EMQ’s with TERROR REVOLUCIONÁRIO

EMQ’s with TERROR REVOLUCIONÁRIO

Hi everyone! Welcome to our new EMQ’s interview with Brasília, Brazil based Hardcore/Punk/Crust band, Terror Revolucionário. Huge thanks to guitarist Thiago Cardoso for taking part!

What is your name, what do you play, and can you tell us a little bit about the history of the band?

My name is Thiago Cardoso “Barbosa”, I play guitar. Terror Revolucionário began in late February 1999 in the city of Taguatinga/DF with the proposal of playing hardcore and actively continues until today, with 3 original members (Fellipe CDC, Jeferson and Thiago) along with bassist Adriana, who joined the band in October 2004.

How did you come up with your band name?

Fellipe CDC (vocalist), suggested the name at the end of the first rehearsal of the band, influenced by a marginal printing from the time of the French Revolution.

What Country/Region are you from and what is the Metal/Rock scene like there?

We are from Brasília/DF, capital of Brazil, located in the central west region of the country. The underground rock scene is large and has many bands of different styles. Perhaps today there are more bands than public, since most of the audience has a band and a few of these band members really support other bands, being part of the audience.

What is your latest release? (Album, EP, Single, Video)

It was the “Campo da Esperança” album, released in April 2019. Unreleased songs + music extracted from, already sold out, past releases and some rare and unpublished sounds. A total of 61 songs.

Who have been your greatest influences?

Punk/Metal/Hardcore bands in general. From the classics, and several bands of the national and international underground scene.

What first got you into music?

I set up my first band with childhood friends when I was 14. Always making my own music. The band had a short existence but made some songs and a single performance for a group of 4 friends inside an empty apartment. Oxiurus was the name of this band, which existed between 1995 and 1996.

If you could collaborate with a current band or musician who would it be?

Although I rarely do shows with another band as a guest, I did some shows with Galinha Preta in 2011 and 2012, and 3 shows with the band Vingança, from Fortaleza / CE, also a mini tour through the Cerrado* in the year 2008. I never wanted to join a band that I had not been part of since its formation.

* Cerrado is the name given to Brazilian savannas that are mostly present on the central area of the country, where the band’s city is located.

If you could play any festival in the world, which would you choose and why?

I would play again at the Obscene Extreme Festival in Czech Republic, where we played on our European tour in 2017. Considering the kind of music from this festival, this is the best and most perfect place. The mecca of world noise.

What’s the weirdest gift you have ever received from a fan?

A t-shirt that a guy was dressed in and he wanted to present to me for the symbolic value it has. I’ve been saving it, and I use it a lot. I won from a guy in Mexico, where we played in Vale de Chalco, one of the craziest shows we’ve ever played.

If you had one message for your fans, what would it be?

Continue to support the bands that care and value you as a person and a human being!

If you could bring one rock star back from the dead, who would it be?

Not really a rock star, but he was one of the most important guys that the national scene has ever lost: Redson from the band Cólera.

What do you enjoy the most about being a musician? And what do you hate?

I like to play shows. I don’t like being in environments where I don’t feel comfortable to stay.

If you could change one thing about the music industry, what would it be?

I would make it more accessible and at a low cost any media that is. For example: today the price to make vinyl is very expensive and the sale value is absurd as well.

Name one of your all-time favourite albums?

Discharge – “Hear Nothing, See Nothing, Say Nothing” from 1982.

What’s best? Vinyl, Cassettes, CD’s or Downloads?

My personal taste in this order: Vinyl, CD’s, Cassettes. I don’t like downloads. I’ve never been much of a fan of it. I even listen to streaming, especially YouTube. Other platforms like Spotify and Deezer I have already used, but I prefer the facility and easiness of YouTube.

What’s the best gig that you have played to date?

There were many that I liked a lot and were important. I can’t point to just one.

If you weren’t a musician, what else would you be doing?

In the world of music, I would continue to go to concerts, listening to a lot of music and looking for information about the world of music such as specialized programs/websites and even magazines and fanzines, as was done in the old days. Just like I always have.

Which five people would you invite to a dinner party?

If it is in personal life: my family (wife, my two children, my mother and my niece).

If it is in my musical world (which I am thinking of almost all the time) I would invite friends that I am always in contact with. I am happy to talk and exchange endless ideas about the world of rock with Fellipe CDC, Icarus, Veto, Márcio Picka and Jorge Fúnebre (the last one would have to come from Asunción in Paraguay).

What’s next for the band?

Make and record many new songs, for several planned releases. As soon as we can when we survive the pandemic safely.

What Social Media/Website links do you use to get your music out to people?

Facebook page and Bandcamp. I don’t use Instagram. Jeferson, drummer of the band, uses it.
www.facebook.com/terrorrevolucionario/
www.instagram.com/terrorrevolucionarioband/
www.terror-revolucionario.bandcamp.com/

Jaffa Cakes? Are they a cake or a biscuit?

I don’t know what Jaffa Cakes are.

Thank you for your time. Is there anything else that you would like to add?

Thanks for the space! Strength and luck to stay in the fight!!!

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

EMQ’s with PALACES

EMQ’s with PALACES

Hi everyone! Welcome to our new EMQ’s interview with Atlanta, Georgia based Hardcore Punk/Grind/Death Metal band Palaces. Huge thanks to them for taking part.

What is your name, what do you play, and can you tell us a little bit about the history of the band?

Bumpy: My name is Bumpy Bronson; I play bass and begrudgingly share vocal duties with Eric.

JB: Jonathan Balsamo, drums. Palaces was formed in 2010 when I met Eric and M Chvasta (Bass) whose band Light Pupil Dilate was breaking up. I was in Atlanta math-rock band Sorry No Ferrari at the time and wanted to do a heavy project again as my background is metal. We all had similar tastes and began writing songs that we would record and release in 2012 on our first album titled “Tarnish”. Chvasta left the band in early 2014 to focus on his other band Dead Register. After a year of being inactive we were contacted by Jeremy Weeks of Atlanta hardcore band Get Damned. He wanted to join Palaces on bass. We had played shows with Get Damned and were fans of theirs, so we said yes of course haha.

Eric: Hey I’m Eric Searle. I’m the guitarist and sometimes vocalist. As JB said, Bumpy called us up after our old bassist left. We jammed a few times and it felt good, so we decided to carry on as Palaces. We rented a few spaces before settling in at Bill Kelliher’s rehearsal spot ‘Ember City’ where we wrote a good bit of the new record.

