The Electric Mud – Burn the Ships

Burn The Ships Cover

The Electric Mud – Burn the Ships
Self-Released
Release Date: 23/08/2019
Running Time: 38:00
Review by: Alun Jones
8/10

Let’s get the important stuff covered off first. For any of you who thought this band were something to do with that lot from the Seventies who sang ‘Tiger Feet’, you’re wrong. The Electric Mud have very little in common with their Glam Rock similar-namesakes. Of course, a professional such as myself would never make a mistake like that.

The Electric Mud hail from Fort Myers, Florida – and specialise in making a steaming hot gumbo of stoner rock and dense, swampy blues.

“Burn the Ships” is The Electric Mud’s second album. Through the course of seven songs, the listener travels from the sweltering everglades through time and space – as vintage sounds melt with modern.

Opening track ‘Call The Judge’ oozes an irresistible Southern rock ’n’ roll groove, starting proceedings with a triumphant swagger. Grab a beer and a whiskey chaser, you know it’s going to be a lively night in the Roadhouse.

The Electric Mud show their stoner credentials on tracks like ‘Priestess’, which melds inventive riffs with pace and dynamics. ‘Good Monster’ weaves funky, head bobbing grooves and ‘Reptile’ lunges out of the depths, attacking like a gator whose mother’s been made into a pair of shoes.

There’s some stunning musicianship on display here; the guitars of Constantine Grim and Pete Kolter are crunchy yet nimble when required. Tommy Scott’s bass rumbles and glides perfectly. Pierson Whicker’s drums can smash and bang yet can be refined when necessary. Kolter’s voice, smoky yet soulful, is an addictive asset in itself.

Songs range from rocking brawlers to heartfelt blues with awesome proficiency. ‘Black Wool’ and ‘Terrestrial Birds’ showcase these slower moments really well, allowing the music to breathe and worm its way under your skin.

The variety of sound – together with the confident delivery and clever song writing – is what makes “Burn the Ships” engaging and successful. In the best tradition of stoner rock, The Electric Mud can combine old and new, fast and smooth, dirty and graceful. Their Southern charm, marinated in the blues, give this band their unique identity.
Although it feels maybe one song too short, “Burn the Ships” is full of character and demands repeat listens.

By the way, I used to see quite a bit of Mud – and lots of other glam rock bands – in the early seventies. Mud used to take a paddling pool everywhere with them, to do some backstage mud wrestling. Hence the name, you see? Though it never worked! Not once did they persuade lovely dance troupe Pan’s People to get involved, or Suzi Quattro. It usually just ended with the band in the mud bath, drunk on Babycham and fighting with Slade.

TRACKLISTING:
01. Call The Judge
02. Priestess
03. Good Monster
04. Reptile
05. Black Wool
06. Stone Hands
07. Terrestrial Birds

LINKS:
http://theelectricmud.com/
https://www.facebook.com/TheElectricMud/

https://www.instagram.com/theelectricmud/
https://theelectricmud1.bandcamp.com/album/burn-the-ships
https://www.youtube.com/channel/UCBs_Uu6yNKF1jFHI4rDSm_A

 

The Electric Mud

 

 

Disclaimer: This review is solely the property of Alun Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Scrollkeeper – Path To Glory EP

Path To Glory EP Cover

Scrollkeeper – Path To Glory EP
Self-Released
Release Date: 13/09/2018
Running Time: 19:55
Review by Dawn King
8/10

Ok, so I have been out of the loop where the actual reviewing of things is concerned for a while and, technically, this review should have been written months ago. So, I apologise to the band Scrollkeeper for the delay with this. Hopefully, it will be worth the wait though.

Scrollkeeper are a band from Houston in Texas, formed in 2016, who specialise in high-energy, anthemic, original material that is “reminiscent of metal’s halcyon days!” – TRADITIONAL heavy metal to you and me!

The band consists of Simon Marfleet on drums, Justin McKittrick on vocals, Alexander K on lead/rhythm guitars, John Morris also on lead/rhythm guitars and Will Sullivan on the bass and “Path To Glory” is their latest four track EP.

