EMQs with Barbe-Q-Barbies

EMQ’s with BARBE-Q-BARBIES

Hi everyone! Welcome to our new EMQ’s interview with Helsinki based Rock band Barbe-Q-Barbies. Huge thanks to vocalist Niki for taking part.

What is your name, what do you play, and can you tell us a little bit about the history of the band?

My Name is Niki and I am the singer in Barbe-Q-Barbies.
I joined the band in 2006 after Niina the drummer asked me to join.

How did you come up with your band name?

One of the founders of the band is Niina who plays the drums! She made up the name after watching Soundgarden’s music video ‘Black Hole Sun’ where they are grilling Barbie dolls!

What country are you from and what is the Metal/Rock scene like there?

We are all from Finland and we live in Helsinki. The Rock/Metal scene is very popular around here as you can tell because most bands from Finland that made it big are either rock or metal!

What is your latest release? (Album, EP, Single or Video)

We released our 4th album called “Borrowed Time in 2019, with one single/music video ‘Dis-funk-tional’.

Who have been your greatest influences?

This is always a hard question as through the years I’ve listened to so much music, different artists and different genres like Pop, R´n´B, Hip-Hop and, of course, Rock music. But to name a few I listened to when growing up I would say Queen, Guns ‘n Roses, Metallica, Skunk Anansie, Soundgarden, Nirvana etc…the list goes on!

What first got you into music?

I used to love to dance so I listened to lots of music and of course sang along all the time, MTV back in the days when they still played music videos was really inspiring. Also my brother used to listen really loud to Alice Cooper everyday so I guess that might have inspired me to!

If you could collaborate with a current band or musician who would it be?

I would love to work with Dave Grohl, I met him once and he was so down to earth and I love the Foo Fighters.

If you could play any festival in the world, which would you choose and why?

Download Festival would be cool but let’s say any festival in the world because we love to play at festivals, like all bands do!

What’s the weirdest gift you have ever received from a fan?

Probably old, used men’s underwear!!

If you had one message for your fans, what would it be?

A Big Thank You and lots of love and hope to see you at the shows!

If you could bring one Metal/Rock star back from the dead, who would it be?

Tough one! I would say Freddie Mercury because he would have written so many more killer songs! But…I was really upset hearing about Chris Cornell’s death as well because he was such a brilliant artist, singer and songwriter and he left way too early!

What do you enjoy the most about being a musician? And what do you hate?

I love writing music and preforming! There’s nothing really I hate about it, maybe lack of sleep when touring because I’m always scared to lose my voice!

If you could change one thing about the music industry, what would it be?

Probably to make a law against using autotune!

Name one of your all-time favourite albums?

Audioslave – “Audioslave”.

What’s best? Vinyl, Cassettes, CD’s or Downloads?

I should probably say vinyl but I don’t have a vinyl player at the moment. I do have between 500-1000 CD’s but usually I listen to iTunes or Spotify on my phone because that’s the easiest 😄!

What’s the best gig that you have played to date?

Last summer we played many festivals but my favourite was probably Provinssi/Finland.

If you weren’t a musician, what else would you be doing?

When I was a kid I dreamed of becoming a firefighter but that wouldn’t have worked cause I’m too short! I guess I would’ve become a dancer because I used to dance a lot when I was younger.

Which five people would you invite to a dinner party?

Well that’s a tricky question, should it be people I know or wish I knew lol! Me and my Fiance love throwing dinner parties at our house and we made our basement into a band rehearsal place so we usually have dinner and then go downstairs jamming.

So a good group that have already been at our parties would be Andy & Angela Mccoy, Esa Holopainen (Amorphis) Niclas Etelävuori (Flat Earth) and our former Guitar player from BQB Kaisa Karjalainen (Fox Confession)! She is a dear friend and she could play the electric violin with my fiance on the drums then we would have lots of fun and an interesting jam night lol!

What’s next for the band?

We just signed a management deal so let’s see what that will bring us in the near future!

What Social Media/Website links do you use to get your music out to people?

Mostly Instagram, Facebook and Twitter!
www.instagram.com/barbeqbarbies/
www.facebook.com/barbeqbarbies/
www.twitter.com/BarbeQBarbies

Jaffa Cakes! Are they a cake or a biscuit?

