Klavium, Killer Hurts & Scars Of Remembrance – The Live Rooms, Chester – 27/06/2019

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Klavium, Killer Hurts & Scars Of Remembrance
The Live Rooms, Chester – 27/06/2019
Review by Beth Jones

It had been a couple of weeks since we had been to a live show, and this was a gig that we had earmarked when it was announced, even though it was on a school night! It was a chance to catch up with the guys in Scars Of Remembrance before their Bloodstock adventure, and also to see a couple of new names for us, Classic Thrashers Killer Hurts and a new name to the scene, all the way from Trinidad and Tobago, Klavium.

The gig was in the smaller room at the Live Rooms, which we have never been in before. It is still a good sized room and perfect for this type of gig.

Scars Of Remembrance
Fresh from their M2TM finals win, SOR opened the show in great fashion. They still continue to improve each time we see them, and this performance was no exception. Their brand of 90’s inspired riffs with death metal vocals, and punchy grooves really got the gathered crowd going and in the mood for some heavy tunes.
Front man Mike Edwards really likes to get in with the crowd and paced like a man possessed throughout the set, which motivated the audience to move along with him. The sound was awesome and the whole band looked more than ready for their trip to Catton Park in August.

01 Scars Of Remembrancehttps://www.facebook.com/scarsofremembrance/

Killer Hurts
Norwich based Killer Hurts do their thing very well, and their thing is classic, no nonsense Thrash. They were a man down for this performance, with their lead guitarist unable to make the gig, so they were performing as a three piece.

Whilst I’m not a massive fan of classic Thrash, what I will say is that they were super tight, and obviously well versed in the business, because their performance was spot on. It did lack the guitar solos that I am assuming would have been there if the lead guitarist had been available. Rick absolutely loved them, as it is one of his favourite genres, but musically, despite being very tight, they weren’t really for me if I’m honest. Each to their own though isn’t it!

(Rick Here: Yes I did love them. I understand why some might say they are a bit samey, but for me Killer Hurts are all the things I love about an old-school Thrash band. Think of Slayer crashing head on into Destruction and Exodus and you might be somewhere close although you’ll probably hear your own influences)!

02 Killer Hurtshttps://www.facebook.com/Killer-Hurts-308343311010/

Klavium
Its not every day you get a metal band from Trinidad & Tobago playing on your doorstep! Add to that the fact that they are only a two-piece band, and it becomes rarer still. They are Kahdil Beharry Singh on Vocals and Guitar, and Dylan Beharry Singh on Drums.
We were intrigued to see what sort of noise they made. The answer to that was BIG! Unbelievably big considering their lineup! But it wasn’t just big, it was tight, it was chunky, and it was heavy as hell. They were superb! This was Thrash that I could get onboard with. It was fast paced, with fantastic rhythms, and immensely powerful vocals. They sounded like a band that had at least five members, and after the gig we asked Kahdil how he managed to make it sound so big – was he putting his guitar through a bass amp, or using some crazy effects pedals? The answer was no – Just a regular guitar cab, and one pedal! It just goes to show that sometimes less is more, and all the technology in the world doesn’t necessarily make you any better. Although I do now suspect that these guys are wizards, as that sound should not have been possible with that set up!!! Brilliant, and terrifically nice and humble blokes too. If you get a chance to check these guys out, and you like early Metallica, great musicianship, catchy songs and HEAVY Metal then do it!

What a quality night we had, as did the small crowd who had made the effort to be there. That is my only gripe about the night – that more people didn’t make the effort to come out. Yes, it was a school night, yes it was the day before payday, but still. These guys had come on a shoestring from Trinidad & Tobago to play their first UK Tour – everyone should be getting off their asses and encouraging them, they definitely deserve it! I consider myself to be one of the lucky ones, having seen them here, and would like to say a big thank you to them, and to North East Wales Metal Productions for putting on the show.

