EMQ’s with Lonescar

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EMQ’s with Lonescar

Hi everyone. Welcome to our new EMQ’s interview with Texan Metal bank Lonescar! Huge thanks to guitarist, Micheal Perez and vocalist, Brian Valdibia for taking part!

What is your name, what do you play, and can you tell us a little bit about the history of the band?

M – I’m Michael Perez and I play guitar for the band Lonescar. This band essentially evolved from a middle school talent show performance. Members came and went over time because it wasn’t taken seriously at all. Playing music was as much as a hobby as playing video games; it was just something to do on the weekends at a friend’s house. It wasn’t until 2013 when the members at the time buckled down and decided to take this seriously, which was short-lived after “adulting” kicked in. In 2015, we recruited a second guitarist, Joe Luera, and our current vocalist, Brian Valdibia. Joe had to bow out of the band due to personal reasons. So, this current incarnation of Lonescar started in 2018, which is the first time the band officially performed and started writing as a four-piece. This band always had two guitarists, and after our 4th one left, I just grew tired from the thought of teaching some new guy our set for the umpteenth time. But I do believe that as a four-piece, the true essence of Lonescar is captured.

B – My name is Brian Valdibia, and I’m the lead vocalist is the band. Lonescar was formed in mid-late 2013 and had built a nice following and had some big name shows under their belt, I found out about them in 2015 through a mutual friend who happened to be a sit-in drummer that they had before J.C. I had a similar band at the time, we were both young, thrashy, and hungry and as soon as I met and saw these guys play once I knew we would kill it if I was fronting this band. (Brian’s responses are highlighted)

How did you come up with your band name?

I didn’t, these guys already had it when I joined, I thought it was clever, funny, and catchy.

What country are you from and what is the metal scene like there?

M – I am from the greatest “country” on God’s green Earth – The Lone Star state of Texas. Texas is HUGE and the musical scenes vary depending on which part of the state you’re in. We are from the southernmost region of Texas called the Rio Grande Valley. As far as metal goes, I’d say everything is standard. It’s not until you dig in to the alternative and rock scene where the heavy Tex-Mex influence is present. A lot of Latin sounds and imagery are injected into the music.

B – We’re from the states, Texas to be exact, and our metal scene as a whole is “good”, but we’re from a primarily Mexican/Hispanic area, so a lot of poverty, places go out of business all the time so it’s hard to keep venues and bars open for metal bands to play at.

But when there’s support, THERE’S SUPPORT!

What is your latest release (Album, EP, Single, Video)

M – Our upcoming release “Lust for the End” will be coming out in January 2020. It will have 11 songs, all of which we wrote as a four-piece. It is a really dynamic record because each member has their own unique taste in music, yet we are all tied by a thread due to our common influences with bands such as Pantera, Lamb of God, Gojira, Mastodon, etc. So, do not be surprised if there are some 2009 metalcore elements in one song and then full-blown death metal in the next song.

B – Our latest release will be our single “Images from Mauthausen” from our album “Lust for the End” that comes out in 1/31/2020. The single will be available for streaming on 12/13/19, it’s a hell of a banger so y’all need to check it out! We also have a couple of more singles/goodies coming out before the end of the year, so keep those eyes peeled!

Who have been your greatest influences?

M – My journey through metal and rock started with the classics. It’s common for people my age, when they were kids, to start with the modern and heavy shit from the get-go and then find their way back to the old goodies. So, when I picked up the guitar and developed an interest in music, all I knew was KISS, Led Zeppelin, and Black Sabbath. As far as my approach on guitar goes, my foundation is built upon Ace Frehley and Jimmy Page. So, I’m not one to shy away from some gritty pentatonic runs when it is necessary, and then I eventually stumbled upon the great Dimebag Darrell, which is basically a given if you grow up in Texas. The person that kind of nudged me into the pool of shredding and melody was Synyster Gates, so he has a small place in my heart for that. I then fell in love with the bends and exotic style of Marty Friedman – you can hear some of those nuances in some of my lead playing. The last person to make an impact on me was Oli Herbert from All That Remains. His style was just beautiful aggression, and he is the reason why I picked up an Ibanez Xiphos.

B – Life in general, I get influenced by pretty much anything I consider beautiful to this world. Art, movies, literature. If you mean music wise, I would have to say John Lennon, Dallas Green, and Phil Anselmo just to name a few but honestly way too many to list.

What first got you into music?

M – I can’t really remember the exact moment I got into music, nor can I recall exactly why I wanted to play guitar in the first place. Growing up, I remember listening to George Strait and The Eagles a lot with my dad, and when I hung out with my uncle, there was always KISS playing around the house. I was just always exposed to music, and I guess it helped that I was around people that were obsessed with the music they listened to. Nobody in my family plays any instruments, so I am really perplexed as to why I got into this stuff. Shit just happens!

B – I’ve always liked music, some of my earliest memories are listening to tapes and spending hrs. playing with them, my mother loves to sing so the house was always blasting the stereo and my step dad played drums so that had to do a bit with it too I suppose.

If you could collaborate with a current band or musician who would it be?

M – I would like to collab with Chris Stapleton and see how heavy we can get. I’ve always been a big fan of his voice and song writing. Then I heard his song “Blow” that he performed with Bruno Mars and Ed Sheeran. That song riffs hard, so it would be cool to hash out an even heavier banger, and perhaps some outlaw stuff in-between.

B – Dallas Green for sure! He’s an amazing song writer. I would also love to work with kerry2smooth, he’s an amazing r’n’b guitarist and I would love to make a record like that one day. Most of the music I make by myself is really outside of metal really ha-ha!

If you could play any festival in the world, which would you choose and why?

Download fest!!! or any European style festival Or Mayhem now that its back!! 😉 ACL would be cool too just cause we’re from Texas, and I would love to see most of the rappers on the bill anyway.

What’s the weirdest gift you have ever received from a fan?

I once received a thong that was autographed by the guys in Havok. It was a belated birthday gift from a fan, and I still have it tucked away in a drawer somewhere. For the record, the thong was never used, although I did try it on once.

If you had one message for your fans, what would it be?

First of all: Thank you! We often hear from fans that they wish they had more material to jam out to. We hope y’all can enjoy our latest offering!