A biscuit cake lol!

Thank you for your time. Is there anything else that you would like to add?

Happy 2020 everyone!
Hope you enjoy our music and hope to see you at the shows!
Niki

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Fugue – The Spoils Of War

Stampa

Fugue – The Spoils Of War
Agoge Records
Release Date 27/10/2019
Running Time: 29:34
Review by ‘Dark Juan’
9/10

Good evening, my dear friends and followers. It is Saturday and I am your saturnine satyr Dark Juan, here to share my opinions, bizarre theories and out and out insane nonsense with you about whatever I please and there’s nothing you can do about it! Apart from stop reading but that would be a very very bad thing to do because you wouldn’t get to learn about the Australian/ Italian alt rock band I am currently listening to. Should you wish to continue to read these ramblings, I should warn you they have been fuelled by a bottle of rather excellent port, and I am a little bit squiffy, after a hard day of trying to find a virgin to defile in West Yorkshire. It appears there aren’t any left. It’s nearly as bad as Liverpool. At least in Wales there is the odd valley or two where my influence has not penetrated. Cheeky! How am I to preach my gospel of hatred for God and the only true way of the Left Hand Path if I can’t defile virgins and sacrifice them to my great and mighty lord Shaitan upon my altar of pain and suffering while they lie upon a bastardised statue of Christ while they bleed their lives out through carved sigils and severed veins? I don’t mind telling you it looks like I am going to have to find a proper job soon and that simply won’t do…

I’ll be honest – when I hear the words “alt rock” the first thing that comes into my head is the fucking Flaming twatty Lips. I hate The Flaming Lips. I hate their name, their whiny bollock music and the fact that they have single handedly murdered rock and roll with insipid lightweight “tunes” and bollockbrained personalities and the fact they are filled with a colossally overwhelming sense of their own self-importance. Even if I do actually love “Yoshimi Battles The Pink Robots Part I”. Instead we have this band Fugue. A fugue in music is a contrapuntal composition in which a short melody or phrase (the subject) is introduced by one part and successively taken up by others and developed by interweaving the parts. Or their name could be associated with the dissociative fugue state, being a psychiatric disorder characterised by reversible amnesia for personality, memories and other identifying characteristics of individuality. Fugue (the band) are absolutely NOT arseholes. They are in fact rather jolly good.

A quick aside – There has just been an advert on television (I have the famously explodatastic Independence Day on in the background – the fact that the filmmakers have portrayed the Royal Air Force flying F-16 Fighting Falcons STILL PISSES ME OFF!) that has the remarkably combative and fabulously whiny Mancunian mop topped Beatles copyists Oasis’ Wonderwall made into some kind of awful pity ballad that is ACTUALLY WORSE THAN THE FUCKING ORIGINAL HATEFUL BASTARD SONG! However, the horror was mitigated somewhat by Mrs. Dark Juan changing the lyric from “You’re my wonderwall” (which is literal doggerel and therefore absolute bollocks) to “You’re my bonzer battlement” which we can all agree is a far superior lyric and makes infinitely more sense.

To business! The record opens with some extremely Led Zeppeliny riffing on ‘Smoketrails’ underpinned with the clean, crystal clear vocal of Luke Corso. The chorus has some tasty vocal harmonies and some emotive guitar soloing. I like this a lot so far – Luke’s voice is part Klaus Meine (Scorpions), part Myles Kennedy (Alter Bridge) and the guitar sound is so clear and pure it makes this grizzled old metaller want to weep for joy. The record has a fine production – every instrument is clear and hard hitting, yet still pleasingly heavy. The band’s sound is interesting as well. It sounds like a combination of QOTSA at their most staccato, crossed with Alter Bridge, Helmet, Nirvana, Alice In Chains and Coheed and Cambria with added Bob Mould’s Sugar (Copper Blue is one of THE great and cruelly ignored alternative rock masterpieces). I’m now on the softer and more accessible ‘Leaves’ but it is still very good indeed. To describe this record as a heavy metal record would be entirely wrong. It is a hard rock record with progressive elements. To call it alternative rock is to not do it sufficient justice because most alt rock really is absolute shite, mate. I’m sorry but it is. Now we are on track 6, entitled ‘Air’ which is that rarest of rare things, an acceptable ballad. My hatred and disgust at ballads are well known and I am prone to uttering a sarcasm or two about how godawful they are. However, ‘Air’ is engaging and interesting throughout. ‘Sirens’ is a song that reminds me greatly of Sugar, gentle clean electric guitar giving way to the sheer alchemy of a heavily distorted riff of puissant majesty and power. The next song is entitled ‘Walls’ and is the album closer. The guitar work is very reminiscent of Josh Homme and QOTSA around “Go With The Flow”. This isn’t a bad thing because this song is done right and rocks your metaphorical pants off. Alright, yes, I am dancing around my front room with no pants on. Fugue have done that to me.

