Video Interview with Paul Mazurkiewicz of CANNIBAL CORPSE

Violence Unimagined Album Cover Art

Video Interview with Paul Mazurkiewicz of CANNIBAL CORPSE
By Sheri Bicheno

Hi all, Sheri here…

I am back and ohhhhh man, I was so excited for this opportunity!

Cannibal Corpse need no introduction. The renowned veterans of Death Metal released their 15th studio album, “Violence Unimagined”, on 16th April and thus, a speed shifting, hard hitting and unapologetic creation has been born. You will note that this album displays all of the distinctive flavour that Cannibal Corpse have previously offered, however I feel this album has more elements of brutality and speed laced throughout the tracks.

I had a chat with drummer Paul Mazurkiewicz about this album and some of the tracks that give us a taste of sheer force that drives “Violence Unimagined” and is going to rip the heads off of its listeners…

CANNIBAL CORPSE Video Interview by Sheri Bicheno

Cannibal Corpse are:
George “Corpsegrinder” Fisher – Vocals
Alex Webster – Bass
Paul Mazurkiewicz – Drums
Erik Rutan – Lead Guitaris
Rob Barrett – Rhythm Guitar

Label: Metal Blade Records

LINKS:

‘Inhumane Harvest’ (Official Video)

‘Murderous Rampage’ (Official Video)

Cannibal Corpse Promo Pic

Disclaimer: This interview is solely the property of Sheri Bicheno and Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Video Interview with Tuomas Saukkonen of WOLFHEART

Skull Soldiers Album Cover Art

Video Interview with Tuomas Saukkonen of WOLFHEART
By Sheri Bicheno

Hi all! Sheri here…

I’m back, with an interview that I actually thought I was going to be so nervous about – but instead, Tuomas made it so easy and calming to chat to him.

Wolfheart…one of my very favourites in the Melodic Death Metal genre…are not to be underestimated.

Combining themes; Winter, Apocalypse, Nature, Battle – Wolfheart paint a beautiful vision with their themes and different depths of sound and emotion. A touch upon Pagan Metal at its finest, from Finland!

Tuomas Saukkonen created Wolfheart in 2013 and was the sole musician and creator of the project – he released Wolfheart’s first full-length album, “Winterborn”, in 2014 and this has increasingly become as popular over the years as it was when it was first released. This saw Wolfheart playing stages at the likes of 70000 Tons of Metal, Brutal Assault, Hellfest and Summer Breeze OA, amongst others.

With some added members now in Wolfheart, as a full band, their fifth studio album “Wolves of Karelia” was released in 2020, followed by their most recent EP release; “Skull Soldiers”.

You’ll find that “Skull Soldiers” and “Wolves of Karelia” are linked…have a watch below to find out why…

WOLFHEART Video Interview by Sheri Bicheno

Wolfheart are:
Tuomas Saukkonen – Vocals, Guitars
Lauri Silvonen – Bass, Backing Vocals
Joonas Krauppinen – Drums
Vagelis Karzis – Lead Guitar

Label: Napalm Records

LINKS:

‘Aeon Of Cold’ (Acoustic) (Official Video)

‘Hereditary’ (Official Band Playthrough)

Wolfheart Promo Pic

Disclaimer: This interview is solely the property of Sheri Bicheno and Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Video Interview with AKKADIAN

Akkadian Logo

Video Interview with AKKADIAN
By Sheri Bicheno

Hello guys!

Sheri here, I hope everyone is keeping safe!

I bring another Interview for your eyes and ears – this time I got to chat to the lovely lads of Akkadian. Cambridge, UK based Akkadian are one of my very favourite newcomers in the underground world of Metal. By chance, I happened to see them play in Norwich, where I had gone to see a friend’s band play who were on the same line up. I was immediately blown away by Akkadian. The raw energy and ambience these guys present to their audience is pretty breathtaking and I don’t believe they can be put into a box when it comes to labelling their genre. If you’re a fan of Gojira, Deftones and Slipknot then chances are that you are gonna get what these guys are about.

Ambient but heavy.

Akkadian formed in 2018 with their debut show booked at the beginning of 2019. Their first releases ‘Black Sand’ and ‘Emanation’ were released in 2019 amidst a surge of positive reviews! During the first lockdown in 2020, Akkadian released their own take on Lamb of God’s ‘Memento Mori’ and unleashed this with a lockdown video. Again, it was well received and gave Akkadian fans something to chew on whilst in the midst of Covid-19 restrictions.

Akkadian’s new single ‘Agenda’ was released in February 2021 and I feel this offers further depth to what the band can do.

I hope you all enjoy the interview…

AKKADIAN Video Interview by Sheri Bicheno

Akkadian are:
Danny Thurston – Vocals
Harry Newberry – Drums
Chris Kontos – Bass
Aaron Wright – Drums
Florian Fize – Guitar

LINKS:

‘Agenda’ (Official Video)

Akkadian Promo Pic

Disclaimer: This interview is solely the property of Sheri Bicheno and Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Video Interview with Johnny Ray of THE MOURNING

The Mourning Logo

Video Interview with Johnny Ray of THE MOURNING
By Sheri Bicheno

Hello Everyone! Sheri here…

I am back with another new 2021 interview – and this time I had the wonderful opportunity to have a chat with vocalist/keyboardist Johnny Ray of Florida based Progressive Rockers The Mourning.

Johnny Ray will also be recognised by fans of the band 3 Headed Snake.

As for The Mourning well, I feel, these guys are wonderfully different. They blend Progressive Rock with elements of Jazz, Metal and, what I would call, a Spooky Alternative sound. I find this interesting as there are not too many Prog Rock bands that would enter the realm of mixing Jazz with their music and creating something so soothingly melodic whilst taking you down a Tim Burton style staircase at the same time.

The Mourning formed in 2017 with Johnny Ray recruiting Drummer Jason Berlin, Bassist Spence Howard and Guitarist Thomas Griggs, and together they released the 2018 EP “Theosis”. They then added Keyboardist John Richardson and Guitarist Andrew Stout during live sessions and are now creating their first full length album, due to be released for the Summer of 2021!

