Rebecca Downes – The Met Lounge, Peterborough – 29/03/2019

01 Rebecca Downes

Rebecca Downes
The Met Lounge, Peterborough
29/03/2019
Review by Paul Monkhouse

Many bands have turned to acoustic sets in the past but very few as well as the Quireboys, a band with the charisma and material to make it really work for them. When this is perfectly teamed with an opening slot by the brilliant Rebecca Downes it proves to be an evening when all you can do is be swept away by the music.

Having toured regularly up and down the length and breadth of the country with her full band playing support to bands such as Magnum, tonight sees her shorn of her full band but joined by partner in crime guitarist and vocalist Steve Birkett. The duo fill the sound with ease and you can’t help but warm instantly to Downes, her great humour and down to earth personality shine, displaying not a shred of over inflated ego. ‘Take Me Higher’ is an excellent showcase for her soulful vocals and really got the attention of all there. As has been proven many times before, huge talent isn’t always enough but needs to be matched with great quality material to really highlight the artist. The songwriting team of Downes and Birkett have that by the bucketload. Next song ‘It’s Not Easy’ is a prime example of this as it twists and turns in unexpected directions whilst the stripped-down acoustic arrangement really lets the vocals shine.

Refreshingly, Birkett doesn’t just play second fiddle to the singer as the two are evenly matched in musical chops and it comes over as a perfect partnership. There is a genuine warmth exuding from them and when showcased in such great fare as the sparkling ‘Waving Goodbye’ it’s pretty unbeatable. The richness of the voices glides perfectly over a hooky chorus, as the track has a classic, almost pop, soulful tone. It would have been difficult to follow that gem but the Radio 2 playlisted ‘Sailing on a Pool of Tears’ ups the ante even more. A big, spellbinding ballad, it contains elements of chilled flamenco and is both instantly catchy and heartrending.

The pace changes with ‘1000 Years’, an upbeat blues number with a truly cocky strut that easily dispels the narrow view that the blues is solely downbeat tales of suffering. The short set finishes with the title track from last album ‘Believe’, another forceful wake up call that is both defiant and life affirming. Featuring an acoustic breakdown, its sense of dynamics proving it was the perfect number to finish on. Returning later for an incendiary duet with Spike for the Quireboys encore, Downes was the ideal choice as touring companion for these dates and was clearly having a ball on the road with a band she’s long been an admirer of. With her expressive Midlands accent she doesn’t sound like one of the Windsors in conversation but, make no mistake, when she sings Rebecca Downes is UK Blues royalty. If you want to know the roots of hard rock and metal, get yourself into the blues. You really can’t go wrong with the lethal combination that this partnership offers of filthy barroom rock ‘n’ roll and soul. Catch them when you can.

LINKS:
https://www.rebeccadownes.com/
https://www.facebook.com/RebeccaDownes/

https://www.instagram.com/rebeccadownesuk/

 

02 Poster 2019

 

Disclaimer: This review is solely the property of Paul Monkhouse and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

 

Samantha Fish – The Junction, Cambridge – 13/05/2019

 

A full review of the gig can be found here:

Samantha Fish – The Junction, Cambridge – 13/05/2019

 

Disclaimer: This photo album is solely the property of Laurence Harvey. It is strictly forbidden to copy any part of these images, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Samantha Fish – The Junction, Cambridge – 13/05/2019

00 Samantha Fish Poster

Samantha Fish
The Junction, Cambridge
13/05/2019
Review by Paul Monkhouse
Photo by Laurence Harvey

Let’s just start by saying this: Samantha Fish is one of THE BEST guitarists you will ever see. Currently touring Europe, she has both the musical chops and the material to put on a real masterclass with her unique brand of country infused blues rock that is, by turns, seductive and eviscerating. Backed by a formidably tight three-piece band, she blew away the packed audience in a display of ferocious virtuosity showing that not only is Blues alive but just as vibrant and relevant today as it ever has been.