How did you come up with your band name?

Bumpy: Eric said he liked it because it was vague or some shit. Pretentious ass…

Eric: He’s not wrong. It was basically, “Hey, what about Palaces?” Nobody could find a reason to hate it, so it stuck.

JB: It immediately resonated with me for several reasons. I feel like it’s a name that doesn’t suggest any particular genre or sub-genre of metal as I feel we don’t fit into a particular classification of metal. It doesn’t colour one’s pre-listen opinion of what they are about to hear. Additionally, it has always been a metaphor for our physical existence – we each inhabit a body and mind that is our Palace. Physical structures get weathered, decay and become ruined eventually and at the same time are beautiful.

What Country/Region are you from and what is the Metal/Rock scene like there?

Eric: We’re from Atlanta Georgia USA. The scene here is getting bigger and better all the time. There are a ton of killer bands here. Every type of metal/rock can be found. People are very supportive of the local scene. We have great clubs/venues/art spaces/ warehouses to put on shows. It’s a great place to be as a musician.

Bumpy: It’s full of variety and has had some real crushers in the past, a little bit too much butt rock now, but what are you gonna do.

JB: Before Covid hit there were shows almost every night of the week, sometimes several a night. All the bands, clubs and promoters make this a great city to play music in, a very inclusive and supportive scene.

What is your latest release? (Album, EP, Single, Video)

Bumpy: It’s an album titled “Hellas Chasma” and the first single from the album is ‘Swarm’.

Eric: It’s 9 songs, but not too long. The songs are pretty eclectic. We’re not a ‘one note’ band. There’s a lot to chew on, but it isn’t too difficult of a listen.

‘Swarm’ Video

Who have been your greatest influences?

Bumpy: Personally, everything from Faith to No More to Sumac, but Caleb Scofield (R.I.P.) and Brian Cook are the two most effecting and influential bassists that have saturated my music brain the past 20 years.

JB: I think as a band we have drawn on a pretty diverse range of music and it all ends up in there somewhere. I personally have always been into Death Metal and Technical Stuff, I grew up listening to thrash, punk, and evolved from there. As a group I would say bands like Cult Leader, Converge, Intronaut, Today Is The Day, Ken Mode, Baptists, Keelhaul, Mastodon, Botch, Dillinger Escape Plan, Oathbreaker and The Armed.

Eric: As a guitarist I love King Buzzo, Bill Steer, East Bay Ray, Johnny Marr, Kevin Shields, James Hetfield, Keith Huckins, etc. There are too many bands to name, but a few would be Fugazi, Smiths, Converge, Deadguy, Dissection.

What first got you into music?

JB: My Dad who was a stoner mathematician, growing up listening to Black Sabbath, Zappa, Pink Floyd, Led Zeppelin, Santana – that whole 70’s scene.

Eric: I’ve been hooked ever since I was a small person. The first artists I remember liking were Fats Domino, The Beatles, Genesis, Traveling Wilburys, and Michael Jackson. My parents played all that stuff.

Bumpy: It’s always been there. My dad played piano his whole life and as god fearing as he is, he can shred something fierce on the keys like Lynyrd Skynyrd or Billy Joel.

If you could collaborate with a current band or musician who would it be?

Bumpy: Stephen Brodsky. I love everything he touches, and I am one of the biggest Steve-stans I know.

Eric: Probably Michael Gira. He’s great at organizing musicians and pulling things out of them to serve his songs. I’d be honoured.

If you could play any festival in the world, which would you choose and why?

JB: That is a tough one, maybe Hellfest?

Bumpy: Reading/Leeds or Glastonbury. They sound so ancient but are still going and have been a huge part of music history.

Eric: HellFest. The line-up is fucking stacked every single year and it looks like it’d be a blast to play. Definitely would love to play Wacken or Brutal Assault too. Any of the Euro festivals please, thank you!

What’s the weirdest gift you have ever received from a fan?

Bumpy: Pretty sure he wasn’t a fan, but a guy gave me his phone number and said we should “text metal.” Yeah, I don’t have his number. Must’ve lost it.

JB: No weird gifts yet but we have gotten some rad hugs.

Eric: Oh yeah, that girl outside 529! Hugs.

If you had one message for your fans, what would it be?

JB: Thank you for listening to us, thank you for coming out to a show and supporting us in any way.

Bumpy: No one’s gonna wait on you to show yourself. If you wanna do something in music or media, do it. Like now. Don’t ask permission. Bug the shit out of people you don’t know to listen or let you play or whatever.

Eric: When you come to one of our shows, just be ready to throw a chair at somebody!!!

If you could bring one rock star back from the dead, who would it be?

Bumpy: Aforementioned, Caleb Scofield.

JB: Isaiah Ikey Owen

Eric: Probably Jeff Buckley, but what if it’s better on the other side? I wouldn’t want to bring him back to this place.

What do you enjoy the most about being a musician? And what do you hate?

Eric: Creating and writing is my favourite thing about being in a band. I love putting the pieces of the puzzle together. That said, turning up loud and bashing shit out is pretty amazing. I don’t really hate anything about it. Sure, it takes a lot of time and doesn’t pay nearly enough, but I’m not mad about it.

Bumpy: Shows. Ever since I was a seventh grader, nothing knocks the self-gratification meter off the charts like playing live. It’s a cliché that’s been worn down to the bone, but I’ve played for 6 people before and I’ve played for 300+, and I felt just as elated as I always have been. Having said that, I think the hate part is what you make of it. If you give more power to hating something, you’ll come to hate shit you used to love, so I try not to feed that bastard any energy.

JB: I love playing live more than anything, I love the energy and volume, playing for people who enjoy relaxing to loud heavy music as a counter to the nature of modern daily life. I guess waiting to play the set is what I hate the most, I’m always impatient to play!

If you could change one thing about the music industry, what would it be?

Bumpy: Make it go back to how it was. The 90‘s really were the best to me. Nostalgia is the enemy but if I could have been a bit older back then and had the chance to experience the grunge, alternative, punk, metal, etc. of that time at festivals, in Blockbusters, in magazines, in Beavis and Butthead episodes; everything just mattered a little bit more to people back then. Music stuck with you for longer.

Eric: It’s a pretty fucked up industry. I feel like there’s the “Industry” and then there’s the “Underground”. I don’t participate much in “Industry” driven music. My musical family and community seem to be in the “Underground”. That’s not by choice though. If death metal bands were getting millions of YouTube views per song, I’d be cool with that. But then that would get ruined too. It’s a vicious cycle.