Have a watch and see what’s in store…

THE MOURNING Video Interview by Sheri Bicheno

The Mourning are:
Johnny Ray – Vocals/Keyboards
Jason Berlin – Drums
Spence Howard – Bass
Thomas Griggs – Guitars
John Richardson – Keyboards
Andrew Stout – Guitars

LINKS:

‘Hush’ (Audio)

The Mourning Promo Pic

Disclaimer: This interview is solely the property of Sheri Bicheno and Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Video Interview with Christoffer Holm of VENGEANT

Vengeant Logo

Video Interview with Christoffer Holm of VENGEANT
By Sheri Bicheno

Hello all! Sheri here…

This time, I am sharing with you a lovely and deep chat I had with the equally nice Christoffer Holm of Swedish Symphonic Metal band Vengeant!

Vengeant are a brand-new International band, with their vocalist Danae Komodromou hailing from Greece! Currently, they are working on their forthcoming, debut, EP, with their first single ‘Angels Battle Cry’ released in February 2021. Their second single ‘The Unreal’ will follow on 23rd April. Both will be available on all major platforms!

I discover that there is a particular and interesting theme to the much anticipated, forthcoming album with Vengeant and one that will delight many fans of collectible and tradable card games.

Watch this space…

VENGEANT Video Interview by Sheri Bicheno

Vengeant are:
Danae Komodromou – Vocals
Christoffer Holm – Lead Guitar and Bass
Dennis Eriksson – Rhythm Guitar
Alfred Fridhagen – Drums

LINKS:

‘Angels Battle Cry’ (Visualiser)

Vengeant Promo Painting (Artwork by Sanjin Halimic)
Artwork by Sanjin Halimic

Disclaimer: This interview is solely the property of Sheri Bicheno and Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Video Interview with EMPYRE

Empyre Logo

Video Interview with EMPYRE
By Sheri Bicheno

Hi all! Miss Bicheno here! I am back with another interview…and this time I had a really insightful and lengthy video chat with Did Coles (Lead Guitar) and Henrik Steenholdt (Vocals) of Northampton, UK based Rock band Empyre.

After playing in a successful cover band and wanting to expand on creating their own music, Empyre formed in 2016, catapulting into creating a range of ballads with atmospheric and hard rock layers. Due to play Planet Rock’s Rockstock this year and with more gigs being announced all the time (including a support slot on Mason Hill’s upcoming 2021 UK Tour in September) and all subject to Covid restrictions being lifted, Empyre have a string of stages they have frequented around the UK over the years and if you listen to their stunning offerings with added Acoustic versions, you will see why!

After my Skype cut out our introductions (doh!), have a watch of the interview below with these brilliant guys!

I hope you enjoy it as much as I did!

EMPYRE Video Interview by Sheri Bicheno

Empyre are:
Did Coles – Lead Guitar
Henrik Steenholdt – Vocals
Elliot Bale – Drums
Grant Hockley – Bass

LINKS:

‘Only Way Out’ (Official Video)


Empyre Promo Pic

Disclaimer: This interview is solely the property of Sheri Bicheno and Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Interview with Paul March of Zebadiah Crowe

Zebadiah Crowe Logo

Interview with Paul March of Zebadiah Crowe
By Sheri Bicheno

Hi guys! I return with another chat from a further killer artist. This time I present a great chat with the lovely Paul March of Zebadiah Crowe – a duo of chaotic Industrial Black Metal from Hertfordshire.

Having known Paul since he played at Mammothfest, some years back, in his Electronic Metal project, Shyly Virus, I’ve followed his work with Zebadiah Crowe closely. The band started in 2006 and went on to release 2008 demo “Lo’Grosh”, a 2009 Split with Orion and then in 2010 they released their first full-length album “Grawl! The Many Deaths of the Great Beast”. Second full-length album “Omak K’aah” was then released in 2013, followed by a long break until 2020, where Zebadiah Crowe returned with the beastly new album “Host Rider”.

Take a look below for my chat with Paul and some insight into the return of this monster!

Sheri: Now obviously, I know you best from your days in Shyly Virus – give our readers an insight to Zebadiah Crowe and where you started…I know you started around 2006?

Paul: Yeah, let’s not dwell on that hahaha. It makes me feel even older haha. But yes, we did! We started way, way back in 2006. I’d already been knocking around and seen a little bit before that with another band. I’m gonna be honest with you, it just started off as me and four other guitarists just jamming stuff out. And yeah, it just became ZEBADIAH CROWE. It went up on Myspace and people didn’t hate it hahaha. So…here we are! People didn’t hate it as much as the other stuff, so we just ran with it.

Sheri: Best way to start!

Paul: It didn’t completely suck haha.

Sheri: I know that you have quite extensive experience in other bands so are there other things that you were working on before?

Paul: We were originally a doom/sludge band and we got some Radio 1 air play out of that. The most bizarre thing you’ve ever heard in your entire life is that, you know, you hear yourself coming out of the radio especially with that sort of thing. And, as I say, we just started to wing it, but the weird thing is that Jim’s family know my family and two of our family members were working together – and I said that I was looking for a guitarist and this person said “Ah! My son is a guitarist!” and that’s how we kinda ended up working together. So, it was complete nepotism to be honest with you haha. And here we are almost 20 years later! It’s…you know, I would be out for good behaviour by now hahaha.

Sheri: Hahaha. I’m sure it feels like it sometimes.

Paul: Yeah, but I think I try his patience on an almost daily basis too so…hahaha!

Sheri: Yeah, but that’s what makes good partners! Haha.

Paul: Definitely. It wouldn’t be the same if he wasn’t throwing things at me all the time so…haha.

Sheri: Remember to duck! What I find interesting about Zebadiah Crowe is that you combine flavours of Black Metal and Industrial Grind. As you’ve got a wealth of experience in other bands…Phlefonyaar, Shyly Virus, Skrugg…How did you come to find that this was your preferred direction?