If you could bring one rock star back from the dead, who would it be?

M – For the sake of seeing Pantera live, I would bring back Dimebag Darrell. I was in the 5th grade when he passed, and I had no idea who Pantera was at the time. I feel as if he was taken away from us too soon, and he still had a lot of music to grace us with. Obviously, what he did with Pantera was great, but I also enjoyed what he put out with Damageplan. Dude even jammed with David Allan Coe, which is awesome in my book. Perhaps in 2020, there could have been a Pantera reunion and another country collaboration with the likes of Cody Jinks.

B – Well it used to be dime but now that Vinny is gone too, I’d have to bring back two. I was born a tad too late to see Pantera.

What do you enjoy the most about being a musician? And what do you hate?

M – I hate practice. I hate rehearsals. I hate band expenditures. I hate the clashing of personalities and egos. I hate transporting and setting up my gear for shows. I hate maintaining my instruments and equipment. I sometimes don’t even know why I do this, until there is that moment when I step back and realize how much fun I am having with some of my best friends – my band. The memories I have partying and performing with these dudes are irreplaceable.

B – I love “The life,” sharing music with the world, sharing my thought with others, meeting new people, and seeing different places. I hate the loneliness, creative frustration, and the instability sometimes but if you work hard enough you do notice change. Just like anything else.

If you could change one thing about the music industry, what would it be?

The way connections are, and networking is done, I think it should be focused purely on talent and actual hard work but like anything money talks.

Name one of your all-time favourite albums?

M – If there was a gun to my head, I would pick Green Day’s American Idiot. It is a perfect album that I jammed to every day from front to back for years. I was 9 or 10 at the time of its release, right when I was starting to become aware of our nation’s political turmoil, and the album addressed topics such as mass hysteria, war, and the struggles of the middle class. The story that followed the album’s protagonist, Jesus of Suburbia, was amazing and relatable. Green Day also managed to pull of not only one, but two rock operas in a punk album. It was all killer and no filler.

B – Dark Side of the freaking Moon!!! I can listen to it every day, or St Pepper’s Lonely-Hearts Club Band, amazing records that have stood the test of time and still sound great.

What’s best? Vinyl, Cassettes, CD’s or Downloads?

M – Without trying to sound like a hipster, (which would be impossible in this case), I love listening to vinyl when I am in the mood to get intimate with the music. Just the ritual of pulling out a Frank Sinatra record out of its sleeve and then dropping the needle is a great feeling. Remove all distractions, pour yourself a glass of whiskey, and just take all the music in. The sound quality is also objectively better than a compressed MP3 file.

B – I love vinyl and started growing my collection, I grew up with CDs right when tapes were leaving so I have an insane amount, I’m the type of person that like physical copies but I do stream a lot too just cause of how convenient it is.

What’s the best gig that you have played to date?

M – My favourite gig was at the Thirsty Monkey in McAllen, Texas, which is a bar with a small stage and outdoor area. I mean, we typically played there all the time, but there was this one night in particular that was especially fun. For whatever reason, the entire crowd came to party. There were pits, beers in the air, and people pressed up against the stage with smiles on their faces. At one point 3 or 4 people jumped on stage, grabbed Brian’s microphone and started singing our songs. It was a great feeling.

B – Probably opening up for Havok, that was a killer show and we destroyed that night, anytime we’re in Fredericksburg Texas is a party too lol

If you weren’t a musician, what else would you be doing?

M – I am already spreading myself thin and attending to all my aspirations at once. Writing and recording a full-length album is no walk in the park when you are also applying to medical school.

B – I’m currently finishing up my BA in anthropology so if I wasn’t a musician, I’d be doing lab work or extensive research somewhere.

Which five people would you invite to a dinner party?

M – My idea of a dinner party is typically a lot of barbecued meat and a cooler full of Shiner Bock. I love camaraderie and engaging in conversation with people that are also not afraid to get rowdy when appropriate. That being said, I would pick Joe Rogan, Randy Blythe, Corey Taylor, Aaron Franklin, and Dave Chapelle.

B – Malcom x, John Lennon, Terence McKenna, Richard Pryor, and Richard Linklater, that’s amazing party and a great conversation.

What’s next for the band?

M – I would hope to give our album Lust for the End a proper touring cycle and light the state of Texas on fire. This is our first full-length album and it was a huge investment, so I would like for it to get as much exposure as possible.

B – Anything and everything! 2020 we are coming for you!

What Social Media/Website links do you use to get your music out to people?

Facebook, twitter, Instagram, follow on Spotify as well and make sure to add us to your playlist

Jaffa Cakes? Are they a cake or a biscuit?

M – I’m afraid to Google this because I do not want another “blue waffle” situation.

B – I have no idea, I googled it and it says it’s both, so I’ll go with that. Maybe send us over some so we can try them!

 

 

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Anchor Lane – Casino

Casino Cover

Anchor Lane – Casino
R7 Music
Release Date: 31/01/2020
Running Time: 33:23
Review by Paul Monkhouse
8/10

Very few new bands come into the public eye with a fully formed and unique identity but it seems like Anchor Lane have just managed this very feat on “Casino”, their debut album. With a solid commitment to being road dogs, having supported the stellar likes of Cheap Trick, Tremonti and Eagles of Death Metal, alongside appearances at some very major festivals it’s obvious that these four young guys from Glasgow have the drive and work ethic to be in the big leagues. It also speaks volumes that, having worked with some of the best in the business, Wayward Sons/Little Angels/Gun/Waysted frontman and super producer Toby Jepson chose to make ‘Casino’ his next project and, with his brilliant ear for sonic enhancement and the bands songwriting skills, it’s a perfect match.

Kicking off with the fuzzed up, lurching beat of ‘Blood & Irony’ Anchor Lane certainly distance themselves from the million and one other new hard rock outfits out there and this slightly unhinged opener promises something different. Listening to the track is akin to being in the ring with Muhammed Ali at his prime; the jabs come thick and fast with the occasional flooring blow to the solar plexus. They follow this with single ‘Fame Shame’, shifting the emphasis to a snotty glam metal vibe that is a wild eyed and lurid stomp through Sunset Strip, careening though the speakers like an out of control motorbike in a china shop and laughing like crazy whilst doing it.