Name one of your all-time favourite albums?

Eric: Clutch – “Transnational Speedway League”

JB: Mastodon – “Remission”

Bumpy: The Mars Volta – “De-Loused in the Comatorium”

What’s best? Vinyl, Cassettes, CD’s or Downloads?

Bumpy: I’m a sucker for cassettes. They remind me of being a kid. My parents didn’t keep records at home, so I never caught the vinyl bug.

JB: I personally love vinyl for sound.

Eric: Vinyl, Downloads, CD’s, Cassettes in that order.

What’s the best gig that you have played to date?

Bumpy: December 2018 with Cult Leader, Primitive Weapons and the unfuckwithable God Mother from Stockholm. Never played with a crazier band.

JB: For me it’s a tie between opening for Cult Leader/ Godmother and opening for Atlanta super group Primate back in January 2020 – that was a fun show.

Eric: We’ve played with Ken Mode a bunch. Always nice to knock around the balls with those guys.

If you weren’t a musician, what else would you be doing?

Eric: Probably my money-making job, but life would suck a little more if I didn’t play music.

JB: I would be playing drums in my garage – essential to maintaining sanity.

Bumpy: Anything in my power to leave this country until it stops eating itself alive.

Which five people would you invite to a dinner party?

JB: King Diamond X 5

Bumpy: You, Eric, JB, the Jesus from Big Lebowski and Bernie Mac.

Eric: Grandmaster Jay, Richard Spencer, Black Thought, Nadine Strossen, and Elon Musk. What a party that’d be.

What’s next for the band?

JB: We hope to get back to playing live when possible, releasing the new album and doing some touring.

What Social Media/Website links do you use to get your music out to people?

www.instagram.com/palacesloud/
www.facebook.com/PALACESLOUD/
www.palaces.bandcamp.com/

Jaffa Cakes? Are they a cake or a biscuit?

Bumpy: I have family in the UK, and they think they are biscuits, I guess there’s the answer. They also let their 53-year-old son still live at home, so there’s that too.

Eric: Lost me on that one homie.

Thank you for your time. Is there anything else that you would like to add?

Bumpy: Listen to Young Beasts, Malevich and Lost Hours.

Eric: Cheers mates.

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

EMQ’s with SHADOW PEOPLE

EMQ’s with SHADOW PEOPLE

Hi everyone! Welcome to our new EMQ’s interview with Baton Rouge, Louisiana based Sludge Punk/Hardcore band Shadow People. Huge thanks to bassist Aaron Paul Goings for taking part.

What is your name, what do you play, and can you tell us a little bit about the history of the band?

Aaron Paul Goings. Bass. Trial and error. DNA’s potential and a primate’s shame.

How did you come up with your band name?

I believe it was drug-induced/inspired. I believe it was from long bouts of amphetamine use, more specifically methamphetamine. Have you ever gone so far that you came back around the other side. I could try to describe how drugs feel but if you haven’t done it for yourself, It’d be like describing a symphony to the deaf. Either do it for yourself or take my word that if you ever do there are glimpses of people who were there before you left ,still moving and breathing. To the eye of a brain that’s been pulled that far and pushed that hard the remnants just look like shadows. No more people than the idea of a ghost but that’s the form they take so that’s the name we choose.

What Country/Region are you from and what is the Metal/Rock scene like there?

The country of the United States. The state of Louisiana. The city of Baton Rouge. The scene here is fickle. It’s random bursts of sporadic epiphany living next door to pits of daydreams where great talent vanishes overnight. It’s all heart and no head. With a constant talent bleed. We haemorrhage from the wound of lack of opportunity, apathy & majority rule. It’s like a bad relationship just because we love it doesn’t mean we’re happy or that it’s healthy and I think we could benefit from some distance. long-term, short-term, I don’t know. I think sometimes it takes more than a lifetime to know these things , which means you never do. I hope that’s not the case for us or our peers. The birth rate of passion here is consistent and plentiful and for that we’re thankful.

What is your latest release? (Album, EP, Single, Video)

1. Album – “Batom Rouge”

2. Single -‘Every Man A Sot’

3. Video- ‘Every Man A Sot’

Who have been your greatest influences?

The conditions and conclusions of lives lived around me, the constant presence of violence, delusion & poverty. The realization that gnashing my teeth and whitening my knuckles had turned to internal decay and the desire to deflect/inflict that somewhere else. Respectful fear for the deep cut of desperation. Simply put instinctive the desire for self-preservation. That’s my greatest influence. I assume this questions designed to invoke a musical influence, but the bands I like(d) only inspired me to buy albums, T-shirts and posters not to make music. It was the life around me and the readily available examples of how deep hell can go. That’s what caused me to make music. That’s what inspired me and what influenced the type of music I make.

If you could collaborate with a current band or musician who would it be?

No musicians, maybe a visual artist but I currently collaborate with the musicians I’m interested in.

If you could play any festival in the world, which would you choose and why?

I’m truly ignorant as to what festivals exist. We’d play wherever and with whoever would put us in touch with like-minded individuals.

What’s the weirdest gift you have ever received from a fan?

I’ve never received anything. I guess I could say approval and tears, embraces and allegiance, because those are gifts ,but nothing material

If you had one message for your fans, what would it be?

Not to be ominous or rude but I feel like we said/say everything we need to in this songs.

If you could bring one rock star back from the dead, who would it be?

I don’t have that power, who told you I did?! They were a liar! I mean levitating a few objects with the energy that remains in fresh goat’s blood and bringing someone back from the dead are two different things. I don’t have that power anymore, I mean I don’t have that power, I’m saying I never did, no one!

What do you enjoy the most about being a musician? And what do you hate?

Justified fulfilment for my ache at night. I’ve burned up years to keep the lights on as the means for someone else’s ends with nothing to show for it but the ash piled up around me so thick you can’t see or move, just choke and panic and music takes that away for me. It’s the inception of reason and the catalyst for possibility. The only thing I hate is that I can’t do it more often. We have to scrape and save for tour (like everybody else) and I’d rather spend that time just playing. I’m sure that’s not a rare desire but that’s my answer.

If you could change one thing about the music industry, what would it be?

I’m too ignorant of the details to give a worthwhile answer. It is a vast and complex creature. I am a fan of any method that could banish that layer of dishonest barnacle mimicry (creation & production) into some social/digital/dimensional wasteland.

Name one of your all-time favourite albums?

Audio Fidelity’s – “Stereodisc Demonstration And Sound Effects”

What’s best? Vinyl, Cassettes, CD’s or Downloads?