03 Klaviumhttps://www.facebook.com/klavium/

LINKS:
https://www.facebook.com/N.E.WMetalProductions/
https://www.facebook.com/skyyrockfestival/
https://www.facebook.com/fatangelbookings/
https://www.facebook.com/intenartist/
https://www.facebook.com/evermetal2017/

 

Disclaimer: This review is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Edenveil, Melodic Metal Night – The Portland Arms, Cambridge, UK – 30/04/2019

 

A full review of the gig can be found here:

Edenveil, Melodic Metal Night – The Portland Arms, Cambridge, UK – 30/04/2019

Disclaimer: This photo album is solely the property of Anabella Binks. It is strictly forbidden to copy any part of these images, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Edenveil, Melodic Metal Night – The Portland Arms, Cambridge, UK – 30/04/2019

Edenveil

Edenveil
Melodic Metal Night
The Portland Arms, Cambridge, UK
30/04/2019
Review by Paul Monkhouse

Edenveil are the brainchild of singers Vera and Onyx, two classically trained vocalists who, after touring the circuit as an acoustic duo decided to go over to the dark side and unleash their full symphonic rock side. Whilst the two are incredibly polished and their soaring voices mesh perfectly with the material, the real surprise was the quality of the whole ensemble considering this was their debut gig as a full band. There was a real nervous energy and excitement onstage that translated across through the music and filled the room with a lush soundscape that truly befitted the genre.

Opening with ‘Seen Not Heard’, Edenveil soon stamped their mark on proceedings and staked their claim as ones to watch. Filled with a great sense of dynamics and with Vera and Onyx’s angelic and passionate voices diving in, out and over of the heavy guitar, drum and bass attack it was the perfect introduction to the new project. There was a real mix of influences from some of the giants of the genre but it was still very much their own creation, the twist and icing on the cake being two equally outstanding female vocals as opposed to the usual sole female or female/male vocal combinations that are established. There was a real freshness in that both voices are classical and the contrast this brought to the fire of the band. Having performed together for five years there was a real connection between Vera and Onyx, and this was enhanced by the carefully selected musicians, all the members gelling into a perfect storm.

Elements of folk music tinged ‘Weightless’, a haunting number that was a brave shifting down of gears after the opening barrage but built up the drama as it headed into a soaring chorus. As Vera delicately picked at her acoustic guitar, Onyx swayed, lost in the moment with the two coming fully to life as the song lifted and lifted. With the transition from acoustic to hard rocking there is obviously a period of adjustment going on behind the scenes as originally stripped back and naked songs are beefed up bit by bit, the songs slowly morphing from one thing to another. It will be interesting to see how the writing changes as the new six-piece band develop more and more material that stretches it beyond the original two voices and a guitar set-up.

This was always going to be a short set, squeezed as they were in an evening with three other bands; the Viking Metal of headliners Atorc, melodic thrashers Akilla and the incendiary Far From Refuge, but they were determined to be remembered. Third song ‘Wicked’ was another good indication of the direction they are heading towards with its galloping riff played over a piano melody, mirroring the perfectly balanced contrast of the symphonic rock style. Whilst it was obviously a joyful tribute and a well-known song, their set closing cover of Nightwish’s ‘Amaranth’ seemed a bit of a two-edged sword. It highlighted their musicianship and ability to make a classic their own but also may have indicated a lack of their own heavier material presently and the need for a filler. It would have been better to finish with another epic Edenveil original to be the lasting memory of their set but that will come in time. As for now though you can’t but help to be impressed with this fledgling outfit and more gigs and studio work will see them really grow.

LINKS:
https://www.edenveil.com/
https://www.facebook.com/edenveil/

https://www.instagram.com/edenveilofficial/
https://www.youtube.com/channel/UCWuiNb5wdsLkFLaVpQykxXQ

 

 

Disclaimer: This review is solely the property of Paul Monkhouse and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Rebecca Downes – The Met Lounge, Peterborough – 29/03/2019

01 Rebecca Downes

Rebecca Downes
The Met Lounge, Peterborough
29/03/2019
Review by Paul Monkhouse

Many bands have turned to acoustic sets in the past but very few as well as the Quireboys, a band with the charisma and material to make it really work for them. When this is perfectly teamed with an opening slot by the brilliant Rebecca Downes it proves to be an evening when all you can do is be swept away by the music.

Having toured regularly up and down the length and breadth of the country with her full band playing support to bands such as Magnum, tonight sees her shorn of her full band but joined by partner in crime guitarist and vocalist Steve Birkett. The duo fill the sound with ease and you can’t help but warm instantly to Downes, her great humour and down to earth personality shine, displaying not a shred of over inflated ego. ‘Take Me Higher’ is an excellent showcase for her soulful vocals and really got the attention of all there. As has been proven many times before, huge talent isn’t always enough but needs to be matched with great quality material to really highlight the artist. The songwriting team of Downes and Birkett have that by the bucketload. Next song ‘It’s Not Easy’ is a prime example of this as it twists and turns in unexpected directions whilst the stripped-down acoustic arrangement really lets the vocals shine.

