Scars – Predatory

Scars – Predatory
Brutal Records
Release Date: 07/08/2020
Running Time: 57:35
Review by Victor Augusto
9/10

I know that the Heavy Metal industry is not always fair with bands, no matter which part of the world they’re from. If you live in a country like Brazil, where the industry is a nest full of snakes and this kind of music is not even close to being popular, it can be even worse. Just playing good music is not enough. Bands must give their lives working on it, but like everything in the world, this nasty scenario brings a positive side. This hostile environment can be a beacon to guide us to find bands who have survived their passion throughout the years. For those who know the history of Scars, you will understand that this band is a pure example of persistence and loyalty to their fans and to the local scene.

The band has been on road since the 90’s with two long hiatuses. The first one ended in 2004 when the band had huge success with the incredible “The Nether Hell”. The second one finished in 2018. Now, Scars have finally delivered the gift that their fans have been waiting for, for so long! A gift called “Predatory”. Probably the most mature and complete album from them, it carries a mix of everything the band have done so far, but with new and improved elements. The band sound thirsty for blood, as always, but with enough experience to know what to do or not do in their music. The heaviness, and everything from good Thrash Metal, is very well balanced, and they have incredible technique.

The title song ‘Predatory’ opens the album, and it’s immediately possible to feel the blast of the purest Thrash Metal that we (fans) all know from Scars. As well as all the incredible riffs and a little bit more groove this time, I felt that the band have also taken some further steps. I am talking about Thiago Oliveira’s solos. He has brought virtuosity to the band without losing the furious side of the solos. He and his partner in guitar, Alex Zeraib, provide a masterclass when riffs are the subject, considering it’s the band’s trademark, as you can hear in ‘These Bloody Days’. João Gobo shows incredible drum variations that go from classic Thrash beats to fast double kicks, but it doesn’t let the music become overpowered by the heaviness. ‘Beyond The Valley Of Despair’ is a slower song, but it is perfect to explain the versatility of João.

Régis F. is even better in his vocal interpretations with the concept of human beings destroying themselves and the entire world around them. Even in ‘Ancient Power’, that has some massive cadenced and strong riffs, he shows all of the aggressiveness of his voice, screaming full of hate. Marcelo Mitché has his highlights too, when his independent bass lines appear and increase the groove, such as in the great song ‘The 72 Faces Of God’. This is a song that flees a little from the strong punch but is still an immensely powerful track.

Another new element in Scars sonority, at least for me, is what you can hear in the instrumental song ‘The Unsung Requiem’. It reminded me of the sort of things Steve Vai or Yngwie Malmsteen might play, but with a dark and hellish atmosphere. Again, it is obvious that Scars have worked hard to increase their technical side. I don’t remember anything similar to this song in any previous Scars albums. The amazing harmonies in the beginning of ‘Ghostly Shadows’ is another example that demonstrates what I’m saying. It is like a guitar shred influence, without sounding exacerbated or repetitive.

As a fan, I think back to 2005, when I read many interviews and good words about Scars, for the first time. After listening to this record, I still have the same impression about the band that I had 15 years ago. That we are looking at one of the most honest and persistent bands from Brazil. They have survived this ‘predatory’ industry, despite some adversities throughout their career. Their desire to be strong and relevant is connected to their respect for the fans. It is enviable, and probably a good source of energy to keep strong in front of any issues. This passion and truth will inspire people who take this music seriously. “Predatory” is another Scars’ masterpiece. A lesson in Thrash Metal, and it shows that Scars are definitely back!