They all have their pros and cons. The warmth and novelty of analog vs. the clarity and convenience of digital. I guess it depends on who or what I’m listening to. I’d like to make a record because it has a very specific feeling of importance. Plus, the cover arts bigger (obviously) and as a fan of visual arts I like that.

What’s the best gig that you have played to date?

The best gig I’ve ever played is like the best sex I’ve ever had . I remember who was there but not when or where

If you weren’t a musician, what else would you be doing?

I can’t speak for the other guys but for myself probably painting. Creatively not houses.

Which five people would you invite to a dinner party?

Vlad III the Voivode of Wallachia, Stanley Kubrick, Quincy Jones, Andy Warhol & Garth Ennis.

What’s next for the band?

Record another EP while waiting out quarantine/pandemic ,then try to survive long enough to perform again.

What Social Media/Website links do you use to get your music out to people?

I think we’re on actually everything. So, listen as much as humanly possible and drop us a line literally anytime.

www.facebook.com/elpoepwodahs/
www.shadowpeoplebatonrouge.bandcamp.com/
www.instagram.com/shdw_ppl/
www.youtube.com/channel/UCTlf0zGPfwbWGUtBVo_Ocfw

Jaffa Cakes? Are they a cake or a biscuit?

I truly have no clue what that is but send me some and I’ll render a verdict. When it comes to cakes and cookies, I can resist anything but temptation.

Thank you for your time. Is there anything else that you would like to add?

I guess I’ll leave you with this last thought ,which is completely false. The previous statement is completely true.

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

EMQ’s with BRANDY AND THE BUTCHER

EMQ’s with BRANDY AND THE BUTCHER

Hi everyone! Welcome to our new EMQ’s interview with Columbia, South Carolina based Punk/Sleaze Rock band, Brandy And The Butcher. Huge thanks to them for taking part.

What is your name, what do you play, and can you tell us a little bit about the history of the band?

Brandy and the Butcher. We’re made up of some Columbia, SC scene veterans- Kevin Brewer and Jay Matheson, and two relative newbies, Liz Hale and Roger Shattuck.

How did you come up with your band name?

Liz gets the best ideas when she’s getting pedicures- also, once upon a time, she wanted to be a butcher.

What Country/Region are you from and what is the Metal/Rock scene like there?

Columbia, SC. We have a LOT of really great heavy bands here in town. Abacus, Garrow, Space Coke, Boo Hag, Skullduggery, Deviate and Decadence are just a few.

What is your latest release? (Album, EP, Single, Video)

A full length 12″ LP called “Dick Circus” is up for presale on Bandcamp.

https://brandyandthebutcher.bandcamp.com/album/dick-circus

Who have been your greatest influences?

Iggy, Joan, Suzie, Debbie and our moms.

What first got you into music?

American Bandstand. I watched it every Saturday and danced my lil 6-year-old tushy off.

If you could collaborate with a current band or musician who would it be?

We did collaborate with Saul Seibert from Boo Hag on a song called ‘Flim Flam Man’ and are pleased with it.

Liz has a soft spot for Rod Stewart, and she says, “Rod Stewart!!!”

If you could play any festival in the world, which would you choose and why?

Rebellion Festival. All the old school punk bands are there!!

What’s the weirdest gift you have ever received from a fan?

Liz has a stalker, he sent her a weird German Christmas bread (called a Stollen) last December.

If you had one message for your fans, what would it be?

DON’T STALK LIZ, IT MAKES HER CRANKY. (even if you send yummy German pastries).

If you could bring one rock star back from the dead, who would it be?

Does Liberace count as a rock star? If not, then definitely Lemmy. He was a cool cat.

What do you enjoy the most about being a musician? And what do you hate?

I LOVE the work hours. I really dislike the road food.

If you could change one thing about the music industry, what would it be?

Make the physical product an important option again. It will probably never happen, but bands used to sell tons of records, CDs and tapes at shows and in stores. Now with downloads and streaming being the norm musicians actually getting paid is an anomaly.

Name one of your all-time favourite albums?

Mott the Hoople – “Live”, Iggy and the Stooges – “Raw Power”. Yeah, I gave you two!!

What’s best? Vinyl, Cassettes, CD’s or Downloads?

Vinyl

What’s the best gig that you have played to date?

We just keep getting better, I think the best is yet to come.

If you weren’t a musician, what else would you be doing?

Riding a bike all over! Recording bands.

Which five people would you invite to a dinner party?

Living or dead? I guess the dead don’t eat much. Friends of ours and Willie Nelson.

What’s next for the band?

Hopefully back to live gigs in a few months and promoting our new LP!

What Social Media/Website links do you use to get your music out to people?

Bandcamp, Facebook, Instagram.
www.brandyandthebutcher.bandcamp.com/
www.facebook.com/Brandyandthebutcher/
www.instagram.com/brandy_and_the_butcher/

Jaffa Cakes? Are they a cake or a biscuit?

Beats me. We put gravy on our biscuits down here. Cakes are better with coconut.

Thank you for your time. Is there anything else that you would like to add?

Wash your hands and listen to your rock.

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

EMQs with Hi/Jack

EMQ’s with HI/JACK

Hi everyone! Welcome to our new EMQ’s interview with Milwaukee based Punk/Rock/Alternative band Hi/Jack. Huge thanks to guitarist & vocalist Max Liam for taking part.

What is your name, what do you play and can you tell us a little bit about the history of the band?

My name is Max Liam. I am the guitarist and lead vocalist. The band came together as a result of both our bands falling apart, but we had been unknowingly sharing a bassist. We ended up doing a one-off show with said bassist, and Ron (Terrell, Drummer) and I decided to keep in touch after. One thing led to another.

How did you come up with your band name?

The idea was to come up with an attention grabbing name. Hi/Jack seemed to fit the bill and the backslash was my little tip of the hat to AC/DC, who got me into Rock n Roll.

What country are you from and what is the Metal/Rock scene like there?

We are from the US. Specifically, Milwaukee! The metal scene here is weird. Lots of bands, not a lot of collaboration, and the idea of competition over camaraderie is pretty heavily present.

What is your latest release (Album, EP, Single, Video)?

Latest release is our compilation EP “Rank And File” which came out on the 6th December!

Who have been your greatest influences?

AC/DC, Led Zeppelin, Green Day, The Clash and Metallica are definitely there. Early Van Halen too!

What first got you into music?

AC/DC’s Back in Black! It started everything for me.

If you could collaborate with a current band or musician who would it be?