Refreshingly, Birkett doesn’t just play second fiddle to the singer as the two are evenly matched in musical chops and it comes over as a perfect partnership. There is a genuine warmth exuding from them and when showcased in such great fare as the sparkling ‘Waving Goodbye’ it’s pretty unbeatable. The richness of the voices glides perfectly over a hooky chorus, as the track has a classic, almost pop, soulful tone. It would have been difficult to follow that gem but the Radio 2 playlisted ‘Sailing on a Pool of Tears’ ups the ante even more. A big, spellbinding ballad, it contains elements of chilled flamenco and is both instantly catchy and heartrending.

The pace changes with ‘1000 Years’, an upbeat blues number with a truly cocky strut that easily dispels the narrow view that the blues is solely downbeat tales of suffering. The short set finishes with the title track from last album ‘Believe’, another forceful wake up call that is both defiant and life affirming. Featuring an acoustic breakdown, its sense of dynamics proving it was the perfect number to finish on. Returning later for an incendiary duet with Spike for the Quireboys encore, Downes was the ideal choice as touring companion for these dates and was clearly having a ball on the road with a band she’s long been an admirer of. With her expressive Midlands accent she doesn’t sound like one of the Windsors in conversation but, make no mistake, when she sings Rebecca Downes is UK Blues royalty. If you want to know the roots of hard rock and metal, get yourself into the blues. You really can’t go wrong with the lethal combination that this partnership offers of filthy barroom rock ‘n’ roll and soul. Catch them when you can.

LINKS:
https://www.rebeccadownes.com/
https://www.facebook.com/RebeccaDownes/

https://www.instagram.com/rebeccadownesuk/

 

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Disclaimer: This review is solely the property of Paul Monkhouse and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

 

Samantha Fish – The Junction, Cambridge – 13/05/2019

 

A full review of the gig can be found here:

Samantha Fish – The Junction, Cambridge – 13/05/2019

 

Disclaimer: This photo album is solely the property of Laurence Harvey. It is strictly forbidden to copy any part of these images, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Samantha Fish – The Junction, Cambridge – 13/05/2019

00 Samantha Fish Poster

Samantha Fish
The Junction, Cambridge
13/05/2019
Review by Paul Monkhouse
Photo by Laurence Harvey

Let’s just start by saying this: Samantha Fish is one of THE BEST guitarists you will ever see. Currently touring Europe, she has both the musical chops and the material to put on a real masterclass with her unique brand of country infused blues rock that is, by turns, seductive and eviscerating. Backed by a formidably tight three-piece band, she blew away the packed audience in a display of ferocious virtuosity showing that not only is Blues alive but just as vibrant and relevant today as it ever has been.

‘American Dream’ opens the set with a real swagger and kicks things off supremely, a template for the thrills to come. This was no warming gently into the show but a full-blooded leap into her world, the delightfully twisting rhythm of the song and fantastic vocal intonation of the chorus immediately drawing the crowd in. Whilst the band propel the groove, Fish is full of effortless cool and unleashes the first of many slide solos that highlight her deft touch and feel. Never someone to get complacent, there is a real shift in style to next number, the title track from the 2017 album ‘Chills and Fever’. With a delightful retro sound, it’s a much more jazzy/soul number that has a swing and style more akin musically and vocally to the late Amy Winehouse. With its terrific keys solo by Phil Breen, the song shows how Fish isn’t afraid to grow naturally and infuse her material with some of the best elements of 20th and 21st century music. In fact, it’s lazy to label her as ‘just a Blues artist’ because she is so much more than that and shows a really unique blend of different styles whilst at the same time very much having her own unique identity.