With influences cited as (deep breath here!) Les Warner, Ken Owen, Bruce Dickinson, Leather Leone, Geddy Lee, Andy Laroque, Ritchie Blackmore, Eddie Van Halen, Yngwie Malmsteen and Geezer Butler, the band’s debut show was as support for Delain and Hammerfall in 2017 and they have since shared the stage with the likes of Manilla Road, Dirkschneider, Angra and Cloven Hoof. They have also kept a busy show schedule in the Houston area with some out of town festivals as well as being scheduled to open for British heavy metal veterans, Saxon, in 2019.

The self-released EP “Path To Glory” was recorded at Sound Arts Studio and Nocturnal Sound Studios in Houston, Texas and was engineered by Brian Baker and the band’s guitarist, Alexander K. It was mixed and mastered by Ricardo Camargo at Tidalwar Studios in Queens, New York and the artwork was done by German illustrator, Helge C Balzer.

So, now you know a bit of the history of the band and some background to the music, what of the EP?

Well, this really has everything that all great traditional heavy metal albums should have. The drums are galloping, and the riffs are crunching. Justin’s voice is well suited to this type of metal, being powerful and strong and the guitar solos are fantastic.
There is such a high energy throughout the EP that if you are not headbanging with your sword held high by the end of track one then something is wrong with you! I had this on repeat for more than half a dozen runs through and I was banging my head whilst cooking my chili con carne!

The pace throughout the EP hardly seems to let up (slowing down slightly for the track ‘Surrender’) and the choruses are anthemic (just as the band promised!) Scrollkeeper, as a whole, are tight and concise and although I find the vocals a little ‘flat’ at times, there really isn’t anything to dislike about this EP. The only drawback I could find is that it just wasn’t long enough. I would love to have seen what these guys could do for a whole album, and I wait with bated breath until one is released!

Did I like this EP? Hell, yes! Do I recommend you go and give it a listen? Again, hell, yes!
I can’t wait to see what these guys come up with next, and if this is anything to go by, it’s bound to go down a storm!

TRACKLISTING:
01. Not Of This Earth
02. Path To Glory
03. Surrender
04. Fortune Favors The Bold

LINKS:
https://facebook.com/scrollkeeper

https://www.instagram.com/scrollkeeperhm/
https://scrollkeeper.bandcamp.com/


https://www.youtube.com/channel/UCoZ6aSK0QOAqGEgxNO_Xhmw

 

Promo Pic1

 

 

Disclaimer: This review is solely the property of Dawn King and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Heist 2-11 – Heist 2-11 EP

Heist 2-11 EP Cover

Heist 2-11 – Heist 2-11 EP
Self-Released
Running Time: 19:47
Reviewed by Tammy Lomax
8/10

Heist 2-11 are a four-piece masked band from Newcastle.

Their new, self-titled, EP has recently been released and it is available on Spotify, iTunes, Deezer etc.

If you like Nickelback and Korn then you will love these guys. With strong vocals and smashing riffs, you’ll want to get up and head bang.

Out of the four tracks I have been given, ‘Take Everything’ has to be my favourite. You are pulled into an assumption of how the track will play but then, out of nowhere, you are thrown backwards. You are heaved straight into that chunky Korn sound, it pulls you in, hitting you hard and fast. The vocals throughout the track are a high for me, you can feel the drop of every word and the range is very impressive. My favourite part, the well fashioned riffs and the thrash like thuds come as a surprise, eventually easing you back to reality. That beefy bass sound works great with the stocky guitar sound throughout all their tracks.

Heist 2-11 take me back to when I first started to listen to Metal, bringing back that original sound but with an edge. They are currently working with a producer in New York on a video so keep your eyes peeled. I am excited to see what these fellas bring, with The Haunting UK Tour now in full-swing, they are making some noise. I highly recommend you go check them out.