‘American Dream’ opens the set with a real swagger and kicks things off supremely, a template for the thrills to come. This was no warming gently into the show but a full-blooded leap into her world, the delightfully twisting rhythm of the song and fantastic vocal intonation of the chorus immediately drawing the crowd in. Whilst the band propel the groove, Fish is full of effortless cool and unleashes the first of many slide solos that highlight her deft touch and feel. Never someone to get complacent, there is a real shift in style to next number, the title track from the 2017 album ‘Chills and Fever’. With a delightful retro sound, it’s a much more jazzy/soul number that has a swing and style more akin musically and vocally to the late Amy Winehouse. With its terrific keys solo by Phil Breen, the song shows how Fish isn’t afraid to grow naturally and infuse her material with some of the best elements of 20th and 21st century music. In fact, it’s lazy to label her as ‘just a Blues artist’ because she is so much more than that and shows a really unique blend of different styles whilst at the same time very much having her own unique identity.

‘Wild Heart’ adds another twist with its galloping and insistent riff, the song rocking along as the passionate vocals power over the top of it. Fish looks utterly consumed by the music as a curl of blonde hair falls over her eyes whilst she rips into her guitar, her whole body lost in the glorious sound. ‘You Can’t Go’ wasn’t so much an instruction as an impossibility, transfixed as the audience were by the four musicians onstage and featured yet another outstanding solo whilst the more mellow ‘Hello Stranger’ cooled the pace once more with its soulfulness. ‘Cow Town’ was introduced with the tongue in cheek “for all you Hillbillies out there” and featured a much more ‘country’ twang to the vocals. Breen was again given the platform to shine as individual solos by both keys and guitar took the spotlight and highlighted the superior calibre of musicianship, each member of the band a master of their craft.

The first of two newly released singles, ‘Watch It Die’ is an incredibly catchy taster from forthcoming album ‘Kill or Be Kind’, propelled along by a pedal to the floor riff that is unpinned by bass player Chris Alexander and drummer Scotty Graves who lock in to provide a rock-solid base whilst adding their own style and panache. Coming over like a heavier version of prime late 70’s Fleetwood Mac, it transported the Monday night Cambridge crowd to the widescreen vistas of desert highways of Mid-West America, speeding along in an open top Pontiac GTO, a testament to the songwriting flair and an evocation of Fish’s Kansas roots. Further capturing the spirit of America, ‘Little Baby’ was an exercise in joyful rockabilly that saw the band having as much of a ball as the audience, it’s lyrics of longing and regret juxtaposed with the upbeat bounce of the music. Once more, the rhythm section of Alexander and Graves shone as they drove the beat along, the live version ramping up the fire of the original recording.

The slow, soulful country blues of ‘Go Home’ provided a much-needed breather and showed how Fish could shine equally as well with an acoustic guitar as electric, delicately plucking at the strings as her plaintive voice soared. A truly beautiful number, the vocal harmonies lifted it even further into the realms of the angelic and there was a hushed awe as if the slightest noise could break the spell. Following that with another tender number would have proven impossible so ‘Gone For Good’ was a rocking, raging storm of bottleneck slide guitar masterstroke, sandwiched as it was between the ballad and the second of the new releases ‘Love Letters’. Again, it can’t be overstated that Samantha Fish is not only an incredible player but a superb songwriter too and the track is both slinky and seductive whilst being instantly memorable therefore making it a perfect single to release.