Another twist with the Louisiana swamp blues of ‘Voodoo’, a track as bewitching as its title, the track deftly mixing light touches with a chorus as thick as molasses. The titular ‘Casino’ is a heavy duty rocker that swings, making it impossible not to sway and move to, singer Conor Gaffney putting in a truly gritty and powerful vocal as guitarist Lawrence O’Brien lays down some truly funky licks and the rhythm section of Matthew Quigley and Scott Hanlon lock into a solid groove. The visceral modern blues of ‘Clocks’ once again highlights their great songwriting flair and versatility, marking them out as absorbers of ideas who mould them into something uniquely their own. Very rarely do you get a band this brave to push the envelope on a debut album and, whilst some might want to stick to a rigid formula, it speaks volumes that Anchor Lane show themselves to be true music fans, embracing these multiple influences. A lot of the success of the album is the sky-high production value that Jepson brings and he’s obviously a fan of the bands willingness to take risks, bringing a great guidance and cohesion to the whole.

The bands magpie-like ability to pull in great music from everywhere is seldom better illustrated than on ‘Stone Cold Hearted’ as it opens with a Portishead ‘Glory Box’ style intro but soon transforms into a Led Zep meets Bad Company drama-filled monster of a track, soaking in dynamics. ‘Shell of Me’ is a much more laid-back number, showing their softer, more introspective side perfectly and ‘Flatline’ throbs with an electric current, its singalong chorus underpinned by gut wrenching bass and drums and the howling feedback of the guitar.

Another frontman joins the fray in the shape of Black Star Riders’ Ricky Warwick, his voice giving extra weight to the gang vocals in the pounding ‘Dead Run’. The band really rip things up, led by O’Brien’s wild fretwork and this proves to be one of heaviest tracks on the album as it races towards its conclusion. The album closes on another slice of fresh and potent modern rock as ‘Honey’ glories in a jagged interplay between the vocals and guitar, its stop/start chorus certainly leaving an impression. Anchor Lane are certainly forging their own path and, with a debut as good as this, the sky is most certainly the limit. The arena tours beckon…

TRACKLISTING:
01. Blood & Irony
02. Fame Shame
03. Voodoo
04. Casino
05. Clocks
06. Stone Cold Hearted
07. Shell Of Me
08. Flatline
09. Dead Run
10. Honey

LINKS:
About
https://www.facebook.com/anchorlaneofficial/

https://www.instagram.com/anchorlaneofficial/

https://www.youtube.com/channel/UCS3FjgeETYrm0z34eh45RhA

 

 

Disclaimer: This review is solely the property of Paul Monkhouse and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Def-Con-One – Warface

Warface Cover

Def-Con-One – Warface
Scarlet Records
Release Date: 19-06-2012
Running Time: 51:10
Review by Rick Tilley
9/10

Hi Everyone. One of the previous places I wrote reviews for was US Radio Station Brutiful Metal Radio which closed its doors a while back and their website disappeared along with all the reviews I wrote! I thought it would be great if we could repost the reviews on Ever Metal so that they are not lost completely and, possibly, you can discover some great albums and bands you may have missed the first time around! Do bear in mind that line-ups may have changed and, in some cases, the bands may be no more but the albums created at that time are what is important so delve into the fairly recent path and have a read!

This Def-Con-One review first appeared in 2013

2012 was a storming year for great albums, but when I first heard “Warface”, from the UK’s Def-Con-One, it went straight into my top ten releases of that year. If you want brutal groove then this is the band for you and quite simply I see them as a modern day Pantera. Put together by the severely underrated Antton Lant (one time Venom drummer) this is about as much fun as you can have, whilst systematically feeling that you have had your insides kicked out of you by a size 12 boot!

Kicking off with an almost tribal drum rhythm, opener ‘Never Look Back’ sets the scene for what is an uncompromising fifty minutes of pure hardcore metal, with so much groove you will not be able to keep still. Apart from the staggering and heavy-as-shit drum patterns, from Antton, which pepper the album like a bad rash, Vocalist Davey Meikle is a real find. He screams and sings in equal measure with an evil ferocity that defies belief. Guitarist Johnny Hunter and Bassist Steve Miller cannot be overlooked. This is a real band, and one that requires all four members to collectively strip the skin from your face. March Of The Dead’, ‘Blood’, ’10 Bullets’, ‘In Death’ and the title track, the list is endless of tracks that deliver a hammer blow to your groin and with ‘Feeling Cold’ Def-Con-One have delivered one of the most hauntingly brilliant acoustic tracks I have heard for years. There is just not one dud on this album. Fantastically well produced by the band themselves, there really is no reason for you not to check these guys out.

Having finally witnessed them live at Hammerfest V, where they literally blew the roof off of the venue, you might have guessed correctly that I rather like this band and predict huge things for them. With album number two in the pipeline and plenty of upcoming gigs throughout the year Def-Con-One could not be a better name for this awesome band from Newcastle and I defy you not to like them.

TRACKLISTING:
01. Never Look Back
02. March Of The Dead
03. Warface
04. Hold On
05. Blood
06. Steeped In Pain
07. 10 Bullets
08. Feeling Cold
09. My Halo
10. Hit List
11. In Death
12. Give Me Strength

LINKS:
https://www.facebook.com/defcononehq/
https://www.instagram.com/def.con.one.official/

https://www.youtube.com/user/skuzzy/featured

 

 

Disclaimer: This review is solely the property of Richard Tilley and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

EMQ’s with LOLA BLACK

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EMQ’s with LOLA BLACK

Hi Everyone. Welcome to our new EMQ’s interview with Denver, Colorado based Hard Rock/Metal/Punk band Lola Black. Huge thanks to Lola for taking part!

What is your name, what do you play and can you tell us a little bit about the history of the band?

My name is Lola from Lola Black. (VOCALS)!

How did you come up with your band name?

It’s what I go by and also the band name. It was decided by Chris, Paige and myself (founding members). Due to the shifty nature of musicians it’s something that will stand the test of time just as long as I’m ticking the band is and music is something I will always be a part of.

What country are you from and what is the Metal/Rock scene like there?

America; Denver, Colorado to be exact! Where the word “scene” is apparently frowned upon but if it weren’t I would have to say the “scene” is most excellent.