TRACKLISTING:
01. Fight
02. Take Everything
03. Save Me
04. I Am Alive

LINKS:
https://www.facebook.com/heist211/
https://www.instagram.com/heist211official/

https://www.youtube.com/channel/UC-PEJHRm9bIVhkLfTO10bug

 

Heist 2-11 Promo Pic

 

Disclaimer: This review is solely the property of Tammy Lomax and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

 

Forlorn Hope – Over The Hills

Over The Hills Cover

Forlorn Hope – Over The Hills
Self-Released
Release Date 26/07/2019
Running Time: 49:00
Review by Tsarina Wilson
10/10

I happen to come across Forlorn Hope on a certain social network site and was instantly hooked so when I had the opportunity to review the album “Over The Hills” I jumped at it. I couldn’t wait to hear the entire album and I was not disappointed. In fact, I haven’t stopped listening to it since.

The five-piece metal band from Merseyside combines history and metal with amazing results. The band members consist of Chris Simpson on vocals/rhythm guitars, Alexander Bishop on lead guitar/additional vocals, Jade Mckenna on keyboards, Danny Kell on drums and John Roughly on bass guitar and together they are out of this world.

Ok I have to say, as a fan of the drama series Sharpe, if they ever did a stage play these guys would have to do the music as they would blow the roof off. Chris has a turbo voice and an immense range which can go from pure rock with songs like ‘Rifles’ and ‘War in the Shadows’ to one of my favourites ‘Over The Hills and Far Away’. And not only are the guitar riffs powerful, the drumming is enough to make even the listener shattered, let alone poor Danny who plays them.

This is Forlorn Hope’s debut album and is a collection of stories of horror and heroism from the Peninsular War of 1807-1814. Chris remarks about the album: “This is a blazing, heavy metal tribute to one of the most fascinating chapters in military history, it represents the realisation of a concept several years in the making and the culmination of countless hours of work To see it finally complete is an absolute joy” and I can understand why.

Each song gives an account of a different part of the war, and maybe if this is how they taught it in schools, history would be much more fun. ‘Badajoz’ slows things down for a bit, but not for long as two minutes in and we are back to metal riffs united with crazy drumming. It’s so intense, you will be breathless.

In March 2018, Forlorn Hope released their self-titled debut EP, and throughout that year the band played a series of stand out sets, performing at the “Northern Symphony Festival” and in the Merseyside heat of the national Metal 2 The Masses competition. The quintet also went on to support NWOBHM legends and Swedish symphonic heavyweights “Eleine.

There is so much going on in this album. ‘Man Of Secrets, Man Of War’ shows just what varied vocals Chris’s voice can achieve. Jade’s keyboard throughout is such a powerful bonus and adds just that little something else to the mix and the track ‘Over The Hills and Far Away’ proves this.

The final track ‘Forlorn Hope’ is a stomping track and I was sad it was the last song, I could have just carried on listening for hours. These guys are talented, giving metal a whole new direction and have been an absolute joy to listen to and review.

Their music is infectious, and you will want to hear more.

TRACKLISTING:
01. Introduction
02. Vive L’Empereur
03. Rifles
04. Talavera
05. War In The Shadows
06. The Eagle Hunters
07. Die Hard
08. Badajoz
09. Man Of Secrets, Man Of Honour
10. Masterstrike
11. Vitoria
12. Over The Hills And Far Away
13. Forlorn Hope

LINKS:
https://forlornhope.uk/home
https://facebook.com/OfficalForlornHope/
https://twitter.comForlornHopeBand
https://Instagram.com/ForlornHopeBand/
https://www.youtube.com/channel/UCsBDf-Mu7bo0NcsYE1ebeXw

 

Promo Pic

 

Disclaimer: This review is solely the property of Tsarina Wilson and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Chasing Dragons – Faction

Faction Cover

Chasing Dragons – Faction
Self-Released
Release Date: 5/10/2018
Running Time: 46:14
Review by Beth Jones
10/10

We are a little late to the party with this review, but better late than never eh! Seeing the formidable figure of Chasing Dragons lead singer, Tank, sitting on the bar of the ‘G’s Bar Stage’, performing a breathtakingly beautiful and emotive song that moved me to tears, was one of my stand out moments of last years Amplified Festival, so having the chance to review debut album “Faction” is making me very happy. Now, there are those who would say I’m an emotional old sausage who cries at everything! Whilst in some contexts that is true, where it comes to music, it takes something special to move me to that point.