A phenomenal ‘Somebody’s Always Trying’ is an exercise of swing that strips the sound to a pulsating, mellow soundscape, its breakdown building to an extended solo that really is a highlight of the night as the guitar sighs and screams before heading back into the chorus to finish the song. Rounding off the set, ‘Shake Em On Down’ was a perfect slice of down and dirty blues, the four-string cigar box guitar adding exactly the right level of authenticity and grit as the song slides along with the smoothness and slightly rough edge of a good bourbon. Of course, the crowd weren’t going to let the band just go without an encore and their chants and claps were rewarded as, to a huge roar, the four musicians strolled back on stage. Ripping into the heavy-duty rocker ‘Bitch On The Run’, it’s snotty, snarling attitude and irresistible chorus squeezed ever last drop of energy out of the audience and left them empty before saying a final goodnight. A barnstorming showstopper in every sense of the word, it was the perfect end to a perfect evening and one that those lucky enough to be there will be talking about for years to come.

Absolutely incredible.

LINKS:

Samantha Fish


https://www.facebook.com/samanthafishmusic/

https://www.instagram.com/samanthafishmusic/

 

01 Samantha Fish by Laurence Harvey

 

Disclaimer: This review is solely the property of Paul Monkhouse and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Photo reproduced here with kind permission of Laurence Harvey

 

Twisted Illusion & Friends Excite The Light Tour 2019 – The Zanzibar Club, Liverpool – 12/05/2019

00 Twisted Illusion Excite The Light Tour Flyer

Twisted Illusion & Friends
Excite The Light Tour 2019
The Zanzibar Club, Liverpool
12/05/2019
Review By Beth Jones with nonsensical ramblings by Rick Tilley

It is a little under 5 months since we saw Twisted Illusion last, and it is safe to say a lot has happened to the band in that time, from the shock announcement of two of its three members departure, to Matt, the life blood of TI, soul searching and wondering if it was all worth it, to being on the road touring and recording the second part of the ‘Excite The Light’ Trilogy, and now, as of last Friday, becoming a band again, after the confirmation that the line up of musicians guesting on the tour have now decided that it worked so well straight away, that TI (version 2.1.1) has been born, and that this is the new line-up! We couldn’t wait to see how they were doing as a group, given the short space of time that they have been working together.

Now to start, but as a bit of an aside, I will say that I liked driving in Liverpool far more than I liked driving in Manchester, and I managed to navigate without any bus lane infringements, so already this was good! We arrived at the venue a little after the first band started, but still with enough time to get a good feel for them. A quick look around the venue let me know that it was going to be a down to earth place. It was a good old, no bells and whistles, grass roots venue, which to me is the perfect way to enjoy music. You don’t need fancy bollocks when the tunes are top quality! Anyway, enough of this – to the music!

Riptide Messiah
Although we only caught two-thirds of these guys’ set, what we heard was pretty good; Gruff, chunky, and in places fairly intricate. They are quite melodic too, which I like. I am going to call it Melodic Prog Stoner Doom! They were a good way to start the night, but my only criticism is there was too long between songs. I’m nit picking, but this is one of my bug bears. I know you have to tune and stuff, but you need to fill that time or people’s attention wanders! Musically though, they know what they are doing and what sound they want to achieve.

01 Riptide Messiahhttps://www.facebook.com/RiptideMessiah/

Ashen Reach
Fresh from their amazing gigs in Russia, supporting Bullet For My Valentine, these guys were stoked for a good show. Having seen them support Twisted Illusion at Christmas last year (when they were called Equinox), we knew what they were about, and that we liked it! They didn’t disappoint! They are so full of youthful exuberance, of which we are very jealous, and they hammered straight into a full-on set, with powerful vocals, fast paced melodies, and chunky rhythms. They are a good, solid, classic hard rock band, and they make you happy. Lead singer, Dan Moran, has such a presence on stage plus pulls some spectacular faces and drummer Jess Stanley is a whirlwind of arms behind the kit! We were chatting to them afterwards and they are such awesome and humble people, and we wish them every success moving forwards.