Foo Fighters/Dave Grohl!

If you could play any festival in the world, which would you choose and why?

Any? I’ll say Glastonbury or maybe Wacken.

What’s the weirdest gift you have ever received from a fan?

Nothing too weird! We got a big stuffed Batman once. That was cool.

If you had one message for your fans, what would it be?

Honestly, just the biggest thank you and all the love I can give.

If you could bring one rock star back from the dead, who would it be?

That’s a hard question. But today I’ll say Malcolm Young. I know AC/DC seem to have confirmed a new album with tracks Malcolm recorded, but I think having him actually there would be much cooler. No disrespect to Stevie Young!

What do you enjoy the most about being a musician? And what do you hate?

Best thing is getting out there and playing for people. Worst thing, I guess, is when you end up playing to an empty room. But, that’s part of it, man. Gotta pay your dues!

If you could change one thing about the music industry, what would it be?

I wish labels would go back to signing bands and then “developing” them. Allowing them to grow and mature with a guiding hand. Not just signing bands that make a quick buck and disappear after a few years.

Name one of your all-time favourite albums?

Besides Back in Black? I’ll say Led Zeppelin IV.

What’s best? Vinyl, Cassettes, CD’s or Downloads?

In my opinion, any of the actual physical options if better than downloads. But, out of the three, I really like how vinyl sounds. There is a difference, just like there’s a difference between a bit-crushed Mp3 and a CD.

What’s the best gig that you have played to date?

I think overall the best gig would either be when we opened for Saving Abel a few months ago, or the second time we played with One-Eyed Doll.

If you weren’t a musician, what else would you be doing?

I have no idea. Before music, I was way into Science, until I discovered I was terrible at Algebra, which can be integral to most sciences!

Which five people would you invite to a dinner party?

Living: Dave Grohl, Angus Young, Eddie Van Halen, Billie Joe Armstrong and Jimmy Page.

Dead: Bon Scott, Kurt Cobain, Joe Strummer, David Bowie and Muddy Waters.

What’s next for the band?

We will be putting out a full length LP in 2020 via Blue Collar Records. Then, of course, we plan to do a tour and play more shows than we did this past year. Really rev it up!

What Social Media/Website links do you use to get your music out to people?

www.hijackmke.com
www.facebook.com/hijackmke
www.twitter.com/hijackmke
www.instagram.com/hijackmke

Jaffa Cakes! Are they a cake or a biscuit?

I’m more of a Tunnock’s man myself. But my co-worker insists it’s a biscuit!

Thank you for your time. Is there anything else that you would like to add?

Thank you for taking the time to speak with us. We are super grateful for how much we’ve progressed this year. Also a huge thank you to our wives, Kendel and Kris, for all your love and support these last 6 years! See ya’ll in 2020!

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Hembree And The Satan Sisters – F.Y.F

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Hembree And The Satan Sisters – F.Y.F
Rusty Knuckles Music
Release Date: 20/09/2019
Running Time: 15:00
Reviewed By Dark Juan
2/10

It is Monday evening at Dark Juan Terrace, and I have just finished a one hundred hour working week. My gospel and my litany of hatred won’t preach itself, you know. But here I am writing to you, my good people, because I am nothing if not generous with my time and my energies in sharing the One True Path of extreme music with you, my beloved brethren. This review is being brought to you by Camden Hells lager, a withering and rapidly increasing dislike of the human race at large and a violent reaction to the stupidity of large sections of society. Also, I’m listening to a punk rock record. So, in the timeless fashion of snot-nosed 70s punkers, modern day crust punk and anyone who is still interested in Crass and The Anti – Nowhere League I’m going to condense all this simmering hatred into two politically aware and savvy sentences:

Fuck Boris Johnson and his fucking crew of rapacious rich boy capitalist cunts. If you’re working class and vote Tory, you’re a fucking class traitor, mate.

Because that was what British punk was all about innit? All about raging against the machine, socially aware rage dressed up in fake, barely coherent and frequently explicit three chord, two-minute blasts masquerading as songs.

Hembree And The Satan Sisters are like that, musically at least. This Atlanta, Georgia crew have taken the three chord punk blueprint and have run with it. And then run with it some more. And then kept running until they came to some colossal and immovable obstacle (like Boris motherfucking Johnson) and then turned around and ran all the back. Ground breaking music this ain’t. It’s a well produced 1970s Oi! record. It’s all style and very little original substance, with an even more childish reliance than my own on swearing to make their point. To that end, I was not entertained. In fact, I have been extremely disappointed. Hang on…..

My apologies. Igor the Evil One decided he wanted to fight. I had to best the little beast lest he got an overwhelming sense of his own importance. It was what was necessary to avoid being shouted at for several hours…..

Yes, lowest common denominator three chord punk aimed at rebellious 15 year olds angry at their own parents, with no political or social commentary – the things that made punk RELEVANT in the first place. Instead the entire record is just a general middle finger to basically everyone and everything. Even my hatred is narrow and targeted and just shouting “Fuck you and fuck everyone else as well!” does not a rebellious attitude make. In anything it’s a bit pathetic. Marks lost for making me think you don’t have access to a thesaurus, Hembree…

The band’s sound – have I said that they are a three chord punk band yet? They sound like a less raw Black Flag mixed with the glossy shine of latter day Misfits, both bands that I have a lot of time for. However, it’s dated as fuck, man, and trying to weld some sort of emo-tinged outward hatred of everything to a classic sound done a million times before doesn’t really work. It doesn’t have the teenaged, snot nosed confidence of the Ramones, nor the absolute sonic rage of crust punkers such as Hellbastard or Lazarus Blackstar and it just sounds like a middle-aged man shouting for no good reason. And that’s sad. That’s why this record leaves me utterly cold.

I can’t recommend a single song on the album. From the opening rant (entitled “The Longhaired Weirdo Speaks!”) to the closing spoken word nonsense it’s all generic and a bit dull although “Dancin’ At Your Suicide” has an odd 50s rock ‘n’ roll vibe very reminiscent of the Misfits’ “Saturday Night”.

I’m not writing any more on this band because it’s a waste of your and my time. It has even robbed me of my trademark humour. It’s not truly fucking awful like Warrior Soul’s last two records, but it has no redeeming qualities either. I’m bored.

The Patented Dark Juan Blood Splat Rating System just can’t be arsed. 2/10.