Hailing from Leeds and delivering a brilliant cross over of Heavy Metal and Rock with a really fresh feel about it, Chasing Dragons are made up of Tank on lead vocals, Adam on guitar and vocals, Murf on bass and vocals, and Kate on drums. If you haven’t heard of them yet, trust me you need to. This album is their first release since second EP “Faction: Prologue” in 2016. It is so current, but also has such a great mix of classic styles, that will be one of those albums that will come to be classed as timeless. It could quite easily cross over into mainstream with its sound, all be it at the heavier end of mainstream, with something in there for everyone to like.

Musically, it is punchy and crunchy, but not over the top. It is very precise, and fast paced, but Tank’s vocals take it to a whole new level. She has an absolutely astonishing voice, which is immensely powerful and immensely beautiful in equal measures. It soars above the music, but she has the ability to bring it down in an instant and deliver tender passages with poise and elegance. I am so unbelievably jealous! In a couple of songs, ‘Bareknuckle Lover’ and ‘Whitehorse’ in particular, her voice reminds me of one of my idols; Skunk Anansie front lady, Skin. But musically, the whole band sound has more about it than Skunk Anansie ever did, which I find incredibly exciting, considering in the late 90’s they were my go-to band when I needed to get my head straight! It draws influence from bands such as Avenged Sevenfold, Halestorm, Nothing More and New Years Day, and melds every element together perfectly. The whole album is emotive and intense, pulling you in to every note, every chord progression, every rhythm, every word. I love it. Simple as that.

Production wise, it is also an absolute triumph. Everything is balanced, and nothing is out of place, even down to the tiniest differences in the amount of reverb or effects used, it is all spot on.

I wanted to pick a ‘favourite track to talk about’, but I couldn’t narrow it down to less than four! Firstly ‘Parasite’. It is a real angry track! Starting with frenetic staccato guitar, it rip-roars through three minutes of venomous lyrics of hatred bourn of a toxic relationship. It is powerful in every way, and relatable for every one of us – a brilliant succinct three-dimensional description of the angry bubbling of hopeless hatred that we have all felt at some point in our lives.

‘Devil In Her Eyes’ is another of my picks, but this time for more musical reasons. It is full of cross rhythms, rhythm changes, interesting chord progressions, and a ridiculously catchy hook in the chorus, and again amazing vocals. It also has a proper guitar solo in the middle of it, as well as lots of little intricate bits from every instrument, making it a great all-round track. It ends abruptly, leading into my next pick – ‘The Connection’.

Starting with a solitary piano note, with a touch of reverb, then a pause (silence speaks so much louder sometimes, don’t you think?) then another solitary note and pause leads into a minor chord, and crystal-clear mournful vocals that reach into your soul. Then in come the drums, not too much, but you can feel it building, and as the vocals sore, everything kicks in and bam, there are the goose bumps. It just makes me want to shout out with the pleasure and pain and joy and sadness and every other emotion that this record instils in me. Ok, so I actually think on reflection, this is my favourite song on the album, but the other three are very close!

My last pick is penultimate track ‘Whitehorse’. It starts with a nice bit of synth, and then the whole thing kicks in, in real headbanging fashion, again with brilliant little riffs and hooks popping up all over the place, and those same damn awesome vocals that just slay me they are so good. I’m sorry, I’m rambling. That’s it, I’m done.

There is one word to describe this album – passion. Complete and utter passion oozes through the whole thing – passion for the music, passion for the craft, passion for the storytelling of the subject matter. By far the most emotive album I have listened to in a long time, and I would recommend it to anyone who wants to get their heart racing or get lost in a perfect storm. I feel invigorated! I’m going for a lie down!!!

