A full review of the gig can be found here:
Hi everyone, Rick Here.
I would like to send a huge thank you to Daniel Stapleton of Overtone Music for sending us this wonderful album of photos!
Review by Mark Pritchard
Photos by Daniel Stapleton
Contrary to what the name suggests, this wasn’t a festival, but a date on the EU and UK tour of four death metal stalwarts; Sadist, Atrocity, Vital Remains, and I Am Morbid. All four bands had prepared special sets for the show, and I was really looking forward to seeing what they could do!
My first impression of the venue was that the stage was a really good size. It meant that all the bands would have plenty of space to perform and it wouldn’t look too cramped, which is an issue with some venues.
There was a small, but excited audience gathered, and the atmosphere was already electric, and when the bands were playing, it notched up to awesome!
Italian progressive death metallers, Sadist, were first on the bill, presenting their recently released album, “Spellbound”. Straight away they set the tone for the evening firmly to ‘brutal’, with lead singer Trevor Sadist coming out on to the stage brandishing a chainsaw menacingly in the air! The set was heavy and intense from start to finish, and considering they were the opening act, they really set the place on fire! Stunning guitar solos where backed up by a combination of solid rhythms, chunky bass, haunting keyboards and powerful screaming and growling vocals. I really enjoyed their set – what a great way to start!
Next up were German outfit, Atrocity. They were going to have to put on one hell of a performance to follow what we had just seen though! They were also performing their most recent release, “Okkult”, which is the first album in a trilogy that they will be releasing. They started off their set at a fast pace, with some really good solos early on, which got the crowd going. Again, they were heavy as hell! The vocals were dark and growling, but for me they were far too low in the mix and you weren’t able to hear much of them, which was a shame. They were still really good, but, like I said, we had all been spoilt by the brilliant Sadist set, and they didn’t quite reach that height for me.
Our penultimate act of the night were American death metal veterans, Vital Remains, who were performing a special 30th Anniversary set for this tour. They were awesome, from start to finish. Musically so tight, showing their experience brilliantly, and the huge screams of Brian Werner sent the audience wild. They interacted so well with the crowd too and Brian Werner even did a bit of crowd surfing which was epic and not something I have seen before, so it was great fun! This has to be one of the best live sets I have had the pleasure of witnessing, and I really hope I get the chance to see them again soon.
I Am Morbid
Started by front man David Vincent, and Guitarist Tim Yeung, both former members of Death Metal legends Morbid Angel, I Am Morbid played a set of classic material from Morbid Angel’s “Altars Of Madness”, “Blessed Are The Sick”, “Covenant”, and “Domination” albums. David Vincent is regarded as one of the godfathers of Death Metal, so it was guaranteed to go down well. It was intense from the first note, with guaranteed headbanging all round! The crowd lapped it up, and chanted MORBID, MORBID, MORBID, and the band interacted well with the crowd, which made for a great atmosphere. However, their set was marred with technical issues. They had to restart one song after a problem with the mic, and then in another they had an issue with one of the guitars, meaning that the guitarist had to switch to the back up. However, we did get treated to a pretty fine guitar solo from the other guitarist whilst this was happening – it went on for about 5 minutes! It is a shame that they had the technical issues really, because the rest of the set was spot on.
All in all, I had a really great night, with the highlights being Vital Remains, and the blistering opening set from Sadist. I really hope I get the chance to see these bands again soon, as they were all top quality, and I recommend anyone who likes their metal firmly on the Death Metal side of things to go and check them all out.
Disclaimer: This review is solely the property of Mark Pritchard and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.
All Images by Daniel Stapleton of Overtone Music
A huge thank you to Daniel for the wonderful photographs.
Sadist – Spellbound
Release Date: 09/11/2018
Running Time 38:44
Review by Chris Galea
Apart from “Tribe” (1995), which I have long considered to be the band’s magnum opus, the output from Sadist has been somewhat chequered. But the band truly has a unique sound – akin to other luminaries such as Atheist, Pestilence, Obscura and Nocturnus, Sadist forge a Death Metal that is highly refined on a technical level but use keyboards to accentuate the music’s heaviness and provide a spruce of atmosphere. Before spinning this disc, I feel a degree of optimism but would “Spellbound” provide a rant-free listening experience? I take a deep breath and dive in….