What is your latest release? (Album, EP, Single or Video)

Our latest release was on November 1st, 2019 and is our spin on Concrete Blonde’s “Bloodletting (Vampire Song)” just in the key of Lola Black. The cover was a follow up from our full length album “Nothing’s Gonna Be Alright” which was released late fall of 2018.

Who have been your greatest influences?

This question has always been a hard one for me because music in general influences me. I can find gems inside everything I hear.

What first got you into music?

I have always been drawn to music. It is the focal point of all of my memories. I remember at a very young age listening to every word and every note of everything that played around me. It honestly doesn’t matter what type of music is on, my ears are just in tune to it and that’s always the first thing I pick up on.

If you could collaborate with a current band or musician who would it be?

Since I’ve always said Chino Moreno in the past I’ll stick with him because I honestly dig all of his work.

If you could play any festival in the world, which would you choose and why?

Probably The Reading and Leeds Festivals in the UK because the Reading Festival is iconic! The talent on the line-ups over the years is insane! It would be an honour!

What’s the weirdest gift you have ever received from a fan?

It takes a lot for me to consider something weird. So, nothing out of “my” ordinary…!

If you had one message for your fans, what would it be?

In the wise words of Bill and Ted “Be excellent to each other”!

If you could bring one Metal/Rock star back from the dead, who would it be?

I don’t know. I’ll just go to them.

What do you enjoy the most about being a musician? And what do you hate?

Love, Playing Music! Hate, social media!

If you could change one thing about the music industry, what would it be?

Don’t get me started.

Name one of your all-time favourite albums?

I can never decide or narrow it down. All-time favourite is a strong title to hold and I love too many. Plus it also depends on if I genuinely love all tracks on said album or just a few. I can’t commit. Sorry.

What’s best? Vinyl, Cassettes, CD’s or Downloads?

I like it all. Anyway I can get the music to my ear holes will do.

What’s the best gig that you have played to date?

We did a string of festivals called the World’s Loudest Month some years ago and that entire experience was by far the best. We played with almost every band we love and respect at one stop or another that summer!

If you weren’t a musician, what else would you be doing?

I always wanted to be a homicide detective. I am a detective and justice seeker at heart and Joe Kenda is my hero.

Which five people would you invite to a dinner party?

Dave Chappelle, Al Jourgensen, Rob Zombie, David Hasselhoff and Joan Jett!

What’s next for the band?

World domination!

What Social Media/Website links do you use to get your music out to people?

Download now-
https://ffm.to/bloodlettingthevampiresong
Social media links-
www.lolablackmusic.com
www.youtube.com/Lolablackmusic
www.facebook.com/Lolablackmusic
www.instagram.com/Lolablackmusic
www.twitter.com/Lolablackmusic

Jaffa Cakes! Are they a cake or a biscuit?

I have no clue what that is but cake and biscuits are delicious.

Thank you for your time. Is there anything else that you would like to add?

Nope. You are awesome and thank you for your time.

 

Lola Black Promo

 

 

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

EMQ’s with DREAMS IN PERIL PART 2

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EMQ’s with DREAMS IN PERIL PART 2

Back in May we did an EMQ’s interview with Kansas City based Metal/Hardcore band Dreams In Peril but a few things have changed so they kindly completed a new one. Huge thanks to bassist Dalton Collins for taking part!

What is your name, what do you play and can you tell us a little bit about the history of the band?

My name is Dalton Collins and I play bass for Dreams In Peril.

Dreams In Peril officially became a band In 2018 and we have had a bit of a ride since then. We have played alongside a lot of national bands including, but not limited to, Between The Buried And Me, Veil Of Maya, Born Of Osiris, The Acacia Strain, Upon A Burning Body, Volumes, ERRA, The Agony Scene, The Browning, Betraying The Martyrs and Many more!

We won Headband for the Highway shortly after officially becoming a band and went on to play a show on the Summer Slaughter Tour, We have one album out entitled “Mephobia” and have released a Music Video for our Single ‘Neckties And Nostalgia’ in early 2019. We then went on to sign with Metal Coffee PR and our Management, Extreme Management Group, joining a roster of bands such as Cattle Decapitation, Suffocation, and Misery Index.

How did you come up with your band name?

Our band name is honestly how we were feeling before creating this band. We are all from different bands in the Kansas City Music Scene and we have all felt as if every band we have been in has failed and as if our Dreams were in peril individually. It seemed fitting to name this band just that, in an effort to mock our past musical failures.

What country are you from and what is the Metal/Rock scene like there?

We are from the United States of America in Kansas City. The music Scene here has its ups and downs. There are times it is really strong and united and other times it’s as if bands are dropping like flies. Though, we are all very tight knit. We all know one another and have all played alongside each other many times in different bands. The fans here are hit and miss as well. Although the scene seems to be more active in the spring and summer time, it’s too cold here in the winter for people to want to get out to a show.

What is your latest release? (Album, EP, Single or Video)

Our latest release is our music video for our single ‘Neckties And Nostalgia’ off of our debut album “Mephobia” This Music Video also introduces our new Vocalist Mike Yeager.

Who have been your greatest influences?

Individually it is very diverse and different. Though Collectively, to name a few… Suicide Silence, Whitechapel, The Acacia Strain, The Banner, Veil Of Maya, Oceano, Bury Your Dead, The Deftones.

What first got you into music?

For me specifically, I remember taking a CD from my sister. The CD was a compilation called “The Hard And The Heavy” with bands such as Static X and Coal Chamber.

If you could collaborate with a current band or musician who would it be?

I think I speak for all of us when I say ‘The Deftones’.

If you could play any festival in the world, which would you choose and why?

Probably Download Festival. From seeing it in videos and watching over YouTube. IT’S HUGE! I think it would be an amazing experience being able to play such a huge Festival.

What’s the weirdest gift you have ever received from a fan?

Naked photos! Lol!

If you had one message for your fans, what would it be?

Believe in yourself! Never let your failures and struggles stop you from succeeding.

If you could bring one Metal/Rock star back from the dead, who would it be?

Dimebag from Pantera!

What do you enjoy the most about being a musician? And what do you hate?

I enjoy the atmosphere, being able to create something that people can relate to and enjoy! Music helps people in their day to day lives. It is truly an honour to see people enjoy what I have created.