Paul: Well, there is so much interesting and fun good music out there. Let’s be fair, what would the world be without it? One of the joys in life for me has been trying to A) Find it and thinking what would happen if I put this together? And B) I’m a massive Pig Destroyer fan. So, I can remember sitting there and basically sort of thinking “What would a Black Metal version of Pig Destroyer sound like?” So, I went round the web and no one – well, it just wasn’t there! Especially not back in 2006. So, like a lot of people, I went “If no one else is going to do it, I’m gonna have to!” Then the telephone call was made, the rehearsal room was booked and here we are…and that’s just how it goes. Hahaha. It was done sheerly and purely because I wanted to hear that sort of stuff and I wanted to apply my meager talents to it…and, hopefully, I’ve done it justice. I’d also like to say that you know, some bands have now since materialised that are very much in that vein thank goodness…and they’re all really, really good! So, I think it’s fantastic that people are actually stepping outside the box to do things, especially as extreme music very much works on genres so it’s nice to see people just trying stuff.

Sheri: Yeah, outside the box and not conformity.

Paul: Yeah, people trying new things and not relying on in the in-built audiences you get with say, “I’m going to be in a doom band.” if you get my drift, obviously you get the Doom audience and the Doom audience like you and then Presto! Whereas you probably have to work a little bit harder on who you are if you’re trying something new. But I’m extremely glad that people are trying something new and are still doing it.

Sheri: Absolutely. I think it’s also about diversity as well. Because as you say, if people are into Doom then it also opens up other avenues on sub-genres you know. That’s what I find interesting about you guys. You’re not in a box so to speak.

Let’s talk a bit about your previous releases…Your last release before “Host Rider” was in 2013 with “Omak K’aah” which was just pure face melting evil – Take our readers through some of the dynamics of that album?

Paul: The idea was to make the most heinously evil music I could possibly think of. That was the top of the list on the drawing board. Then it was taking apart what other people consider to be heinously evil music and think “Can I do better than this? Is it possible? Can I at least approach it?” So, the first thing that became apparent to me is that we needed an atmosphere. And that’s where I think the industrial side comes in. So, there’s me at the side of the road with my tape deck recording ambient sounds and all that sort of stuff. So that came into it. And then I had to flex my drum programming skill…if you can call it that. It’s like killing an ant with a hammer haha. So, I had programmed drums before, but I think that’s the first album where I actually sat down and really got into it. It’s probably quite primitive by other people’s standards now. It was getting it to also sound real and not too much like a drum machine, so to a certain extent, you had to build in errors. Which I know sounds completely ridiculous, but it’s actually true haha.

And lastly, I had the guitarist I needed in ‘Forrrr’. I had my tape recorder full of riffs, I played them to him and he recorded them and he just crammed it all together in one big heap and what you hear is what we had at the end of it. I’m actually still quite proud of that, a lot of blood, sweat and tears went into that album. I think it still stands, even though it’s a hard listen, I like to think it’s still a good listen. I know lots of people may find elements that they don’t like, you can’t please everyone. For me, I still go “yeah, that’s one of my better pieces of work, I’m very pleased with it.”

Sheri: Amazing. It’s interesting to see how you evolve as a musician, from your early releases and finding a piece that you’re proud of.

Paul: You’ve got to try and see the best in things, I think. I chalked that one up as a success.

Sheri: I think it is, because when people talk about Zebadiah Crowe, that is one of the pieces that crops up most. For me as well… a few friends or acquaintances, particularly another Ever Metal reviewer Rick Eaglestone, who also is with Moshville Times! When I said I’m gonna be doing this interview, he highly recommended I check the album out LOUD… and I did! Hahaha.

Paul: They said some really nice things about us, we are very thankful to them. They are really good people, big thank you to them!

Sheri: You released “Host Rider” in June 2020 – after a long break of seven years. What do you think has developed in “Host Rider” and the band during that break?

Paul: The band members are probably in a better place, I would say. Towards the end of that particular period of Zebadiah Crowe, I was living in my car. I’m conducting this interview from my car – it’s a different car. Hahaha. But yeah, it got to the point where we just couldn’t function as people, so we had to take some time off from doing Zeb. So off we went…and I think that in the in-between years, we’ve learnt a lot of things, we’ve done other bands with and without each other. The upshot has been that when we came to release “Host Rider”, we were a lot more focused. We knew what we were doing and an awful lot more, I think. There was an end game to it. Again, if you have the big list next to it, it had bullet points on it rather than just written at the top in biro. “This, this and this needs to happen.” This is the end game here and this has to happen. Circle at the bottom, this. So, I think this is probably the difference that you’re seeing.

Sheri: I do see the changes; I can see that there’s a bit more of an industrial vibe.

Paul: Yeah, it’s funny that you say that. We speak to people and what we get back was that the split album we did, our 3 tracks on that, were probably the most industrial tracks we’ve done. We don’t want to go too industrial though. There’s that whole thing about industrial that I’m not going to go into right now haha but yes, I think that’s well observed, there is more industrial on it. I don’t call it “Industrial” myself, I call it “atmosphere”.

Sheri: Ambience haha!

Paul: Yes, to get our message across, that’s probably the icing on the cake.

Sheri: I do detect some tones that actually reminds me a little bit of Ministry. I’m not sure if you have any influences in your music but that’s what I connect it to.

Paul: Oh yes, I am a massive Ministry fan. In my top three bands, they’re probably one of those three. I absolutely love Ministry, I always have. I know that they died off a bit, but “Psalm 69” was a turning point for me when that came out. I’d never heard anything like that before. I think that it’s been a benchmark to a certain extent. In our own way, we’ve tried to recreate some of that and hopefully we have done!

Sheri: I think it shines through definitely. Your vocals are a bit rawer and sharper in this album, straight from the get-go. ‘Knucklebones’ is a really fun track to me, It’s just pure energy and fight through the whole thing. Just dirty haha! It touches on a lot of destructive and primitive scenes – creatures rising from depths to massacre – Give our readers an insight into the theme going on “Host Rider”, from your perspective.