TRACKLISTING:
01. Predatory
02. These Bloody Days
03. Ancient Power
04. Sad Darkness of the Soul
05. The Unsung Requiem (Instrumental)
06. Ghostly Shadows
07. The 72 Faces of God
08. Beyond the Valley of Despair
09. Violent Show
10. Armageddon (Bonus Track)
11. Silent Force (Bonus Track)

LINE-UP:
Régis F. (vocals)
Alex Zeraib (guitars)
Thiago Oliveira (Lead guitars)
Marcelo Mitché (bass)
Joāo Gobo (drums)

LINKS:
www.brutalrecords.com/
www.instagram.com/scars.thrash/
www.facebook.com/scars.thrash/
www.youtube.com/channel/UCVxq9GLRKzsP5CnZ8GcEisw
www.open.spotify.com/artist/4FCGqzVWLxkupz86e6bhgJ

Disclaimer: This review is solely the property of Victor Augusto and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Scars of Remembrance Wrexfest, Atomic, Wrexham, 28/07/2018

01 Scars Of Remembrance

Scars of Remembrance
Wrexfest, Atomic, Wrexham 28/07/2018
Review by Beth Jones

Having been the original founder of Wrexfest in 2013, then passing the baton to Brendan a few years back due to all sorts of personal garbage, it seemed only fair that we at least caught some of it this year. The festival has grown steadily year on year, and has now spread out to a few venues, so when Brendan said that the Saturday night at Atomic was going to be metal, we swore to drag our broken asses out of the house, mainly to watch one of our stand out bands of the year, CALLUS, but also to check out some local names that we hadn’t seen before.

When we arrived we found that, due to various issues, two of the proposed line up were not able to make it, which was a shame, however it did mean that we had two bands with extended sets to watch before the very diverse headliners, Glove. CALLUS, and a new name to us, local band Scars Of Remembrance.

After buying a drink and mingling for a few minutes, a familiar face – Karl Ditcher, a long-time friend of my brother’s, came up to me and asked if we were coming up to watch his band play. Now I didn’t even know he played, let alone that he was in a band, so this made the prospect all the more interesting! On arriving upstairs, I was met by another familiar face, local super sound man, Mike Edwards (one of the only people I know who can get the sound spot on in Central Station), only this time he wasn’t behind the sound desk, he was sound checking with the band – double whammie surprise!! After a quick chat, we discovered that it was Mike’s first gig with the band, and that he had only been their vocalist for a couple of months!

So, without further ado, to their set. Their Facebook page has their genre as ‘Metal’ – not much to go on there – and knowing that the bill for that night had appeared to be somewhat diverse, I didn’t really know what to expect, but I was very pleasantly surprised! For a band that haven’t done much gigging together in this guise, they were extremely tight and extremely talented, and Mike did an excellent job, especially as it was his first gig.

They have a quite hardcore sound – solid, punchy drums from Ben Burke, and treble heavy, overdriven, crunchy rhythm guitar and intricate lead from Mark Harris and Daniel Dawson, enhanced by Mike’s raw scream vocals and some big fat full on bass licks from Karl (who I now know can play a damn fine bit of bass!), but also riff sections that wouldn’t be out of place in any modern thrash outfit; a nicely blended mix of styles, which was good to see. I feel the same about hardcore as I do about thrash – sometimes I love it, sometimes I hate it and there is no in between, so for them to turn my head is quite an achievement, and with a bit more practice and gig time with this line-up, I really think they are on to something good here.

Having now watched some video clips of older performances, it is plain to see that they certainly have a lot more energy and confidence on stage now – or they certainly did in this performance anyway, and that Mike has definitely brought a new aspect to the band. It is very pleasing to see a new, or at least new look metal band from Wrexham pop up, because the metal cup has been quite dry round here in recent years. It is even more pleasing to see that they have a really good idea of who they are as a band and seem to be eager to progress with it now. When we spoke with them after the gig, we suggested that they should try and get on the bill for the M2TM heats next year, as I think they would enhance any bill, and have the added bonus of being local!

I will certainly be putting them on the list of bands to follow and am eager to see how they grow and will also definitely be making a concerted effort to go and see them live again as soon as possible, and recommend that everyone else does so too, not only to check out their music, but also to support the local underground scene, which I am hoping is having a rebirth around here. Well done guys – you have a new fan.
LINKS
https://www.facebook.com/scarsofremembrance/

https://www.instagram.com/scarsofremembrance/
https://www.youtube.com/channel/UCZTUQ87ynUw92fJ34Z29bhQ
02 Scars Of Remembrance

 

Disclaimer: This review is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of all parties. Failure to do adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photographs are the property of Beth Jones and PhotograBee – http://www.facebook.com/PhotograBeeImages