 

Track list

The Longhaired Weirdo Speaks! (I wish he wouldn’t. He has nothing to say.)
Fuck Your Religion And Fuck Your Politics (Yeah, man, fuck yours too. Political discourse in action.)
A Devil’s Warning (You boys aren’t devils. I serve the devil. You ain’t him. You don’t have any horns. Or the kind of withering sarcasm Old Nick does so well.)
Say It To My Face (OK, your band is a bit crap, mate.)
Nothing To Prove (Fucking good job really.)
Rape This Land (Generally you need a blitzkrieg or at least a strong armoured thrust to do this. I don’t think the band have a panzer regiment complete with combat pioneers and panzer grenadiers to hand…)
Dancin’ At Your Suicide (Suicide is no fucking joke, lads. No fucking joke at all.)
Who’s Laughin’ Now (Not me. Also, Dancing and laughing have a letter G at the end of them. I hate it when bands do this gettin’ rid of the G at the end of words. It boils my piss nearly as much as a Warrior Soul album. This is not a criticism of Hembree And The Satan Sisters. This is Dark Juan focusing his righteous fury in the direction of idiots.)
The Longhaired Weirdo Speaks Again! (Do shut up, dear boy.)

Hembree And The Satan Sisters are:

Zachery M. Hembree- Lead Vocals
Ash Miltiades- Lead and Rhythm Guitar/Vocals
KD/DC-Rhythm Guitar
Charley Ferlito-Bass/Backing Vocals
Parker Bradshaw-Drums

Links:

https://www.facebook.com/HembreeandTheSatanSisters/

 

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Disclaimer: This review is solely the property of Dark Juan and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

EMQ’s with LOLA BLACK

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EMQ’s with LOLA BLACK

Hi Everyone. Welcome to our new EMQ’s interview with Denver, Colorado based Hard Rock/Metal/Punk band Lola Black. Huge thanks to Lola for taking part!

What is your name, what do you play and can you tell us a little bit about the history of the band?

My name is Lola from Lola Black. (VOCALS)!

How did you come up with your band name?

It’s what I go by and also the band name. It was decided by Chris, Paige and myself (founding members). Due to the shifty nature of musicians it’s something that will stand the test of time just as long as I’m ticking the band is and music is something I will always be a part of.

What country are you from and what is the Metal/Rock scene like there?

America; Denver, Colorado to be exact! Where the word “scene” is apparently frowned upon but if it weren’t I would have to say the “scene” is most excellent.

What is your latest release? (Album, EP, Single or Video)

Our latest release was on November 1st, 2019 and is our spin on Concrete Blonde’s “Bloodletting (Vampire Song)” just in the key of Lola Black. The cover was a follow up from our full length album “Nothing’s Gonna Be Alright” which was released late fall of 2018.

Who have been your greatest influences?

This question has always been a hard one for me because music in general influences me. I can find gems inside everything I hear.

What first got you into music?

I have always been drawn to music. It is the focal point of all of my memories. I remember at a very young age listening to every word and every note of everything that played around me. It honestly doesn’t matter what type of music is on, my ears are just in tune to it and that’s always the first thing I pick up on.

If you could collaborate with a current band or musician who would it be?

Since I’ve always said Chino Moreno in the past I’ll stick with him because I honestly dig all of his work.

If you could play any festival in the world, which would you choose and why?

Probably The Reading and Leeds Festivals in the UK because the Reading Festival is iconic! The talent on the line-ups over the years is insane! It would be an honour!

What’s the weirdest gift you have ever received from a fan?

It takes a lot for me to consider something weird. So, nothing out of “my” ordinary…!

If you had one message for your fans, what would it be?

In the wise words of Bill and Ted “Be excellent to each other”!

If you could bring one Metal/Rock star back from the dead, who would it be?

I don’t know. I’ll just go to them.

What do you enjoy the most about being a musician? And what do you hate?

Love, Playing Music! Hate, social media!

If you could change one thing about the music industry, what would it be?

Don’t get me started.

Name one of your all-time favourite albums?

I can never decide or narrow it down. All-time favourite is a strong title to hold and I love too many. Plus it also depends on if I genuinely love all tracks on said album or just a few. I can’t commit. Sorry.

What’s best? Vinyl, Cassettes, CD’s or Downloads?

I like it all. Anyway I can get the music to my ear holes will do.

What’s the best gig that you have played to date?

We did a string of festivals called the World’s Loudest Month some years ago and that entire experience was by far the best. We played with almost every band we love and respect at one stop or another that summer!

If you weren’t a musician, what else would you be doing?

I always wanted to be a homicide detective. I am a detective and justice seeker at heart and Joe Kenda is my hero.

Which five people would you invite to a dinner party?

Dave Chappelle, Al Jourgensen, Rob Zombie, David Hasselhoff and Joan Jett!

What’s next for the band?

World domination!

What Social Media/Website links do you use to get your music out to people?

Download now-
https://ffm.to/bloodlettingthevampiresong
Social media links-
http://www.lolablackmusic.com
http://www.youtube.com/Lolablackmusic
http://www.facebook.com/Lolablackmusic
http://www.instagram.com/Lolablackmusic
http://www.twitter.com/Lolablackmusic

Jaffa Cakes! Are they a cake or a biscuit?

I have no clue what that is but cake and biscuits are delicious.

Thank you for your time. Is there anything else that you would like to add?

Nope. You are awesome and thank you for your time.

 

Lola Black Promo

 

 

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Prison – Come, Annihilation. EP

Come, Annihilation EP Cover

Prison – Come, Annihilation. EP
Self-Released
Release Date: 29/03/2019
Running Time: 11:01
Review by Stephen Moss
8/10

Prison are from Seattle, describe themselves as Thrash/Punk/Doom and WOW, I could write an entire article on just how awesome the first track of this EP is. However, I’ll try to contain myself.

“Come, Annihilation.” starts off with a fantastic song! ‘Into The Pit’ and it is one of the best Punk songs I’ve heard in a long time. The very first time I listened to it, about 35 seconds into the song, I had to plug my phone into my drums and play along to the track. I have over 38,000 songs on my phone and ‘Into The Pit’ is now in my top 50 most played songs. Buy this song!

The Second song on the EP is called ‘Who Lives, Who Dies, Who Cares’ This is also a really good Punk song. After that, the songs become more average street punk songs. Nothing really stands out and the rest of the EP isn’t really memorable.

Even though the rest of the “Come, Annihilation.” didn’t hold up to the level of awesomeness of the first two songs, it is still a good EP. Not every release is full of smash hits!

What “Come, Annihilation.” does very well is show off the band’s potential. The band do such an amazing job on their first two tracks that I’m really excited to follow the band as they make new music.