Paul: Well, let’s take the title to start with. I’ve always been a comic book fan; I was always into Ghost Rider. I thought well, you know, it’s like this stuff rides us through life so that’s where the title came from. I’m very lyrically influenced by Poe, Lovecraft, I like to paint pictures with it. I want to give people the image. I’m very glad that you said that you could see things as you heard it because that says a lot to me. That’s what I’m after haha. And to bring this stuff to people, hopefully in a way they enjoy rather than a terrifying way that they won’t enjoy. One of the things that we learnt from the older albums is that people don’t like to be scared. Hahaha. That’s not what people want in an evening hahaha. So, we had to dial it back a little bit because for some people it was like “I can’t listen to this, this is terrifying.” Hahaha.

Sheri: I think it depends on people’s perception and what they’re looking for. That’s the beauty of music. Scary can be good.

Paul: Well, that’s brilliant, I suppose it’s kinda like a horror film. People do like to be scared every now and then but, then again, you don’t want to scare people to the point where they lose control of their faculties. Hahaha. We don’t blame people though haha.

Sheri: I think you’ve got a good grasp on what you’re doing and putting out there. There’s more ambience on “Host Rider”.

Paul: It’s a lot more punk to me, than the last album. Certainly, more than The Split. I think that comes from the writing process a little bit. Me and Jim (Forrrr) listen to a lot of punk music, his favourite band is Black Flag, for example. There’s a touch of when writing the riffs, what would Forrrr like to hear? I try to push those towards him and get him to put his spin on it and rock it back and forth until we get what we’re after.

Sheri: One of our readers has described “Host Rider” as a theme in Mortal Combat, they’re fighting in Hell. There’s background music and they’ve said “Host Rider” is like the Hell Scene fight haha.

Paul: I will take that, I love Mortal Kombat. So, thank you. That’s going on the résumé haha.

Sheri: What pushes you to bring these to the surface? Do you draw inspiration from a source?

Paul: Well, if I was in a Hardcore band, I would probably write about living on the streets, if you get my drift. If I were to put that in Zeb, it wouldn’t work and it would probably sound a little bit fake. There’s a certain authenticity that you need to have with this stuff in order to commit to it. If there’s no authenticity, then you can’t commit to it. So, we all have our problems in life, we all struggle with certain things. Sometimes the monsters you’re hearing about are real monsters that I have given a name to and put down and given them their own tory and let them out into the world. Whether that’s a good thing or not, I don’t know but it certainly makes for good listening.

Sheri: My favourite tracks from “Host Rider” are ‘The Neon Goat of Crimson Grief’, ‘Godblind And Destitute’…and ‘A Horror To The Eyes Of Saintly Men’ – the riffs and frenzied drums combined with some pretty atmospheric effects is right up my street. When you come to creating your tracks, what is the best method for you both?

Paul: I would say it’s 99% me, I don’t think he would be upset with me saying that. I just bully him hahaha.

Sheri: Someone has to be the boss hahaha.

Paul: He basically comes in and I have these ideas and he goes “no that can’t be done.” And my response is usually “Well, that’s unfortunate because we’re doing them.” Hahaha.

I’ve got all of these noises and I’ve done this; I want the beats per minute to be this, I’ve got these basic drum tracks worked out and the bass line…so yeah, it’s basically probably 99% me standing there going “now do this, now do this.” Hahaha. And he sits there with a long suffering look on his face going “Yeah, I can’t do that.” Hahaha. “That’s not humanely possible.” haha. And then unfortunately I make a complete noose for my own neck because then I have to play Bass under everything I’ve got him to do and then that’s when I discover that actually no it’s not possible haha.

Sheri: Do you have anyone in the band for live purposes at all?

Paul: Actually, yeah, we do! We have a couple of people – we got one guy who does drums for us, he’s stateside – a guy called Marshall. We were hoping to get out on the road to go places but obviously things have had a stopper put on that. We should have been on tour now, to be honest with you. It’s a bit of a shame. We do have another guy on drums for touring Europe and the UK. We’ve done a few shows with the drum machine and there’s something about the simplicity about just plugging it in and playing along. It never stopped Godflesh, it will never stop us. I think it’s good to have variation in things. It makes you a better musician, I think. It means you’ve got to play catch up to yourself. It keeps you on your feet and on your toes. It makes you better…and with the way things are going, there’s a chance we are gonna have to think fast and think on our feet. So, more options are better. It’s much easier to get a drum machine through customs than a drummer hahaha. One fits in the box…so does the other, but one is bigger hahaha.

Sheri: Hahaha. Your vocals are STURDY as f**k! How do you settle on your vocal range for Zebadiah Crowe?

Paul: Normally, in other bands I’ve been in, my vocals aren’t quite that scathing, they’re normally a bit deeper, so I have to go up the range ever so slightly when I’m doing the main vocals. It’s more of a shriek, so you have to warm up before you do those, I reckon hahaha. So, there’s usually 10 minutes before going on stage where I’m out behind the venue in an alleyway screaming my head off, trying to warm my vocals up and you know, people look at me like I’m insane. Hahaha. It happens you know! There’s nothing you can do about it. People come down and are like “are you alright?” and I’m like “Yeah, I’m fine, honestly, I’m not hurt, I promise!” And you have to loosen your vocal chords off and obviously we do a lot of twin – which is really big screams that are done low and high. I’m quite lucky that I can split my voice off so I can do both at the same time. I don’t know how or why I can do it; I just seem to be able to – but not all the time, not gonna lie. On that front, we’re quite lucky and there’s a way of doing them. It’s almost like shrinking and it’s almost like barking if that makes sense. It’s very much doing vocals to the melody of the drums instead of the guitar. So, I will go with the drum patterns on the vocals normally. The incredibly talented Florian from Dark Fortress also taught me some good tricks. He’s a talented man so when he tells you something, you should listen haha. I like to push myself; it’s been an adventure with the vocals.

Sheri: For people like yourself, who can do Black Metal, or most Metal vocals, and have different techniques, it’s a good insight to see where yours come from. What advice can you give other Black Metal artists?

Paul: Only what I do. For the love of God, warm up. You might be alright for a little while, but you will blow your voice and it’s not fun. A lot of vocalists might disagree with me there and don’t need to warm up, but I know some vocalists that like to drink milk and some like to drink wine before they play. I personally avoid spicy food when I warm up. Other than that, try not to hurt yourself haha. Gaahl from Gorgoroth would have wine before he went on, but it would have to be room temperature. There are all sorts of different techniques really. Protect your instrument though, would be my suggestion.

