned professionalism with a sense of genuinely having an absolute ball onstage.

Mogg in particular was in truly great form, looking fit and lean, cracking jokes between songs and with a voice that arguably sounded the best it ever has. With old friends and foils Andy Parker on the drums and Paul Raymond on keys and guitar it was a joy to see these three on stage providing a masterclass of muscular and melodic music. The two ‘new’ boys Rob De Luca and Vinnie Moore more than held up their ends, De Luca meshing perfectly with Parker to provide a tight rhythm section that pinned down the grooves of the songs with élan and Moore firmly stamping his own identity into tracks previously played by ex UFO alumni and world class six stringer Michael Schenker.

This wasn’t though just an exercise in nostalgia as newer tracks such as Baby Blue, Burn Your House Down and a brilliant Messiah of Love from 2015s ‘A Conspiracy of Stars’ stood shoulder to shoulder with the classics. In fact, along with a outstanding solo on Ain’t No Baby, the acoustic guitarwork on these three were some of the highlights of the evening and showed why Moore was such a great choice to replace the, once more, departing Schenker in 2003. Be it the interplay with the superb keys of Raymond or his own showcase during the extended workout of Rock Bottom Moore truly put his heart into his playing.

All you could wish for and more was played with each song being greeted like an old friend. Lights Out, Only You Can Rock Me and Cherry came in a rush of euphoria and a truly epic Love to Love was enough to make grown men cry, such was its magnificence. With the unbeatable one / two punch of set closers Too Hot to Handle and the aforementioned Rock Bottom there was only one way to come out for the encore. The moment the familiar glistening keyboard started and was joined by the tasteful guitar work, shivers ran down spines as the place erupted. This turned into the out and out adrenaline rush of THAT riff as every single voice in the place sang the titular opening lines “Doctor Doctor please…”. Probably the first song that most people get to hear by UFO, this is still one of the greatest tracks in rock and something that is seen as the bands very own calling card. Following that was nigh on impossible but a triumphant Shoot Shoot rounded off the night perfectly on part of what is potentially going to be the tour of the year. No-one quite knows what the future holds for UFO but even if this is their swan song they couldn’t go out in finer style. Absolutely unmissable.

LINKS:
http://www.ufo-music.info/
https://www.facebook.com/UFOofficial/

DANIEL ACKERLEY-HOLMES PHOTOGRAPHY
https://www.danielackerley.co.uk

 

RockSinsUFO32

Disclaimer: This review is solely the property of Paul Monkhouse and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Photo supplied courtesy of Daniel Ackerley-Holmes

Warrant & Sweet Sienna “The Dirty 30 Tour” – The Starland Ballroom, Sayreville, NJ – 22/03/2019

Gig Poster

Warrant & Sweet Sienna
“The Dirty 30 Tour”
The Starland Ballroom, Sayreville, NJ
22/03/2019
Review and Pictures by Andy Jansons

One of the most popular Glam Rock / Hard Rock bands of last three decades, California rockers Warrant, are currently on tour for the 30th anniversary of the release of their first album “Dirty Rotten Filthy Stinking Rich”. This tour, which is currently seven shows in, started in January and will last till mid August. They don’t have a specific support band, but have a bunch of local Rock bands joining them on their show dates.

To be honest, I did not get a chance to see the first local band of the night, but I caught a most interesting and promising young band from New York, called Sweet Sienna.

Fronted by the beautiful and talented Katrien Van Riel they performed an electrifying set. Playing their songs ‘Rise’, ‘No Reflection’ and ‘Your Love’ among others, Sweet Sienna moved the audience with quality in music and showmanship on stage. Their sound is pure rock with some heavier riffs and melodic singing. Katrien interacted with the crowd like a seasoned professional, singing with emotion and passion. At this point your best option would be their website and social media to look up who they are and what they sound like. They are currently scheduled to perform as support for such rock legends as Ace Frehley, Skid Row and L.A. Guns to name just a few, so that may change quick, and they could become popular much faster than we might expect.

Warrant were received with some very loud screams, almost like it was still 80’s. All of the eight opening songs from their set came from the aforementioned anniversary album. They only left out ‘In The Sticks’ and ‘Ridin’ High’. All the other songs were played in the order they appear on the album starting with ‘32 Pennies’ and ‘Down Boys’ and finishing with ‘Heaven’ and ‘Cold Sweat’.

Another five songs were played from their huge second studio album “Cherry Pie and, obviously, the title song was the show closer. Until this day ‘Cherry Pie’ is the most recognized song from the band and the glam rock era.

From their newest album “Louder, Harder, Faster”, which was released in 2017, Warrant performed just two songs, ‘Only Broken Heart’ and the title track.

Current vocalist Robert Mason, who took over as Warrant’s front-man after Jani Lane passed away, and who has now been with them for over a decade, was phenomenal. He was joined on stage with original members Erik Turner, Jerry Dixon and longtime member Joey Allen although they are still without Steven Sweet who is recovering after being diagnosed with cancer.

The show was a great success with the venue near to capacity, and it was not only old fans that came to indulge in a trip down memory lane but quite a few younger rock fans as well!

SWEET SIENNA LINKS:
https://www.sweetsiennaband.com/
https://www.facebook.com/sweetsiennaband/
https://www.instagram.com/sweetsiennaband/

https://www.youtube.com/channel/UC-ktAuVGoCoZ76d5Pzc0qww

WARRANT LINKS:
http://www.warrantrocks.com/
https://www.facebook.com/warrantrocks/

https://www.instagram.com/warrantrocks/

https://www.youtube.com/channel/UCP0tGGgcnoHoPoobLkxVyIA
Warrant Pic

Disclaimer: This review is solely the property of Andy Jansons and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photographs courtesy of Andy Jansons.