If you’re a fan of street punk and bands like: Hot Snakes, The Casualties, The Unseen, S.T.U.N., and None More Black then you need to check out this EP.

Prison hit all the major points for a good punk band. The songs are short, fast, loud, catchy, angry, and make you want to mosh with your middle fingers raised in the air!

I’m genuinely excited to see what’s next for this band. Kudos to Prison for doing punk right!

Must have songs are ‘Into The Pit’ and Who Lives, Who Dies, Who Cares’

TRACKLISTING:
01. Into The Pit
02. Who Lives Who Dies Who Cares
03. I Do Not Value Life
04. I Welcome Death
05. We Live In Filth
06. The Smell Of Flesh

LINKS:
https://www.facebook.com/prisonseattle/
https://prison.bandcamp.com/

 

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Disclaimer: This review is solely the property of Stephen Moss and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

EMQ’s with ATOMIC KAVEMEN

Atomic Kavemen Logo

EMQ’s with ATOMIC KAVEMEN

Hi Everyone. Welcome to our new EMQ’s interview with California based Hard Rock/Punk/Metal band Atomic Kavemen! Huge thanks to drummer James Kilpatrick for taking part!

What is your name, what do you play and can you tell us a little bit about the history of the band?

I’m James and I am the drummer and producer of Atomic Kavemen. All of the members in this band are friends of mine; Morey (vocals) from 25 + years ago, Todd (bass) 10 years ago and our newest member Dustin (guitar) from 8-ish years ago…Morey reached out and found me on Facebook through an old band that I was in called Muk. I hadn’t seen Morey in probably 25 years. He was a good friend but somehow we lost contact. Don’t ask me what we did together cuz I don’t remember. I just remember he was a great guy and I always wondered what happened to him. I had some tracks that I had recorded with George (our previous guitar player) and asked if Morey would be interested in working on them and he said yes. That’s how the band started.

How did you come up with your band name?

I came up with the name Atomic Kavemen. We’re a bunch of old rockers so the name just kind of evolved from that. Our newest member Dustin is our youngest member I call him Kave Kid.

What country are you from and what is the metal scene like there?

We’re from California in the USA. The metal scene is somewhat underground here but I feel it’s making a comeback. Although we border between rock, metal and punk and other genres, we consider ourselves unique by today’s standards.

What is your latest release (Album, EP, Single, Video)?

Our latest EP release is called “Everyone Loves a Dead Man”. We also have a self-titled EP that’s still relatively new.

Who have been your greatest influences?

I have been accused of being an arena rock junkie. Outside of that I do like old-school R&B and a lot of the old 70’s rock bands. I would say 90’s rock bands were pretty cool too – like Soundgarden and Alice in Chains.

What first got you into music?

I guess my brother was the one who got me started in listening to rock and roll and heavy metal starting with Black Sabbath. From there I ventured on to other hard rock and metal bands.

If you could collaborate with a current band or musician who would it be?

I’m just not really star-struck by anybody that’s coming out these days with screamo and other oversaturated music scenes. But it would be pretty cool to hang out with guys like Dave Grohl and other like talents but it seems that some of my favourites have taken their lives. So I won’t be getting a chance to meet them until much later, I hope.

If you could play any festival in the world, which would you choose and why?

I’d like to play at Oz Fest. Is that still happening?

What’s the weirdest gift you have ever received from a fan?

I think it would be the fact that they showed up to our gig.

If you had one message for your fans, what would it be?

I’d like to tell our fans and potential fans to just keep spreading the word and enjoy our music. I hope you appreciate my recording and producing efforts from Fearfield Studio.

If you could bring one rock star back from the dead, who would it be?

It would definitely be Chris Cornell. He was an amazing talent and his life was cut short way too soon for a guy that seemed to be still on top of the world and his game..!

What do you enjoy the most about being a musician? And what do you hate?

I enjoy being a musician because I love making music and hearing my creation and being a part of working with friends. I like being in a band however it can become very stressful and you can lose focus very easily on why you’re actually a musician to begin with. It’s about you being an artist and the medium that you create with. When I was young in to music it was all about being famous. Today, it’s about just doing what I love and not caring about what is going to happen as a result of what I do.

If you could change one thing about the music industry, what would it be?

I guess I don’t like the pressure that the industry puts on artist. It’s tough to try to keep up to the flow of things these days and the internet and the consumption of music seems to be disposed of rather quickly. Also no time to enjoy your efforts before it’s time to move on to the next song, things are moving really fast and for an old guy like myself it’s hard to keep up.

Name one of your all-time favourite albums?

There are just so many great albums that I grew up with hearing stuff to pick one out. When it’s jumping out of me would be Queensryche’s Operation Mindcrime.

What’s best? Vinyl, Cassettes, CD’s or Downloads?

I prefer CD’s but there are very few places to get them locally these days.

What’s the best gig that you have played to date?

Our best gig that we played was at the Sacramento Convention Center. We have video of that on our Facebook page.

If you weren’t a musician, what else would you be doing?

I guess if I wasn’t a musician I think that I would be just a slave to society. My escape from the mundane things in life is music. I try to get my 9 year old daughter interested in rock and roll but it’s real tough with the bullshit pop stuff that’s on the internet. How does she like that stuff?

Which five people would you invite to a dinner party?

I’d like to invite Tim Brown from the Raiders, Bill Romanowski from the Raiders, Jerry Rice from the San Francisco 49ers and Raiders, and the President of the United States.

What’s next for the band?

We’re just going to keep on rocking and writing and good music and remain friends above all…

What Social Media/Website links do you use to get your music out to people?

https://atomickavemen.bandcamp.com/
https://www.instagram.com/atomickavemen/
https://www.facebook.com/atomickavemen
https://twitter.com/atomickavemen

Jaffa Cakes? Are they a cake or a biscuit?

What the hell is a Jaffa Cake? Sounds like a rock band.

Thank you for your time. Is there anything else that you would like to add?

I’d just like to add to any of our fans and potential fans to please enjoy our music, reach out to us and tell your friends about us – we love to hear feedback! If you want some free stickers reach out to us on social media, or just come to our shows if you’re near the SF Bay Area!

 

Atomic Kavemen Pic

 

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Warrior Soul – ‘Rock ‘n’ Roll Disease’

Rock _n_ Roll Disease Cover

Warrior Soul – ‘Rock ‘n’ Roll Disease’
Livewire/Cargo Records UK
Release Date: 07/06/2019
Running Time: 30:35
Review by ‘Dark Juan’
0/10 (Minus 100,000,000 According to our reviewer)

Rick Here. I have two reviewers who have massively different views on the band Warrior Soul and both wanted to review their latest album, so I thought why not let them both write one. Here is the Anti Warrior Soul review!