‘Wild Heart’ adds another twist with its galloping and insistent riff, the song rocking along as the passionate vocals power over the top of it. Fish looks utterly consumed by the music as a curl of blonde hair falls over her eyes whilst she rips into her guitar, her whole body lost in the glorious sound. ‘You Can’t Go’ wasn’t so much an instruction as an impossibility, transfixed as the audience were by the four musicians onstage and featured yet another outstanding solo whilst the more mellow ‘Hello Stranger’ cooled the pace once more with its soulfulness. ‘Cow Town’ was introduced with the tongue in cheek “for all you Hillbillies out there” and featured a much more ‘country’ twang to the vocals. Breen was again given the platform to shine as individual solos by both keys and guitar took the spotlight and highlighted the superior calibre of musicianship, each member of the band a master of their craft.

The first of two newly released singles, ‘Watch It Die’ is an incredibly catchy taster from forthcoming album ‘Kill or Be Kind’, propelled along by a pedal to the floor riff that is unpinned by bass player Chris Alexander and drummer Scotty Graves who lock in to provide a rock-solid base whilst adding their own style and panache. Coming over like a heavier version of prime late 70’s Fleetwood Mac, it transported the Monday night Cambridge crowd to the widescreen vistas of desert highways of Mid-West America, speeding along in an open top Pontiac GTO, a testament to the songwriting flair and an evocation of Fish’s Kansas roots. Further capturing the spirit of America, ‘Little Baby’ was an exercise in joyful rockabilly that saw the band having as much of a ball as the audience, it’s lyrics of longing and regret juxtaposed with the upbeat bounce of the music. Once more, the rhythm section of Alexander and Graves shone as they drove the beat along, the live version ramping up the fire of the original recording.

The slow, soulful country blues of ‘Go Home’ provided a much-needed breather and showed how Fish could shine equally as well with an acoustic guitar as electric, delicately plucking at the strings as her plaintive voice soared. A truly beautiful number, the vocal harmonies lifted it even further into the realms of the angelic and there was a hushed awe as if the slightest noise could break the spell. Following that with another tender number would have proven impossible so ‘Gone For Good’ was a rocking, raging storm of bottleneck slide guitar masterstroke, sandwiched as it was between the ballad and the second of the new releases ‘Love Letters’. Again, it can’t be overstated that Samantha Fish is not only an incredible player but a superb songwriter too and the track is both slinky and seductive whilst being instantly memorable therefore making it a perfect single to release.

A phenomenal ‘Somebody’s Always Trying’ is an exercise of swing that strips the sound to a pulsating, mellow soundscape, its breakdown building to an extended solo that really is a highlight of the night as the guitar sighs and screams before heading back into the chorus to finish the song. Rounding off the set, ‘Shake Em On Down’ was a perfect slice of down and dirty blues, the four-string cigar box guitar adding exactly the right level of authenticity and grit as the song slides along with the smoothness and slightly rough edge of a good bourbon. Of course, the crowd weren’t going to let the band just go without an encore and their chants and claps were rewarded as, to a huge roar, the four musicians strolled back on stage. Ripping into the heavy-duty rocker ‘Bitch On The Run’, it’s snotty, snarling attitude and irresistible chorus squeezed ever last drop of energy out of the audience and left them empty before saying a final goodnight. A barnstorming showstopper in every sense of the word, it was the perfect end to a perfect evening and one that those lucky enough to be there will be talking about for years to come.

Absolutely incredible.

LINKS:

Samantha Fish


https://www.facebook.com/samanthafishmusic/

https://www.instagram.com/samanthafishmusic/

 

01 Samantha Fish by Laurence Harvey

 

Disclaimer: This review is solely the property of Paul Monkhouse and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Photo reproduced here with kind permission of Laurence Harvey

 

Twisted Illusion & Friends Excite The Light Tour 2019 – The Zanzibar Club, Liverpool – 12/05/2019

00 Twisted Illusion Excite The Light Tour Flyer

Twisted Illusion & Friends
Excite The Light Tour 2019
The Zanzibar Club, Liverpool
12/05/2019
Review By Beth Jones with nonsensical ramblings by Rick Tilley

It is a little under 5 months since we saw Twisted Illusion last, and it is safe to say a lot has happened to the band in that time, from the shock announcement of two of its three members departure, to Matt, the life blood of TI, soul searching and wondering if it was all worth it, to being on the road touring and recording the second part of the ‘Excite The Light’ Trilogy, and now, as of last Friday, becoming a band again, after the confirmation that the line up of musicians guesting on the tour have now decided that it worked so well straight away, that TI (version 2.1.1) has been born, and that this is the new line-up! We couldn’t wait to see how they were doing as a group, given the short space of time that they have been working together.