I hate how hard it is for bands to get recognition and to become successful. Bands have a hard time making any money and struggle with paying their own bills, let alone the expenses that a band requires to succeed.

If you could change one thing about the music industry, what would it be?

To go off of my last answer from the previous question! I would change it in a way that musicians profit more and are better funded without the blowbacks of having to pay things back. Bands need more financial backing! We need it! We are constantly struggling to make ends meet.

Name one of your all-time favourite albums?

Such a hard question to answer! I would say “Around The Fur” by the Deftones or even “The Dead Walk” by The Acacia Strain.

What’s best? Vinyl, Cassettes, CD’s or Downloads?

In my opinion I like CD’s You get the full album art, the tracks, and you don’t have to rewind it like cassettes and it isn’t as big as Vinyl.

What’s the best gig that you have played to date?

The best Gig? That is hard to answer because we have had quite a few really good shows. One of our best shows was a house show. No kidding! The place was packed and the entire crowd went crazy… Then we had our first show with the Acacia Strain which was an amazing show… as well as our second showcase for summer slaughter when we had a packed crowd and what was so awesome is the crowd were singing the words to our songs right along with us. The show was a double show where there was an outdoor gig going on and an indoor show as well. The punk band the Cro-Mags were playing inside and as we got off the stage outside we were told that they loved our set and gave us tremendous complements.

If you weren’t a musician, what else would you be doing?

Probably art! I was an Art Student in high school. I Just like being creative!

Which five people would you invite to a dinner party?

Samuel L. Jackson, Stone Cold Steve Austin, Lewis Black, Louis C.K., Angelina Jolie! LOL I don’t know!

What’s next for the band?

We are currently about to take some down time to write the second album which will be called “The Garden Of Bones”. We are currently half way done writing it and after that we plan to do some more Dates in the US as well as hopefully booking something out of country.

What Social Media/Website links do you use to get your music out to people?

https://dreamsinperil.hearyoumusic.com/
https://www.facebook.com/DreamsInPeril/
https://twitter.com/DreamsInPeril
https://www.instagram.com/dreamsinperil/
https://open.spotify.com/artist/7osPUxIGcZ0DnoBIcn5Kuu
https://www.youtube.com/channel/UCYlEn-y95t8lnZ-h7SzXtoA
https://music.apple.com/us/album/mephobia/1452481863
https://www.amazon.com/Mephobia-Dreams-Peril/dp/B07NLC5YXN
https://www.deezer.com/us/album/87191182
https://us.napster.com/artist/dreams-in-peril/album/mephobia
https://listen.tidal.com/album/103944259
https://www.reverbnation.com/dreamsinperil

Jaffa Cakes! Are they a cake or a biscuit?

To be honest with you, I don’t know what a Jaffa Cake is! Haha!

Thank you for your time. Is there anything else that you would like to add?

We have accomplished a lot within our two years of being a band, We are still on the rise and we look forward to playing in a town of city near you!
Thank you!

 

 

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Wizard Rifle – Wizard Rifle

Wizard Rifle Cover

Wizard Rifle – Wizard Rifle
Svart Records
Release Date: 30/08/2019
Running Time: 44:23
Review by Alun Jones
8.5/10

Right, about time I got back to business with these album reviews for my pals at Ever Metal. But how do you define the indefinable? ‘Cos that’s basically the issue I’ve had with this review (not writer’s block, honest)! Comparing Wizard Rifle to other bands in myopic, lazy journo style just doesn’t seem to cut it with these guys.

There’s too much going on with Wizard Rifle’s self-titled album to accurately pin down a clumsy similarity to someone else. It’s a mixture of loud, obnoxious metal, post rock, screamy hardcore punk and grungy sludge; with waves of psychedelic beauty tying it together.

Despite the unholy wall of noise that the band produce there are just two of them – guitarist/vocalist Max Dameron and drummer/vocalist Sam Ford. That’s a hell of a racket for just two people. They’re not short of ideas either, as the genre blending demonstrates. Maybe that’s an advantage of just two minds, rather than several – Dameron and Ford display some ingenious telepathy weaving their creations together.

Loads of energy too – ‘Rocket To Hell’ (great title) is a glorious, shouty opener, and ‘Caveman Waltz’ is a possible contender for Riff of the Year. It chugs like a drug fuelled locomotive trying to jump the Grand Canyon.

There are only five songs on this record, but as none of them are under seven minutes in length, there’s plenty of value for money. The guys have learnt to expand a song and explore its possibilities in a way that keeps the ear engaged. Like on the 12 minute epic ‘Funeral Of The Sun’, which stretches out hypnotically but loses none of its heavy intensity.

Wizard Rifle are from the Portland, Oregon area – which as it’s the Pacific North West, must surely be Big Foot country. So, I’m gonna coin a lazy journo phrase and label this sound Big Foot Rock. Remember, you read it here first. And yes, when this band are huge and Big Foot Rock takes over Western Civilization, I’ll be claiming the royalties for inventing that label.

Big Foot Rock T-shirt, sir? That’ll be £19.99. “Now That’s What I Call Bigfoot Rock, Vol 1” vinyl compilation? Just £27.99! Can I change a fifty? Oh, keep the change? Thank you very much!

TRACKLISTING:
01. Rocket To Hell
02. Caveman Waltz
03. Beneath The Spider
04. Funeral Of The Sun
05. V

LINKS:
https://www.facebook.com/wizardrifle/
https://www.instagram.com/wizardrifle/
https://wizardrifle.bandcamp.com/

https://www.youtube.com/channel/UC3fbN5GpluBevEzrhObR97w

 

Promo Pic1

 

 

Disclaimer: This review is solely the property of Alun Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

King Satan – I Want You To Worship Satan

I Want You To Worship Satan Album Cover

King Satan – I Want You To Worship Satan
Inverse Records
Release Date: 22/11/2019
Running Time: 41:28
Review by ‘Dark Juan’
10/10

Welcome to the Netherworld, you obsidian questing souls of black. If you wish to follow the Left Hand Path, I am Dark Juan and I will be your guide as you descend the circles of hell to find your own special brand of damnation. Or I will in a short while as I am currently fighting off food induced lassitude and am lounging upon my Satanic sofa after consuming my own body weight in provender earlier this evening.