02 Ashen Reachhttps://www.facebook.com/ashenreach/

Scare Tactics
These guys are a name who, up until three weeks ago, I hadn’t come across (Rick is familiar with the name but hadn’t seen them live before). Having now seen them twice in the space of a month we would like to report that they are blisteringly good! If Dream Theater and Linkin Park joined forces, this is what they would sound like. Incredibly intricate rhythms, modern rasping vocals, mixed with clean harmonies, and stunning solos. They do remind me a bit of Killswitch Engage, who I also love. Why these guys aren’t bigger is beyond me. And again, they are thoroughly nice chaps too – Rick very much enjoyed having a chat and sharing a fig roll with lead singer Andy Barker, after they had come off stage! I was jealous. I love fig rolls. Damn you gluten intolerance!!

03 Scare Tactics UKhttps://www.facebook.com/scaretacticsuk/

Prognosis
After seeing these guys at Badgerfest last year, I knew they were heavy. I had found them a little too heavy for me on that occasion, but I think it might have been because it was later in the day, and I was knackered, and the sound wasn’t great. Here, I enjoyed them a lot more, and had more time to concentrate on what they were doing, which was very heavy prog metal done very well. Lead singer, Danny Daemon, is an absolute unit, who looks incredibly menacing in the mood lighting on stage! He makes guitarist Christian Hickson (also of Frozen In Shadows) look much small, which is quite an achievement! Musically though they are very, very tight and look completely at ease performing. A very good main support.

04 Prognosishttps://www.facebook.com/Prognosis1/

Twisted Illusion
In what seemed like no time at all, we were at the pièce de résistance, and what we had all been waiting for – the new look, five-piece, Twisted Illusion. Straight away, before they even started playing, there was an air about them. They looked comfortable, relaxed, and ready to put on a show! And Christ is that what they did, right from the first note! Now, we all know that Matt Jones is a formidable front man, and that Saxon Davids can play a bit of guitar, but not having seen the newly added Cici Powell – Melkonian, Chris Jenkins and Andy Gotteri before, our mind were blown within about 30 seconds by how good they all were as individuals, but also how amazing they sounded together as a collective. This was not the sound of a band that had only had a few weeks rehearsal time, this was the sound of a band who were seasoned pros, who had lived in each other’s pockets for years, and who had more experience than any of these baby faced cherubs kicking it on the stage! This should not be possible – but yet here it was, with a sound so massive and together, it can only be described as pure raw talent, combined with a deep love and understanding of live performance, and with a bit of help from fate, to make a Utopian level musical experience. They were a bit good!!! Matt’s songs came alive with the addition of Andy’s keyboards, and Cici looked like she had been born with a bass in her hand – her skills absolutely blew us away, and her constant smile is infectious. Add to that the masterful percussion of Chris, executing the demanding rhythms to perfection, and of course the immense noodling abilities of Saxon and huge vocals of Matt, and you have the perfect recipe for putting me into a euphoric trance. I was welling up by the end of their set and was so ridiculously happy that it sounded this amazing. Better than I could ever have expected. It was like witnessing the birth of something truly special. Quite simply stunning! Rick, who felt the same, spoke to Matt afterwards, to tell him that, as a live experience, what he had just seen was, for him, right up there with the live performances of early Queensryche (circa “Operation Mindcrime”) and Rush! These guys should not be playing small venues like this, they should be touring arenas. They are that talented. The world now needs to know who Twisted Illusion are. Always remember that every huge band started in a back-street pub. The sky is the limit now guys.

05 Twisted Illusionhttps://www.facebook.com/OfficialTIband/

That was a very, very special night and is going to take some topping! Currently, festivals aside, we have nothing on our radar that we can see coming close, until we go and witness Devin Townsend at Manchester Royal Albert Hall in December!

 

Disclaimer: This review is solely the property of Beth Jones, Richard Tilley and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photos courtesy of Beth Jones and PhotograBee Images
https://www.facebook.com/PhotograBeeImages/

Kalmah – The Gramercy Theatre, New York City – 30/04/2019

 

Disclaimer: This photo album is solely the property of Andy Jansons. It is strictly forbidden to copy any part of these images, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Can’t Swim – House of Independents, Asbury Park, NJ – 23/03/2019

00 Gig Poster Top

Can’t Swim
House of Independents, Asbury Park, NJ
23/03/2019
Reviewed by Stephen Moss

This has been the first Headlining Tour for Can’t Swim. They ended the tour at home just a few miles from where it all began. They played at House of Independents in Asbury Park, NJ and this was their last show in the States before they embarked on their very first overseas tour playing the UK and Europe.