The first thing that needs mentioning is that each song in “Spellbound” is inspired by a different Alfred Hitchcock film thriller. Some are based on well-known films such as “Psycho” or “Rear Window”. Others are based on obscure films from the silent-movie era, such as “The Mountain Eagle” and “Downhill”. Incidentally “Mountain Eagle” is lost (the BFI is still searching for one copy of it) so I wonder on what material Sadist based their song of the same name.
All these Hitchcockian elements, which Sadist infuse into their songwriting, add a certain intrigue to the album’s music. This is particularly obvious in the opening track, ‘39 Steps’. The album has some virtuoso-quality bass lines, such as in the title-track, which is also an excellent song. “Spellbound” also boasts some top quality guitar shredding – in this context, ‘Stage Fright’ and ‘Rear Window’ spring to mind. ‘Notorius’ is an intriguing instrumental track that enriches the album’s dynamics.
The way many of the album’s songs end abruptly enforce the notion that “Spellbound” was meant to be one distinct entity rather than an album of several songs. The album itself is rather short but I suppose that that is preferable to having weak material mar the album. Ironically, “Spellbound” doesn’t have any track that really stands out from the rest.
So yes, despite some very minor things, “Spellbound” is a superb album and a refreshing take on the Death Metal genre.
1. 39 Steps
2. The Birds
4. Rear Window
5. Bloody Bates
7. Stage Fright
8. I’m the Man Who Knew Too Much
10. The Mountain Eagle
Alessio Spallarossa – drums
Andy Marchini – bass, vocals
Tommy Talamanca – guitars, keyboards
Trevor Nadir – vocals
Disclaimer: This review is solely the property of Chris Galea and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.
Trevor and the Wolves – Road to Nowhere
Release Date: 02/02/2018
Running Time: 49:34
Review by Dawn “The Metal Priestess” King
Finding background on the band Trevor and the Wolves is not easy. There seems to be precious little information on the world wide web and the small bit that can be found, is mostly written in Italian!
Trevor and The Wolves is the side project of death metal band Sadist’s vocalist, Trevor Sadist, and this album couldn’t be more different if it tried.
Featuring a number of special guests including Christian Meyer (Elio E Le Storie Tese), Stefano Cabrera (Gnu Quartet), Paolo Bonfanti, Grazia Quaranta, Francesco Chinchella and Daniele Barbarossa (Winterage), the new album Road to Nowhere was recorded at the Italian Nadir Music Studios in Genoa, under the expert supervision of Tommy Talamanca as producer.
With obvious influences from the hard rock end of the rock and metal spectrum, this is a good old-fashioned rock and roll album. Its simplistic in style but that in no way takes away from the appeal of the music.
Think the Brian Johnson era of AC/DC, mix it with a bit of Motörhead and Saxon, and you are somewhere close to what this band sound like. I am not a HUGE fan of any of the just mentioned bands, but I do like this album. The rough vocals of Trevor are ideally suited to this type of rock, there are riffs galore and at just under fifty minutes in length, there is plenty to get your listening gear round.
The guitar solos are simple yet expertly executed and you can just imagine the drummer and bass player bouncing around the stage keeping everyone in time. I personally love to see musicians making music other than what they are known for and, having listened to a bit of Sadist just for comparison purposes, this is nothing like what Trevor is known for.
With enough grit and gravel to line all the roads in England during a cold snap of weather, I think this is a must for any hard rock fan’s collection. Slightly heavier than AC/DC, it still has the party feel about it and will certainly have you bounding round your living room strutting your stuff on your air guitar!
From Hell To Heaven Ice
Burn At Sunrise
Bath Number 666
Wings Of Fire
Lake Sleeping Dragon
Disclaimer: This review is solely the property of Dawn “The Metal Priestess” King and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.