TRACKLISTING:
01. We Are The Wall
02. How The World Went Black
03. Parasite
04. Like Gravity
05. Bareknuckle Lover
06. For Kingdom For Glory
07. This Time Is Ours
08. Devil In Her Eyes
09. The Connection
10. I’m No Devil (I’m Just A Girl)
11. Whitehorse

LINKS:
https://www.chasingdragons.co.uk/
https://www.facebook.com/chasingdragonsuk

https://www.instagram.com/chasingdragonsuk/
https://chasingdragons.bigcartel.com/
https://www.youtube.com/user/ChasingDragonsUK

 

Disclaimer: This review is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Thrashatouille – Rise Of The Bludgeonaise EP

Rise Of The Bludgeonaise EP Cover

Thrashatouille – Rise Of The Bludgeonaise EP
Self Released
Release Date: September 2018
Running Time: 13:54
Review by Beth Jones
7/10

There are many things in adult life to be uncertain of; your career choice, where you should live, if your kids will turn out ok, how the hell did you use that much electric in one month, what possessed you to think your first relationship was a good idea, you know – the kind of three in the morning insomnia inducing worries that plague us; but there are two things I couldn’t be more certain of – my love of music and my love of food! So, what better way to celebrate these two wonderful things, than with a good serving of Northwich based thrash metal chefs, Thrashatouille!

Formed in 2017, out of a drunken idea, the band features Head Chef Chris Hargreaves (Bass), Pastry Chef Rob Sutton (Lead Vocals), Sous Chef James Von Gerber (Guitar), and Pot Wash Dan Brown (Drums), coming together to make the perfect culinary thrash metal team! Their Debut EP “Rise Of The Bludgeonaise, is today’s focus for our critique! The EP has been delighting their dedicated fans, new and old, since its release, however they haven’t had a formal review of it, until now!

The foody theme is all encompassing, with even the track list written as a ‘Set Menu’. I like this – it shows that they have thought really hard about the whole package and have a good hold on who they are and what they are about. It explores the themes of love, killer food, and the unfortunate aftermath of too much chilli! On the menu we have a starter, a choice of two mains, and a dessert. As I am critiquing today, I shall be, of course, eating both mains mwahahahaha!! (Ok so I have just made a serious decision about my lack of career direction – why the hell did I not become a food critic?!)

The Starter – ‘Thrashatouille’. I rather enjoyed this dish. From the first taste, it packs quite a meaty punch, offering a host of different textures. It is quite gravelly in some places but does give you a sweet and crisp interlude somewhere in the middle. It also doesn’t outstay its welcome – there is nothing worse than an over egged starter, but thankfully this isn’t it. It is an interesting concept, the birth of an evil being. Full of all the thrashing and writhing that I would want from a good metal lite bite!

The Mains – ‘Chilli Con Carnage’. Continuing the meaty theme, this is much chunkier than the starter, and its lyrical description leaves me wondering if my bowel will survive! The accompaniments are good – fast paced and rhythmical, it has an undeniable tang, with dark and rich undertones.

The Mains – ‘Spaghetti Bludgeonaise’. This dish brings the menu to life! It is peppered with sharp top notes and fatty bass notes throughout. Its frantic mid tones and pulsing dark tones send you into a terrifying sensory party, filled with hallucinations of your food attacking you. Mid way through, it does begin to feel a little sluggish, however this may be the aftereffects of the chilli con carnage!

Dessert – ‘Red Velvet Romance’. Now I do like a good slice of Red Velvet, however this one is not as smooth as I am used to, but then it is thrash food, so that can be excused. It is still extremely tasty, and makes you want to move about. If anything, this dessert was a little small for me, and it has certainly left me wanting more!

This meal is certainly a party on the palette, and whilst there is still room for some little tweaks to the recipes, I think this is a very accomplished first menu, showing real talent and an eye for detail. It is very well seasoned and shows a range of skills in keeping with their style. I look forward to the next encounter in the Thrashatouille Bistro and hope to see a fuller range of menu options next time – may I suggest an aperitif, a fish course, and possibly end it all with coffee and a ‘wafer-thin’ mint?!