The atmosphere at the venue was incredible! I spoke to kids who had driven from other US States just to see this show!

This show was also Can’t Swim’s album release party. They played their brand new album “This Too Won’t Pass” in its entirety. During the very last song they brought out hundreds of big red balloons and dumped them all over the crowd.

After all the tracks on the new album had been played, the crowd still wanted more and kept chanting “One More Song!!!” Then Can’t Swim returned and played not one but three more songs and finished the show with their biggest hit ‘Stranger’.

01 Can_t Swim Middle

I can’t stress enough how awesome this band is! All the members are so humble and down to earth. Before and after their set you could find them in the crowd interacting with their fans!

I asked Can’t Swim for a band photo and they one upped me. They had every band come out on stage and I had the privilege of taking a tour photo! Please check out the accompanying photos of the show. You will see that whether it’s the first song or the last Can’t Swim play with the same intense energy and excitement. They give everything they have for each show and fans have taken note. Selling out venues is becoming common place for Can’t Swim!

This was my fourth Can’t Swim gig and each time I find myself saying, “No, this time was my favourite show.” It’s always refreshing to see a show where the band is so genuine and really connects to their fans.

LINKS:
https://www.cantswimmusic.com/
https://www.facebook.com/cantswim/

https://www.instagram.com/cantswim_/
https://cantswimmusic.tumblr.com/

 

02 Can_t Swim Tour Photo Bottom

 

Disclaimer: This review is solely the property of Stephen Moss and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photographs reproduced with the kind permission of Stephen Moss.

 

 

UFO ‘Last Orders; 50th Anniversary Tour’ – The Junction, Cambridge – 22/03/2019

Hi, it’s Rick!

I’d like to send out huge thanks to photographer Daniel Ackerley-Holmes for allowing us to use his awesome photos to accompany Paul’s review of the UFO gig, especially on what looks to be their final tour.

You can check out more of Daniel’s work at his website
https://www.danielackerley.co.uk

 

A full review of the gig can be found here:

UFO ‘Last Orders; 50th Anniversary Tour’ – The Junction, Cambridge – 22/03/2019

Disclaimer: This photo album is solely the property of Daniel Ackerley-Holmes . It is strictly forbidden to copy any part of these images, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

UFO ‘Last Orders; 50th Anniversary Tour’ – The Junction, Cambridge – 22/03/2019

Tour Flyer

UFO
‘Last Orders; 50th Anniversary Tour’
The Junction, Cambridge
22/03/2019
Review by Paul Monkhouse & Photo by Daniel Ackerley-Holmes

Very few bands in rock are as legendary as UFO. Since forming in the late 60’s theirs has been a mercurial and notorious history, filled with fights, stellar musicians and peerless songwriting. When last year main man Phil Mogg announced his intention to retire, tickets for this 50th anniversary became some of the most eagerly awaited and sought after and rightly so. The ‘Last Orders Tour’ is a cherry-picked celebration of some of the finest slices of hard rock ever to be committed to tape.

When the lights dimmed and a bar bell rang, one by one the band strolled onto stage and tore into opening number Let It Roll like it was freshly minted. Buoyed by the ecstatic reaction of a packed crowd the band tackled the material with a passion that mixed their seasoned professionalism with a sense of genuinely having an absolute ball onstage.