Now to start, but as a bit of an aside, I will say that I liked driving in Liverpool far more than I liked driving in Manchester, and I managed to navigate without any bus lane infringements, so already this was good! We arrived at the venue a little after the first band started, but still with enough time to get a good feel for them. A quick look around the venue let me know that it was going to be a down to earth place. It was a good old, no bells and whistles, grass roots venue, which to me is the perfect way to enjoy music. You don’t need fancy bollocks when the tunes are top quality! Anyway, enough of this – to the music!

Riptide Messiah
Although we only caught two-thirds of these guys’ set, what we heard was pretty good; Gruff, chunky, and in places fairly intricate. They are quite melodic too, which I like. I am going to call it Melodic Prog Stoner Doom! They were a good way to start the night, but my only criticism is there was too long between songs. I’m nit picking, but this is one of my bug bears. I know you have to tune and stuff, but you need to fill that time or people’s attention wanders! Musically though, they know what they are doing and what sound they want to achieve.

01 Riptide Messiahhttps://www.facebook.com/RiptideMessiah/

Ashen Reach
Fresh from their amazing gigs in Russia, supporting Bullet For My Valentine, these guys were stoked for a good show. Having seen them support Twisted Illusion at Christmas last year (when they were called Equinox), we knew what they were about, and that we liked it! They didn’t disappoint! They are so full of youthful exuberance, of which we are very jealous, and they hammered straight into a full-on set, with powerful vocals, fast paced melodies, and chunky rhythms. They are a good, solid, classic hard rock band, and they make you happy. Lead singer, Dan Moran, has such a presence on stage plus pulls some spectacular faces and drummer Jess Stanley is a whirlwind of arms behind the kit! We were chatting to them afterwards and they are such awesome and humble people, and we wish them every success moving forwards.

02 Ashen Reachhttps://www.facebook.com/ashenreach/

Scare Tactics
These guys are a name who, up until three weeks ago, I hadn’t come across (Rick is familiar with the name but hadn’t seen them live before). Having now seen them twice in the space of a month we would like to report that they are blisteringly good! If Dream Theater and Linkin Park joined forces, this is what they would sound like. Incredibly intricate rhythms, modern rasping vocals, mixed with clean harmonies, and stunning solos. They do remind me a bit of Killswitch Engage, who I also love. Why these guys aren’t bigger is beyond me. And again, they are thoroughly nice chaps too – Rick very much enjoyed having a chat and sharing a fig roll with lead singer Andy Barker, after they had come off stage! I was jealous. I love fig rolls. Damn you gluten intolerance!!

03 Scare Tactics UKhttps://www.facebook.com/scaretacticsuk/

Prognosis
After seeing these guys at Badgerfest last year, I knew they were heavy. I had found them a little too heavy for me on that occasion, but I think it might have been because it was later in the day, and I was knackered, and the sound wasn’t great. Here, I enjoyed them a lot more, and had more time to concentrate on what they were doing, which was very heavy prog metal done very well. Lead singer, Danny Daemon, is an absolute unit, who looks incredibly menacing in the mood lighting on stage! He makes guitarist Christian Hickson (also of Frozen In Shadows) look much small, which is quite an achievement! Musically though they are very, very tight and look completely at ease performing. A very good main support.