TRACKLISTING:
01. Thrashatouille
02. Chilli Con Carnage
03. Spaghetti Bludgeonaise
04. Red Velvet Romance

LINKS:
https://www.facebook.com/Thrashatouille/

https://www.instagram.com/thrashatouilleofficial/
https://www.youtube.com/channel/UCFmKgvG3tfiuN4WYckdpP1Q

 

Thrashatouille Pic

 

Disclaimer: This review is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

 

Captain Obvious – Let It Burn EP

Adobe Photoshop PDF

Captain Obvious – Let It Burn EP
Self-Released
Release Date: 01/03/2019
Running Time: 15:10
Review by Tsarina Wilson
6/10

Captain Obvious are two brothers from Paris. They are 19 and 21 years old and are called Joseph and Angus. They spent all of 2018 writing and recording this EP, it was finally recorded in Nashville (USA) in the Sputnik Sound Studios (The Raconteurs, Black Motorcycle Club) and mastered by Brian Lucey (Royal Blood, The Black Keys, Artic Monkeys) for a more professional and polished sound.

The young brothers have been playing music for almost 10 years, which is dedication in itself, and this EP proves their dedication to their music. Self-belief goes a long way in today’s music, and once you hear the tracks you will be surprised to realise there are only the two of them; Joseph is the guitarist, bassist and vocalist and Angus is the drummer.

The EP may only be five tracks long but I’m sure the amount of work that went into them will prove popular to many. With almost a psychedelic rock feel and an anarchist outlook, it has a real rebel vibe and I think the younger generation will find their appeal more so than I did.

Saying that, the tracks are edgy and punchy if a little short but with some great guitar riffs and with the energy that comes across you can tell the lads put their heart and soul into every note.

TRACKLISTING:
01. Let It Burn
02. Head
03. Shadows
04. Pop Songs
05. Psycho Dance

LINKS:
www.facebook.com/CaptainObvious
https://www.instagram.com/captainobviousfr/

https://www.youtube.com/channel/UCFkUU2G8-TQfGQSEIOzO2yw

 

Promo Pic1

 

Disclaimer: This review is solely the property of Tsarina Wilson and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

God Shaped Devil – Dark Fields

Dark Fields Cover

God Shaped Devil – Dark Fields
Self Released
Release Date: 10/07/2019
Running Time: 42:07
Review by Beth Jones
10/10

Being a Northerner, one thing that really pleases me is the amount of quality bands from around these parts that are popping up at the moment, and in particular, that of the Manchester scene. This couldn’t be truer of the subject of this review – Manchester based, God Shaped Devil, with their debut album “Dark Fields”.

I first discovered these guys at Badgerfest last year, where they were my band of the weekend, without question. I have been really looking forward to the release of this album since then, and was honoured when they asked us to be the first to give it a listen.

Fronted by Vocalist and Lead Guitarist Bécy Füzéri (Bex), with Matt Morris on Rhythm Guitar, Lajos Borsi on Bass/Vocals, and Luke Ellwood on Drums, they describe their sound as an explosive combination of thrash and groove metal with their own artistic flair. They self-recorded and released their initial EP in 2015, which was very well received, and featured in Terrorizer Magazine. The Manchester underground scene took to them straight away and since then, they have been gigging and working on material for this forthcoming release, which has helped their sound to evolve, and become what it is today, with the addition of Matt on Rhythm Guitar in 2017, making the original three piece into a four piece.

I love it when a band manages to catch me straight away, and I can safely say that God Shaped Devil have done that, both live, and now with this release. From the first chord on the first track, I knew that this was going to be good. Chunky, meaty and down-tuned, it grabs you by the guts and doesn’t let go. The whole album is an up-tempo, thrashy groovefest that you cannot help but bang your head to. It is full on and in your face, with Bex’s solid screams, and the deep growling backing vocals of Lajos, and it is peppered with atmospheric guitar sounds, as well as some beautiful solo work and electrifying rhythms from the bass and drums, which combine to give the whole thing an excitingly terrifying feel – it would not be out of place as the soundtrack to an apocalyptic, end of days, movie. Judging by the track titles, this (I’m hoping) is the feel that they have gone for – ‘Drowning Gravity’, ‘Deadly Sign’ and ‘Becoming Evil’, being just a few examples.