Mogg in particular was in truly great form, looking fit and lean, cracking jokes between songs and with a voice that arguably sounded the best it ever has. With old friends and foils Andy Parker on the drums and Paul Raymond on keys and guitar it was a joy to see these three on stage providing a masterclass of muscular and melodic music. The two ‘new’ boys Rob De Luca and Vinnie Moore more than held up their ends, De Luca meshing perfectly with Parker to provide a tight rhythm section that pinned down the grooves of the songs with élan and Moore firmly stamping his own identity into tracks previously played by ex UFO alumni and world class six stringer Michael Schenker.

This wasn’t though just an exercise in nostalgia as newer tracks such as Baby Blue, Burn Your House Down and a brilliant Messiah of Love from 2015s ‘A Conspiracy of Stars’ stood shoulder to shoulder with the classics. In fact, along with a outstanding solo on Ain’t No Baby, the acoustic guitarwork on these three were some of the highlights of the evening and showed why Moore was such a great choice to replace the, once more, departing Schenker in 2003. Be it the interplay with the superb keys of Raymond or his own showcase during the extended workout of Rock Bottom Moore truly put his heart into his playing.

All you could wish for and more was played with each song being greeted like an old friend. Lights Out, Only You Can Rock Me and Cherry came in a rush of euphoria and a truly epic Love to Love was enough to make grown men cry, such was its magnificence. With the unbeatable one / two punch of set closers Too Hot to Handle and the aforementioned Rock Bottom there was only one way to come out for the encore. The moment the familiar glistening keyboard started and was joined by the tasteful guitar work, shivers ran down spines as the place erupted. This turned into the out and out adrenaline rush of THAT riff as every single voice in the place sang the titular opening lines “Doctor Doctor please…”. Probably the first song that most people get to hear by UFO, this is still one of the greatest tracks in rock and something that is seen as the bands very own calling card. Following that was nigh on impossible but a triumphant Shoot Shoot rounded off the night perfectly on part of what is potentially going to be the tour of the year. No-one quite knows what the future holds for UFO but even if this is their swan song they couldn’t go out in finer style. Absolutely unmissable.

LINKS:
http://www.ufo-music.info/
https://www.facebook.com/UFOofficial/

DANIEL ACKERLEY-HOLMES PHOTOGRAPHY
https://www.danielackerley.co.uk

 

RockSinsUFO32

Disclaimer: This review is solely the property of Paul Monkhouse and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Photo supplied courtesy of Daniel Ackerley-Holmes

Warrant & Sweet Sienna “The Dirty 30 Tour” – The Starland Ballroom, Sayreville, NJ – 22/03/2019

Gig Poster

Warrant & Sweet Sienna
“The Dirty 30 Tour”
The Starland Ballroom, Sayreville, NJ
22/03/2019
Review and Pictures by Andy Jansons

One of the most popular Glam Rock / Hard Rock bands of last three decades, California rockers Warrant, are currently on tour for the 30th anniversary of the release of their first album “Dirty Rotten Filthy Stinking Rich”. This tour, which is currently seven shows in, started in January and will last till mid August. They don’t have a specific support band, but have a bunch of local Rock bands joining them on their show dates.

To be honest, I did not get a chance to see the first local band of the night, but I caught a most interesting and promising young band from New York, called Sweet Sienna.

Fronted by the beautiful and talented Katrien Van Riel they performed an electrifying set. Playing their songs ‘Rise’, ‘No Reflection’ and ‘Your Love’ among others, Sweet Sienna moved the audience with quality in music and showmanship on stage. Their sound is pure rock with some heavier riffs and melodic singing. Katrien interacted with the crowd like a seasoned professional, singing with emotion and passion. At this point your best option would be their website and social media to look up who they are and what they sound like. They are currently scheduled to perform as support for such rock legends as Ace Frehley, Skid Row and L.A. Guns to name just a few, so that may change quick, and they could become popular much faster than we might expect.