Sheri: What is happening next for you?

Paul: Well, it’s kind of with image and computer games… Our EP “Lychmilk” was released in early February with three tracks…I’m not gonna ruin anything but we’ve been very very VERY kindly allowed to use footage from a computer game that you can get on the PlayStation 4. So, that’s pretty cool. It’s in the Pipeline, I really hope you like the video because it is absolutely fantastic and it took a great deal of self-control to not put it out straight away, not gonna lie haha. Scott form Dark North Media, he’s a lovely man. He puts up with…me! Hahaha. He’s helped tremendously with it and applied his prestigious talents to it, so I am very excited for that. There’s that then will be the next full-length album in the Spring. Which is KINDA done…but I’m dragging my heels on it because I wanna get it right haha.

Sheri: I’m looking forward to getting my teeth into that!

Paul: I really hope we can tour it as soon as possible, really hoping we can all get back out there. I haven’t managed to do festivals and see what we can put on the bucket list haha.

Sheri: Finally, let us know how others can support you!

Paul: Don’t just support us, Support anyone who’s trying to do something. Providing they like it obviously, but go to BandCamp pages, go to the websites, watch the videos, tell people about us and other bands like us. Make sure that these people get heard and are not left out in the cold because people need more support. With Spotify and everything, you don’t get much from what you put out. Even if you share our video, bang, thank you, it means the world to us. Plus, when you’re standing in a builder’s yard with bags of concrete, and you go to your phone and see it, it helps, it’s really great and really pushes you forward, it’s great.

Sheri: We will look out for your new release! Thank you so much for your time, mate. Really appreciated.

Paul: Me and Forrrr really appreciate it, you guys are pretty much the life blood of what we do cuz you help us reach people. Thank you!

‘Wormhavens Dance’ (Official Video)

Zebadiah Crow are:
Paul March (The Horrid) – Vocals, Bass, Drum Programming
Jim Males (Forrrrthen) – Guitars

LINKS:

Zebadiah Crowe Promo Pic

Disclaimer: This interview is solely the property of Sheri Bicheno and Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Interview with Red Terror UK

Red Terror UK Logo

Interview with Red Terror UK
By Sheri Bicheno

Hi All! Sheri here. I’m back with another interview and this one is with Brighton/London based Punk band Red Terror UK!

Red Terror were formed in 2017 and as they put it, make noise about the UK government! Their self-titled EP, released in 2018, has helped them play live in some of the UK’s favourite Southern underground venues such as The Tavern, The Hope and Ruin, The Prince Albert, Bar 42 Worthing, The Pipeline, The Green Door Store and many more.

Read on to see what shenanigans they create, the concept behind their message in the EP and to never take things from strange men in large overcoats…

Sheri: So, we know Red Terror was unleashed in 2017! As with a lot of punk agendas, you have political confrontation in your music. Give our readers an insight into your background and how was Red Terror conceived?

Siri: Ahh hahaha it was initially conceived out of me, Joey and someone else wanting to have a bit of fun but it sorta just stopped. Then it came to a Uni assessment in the second year I think, and we needed to make a band as part of the assessment, so we just turned around and were like “you wanna give it another go?”. Then ended up getting J (Jed) into the band, who is not here right now haha – and then one thing led to another and we ended up with this somehow.

Ashwin: So, I filled in for a few shows and then it got into being like “look, just drum for us, already” haha which is fine!

*Jed enters the chat*

Jed: Sup?

Ashwin: J – can you give us a bit of backstory into Red Terror?

Siri: Sorry, can I just hold up a second – we’ve finally managed to get all four of us in the same place at the same time hahaha.

Jed: Absolutely beautiful haha. From what I gather, Joey, Siri and Connor who is our previous drummer, used to put on gigs and go on and play ‘Endless Nameless’ (Nirvana song) and I went to this gig in Worthing that Joey was playing and they were like “do you wanna join the band?” and I was like “Ok, I’ll give it a go”.

Joey: We made you sign a contract.

Jed: Did we actually have a contract?

Joey: Yeah, we made you sign a contract, so you are legally bound to be in Red Terror for the next 97 years hahaha.

Jed: Hahaha. Oh shit. I remember that night we went to rehearse over the bridge and we were just noisy bastards. Until eventually, it was like, about 6 months later, we started tightening up and we actually played a gig. Then after that it was basically every other week, right we’re playing this, we’re playing that and chaos and pints ensued…

Sheri: Where are you all based? Are you all in Brighton?

Joey: We were. I mean, the majority of us moved away from for one reason or another and we sort of just meet in London when we can. It’s kinda the middle for everyone.

Ashwin: Our most recordings are back in Brighton but the last few months we’ve been either in Earlsfield or East Croydon where we go up and do practises now. There was a time where we were all based in the same City and it was a lot easier haha.

Siri: Back in the day!

Ashwin: Siri is the only one who’s managed to keep their lifestyle in Brighton which is fair play because I couldn’t do that forever hahaha.

Sheri: As mentioned, your music is politically charged, for all the reasons the UK needs to hear! Give our readers your own thoughts into the message you’re putting out there?

Joey: So, I mean, I think a lot of it comes from me personally, I was at College kinda around the time when the Tory coalition with the Liberal Democrats started. I remember me and someone else at College were completely ripping into one of the College Tutors as she was Tory…and I think it comes from that frustration of no matter what anyone seems to do, we’re just stuck with the Tories through an indefinite amount of time. I think we know how to channel that through music and it turns out that a lot of people seem to agree with that. A lot of bands have a similar method. It becomes a place where people can vent their frustrations and we’re almost like…through us doing that, we’re giving others a platform to voice those opinions, I guess.

Siri: I’d say also that we come from varying different backgrounds and ways that the UK government and political spectrum has impacted us in different ways, like we all come from different backgrounds. I mean obviously being individuals of colour, so there’s multiple different reasons for our views about the government and about how it’s impacted us and such. Having that broad sort of spectrum, it helps us in our music to appeal and apply it to the rest of the UK and the rest of the world because it’s a reflection on not just us but everyone at the moment.