“Bewildered and weak, yet with colossal chippy tea replete, I won’t be hungering for anything apart from copious quantities of fucking slamming industrial metal from Finland. And perhaps a very cheeky IPA that caught my eye in Shamansbury’s! Citrusy, bitter and fruity! Just how I like the keyboard players in fucking slamming Finnish industrial metal bands!”

Well, that Cradle Of Filth quote went totally wrong, even if it was indeed factually accurate. Sorry, Dani. Tonight, for a change, boys and girls, we are going to just plunge into a record review instead of you all having to wade through pages of entirely 100% true stories of what occurs in my life. Never have I lied to you, my flock. Never…

King Satan are from Tampere, Finland, which explains the fact that they are quite stupendously more bonkers than Evil Scarecrow, Nazi shitbiscuit, Varg Vikernes and an entire cheerleading squad off their tits on magic mushrooms dancing to Boney M songs on a mirrored revolving dancefloor. In space. Oh shit. I hate my imagination sometimes. Now the song has changed to Baccarat’s “Yes, Sir, I Can Boogie” and they are all wearing roller-skates. Fucking hell! FOCUS, DARK JUAN!

Yes. King Satan. A band that sounds like nothing I have ever heard. Like Cubanate without the grimness and the iron greyness! Like Combichrist with sexy, molten dollops of metal guitar slathered all over Andy LaPlegua’s vigorous torso. Like Rob Zombie’s technicolour horror universe if he had discovered techno at a formative age. Like aggrotech, metal and hellektro met and had a frenzied, bloody three-way in a filthy Venetian back alley after meeting when wasted on PCP. All underpinned perfectly with the gut-wrenching roar of King Aleister Satan. This is violent shit, man. You’re losing limbs in a King Satan moshpit. We all know I am partial to a bit of industrial music now and again, and you’re probably all quite sick of me spouting on about aggrotech on a heavy metal website, but this is a bit fucking special. There’s everything in here. It’s schizophrenic musical promiscuity in its purest form! There’s utterly murderous industrial metal a la “Houses Of The Mole” era Ministry overlaid with the strident sonic warfare of Christ Analogue, then there’s waves of synth fuelled fury over 1980’s New Jack hip hop beats. This transcends mere metal, and welds it into a wholly different musical form. THIS is what terror EBM and metal have been threatening to do for years and their love child is frankly terrifying.

Opening song ‘The Killing Of God’ sets the tone for the album in stunning style, with Ultraviolence style gabber keyboards over serrated, precise riffing – kind of like a slower, less intense, more musically minded Berzerker song. The throat ripping vocal style fits the violence in the music perfectly. The only other band I have heard in the industrial genre who is as musically diverse is one man French horror show Obszon Geschopf, and even they are not close to the level of savagery King Satan display. The amusingly (and accurately) titled second song is ‘Fuck Yoga’. Quite! Anyway, it kicks off with full on techno keys and beats before settling into an almost Rammstein sort of groove. But faster! The guitar work (and how it dovetails with the keyboards) on the whole record actually reminds me a lot of the work of Neue Deutsche Harte bands like Rammstein, Eisbrecher, Stahlmann and Megaherz. You know, the endless pursuit of perfection in the riff and the metronomic precision of the palm muting…

Synth player Katherine Boss also shares vocal duties, and her demented cutesy little girl meets Mike Patton at his most insane when he was in Mr. Bungle voice adds another level of madness to an already clearly psychologically fucked up band. Peak “Oh shit, they are madder than a box full of tiny pissed Ozzy Osbourne’s next to an historic monument” moment hits three songs in on ‘Psychosadomasochism’ which can charitably be described as deranged. And that’s being nice to them because they are approaching the levels of insanity Dark Juan normally operates at. If you want a picture of what the inside of my head looks like, listen to this song and then run away. Save yourself…

Oh, hang on. I thought they had finally purged the madness. This was not the case. They’ve gone completely off piste again. Just when sanity had temporarily restored itself with a most satisfying slab of industrial grind, they are back again with church organ overlaid with techno beats, one of the most incongruous guitar solos I have ever heard and yet more girlish babbling on ‘Fuck The World’. ‘The Antichristification’ is pure hardcore techno with fucking killer guitar – exactly how I imagine Cubanate picturing their acidic music when they were developing their sound.

I fucking love this record. I’m on my third spin through the album already and I’m not losing interest. It’s vaudevillian, carnival music for demon hellspawn… It’s perfect music to flagellate your dogboy to. It’s filthy, dirty, musically slutty, coruscating, shockingly heavy and dense music. It is BDSM in musical form. It’s black latex covered in blood and sweat, unguents and lubricants. It is whip welts on alabaster flesh, livid scars over intricate tattoos of inverted pentagrams, a Chelsea smile on a beautiful girl’s face. It’s savage, violent, unpredictable and utterly impossible to resist. I can’t see how King Satan will ever top this. It’s absolutely fucking insane.

If you are musically adventurous, you’ll love this. If you are like me and have a foot in both the camps of metal and EBM, you’ll fucking love this. If you appreciate demented humour, you’ll like this. If you’re a purist, you might not, but I beg all of my acolytes reading this nonsense, give this record a chance. If you listen to nothing else on my recommendation ever again, listen to King Satan. I truly do think they are that good.
Holy fuck. Just… holy fuck.

The Patented Dark Juan Blood Splat Rating System (Patentoitu Dark Juan Blood Splat-luokitusjarjestelma – there’s umlauts in there somewhere) is currently sitting silent in a darkened room wondering whether he should quit his Satanic ministry and just join King Satan instead, and awards 10/10 for the industrial record I always dreamed of.