I like to try and write a bit about my favourite track from an album in a review, but I can’t with this album, because I can’t pick which is my favourite – they are all absolute bangers! I do love the first track, ‘Guiding Light’, because it grabs you straight away, and sets the tone for the whole thing. The guitar solo in the middle of ‘Drowning Gravity’ also deserves a special mention, because it is a real face melter!

I am seriously blown away by this album. The creativity is superb, and there are nods to so many styles in it, there is literally something for everyone. Musically, it is top quality, and displays their natural talent, and a professionalism that reaches far beyond their relatively new status. It is also brilliantly recorded and produced, considering it is all their own work. They have such a clear direction, and vision of what they are trying to do both within this album, and as a band, that it is truly enlivening. I really couldn’t give this album less than a perfect score, because I am struggling to find anything that I don’t like about it, and as a debut it is capable of blowing a great many other albums from longer standing bands completely out of the water! On our first listen, I felt like some parts may have been a little too low in the mix, but it turns out that was just our speaker being a bit pants! Listening again on a different system has cleared up that beef, so I literally have no constructive criticism to give. It’s just so bloody good! Damn! Short of something mind blowing, this is definitely going to feature very highly in my top ten albums of the year. I really hope they can sustain this level of superbness for a long time, and if they do, they are going to be one hell of a force to be reckoned with!

Well done chaps!

TRACKLISTING:
01. Guiding Light
02. Drowning Gravity
03. Deadly Sign
04. Barbed Wire
05. Becoming Evil
06. Delusion
07. Bloodstain
08. Dark Fields

LINKS:
https://www.facebook.com/godshapeddevil/

https://www.instagram.com/godshapeddevil/
https://godshapeddevil.bigcartel.com/

https://www.youtube.com/channel/UCFuplcVPg4jeuQsdCUtWK6g

 

God Shaped Devil Promo Pic!

 

Disclaimer: This review is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Footprints In The Custard – A New Low

A New Low Cover

Footprints In The Custard – A New Low
Self Released
Release date: 01/06/2019
Running time: 49:34
Review by Beth Jones
9/10

Do you like metal? Do you like comedy? Do you like newly discovered levels of depravity? If you answered yes to any or all of these questions, well done, you qualify for this exclusive offer of entertainment PLUS FOR ONE TIME ONLY you get a badge and certificate of membership into the elite ‘Custard Willy Gang’!! Ok I lied about that bit. There is no offer, no badge and no Custard Willy Gang, but if you listen to this album, you are going to laugh, even though your morals tell you not to!

Since the release of their last album, ‘The Decent Of Decency’ in 2016, Footprints In The Custard have been gathering a healthy collection of new fans, storming the stages at Bloodstock, Download, Hammerfest, Amplified and HRH Ibiza with their unique brand of catchy party metal, and it is easy to see why they endear themselves to so many of us slightly off the wall types! Their latest release is a masterstroke of genius, very definitely sinking to ‘A New Low’ of naughtiness, which will have you outwardly raising an eyebrow and wincing and chuckling demonically, whilst inwardly bursting with so much pride, you will feel like their mum watching them win the egg and spoon race at sports day!

It is a collection of 13 lively upbeat tracks, giving us lessons in such things as morals (“Don’t Be A C***”), and in the stages of drinking (“Beer Goggles” and “Motherfucking Hangover”) and way, way too much information about Granny (I’m not even going to write the title of this one – you’ll have to go look for yourself [or you could just look at the track list at the end of this review. Damn]).