Good evening. This is Dark Juan and I have just returned from my nightly invocations. This is why I am still in my Third Invocation Robes (Summer Weight) and looking mighty fine, if I do say so myself. Anyway, our mighty, puissant and apparently indestructible Rick has invited me to share my thoughts in a review of two halves, this time. This should be interesting…

You should be made aware that I reviewed Warrior Soul’s previous (apparently critically acclaimed, according to the blurb I was sent… Not as far as I was concerned, it wasn’t. It was a steaming pile of diseased elephant turds covered in monkey vomit) album and I did not like it very much. To reduce it to specifics, it was fucking awful and I had to purge myself for several months afterwards. With bleach and sharp knives…

Just looking at the title of this album by Warrior Soul is challenging my intelligence. What is a rock and roll disease? Rampant egotism? Alcohol and drug issues? A dose of the clap? A man so far up his own arse he can lick his own tonsils from the bottom end up? What a load of shite, mate. It’s just banging a word after rock and roll. What was wrong with rock and roll turkey? Rock and roll reasonably priced automobile? I can think of many MANY more rock and roll things than disease. Girls, guitars, friends, hellhounds… These are just a few of the words that go after rock and roll and are acceptable and aren’t fucking boneheadedly stupid. Hopefully, the title of the album will not be a reflection of the music within…

Oh, my god. Oh my good fucking god…

It sounds like it was recorded in a submarine several miles from the nearest microphone whilst it was being torpedoed by the entire US Navy. The bass guitar is far too prominent, lending the listening experience the impression of having one’s head placed in a honey filled helmet and playing the record through speakers on the outside. It’s woolly and deeply unpleasant. The drums fade in and out of the mix in an alarming fashion, apart from the snare drum which sounds like someone has made it themselves out of a bin lid, some guitar strings and their leather trousers and then there is Kory motherfucking Clarke’s godawful, cracked voice. He is fucking incapable of hitting the correct notes in the right order and he still sounds like he has flayed his own vocal cords with a cheese grater. I can’t even call it singing. He’s just doing some bizarre howling at the microphone which has no real relationship to the music behind him. He’s also pretty breathless in delivery a lot of the time. It’s especially noticeable because Kory has made sure you know Warrior Soul is his band by pushing his voice so far up in the mix that it just overpowers every other instrument being played. Which is a shame because the rest of the band are good players. And he simply doesn’t have the chops to make it stick and it’s a clear case of ego outstripping talent, once again. So far, so perpetrating all the mistakes of his last travesty of a record. I haven’t even begun on the lyrics yet… I shall allow you to read a selection of some of the lyrical gems on offer here.

Up the dose, coast to coast, I’m pedal to the metal when I’m on the road. (Probably fleeing his drug dealer.)

Like Hitler on E. Oh, what a movie! (Just what? Have you been on another heroin binge, Kory? Drugs are for losers, kids!)

I gotta feel good and feel nice so I can do to you what I please. (Misogyny 101. Unless he is not into ladies… In which case I applaud his sexuality and openness.)

You get the idea. He’s still (and bear in mind this man is now in his fifties at least) swimming in a turgid sea of drug and booze clichés, retarded sexuality and his own overweening, inflated sense of self importance. Kory Clarke offends me on a cellular level. I hate this record so much I want to drown its kittens in a curiously misplaced act of vengeance. I want to use a CD copy of it as a projectile and cut his head off with it so he will fucking well SHUT UP! The only problem being I’d be afraid of what I might catch from the resulting blood spatter.

There isn’t a single fucking song on this record I can find a redeeming quality on. It perpetrates the worst excesses of heavy rock music, when it was a joke and people used to laugh at rockers with poodle hair and spandex. This record is a fucking bad joke even for back then and nowadays is about as relevant as steam technology and middens.
Kory, JUST FUCKING GIVE UP FOR CHRIST’S SAKE! There’s nothing rebellious about singing about drugs and booze and shagging anymore. Also, the word “rock” is not a euphemism for fucking. Dammit. It makes you sound like a clown, man.

Truly, truly awful, third rate rock and roll for old men with receding hair, but still mulleted, denim waistcoats, and massive beer guts chasing young skirt in the same corner of the same bar they have frequented for 40 years and getting pissed off when said young skirt tells them to fuck right off. You know the type, the people in rock bars who think they are royalty because they were around when Iron Maiden released their debut album in 1980…

I’m going to be sick. I have had to turn it off. This record mutilates everything I hold dear about rock and metal and leaves it violated and bleeding on the floor.

The Patented Dark Juan Blood Splat Rating System does not give a flying fuck about Warrior Soul and awards them a truly magnificent MINUS 100,000,000 out of 10. Zero just does not cut it when you listen to the horrors of this record. I am feeling dirty because of Warrior Soul.

TRACKLISTING:
01. Up The Dose (Of antibiotics because you have been sticking your cock where I wouldn’t put the ferrule of an umbrella, Kory?)
02. Rock N Roll Disease (Just shut up, you spectacular bellend. Rock and roll is life, not a disease.)
03. Off My Face (As I will be on Saturday, in order to forget this travesty.)
04. Melt Down (What I suffered about five tracks in. I need therapy.)
05. Rock On (Aye, lad. Go on. Rock on off over there. Preferably over several seas.)
06. War Ride Children (I hate titles that make no sense and this is just word salad.)
07. Going Mental (Yes, I was! And not in a good way by the time I reached this song. I have been deeply traumatised.)
08. After The Show (Kory gets back into his rock and roll koffin, hooks up the Jack Daniels, cocaine and virgin blood drips and falls into deep unconsciousness until the next show, whereupon he is woken by electric shocks and the promise of hot chicks, all of whom are wise enough to stay out of arm’s reach.)

LINE-UP:
Kory Clarke – Vocals/Drums
Adam Arling – Guitar/Bass/Vocals
John Polachek – Guitar
Dennis “El Guapo” Post – Guitar/Vocals
Christian Kimmett – Bass/Vocals
Ivan Tambac – Drums/Vocals
John Besser – Drums

LINKS:
http://www.warriorsoulofficial.com/
https://www.facebook.com/warriorsoulofficial/

 

Promo Pic

 

Disclaimer: This review is solely the property of Dark Juan and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.