TRACKLISTING:
01. The Killing Of God
02. Fuck Yoga
03. Psychosadomasochism
04. I Want You To Worship Satan
05. All Magick Is Chaos Magick
06. Fuck The World
07. The Antichristification (Is that even a real fucking word?)
08. Circus Of The Mind
09. Transgression
10. Raison D’Etre
11. The Portrait Of Darkness

LINE-UP : King Satan are: fucking mental!
King Aleister Satan – Vocals and programming
Katherine Boss – Synths and vocals
Jerry Rock ‘N’ Roll – Bass
Pete Hellraiser – Drums
Frater E.F. – Live guitars

LINKS:
http://www.kingsatan.net/
https://www.facebook.com/kingsatan616/
https://www.instagram.com/kingsatanofficial/

https://www.youtube.com/channel/UC3_nV0hfri-8wi7wzmxWO3Q

 

Promo Pic1

 

 

Disclaimer: This review is solely the property of Dark Juan and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

EMQ’s with ARRIVAL OF AUTUMN

Arrival Of Autumn Logo

EMQ’s with ARRIVAL OF AUTUMN

Hi Everyone. Welcome to our new EMQ’s interview with Alberta, Canada based Metal band Arrival Of Autumn! Huge thanks to vocalist Jamison Friesen for taking part!

What is your name, what do you play and can you tell us a little bit about the history of the band?

My name is Jamison Friesen, I’m the vocalist in Arrival Of Autumn. The band was formed in 2011 by Brendan (guitar), Ty (drums) and myself. We released an EP in 2012, an album in 2014. We eventually recruited our current bass player Kevin, and second guitar player Ryan. We got signed and released our new album on Nuclear Blast Records, it’s called “Harbinger” and it’s available now!

How did you come up with your band name?

Our drummer Ty brought the idea to us, it’s inspired by an Opeth song and we thought it was fitting.

What country are you from and what is the Metal/Rock scene like there?

We’re from Canada, in the province of Alberta. We have a fantastic metal scene out here and lots of great bands. There are hardworking promoters in every city and a lot of talented bands.

What is your latest release? (Album, EP, Single or Video)

Our new album “Harbinger” was released earlier this year, on the same day we released a music video for the track ‘Better Off Without’ which can be found on Nuclear Blasts YouTube page. (Link Below)
https://www.youtube.com/watch?v=IPZWH6YM1oc

Who have been your greatest influences?

Metallica is my number one, other major influences for me in my younger years were Demon Hunter, Linkin Park, & Bullet For My Valentine.

What first got you into music?

As far back as I can remember I’ve enjoyed many genres of music. I was taken to my first live show at a young age and loved it.

If you could collaborate with a current band or musician who would it be?

It would be James Hetfield, no doubt.

If you could play any festival in the world, which would you choose and why?

Download Festival at Donington. There’s been so many legendary sets played there.

What’s the weirdest gift you have ever received from a fan?

Chicken & Waffles flavoured cereal, it was amazing.

If you had one message for your fans, what would it be?

Create your own meaning in life, find something you enjoy and live for it.

If you could bring one Metal/Rock star back from the dead, who would it be?

Cliff Burton.

What do you enjoy the most about being a musician? And what do you hate?

Being able to yell at people and call it art is pretty great! There’s a lot of self-doubt when dealing with song writing, it can be tough to stay positive when dealing with writers block.

If you could change one thing about the music industry, what would it be?

Let’s get back to real musicians making money.

Name one of your all-time favourite albums?

The Flaming Lips – “The Soft Bulletin”.

What’s best? Vinyl, Cassettes, CD’s or Downloads?

I love being able to download an album as soon as it’s available, but I also enjoy buying vinyl copies of my favourite albums.

What’s the best gig that you have played to date?

We had a great set in San Diego recently, the energy was insane and we smashed it.

If you weren’t a musician, what else would you be doing?

Gaming a lot more.

Which five people would you invite to a dinner party?

You wouldn’t know them, but they’re good people.

What’s next for the band?

We’re embarking on a 7 week tour of the USA & Canada with In Flames & Red this winter!

What Social Media/Website links do you use to get your music out to people?

We’re on all platforms as /arrivalofautumn or @arrivalofautumn. Listen to our music on Spotify, Apple, etc.
http://www.arrivalofautumn.com/
https://www.facebook.com/ArrivalOfAutumn/
https://open.spotify.com/artist/6OLm78czd7Y80yrzwAb7FK

Jaffa Cakes? Are they a cake or a biscuit?

Cakescuit for sure!

Thank you for your time. Is there anything else that you would like to add?

Thanks for having me and thanks to all the readers checking this out! Make sure to listen to our new album “Harbinger” and catch us on tour in your city very soon!

 

 

 

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

 

 

 

 

Cry For Mercy – Overload EP

Overload EP Cover

Cry For Mercy – Overload EP
Self-Released
Release Date: 17/10/2019
Running Time: 14:59
Review by Beth Jones
8/10

Cry For Mercy first popped onto our radar as one of this year’s competing bands at the North Wales M2TM competition, and instantly had our eyes opened wider and glued to their performance! Sadly, they only reached the semis in this competition, but this was nothing to do with their talent – more to do with their fit in the preferred genre – i.e. they just aren’t metal. What they are is absolutely top-quality rock and blues. We were so glad when they announced that they would be releasing an EP and were even more glad that they sent it to us to have a listen to!

So, to the EP!! Yes, yes, yes and more yes! It is top quality, good old fashioned RRrrockkk! Groovy as hell, with a good smattering of southern blues to boot. These three chaps know exactly what they want to sound like and capture it perfectly in four tracks, which are beautifully mixed and produced, and completely echo their polished and professional stage performance.

The title track, ‘Overload’, starts things off. It is a good, fast paced classic rock toe tapper. It is simple and straightforward and doesn’t outstay its welcome. It reminds me in places of ZZ top and totally would not be out of place on one of those ‘Driving Songs’ compilation albums that I seem to have so many of! I could certainly see myself pumping it out in a big American convertible whilst heading off into the sunset on Route 66! (Yes, I am a queen of clichés, so what! Shoot me!).

Next up is ‘Under Dark Skies’, bringing the pace down a little to full on groove level! It makes you pull that face that to you says ‘groove’, but to anyone looking in and not knowing what you are listening to says ‘gurning weirdo’! (Come on, you’ve all done that face at some point, and if you haven’t, you will when you listen to this EP!) In all seriousness, it is a superb track and shows off Bassist and Lead Vocalist Kev Plant’s superb voice and enviable range.