Warrant were received with some very loud screams, almost like it was still 80’s. All of the eight opening songs from their set came from the aforementioned anniversary album. They only left out ‘In The Sticks’ and ‘Ridin’ High’. All the other songs were played in the order they appear on the album starting with ‘32 Pennies’ and ‘Down Boys’ and finishing with ‘Heaven’ and ‘Cold Sweat’.

Another five songs were played from their huge second studio album “Cherry Pie and, obviously, the title song was the show closer. Until this day ‘Cherry Pie’ is the most recognized song from the band and the glam rock era.

From their newest album “Louder, Harder, Faster”, which was released in 2017, Warrant performed just two songs, ‘Only Broken Heart’ and the title track.

Current vocalist Robert Mason, who took over as Warrant’s front-man after Jani Lane passed away, and who has now been with them for over a decade, was phenomenal. He was joined on stage with original members Erik Turner, Jerry Dixon and longtime member Joey Allen although they are still without Steven Sweet who is recovering after being diagnosed with cancer.

The show was a great success with the venue near to capacity, and it was not only old fans that came to indulge in a trip down memory lane but quite a few younger rock fans as well!

SWEET SIENNA LINKS:
https://www.sweetsiennaband.com/
https://www.facebook.com/sweetsiennaband/
https://www.instagram.com/sweetsiennaband/

https://www.youtube.com/channel/UC-ktAuVGoCoZ76d5Pzc0qww

WARRANT LINKS:
http://www.warrantrocks.com/
https://www.facebook.com/warrantrocks/

https://www.instagram.com/warrantrocks/

https://www.youtube.com/channel/UCP0tGGgcnoHoPoobLkxVyIA
Warrant Pic

Disclaimer: This review is solely the property of Andy Jansons and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photographs courtesy of Andy Jansons.

Red Hot Chilli Pipers – South Orange Performing Art Center, New Jersey – 06/03/2019

Red Hot Chilli Pipers

Red Hot Chilli Pipers
South Orange Performing Art Center, New Jersey
06/03/2019
Review and Pictures by Stephen Moss

I have to admit, I was sceptical about this show. After the first song however, I was blown away. Let me explain what happened!

Before the show started I had some preconceived ideas about what it would be like. For one, I’m not a big fan of Classic Rock. So, mixing Classic Rock with Celtic music, mmm, I didn’t think I was going to like it.

Celtic music does mix well with Punk, so I tried to keep an open mind. I love bands like Flogging Molly, The Real McKenzies, Street Dogs, and the Dropkick Murphy’s. The Red Hot Chilli Pipers are a little different from that, though. They are more on the Celtic side of the spectrum and really stress the bag pipes and make that the highlight.

At the show in Jersey, The Chilli Pipers played a mixture of Classic Rock tracks including ‘We Will Rock You’ and ‘Fat Bottomed Girls’ by Queen, ‘Don’t Stop Believin’’ by Journey, ‘Thunderstruck’ by AC/DC, and ‘Eye of the Tiger; by Survivor to name just a few.

One of the coolest things they did was actually a medley mash up of ‘Starlight’ by Muse and ‘Charlie Brown’ by Cold Play. They added more guitar and three bag pipes, and dudes, it worked! They also do cool versions of ‘Seven Nation Army’ by The White Stripes and put their spin on ‘Jump’ by Van Halen.

In 2007 the Red Hot Chilli Pipers walked away with the top spot on a UK TV show called “When Will I Be Famous.” They call their style of music “Bag Rock” and it has done well for them in the States. The show in South Orange was a sell-out and SOPAC, which is a beautiful Performing Arts Theater just outside of Newark, NJ, was full to the brim!

After the show, I immediately went to Apple Music and bought their albums.
If you’re looking for something new and outside the norm, I definitely recommend checking these guys out. They are currently on a huge world tour so check out their links for dates!

LINKS:
https://rhcp.scot/#
https://www.facebook.com/redhotchillipipersofficial/

https://www.instagram.com/redhotchillipipers/

US Tour Poster

 

Disclaimer: This review is solely the property of Stephen Moss and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.