04 Prognosishttps://www.facebook.com/Prognosis1/

Twisted Illusion
In what seemed like no time at all, we were at the pièce de résistance, and what we had all been waiting for – the new look, five-piece, Twisted Illusion. Straight away, before they even started playing, there was an air about them. They looked comfortable, relaxed, and ready to put on a show! And Christ is that what they did, right from the first note! Now, we all know that Matt Jones is a formidable front man, and that Saxon Davids can play a bit of guitar, but not having seen the newly added Cici Powell – Melkonian, Chris Jenkins and Andy Gotteri before, our mind were blown within about 30 seconds by how good they all were as individuals, but also how amazing they sounded together as a collective. This was not the sound of a band that had only had a few weeks rehearsal time, this was the sound of a band who were seasoned pros, who had lived in each other’s pockets for years, and who had more experience than any of these baby faced cherubs kicking it on the stage! This should not be possible – but yet here it was, with a sound so massive and together, it can only be described as pure raw talent, combined with a deep love and understanding of live performance, and with a bit of help from fate, to make a Utopian level musical experience. They were a bit good!!! Matt’s songs came alive with the addition of Andy’s keyboards, and Cici looked like she had been born with a bass in her hand – her skills absolutely blew us away, and her constant smile is infectious. Add to that the masterful percussion of Chris, executing the demanding rhythms to perfection, and of course the immense noodling abilities of Saxon and huge vocals of Matt, and you have the perfect recipe for putting me into a euphoric trance. I was welling up by the end of their set and was so ridiculously happy that it sounded this amazing. Better than I could ever have expected. It was like witnessing the birth of something truly special. Quite simply stunning! Rick, who felt the same, spoke to Matt afterwards, to tell him that, as a live experience, what he had just seen was, for him, right up there with the live performances of early Queensryche (circa “Operation Mindcrime”) and Rush! These guys should not be playing small venues like this, they should be touring arenas. They are that talented. The world now needs to know who Twisted Illusion are. Always remember that every huge band started in a back-street pub. The sky is the limit now guys.

05 Twisted Illusionhttps://www.facebook.com/OfficialTIband/

That was a very, very special night and is going to take some topping! Currently, festivals aside, we have nothing on our radar that we can see coming close, until we go and witness Devin Townsend at Manchester Royal Albert Hall in December!

 

Disclaimer: This review is solely the property of Beth Jones, Richard Tilley and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photos courtesy of Beth Jones and PhotograBee Images
https://www.facebook.com/PhotograBeeImages/

Kalmah – The Gramercy Theatre, New York City – 30/04/2019

 

Disclaimer: This photo album is solely the property of Andy Jansons. It is strictly forbidden to copy any part of these images, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Can’t Swim – House of Independents, Asbury Park, NJ – 23/03/2019

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Can’t Swim
House of Independents, Asbury Park, NJ
23/03/2019
Reviewed by Stephen Moss

This has been the first Headlining Tour for Can’t Swim. They ended the tour at home just a few miles from where it all began. They played at House of Independents in Asbury Park, NJ and this was their last show in the States before they embarked on their very first overseas tour playing the UK and Europe.

The atmosphere at the venue was incredible! I spoke to kids who had driven from other US States just to see this show!

This show was also Can’t Swim’s album release party. They played their brand new album “This Too Won’t Pass” in its entirety. During the very last song they brought out hundreds of big red balloons and dumped them all over the crowd.

After all the tracks on the new album had been played, the crowd still wanted more and kept chanting “One More Song!!!” Then Can’t Swim returned and played not one but three more songs and finished the show with their biggest hit ‘Stranger’.

01 Can_t Swim Middle

I can’t stress enough how awesome this band is! All the members are so humble and down to earth. Before and after their set you could find them in the crowd interacting with their fans!

I asked Can’t Swim for a band photo and they one upped me. They had every band come out on stage and I had the privilege of taking a tour photo! Please check out the accompanying photos of the show. You will see that whether it’s the first song or the last Can’t Swim play with the same intense energy and excitement. They give everything they have for each show and fans have taken note. Selling out venues is becoming common place for Can’t Swim!

This was my fourth Can’t Swim gig and each time I find myself saying, “No, this time was my favourite show.” It’s always refreshing to see a show where the band is so genuine and really connects to their fans.

LINKS:
https://www.cantswimmusic.com/
https://www.facebook.com/cantswim/

https://www.instagram.com/cantswim_/
https://cantswimmusic.tumblr.com/

 

02 Can_t Swim Tour Photo Bottom

 

Disclaimer: This review is solely the property of Stephen Moss and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photographs reproduced with the kind permission of Stephen Moss.

 

 

UFO ‘Last Orders; 50th Anniversary Tour’ – The Junction, Cambridge – 22/03/2019

Hi, it’s Rick!

I’d like to send out huge thanks to photographer Daniel Ackerley-Holmes for allowing us to use his awesome photos to accompany Paul’s review of the UFO gig, especially on what looks to be their final tour.

You can check out more of Daniel’s work at his website
https://www.danielackerley.co.uk

 

A full review of the gig can be found here:

UFO ‘Last Orders; 50th Anniversary Tour’ – The Junction, Cambridge – 22/03/2019

Disclaimer: This photo album is solely the property of Daniel Ackerley-Holmes . It is strictly forbidden to copy any part of these images, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.