The whole album is not just brilliantly funny, and full of incredibly dark, tongue in cheek wit, but it is also superbly executed from a musical point of view, and the mixing and mastering is top quality, but being mastered by Chris Edkins, who has previously worked with the legend that is Devin Townsend, you can easily fathom why the production is so good. FITC have hit a high point with this album in my opinion. They have moved on musically such a long way from the early days and have matured and rounded who they are in their sound, whilst still keeping the same joy and absurdity from their beginnings that makes them so unique. Everything, from the production, through to the songs with added instruments you wouldn’t expect, their sordid undercurrents of dark humour, and all the way to John Pedley’s album art is done beautifully, and in the minutest of detail. So cleverly done is all of this, that you don’t even notice the detail and thought that has gone into it unless you concentrate really hard on it, you just sit back and enjoy the ride.
They do have a slight foray into big slowed down anthem metal towards the end of the album, with “The Bar At The End Of The World”, which is slightly more serious than the rest of the ditties on offer, and is probably my favourite track, (although it is hard to pick a favourite). It is full of big crunchy chords, and huge widdly diddly guitar solos (yes, that is a technical term) and is a brief moment of semi clarity amongst the madness.

I am seriously finding it impossible to criticise anything about this album, but it is losing a point from me as I hate, loath and detest the C word, as Matt Jones (Twisted Illusion) knows, and I’m sorry boys, but you are not going to escape my inner prude either – you naughty bunch of rapscallions – you are getting the same treatment as Matt did – so there!

Go buy the album though – absolute belter!

TRACKLISTING:
01. A New Low
02. Beer Goggles
03. Ride, My Little Pony, Ride!
04. Tequila Nips
05. Motherfucking Hangover
06. Don’t Be A Cunt
07. My Granny’s A Gusher
08. Space Force!
09. CLIT Commander
10. Bums
11. The Horn
12. The Bar At The End Of The World
13. Love Custard II – The Second Coming

LINKS:
http://www.footprintsinthecustard.com/
https://www.facebook.com/Footprintsinthecustard/

https://www.instagram.com/fitc_band/
https://footprintsinthecustard.bandcamp.com/

https://www.youtube.com/channel/UCVMVw8NsHKyAaWqtBhAvjeg

 

FITC Pic

 

Disclaimer: This review is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

All photos courtesy of Beth Jones and PhotograBee Images
https://www.facebook.com/PhotograBeeImages/

Torqued – Coup de Grace EP

Coup de Grace EP Cover

Torqued – Coup de Grace EP
Self-released
Release date: 29/03/2019
Running Time: 19:14
Review by: Alun Jones
8/10

Regular Ever Metal readers may remember that Torqued’s 2018 EP, “Resurgence” was reviewed by yours truly not that long ago. You may also recall that I declared a new EP from the band would be released soon. So soon, in fact, that the EP is already out and I’m hurriedly trying to cobble this write up together!

“Coup de Grace” builds on the successful formula we heard on the previous collection, but piles on the intensity. This time, Torqued are taking us into deeper, darker territory – a trip into the recesses of the mind where anxiety and depression fester. Great lead vocals from Marc are spat out with vitriol, the tortured lyrics given malevolent form.

Musically, the four tracks on the EP deliver a battering ram to the senses. Opening with the title track, Torqued are in full-on attack mode with crushing metal. ‘Open Wound’ follows with a relentless pounding, which bleeds effortlessly into a mighty lead guitar break from Rimmy.

Savage riffs are tempered with passages of melancholic breaks, perfectly executed in ‘The Darkest of Shadows’. All of these songs are multi layered, featuring haunting lead and even keyboards (?) beneath the main pummelling. Very cleverly put together – it’s as if we’re hearing the conflicting emotions within someone’s head.

The songs gallop along with a groove thanks to Kurt’s drumming and Marc’s bass, as demonstrated in final track: ‘The Revelation’. Torqued have also tempered their sound with a Trent Reznor-like despondency that’s added a further dimension to their music.

So, there you have it – a blistering hot metal EP that drips with torment. Torqued have cooked up a winner with “Coup de Grace” and I can’t wait to hear what’s next. I predict…

Nah, that would be telling!

TRACKLISTING:
01. Coup de Grace
02. The Revelation
03. Open Wound
04. The Darkest of Shadows

LINKS:
https://www.facebook.com/Torquedband/

https://www.instagram.com/torquedbandofficial/

https://www.youtube.com/channel/UChhEQIh2k8FTMigyo3EMfRQ

 

Torqued Promo Pic

 

Disclaimer: This review is solely the property of Alun Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.