Track three, ‘We Won’t Go Down’, is again a good solid anthem, with a particularly catchy chorus which will be stuck in my head for some time! This track also shows off the drumming skills of Steven Taylor, who gets to do a few more fills and hit cymbals lots! Again it doesn’t outstay its welcome and could be the soundtrack to a myriad of ‘deep south’ style cult films, when the good guys decide to smash the bad guys once and for all (‘From Dusk till Dawn’ was the first thing that popped into my head, but it would work for so many!)

The final track, ‘I Don’t Know’, is probably the heaviest track on the album, but again is classic rock – starting with some solid and catchy guitar riffage from Andy Cutty, who also adds backing vocals to this track, and indeed the rest of the EP, creating some great harmonies and adding extra depth to the vocals, which makes it even better.

I am really impressed with these guys and their first release – yes, its not metal, and yes there are little tweaks that could be made here and there, but that does not detract from the strength of this as their maiden voyage into the world of recorded material! I had a brief conversation with Powerzone’s Dani Maguire about it and he summed it up perfectly:

“You know what I like about Cry For Mercy? They sound familiar. Like I’ve known them for decades. I mean, the sort of band you can slam on when you get in from a hard day at work, chug a cold one and just enjoy for what it is. Hard rocking, hardworking, skilful and comfortable with what they do, which puts me at ease as a listener. Nothing pretentious yet totally fresh.”

I 100% echo Dani’s words and thoroughly recommend that you look these guys up and give this EP a spin. My most major criticism is that it is too short – I want more guys! Get back in that studio!!

TRACKLISTING:
01. Overload
02. Under Dark Skies
03. We Won’t Go Down
04. I Don’t Know

LINKS:
https://www.cryformercy.co.uk/
https://www.facebook.com/cryformercyofficial/

https://www.instagram.com/cryformercyofficial/

 

 

Disclaimer: This review is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Dogbane – Idylls Of Woe

Idylls Of Woe Cover

Dogbane – Idylls Of Woe
Heaven and Hell Records
Release Date: 19/07/2019
Running Time: 35:46
Reviewed by Tammy Lomax
6.5/10

Dogbane are a Metal/Rock/Doom band from North Carolina. Over a few jars they decided to form in 2010 and their first album “Residual Alcatraz” was released in 2011.

The inspiration that drives them was their 70’s and 80’s upbringing, the time where it all began for metal music. They may not use any special tweaks to manipulate their sound, but that’s the whole point. It’s raw and it’s original. They have also suffered heartache, when their guitarist David Ellenburg tragically passed away after having a stroke back in 2012.

During this time, Dogbane managed to release an official music video for ‘Ride The Serpent’ and then a year later, in 2013; Jeff Rinehart honourably took David’s place as lead guitarist.

They then went on and played Ragnarökkr Metal Apocalypse in Chicago with headliner Riot V in April 2014. Furthermore, they had the opportunity to appear on the Versailles Records release “Rock & Roll All Nite: A Tribute To Kiss”.

Heaven and Hell Records then released “When Karma Comes Calling” which opened many doors of opportunity for Dogbane. In September 2016 they appeared at Thou Shall Rock, a 2-day festival supporting headliners Demon Eye and Salvación.

Now we have their third full-length album “Idylls Of Woe”

‘The One I Was Warned Of’ opens “Idylls Of Woe” and takes me back to when I used to have a beer in a biker’s club years ago. It’s upbeat for sure. Jeff Neal’s vocals remind me a little of the late David Bowie. It is a great opener, although there are a few weak beats in the background!

Next track ‘Devil’s Tramping Ground’ kicks in with some more force. I am fond of Dogbane’s doom edge mostly; they manage to slip in some guitar pig snorts and it tickles my fancy. The vocals are catchy, and the guitar solos work ok.

Third track ‘Blood In The Snow’ has a great intro! It really made me giggle. There are some great tempos, guitar solos and drumming throughout this track. You feel like you are on a hunt. It’s simple but very effective.

‘Riddle Of Steel’ is next and YES!! More bass please! I salivate if a track opens with bass, my ears royally prick up and you get my attention straight away. Just like a meerkat! This track feels really doomy, like heavy and rusty old doom. I picture myself head banging to the rhythm of the beat and that sound is genuinely really cool. The odd switch throughout this track is well done and I like the dynamics.

“Land Of Shadows” is definitely a slower version of early Metallica all the way. The guitar riffs and block beats of the drums are quite similar to Hetfield and co. It’s really good. I do feel the vocal fader doesn’t really work in this track, purely because it feels misfired and out of place with the real earthy chunky sound but then you are hit with that real doom vibe again, it’s so good, you forget about the fader.

Next up is ‘Now You Know’. It begins in a very similar fashion to ‘Land Of Shadows’, it slips in those cheeky pig snorts again and then, bang, the guitar solo comes in. I like this track’s stability as it is much more steady and easy to follow.

‘Winter Of Man’s Demise’ is also a good track. There’s no mucking around with this track. It’s pretty cool. It has a real doom laden start, which these guys have got spot on. It’s probably my favourite part to their whole sound. The track is slow and steady, the vocals are spot on and it glues together well. It’s really basic but you flow with their pace. The strumming on the guitars is really strong and when the beat picks up it is great. It has an ‘80’s best dad guitar solos of all time’ vibe!

‘Sin Eater’ is a straight up classic Rock/Metal song and a good ending to “Idylls Of Woe”; although I am personally a little gutted they didn’t add more doom into this track though.
In general, Dogbanes sound is good although, throughout the album, there are times when I feel they are trying to cram too much in at one time which gives the impression of it being a touch sloppy. Maybe some spacing out could have helped a little.

This is not altogether my style of music but do you know what? Sod my opinionated ears! These guys have gone through a crazy journey and obviously enjoy what they are doing. They are keeping the original, core root, of metal alive and I wish Dogbane the best of luck in their future endeavours!

TRACKLISTING:
01. The One I Was Warned Of
02. Devils Tramping Ground
03. Blood In The Snow
04. Riddle Of Steel
05. Land Of Shadows
06. Now You Know
07. Winter Of Man’s Demise
08. Sin Eater

LINKS:
https://www.facebook.com/Dogbane/

https://dogbane1.bandcamp.com/


https://www.youtube.com/channel/UCqZ0qg2G2rJYDKfHQnQ-mVQ

 

Promo Pic1

 

 

Disclaimer: This review is solely the property of Tammy Lomax and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.