Joey: We have a lot of hate mail as well from right wingers for like…we haven’t even done anything for ages…we have the occasional inbox or like comment on our posts that try to “Cancel us” I guess… what was that one from that guy the other day?

Siri: That was madness. What was he on about?

Jed: He was clearly in the middle of having some kind of normal one haha. Just wanting to express that hahaha.

Sheri: So, these are the motives behind creating what Red Terror are essentially about. It’s like putting personal things into music.

Jed: Oh, spite! A lot of acts, compared to them, I think we are a lot more violent in terms of performance. Because, as Siri has got on his Bass headstock, “You gotta mind out for the flying bass” because he’s just throwing it everywhere! I mean, how many people have you actually maimed?

Siri: Hahaha. I’ve not actually maimed anyone! I nearly killed Joey…

Joey: Things can happen where we include Hannah, the ceiling at the Tavern in Exeter, me, J…

Siri: The bass itself.

Joey: Who was the person you smashed in the face? Who got like a massive lump? I think it was Meg…or was that from the ceiling?

Jed: Oh no that was the bar at The Tavern, I think.

Siri: That wasn’t me, that was the metal bit in front of the stage that fell down so that was not me hahaha. There was this metal bar in front of the stage and they were just rocking it back and forward until they just ripped it out of its socket. It just collapsed on top of Meg and everyone else.

Sheri: Death to everyone!

Joey: Almost simulating a revolution…

Jed: I think a lot of post punk bands are missing that kind of level of stupid edgy spite that the original run of punks kind of had before they all turned Tories haha. The aim is to keep it in the left camp.

Ashwin: I think what’s different about being in this band compared to other stuff I’ve been involved with, is that it’s guaranteed to be fun and have this unbridled chaos that ensues and it seems to feed off quite well no matter who we’re playing with. I think there’s a level of accessibility with the left-wing messages in there but it’s not to a point of being like “haha Orange Man bad.” “Haha, Tories bad.” Especially since recently, there’s stuff we’ve sung about that we’ve drawn more from personal experience as opposed to just being like “Uh, government bad.” or that we are Communist punk rock – it’s expanded a bit more since then which is really nice and it’s just a good outlet to have that more politically driven side of things rather than being someone who talks the talk on their social media but doesn’t actually do anything actively.

Sheri: Let’s talk about your releases – you released EP Red Terror in 2018 – Apart from your iconic 44 second ‘Jeremy Corbyn Ate My Homework’, my favourite track is ‘Parasite’, which focuses on the Theresa May governance. Take us through the back roads of the lyrical meaning to this EP.

Siri: I forgot the lyrics. Hahaha. Joey just makes the lyrics up on the spot haha.

Joey: It was around the time that Windrush and a lot of racist attacks were empowered by Brexit. Their society is about refugees basically and people sort of attacking them and newspapers demonizing people for leaving more poorer countries. I mean, ‘Whitehawk’ is just a silly and fun song basically about… just don’t be a c*nt and don’t hate other people for no reason. ‘Pop Music’ was the first song we ever wrote, actually. That was kind of when me, Siri and Connor used to practise, we used to cover some Greenday songs. Haha.

Siri: And Feeder wasn’t it?

Joey: Yeah, haha I think that’s where the influence for that came from and it almost turned into a piss take out of itself. Obviously, we wrote the song and I was like “How do we make this more cheesy?” So, I added a key change to the last chorus.

Ashwin: That one’s my favourite to play live because I always like adding the tempo to ridiculous speeds to the point where it’s three times as fast as it’s meant to be but during the recording, I’m like “but it needs to be faster, I’m going to make this faster because I started this god damn tempo off and I want some control in this part.” haha.

I think that’s the only one that has a relationship theme, the rest of them are very blatant with the theme!

Joey: Yeah, we have our obligatory pop-punk break up song for certain.

Sheri: When coming together to write Red Terror, in terms of songwriting, how did you find fitting the rawness and energy to amalgamate your message and your music?

Siri: I would say in terms of the music, it was never really like we got into the studio and there were plans to be a punk band. It just sort of a case of we got in there and was like “let’s just play something” and it ended up as Red Terror. All of us come from fairly different musical backgrounds. Like. Shwin, you’re more sort of noisy and shit. J, from my understanding you’re more sort of old wave, Talking Heads and stuff like that. The weird shit.

Jed: Power pop and stuff like that. I’ve been part of the writing process, I just thought I enjoy that a part of the energy in a song can be the chords and they can go to stupid places. Siri came up the riff for ‘Why Should I?’ Which is our next single. I came up with the chorus, so I just slapped some chords together – it sounds a little bit weird.

Siri: Hahaha. That’s the Red Terror style – just “slap some stuff together”.

Sheri: Just get stuck in haha.

Joey: Some of the earliest recordings, I have them, it sounds almost kinda like a lost Nirvana session where we’re just dicking around and that’s sorta how it started and it became more and more refined because we took bits out of it and kept those bits and sort of got rid of the bits where I was screaming into the microphone and where J was scratching at the guitar against the amp and stuff like that. We still kept some of those bits in, but they have their place now instead of being spontaneous.

Sheri: That’s part of the personality of it. If Red Terror were a drink, what would you be and why? Give our readers a comparison taste…

Jed: DON’T SAY BUCKFAST!

Hahahaha. I’m gonna say Buckfast! Absolute unadulterated fucking chaos and you never know what’s gonna happen with it hahaha. Sometimes chaos and sometimes WTF is happening haha.

Ashwin: I’m gonna go with Black Sambuca – Siri can explain this story as it’s very relevant to when headlined our last gig. Hahaha.

Joey: Wasn’t that Buckfast as well?

Jed: But would that mean that we are about to admit that we committed a crime? Hahaha. We don’t need to include that part hahaha.

Ashwin: So basically, we partied in this playground and there was a man who offered us Black Sambuca and £10 crack from his very large overcoats – think that is one of the weirdest experiences, we haven’t had anything as surreal as that. We didn’t drink it obviously but… hahaha.

Siri: That could be something to do with the next song haha.