Every song on the record is a high quality rock song. Fugue are a damned fine rock band. I love them. I love Anna’s bass work, thunderously underpinning some high quality riffage with some intricate playing yet never overpowering the rest of the band and I love the drumming of Renato Fabrizi too.

I’m going to stop writing now, because I have drunk far too much port. Nos dda, friends!

The Patented Dark Juan Blood Splat Rating System awards Fugue 9/10 for a damned near perfect record.

TRACKLISTING:
01. Smoketrails
02. Run
03. Leaves
04. The Shroud
05. Waterline
06. Air
07. Hungry Sea
08. Sirens
09. Wall

LINE-UP:
Luke Corso – Guitar and vocals
Anna Bach – Bass
Renato Fabrizi – Drums

LINKS:
https://www.facebook.com/Fugue-529079680961495/
https://www.instagram.com/fugue_band/

Front Page

 

Promo Pic1

 

 

Disclaimer: This review is solely the property of Dark Juan and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Bones, Gramercy Theatre, New York City, 12/11/2018

 

A full review of the gig can be found here:

https://ever-metal.com/2018/11/22/bones-gramercy-theatre-new-york-city-12-11-2018/

Andy Jansons Links
https://andrisjansons.com/
https://www.jmpressphoto.com/
https://www.facebook.com/jansonsofficial
https://www.facebook.com/andy.jansons

https://www.instagram.com/jansons_official/

 

Disclaimer: This photo album is solely the property of Andy Jansons. It is strictly forbidden to copy any part of these images, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Bones, Gramercy Theatre, New York City, 12/11/2018

Band Bones performance

Bones
Gramercy Theatre, New York City, NY
12th November 2018
Review by Andy Jansons

It’s not every night you hear a lady yell at you “get ready to get boned”… but that is exactly what lead singer Rosie Bones, from British born, female duo, rock band Bones declared to the audience right after ‘Happy’, the opening song of their set. She said that shortly after taking a sip from her whiskey flask. What a character!

Bones are currently on tour, supporting American fashion-art rock band Palaye Royale. On November 12th they made a stop, for a sold out show, in New York City’s Gramercy Theatre. Bones started out in London, UK but now call LA their residence!

Bones are stylish, provocative and ultra-talented and although, as of now, they have no record released, they still have a decent amount of songs for a set. Their most popular with the public seemed to be single ‘Beautiful Is Boring’ and the David Bowie cover ‘I’m Afraid Of Americans’. Rosie sings with a devilish style, she like toying with the audience while delivering lyrics that give a middle finger to the sky. Carmen Vandenberg is simply amazing on guitar, delivering solos like a seasoned rock star. They incorporate Blues, Alternative & Indie Rock in their style of playing and have defined themselves as ‘Future Rock’. Both ladies have a great chemistry on stage and it’s simply a matter of the time until Bones hit the big time!

Andy Jansons Links
https://andrisjansons.com/
https://www.jmpressphoto.com/
https://www.facebook.com/jansonsofficial
https://www.facebook.com/andy.jansons

https://www.instagram.com/jansons_official/

Bones Links:
https://www.bonesuk.com/
https://www.facebook.com/bonesbandbones/

https://www.instagram.com/bonesbandbones/

https://www.youtube.com/channel/UCbh2UMlV0472Y3TqkIBjWxQ

 

Tour Poster

Disclaimer: This review is solely the property of Andy Jansons and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.