Sheri: Try anything once I guess haha. There’s a picture that’s one of my favourites and it’s featuring Siri in a chair and a pile of chunder…So whatever drink has that effect, I agree hahaha.

*everyone bursts into laughter*

Siri: I think that was a dodgy burger!

Joey: Siri’s dad bought us all burgers from Gourmet Burger Kitchen and Siri ungratefully decided to throw it up. Hahaha.

*all laugh*.

Siri: I think I’d only had like two drinks and then when we played, I went absolutely H.A.M when we played and my body was just like “no, you have done too much”.

Joey: Were you screaming “I hate Gourmet Burger Kitchen” before you threw up, or did I make that up?

Siri: No hahaha.

Joey: How do I remember it? Hahaha.

Jed: After that gig we all had to go straight back home because we had to go to work the next day. I had to be in by 10am and I think I was still drunk.

Siri: And I was quite drunk, sitting in my dad’s car for about 2 hours all the way from Exeter. Clearly my Dad was just there like “WTF has my son become?” hahaha.

Sheri: As the live music scene has been majorly trampled on over the last year, I can imagine it’s been a pain to be as productive as you’d like. Have you been making any plans for when live gigs return to some normality?

Joey: It’s been discussed. We’ve a few ideas.

Siri: I think we’ve bounced around a couple of ideas but for the most part it’s been more that we don’t know when this is gonna end. Also, we would rather not be in a situation where we book something and then BANG, you’re in another lockdown.

Ashwin: I think the most frustrating thing last year was that it was very obvious gigs were getting rescheduled for September that it just wasn’t happening…and promoters were being really optimistic about that and it was pissing me off because there was no vaccine in sight, there’s no funding for these venues, most of these venues are having to do crowd funders to keep afloat and there was just no normality. I find that its weirder when we did practise and record stuff, as soon as lockdown was lifted the first time, people were going fresh into the practise phases and it kinda seems pointless because it’s like… the live shows that you want in that capacity are just not possible and if you are going to, you’re gonna have these shit sit down equivalents, which I get why people are doing, but for punk bands it’s just not the same.

If you’re an indie band or a solo Artist, I mean I don’t want to shit on people who are doing these socially distance gigs, I just feel like it’s better to wait until everything settles and you don’t feel guilty for playing these things because you’re not putting people at risk. Above all, if there’s something that’s gone away rather than “well, we can squeeze this in before another lockdown” I just don’t think that’s great.

Siri: What if we played gigs in Hazmat suits?

Sheri: Are you working on any new material that you can tell us about?

All: Yes!

Joey: Yeah, we’ve got a couple of songs and I’ve got a few ideas that we first started writing since the last full lockdown. Song called ‘Tram Man’. Which, is once again about a bad experience that Siri had…

Sheri: Why is it always you? Hahaha.

Siri: It was traumatising hahaha.

Ashwin: ‘Tram Man’ was made because of a practise that we had in East Croydon, where we got on the tram to get to the practise room and because in London, they don’t accept cash on public transport, Siri couldn’t just buy a ticket on the tram, so he got slapped with a £100 fine or something ridiculous like that and we just decided to write a song about it.

Jed: I’ve started writing lyrics in a way. The way it kinda turned out is just kinda like more anxiety about where technology is actually going and that it might actually leave us all behind. If you’re homeless and you wanna get about, what do you do? If you don’t have a credit card and where banks are going cashless, you’re kind of fucked.

Ashwin: Exactly…and that’s definitely increased over COVID and fuck knows what it will be like after this period where people are afraid – and I understand why because it’s handing things over. But also, I feel like it’s already hard enough for people in marginalised positions to you know, even have a fixed address for a bank account or even access to medication and so the idea, I guess in a larger way, is ‘The Tram Man’ is this unbeatable figure of aggression, essentially. Hahaha. No one really likes going on a train and figuring out that you don’t have the right ticket and then being charged extra for that so…it’s like an extended metaphor of that…

Sheri: Tell our readers how we can support you at the moment.

Joey: Ah, listening to us on Spotify and YouTube and sharing our stuff around. We haven’t really got any monetized revenue, really. I mean we’re a punk band so we’re not really doing this for money.

Ashwin: Even if we did anyway there’s no money to be had because that’s what life is like hahaha.

Joey: We’ve got merch; CD’s, T-shirts and stuff. So, if anyone wants to send us a message with their address, they can always buy a T-Shirt…or buy me a beer.

Siri: If you really wanna help us out, you can leave food out for the Racoons that make up the 4 people sat before you haha.

*all laugh*

Sheri: Send out food and beer hahaha. Do you have any other platforms apart from Facebook?

Jed: We’re on Spotify and Bandcamp.

Joey: And Instagram, Apple Music, Twitter page…

Jed: What we would like to encourage people to do is make a playlist and put it on loop and basically take as much money from Daniel Ek as possible…because he’s being a bastard hahaha.

Ashwin: To be honest, playlists are the best way of supporting people because not only are you helping your mates but you’re expanding music that people might not be familiar with. The thing with Spotify is that most of the similar sounding things are not to do with the sound itself, it’s to do with the sort of people that listen to your music. So, in my other bands, there’s loads of unrelated Artists that will come up as suggestions, but they happen to be what people are listening to at the time, so if you have a playlist of similar sounding things or different bands that have the same members as each other or something, that’s usually the best way of supporting. It also means that you don’t have to slog through you know, loads of other stuff if you just want to listen to one track etc. I think it’s really easy to be really cynical about Spotify and there’s this evil overlord’s thing…but I guess that platform is there, it’s convenient, it’s not going away so you might as well make good use of it.

Siri: The only reason your playlist is set up like that is because we all know that “Shoegaze” isn’t a real genre. Hahaha.

Jed: Playlist culture now is just a bit of bollocks…

Ashwin: Prove it. It increases your overall streams and I think there’s a way of doing it where it isn’t this contrived thing and I think that also having collaborative playlists where people can add their own – as long as it’s within reason and people aren’t silly with it and add like, I dunno, Gary Glitter or something stupid like that. Then you can make it a fun, collaborative thing to have so…

Siri: Now who’s talking about problematic Artists haha.

Jed: I’ve been working on my other project as well and part of that is that I’ve been doing a lot of the promotion for it, for the first time and I’ve been watching those little music videos about how you increase your reach; you go onto to submit your email to blogs, you do all this and that. I got added to one playlist out of all that and it’s got like 500 songs on it. So, I think it gets to the point sometimes where you just, a lot of the time, the desperation to be added to it gets to you. But I don’t see a better way of doing it.

Sheri: Not until some things get back to normality and you can physically promote yourselves. Finally, give some advice!

Ashwin: It’s about getting the balance right, don’t be afraid to self-promote because at the end of the day, unless you have all of these connections that you know, no one is gonna do it but yourself…on the other hand, I really object to people who add you on Facebook and then immediately be like “Hey, man. Come like my metal core band or…add you to an Instagram group with all of their friends that you’ve never met before and they’re like “Come watch our new music video!” So those things, bad. Sponsors, links or whatever – they might be a bit annoying, but they do work. Thing is getting over that anxiety of like “I’m in a band and I’m doing that.” or whatever and your friends might find it a bit annoying but…who fucking cares? They might be quite pleasantly surprised by it but just…self-promote but just be smart about it.

Joey: Yeah, dont; force your music upon people because they’re probably more likely to reject it straight away – even if you think it’s great, people don’t like adverts, generally. And I guess people don’t like being told what to do so any information out there for your music. I’m not even on Facebook anymore because I think it’s a load of shit but like…I share stuff to Instagram stories and stuff because people respond to it like “oh sick!”

Ashwin: Yeah, it’s more organic than just bombarding people with a load of shit. There’s a lot of stereotypes around DIY musicians where it’s easy to take the piss out of them because it is pretty cringe, but it is also the only way to promote…so…if all 4 of you are promoting at the same time, you share the embarrassment but if you’re doing it on your own, you’re sorta fucked hahaha.

Siri: It’s difficult when, if you do make a post and it will get lost in the sea of other posts going around from different bands or memes or whatever, it’s so easy for your stuff to get lost in that. So, it is really difficult unless you’re willing to fork out money to pay Zuckerberg to give you more reach.

Jed: I got banned from Facebook Ad’s recently. I don’t know how – I think what happened was that it came up with PayPal for two different things and I wasn’t getting an invoice for some of it, so I ended up blocking it and then I got banned from it cuz it’s just fucked how they operate it. I guess my advice is exist out of spite! If no one is listening, keep making it and you know, pay to like one person in a tiny basement with your trousers off cuz one day…

Ashwin: Hahaha. Why do they have to have their trousers off!?!

Jed: Cuz I mean, we’re not big. But there are still people who will come out to see us and I still get messages from people who are like “I recognise you through this thing” or Facebook groups and things like that. It’s a small world.

Joey: Yeah, me and Siri got recognised by someone and neither of us had any idea who they were.

Siri: I think that was after our first gig, we walked into an offie’ and some guy was like “You’re the guys from Red Terror!” and we were like YAAAAA!

Joey: Yeah? What’s it to ya haha!

Ashwin: And it wasn’t a threat, it was like OH MY GOD someone recognises us hahaha. WHY DO YOU KNOW US? Hahaha.

Joey: As long as you’re not a cop haha.

Ashwin: Yeah “You’re from Red Terror, you’re the ones that broke the mirrors last night.” hahaha. I just did that in a West Country accent and I have no idea why.

Sheri: Why not hahaha. Thanks so much guys, it’s been brilliant!

Red Terror: Thank you so much!

Red Terror are:
Siri Crawford – Bass
Joey Reeves – Vocals
Ashwin Bhandari – Drums
Jed – Guitar

LINKS:

Red Terror UK Promo Pic

Disclaimer: This interview is solely the property of Sheri Bicheno and Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities

Interview with Nathan Hammond of Spyder Byte

Spyder Byte Logo

Interview with Nathan Hammond of Spyder Byte
By Sheri Bicheno

Hello all! I return with another great band that I interviewed leading up towards the end of the dreaded year of 2020…

Spyder Byte are a 5-piece hailing from Kent and formed back in late 2011, starting as no more than a group of 13-to-16-year-old mates from school. With a common goal in mind and signing to Enso Music Management, Spyder Byte was born, with the intention of adding to the revival of 80’s-style-metal.

I had a lengthy chat with one Nathan Hammond, a compadre I knew from the Mammothfest days and who plays Bass for this rockin’ bunch. They recently also introduced new Guitarist Robbie Weller into their ranks! Check them and the interview out…

Sheri: You formed in 2011 and went on to kick ass on stage at Bloodstock, Mammothfest and Hard Rock Hell. Take us through a bit of the history of Spyder Byte, how did you come to be?

Nathan: Ok, so most of us went to school together down in Kent – that was Connor (drummer), C.C (guitarist) and myself. We were in a band before, we were in a small-time band just doing covers and stuff. We kinda just wanted to do more original music and at the time it just so happened that us three, us three little 12-and-13-year-old-kids, weren’t really into stuff like Asking Alexandria, Motionless in White and that kind of shit – we were all into old school heavy metal and rock you know, everything basically our parents liked. It just got us into it. So, we decided to set something up to start getting into and start writing it in a Motley Crüe style, more of an 80’s sound, basically, we started writing the music that we wanted to and gradually I think things just started falling into place. After the first couple of months, we were desperately looking for a singer. We’ve found it is quite hard to find a proper good solid rock voice. We were going for someone like Bon Scott mixed with a little bit of Lemmy, you know basically someone who has the flare and who has the sound.

Ages and ages ago, we are talking nearly ten years ago, Connor met Dan (vocalist) at another gig they were doing and he invited him along just for a jam to see what he was like. I think Dan was a little bit kind of “Ooooh, maybe not so much” at first, because he’s kinda heavy into thrash metal and death metal. But you know, he softened up, he softened up with age haha!

Sheri: I remember he cut all of his hair off! But he’s still got beautiful hair anyway haha.

Nathan: He is a beautiful human haha.

Sheri: Your style is described as sleaze metal/glam rock – I know that some of you have different influences and preferred styles of metal; thrash, death, power etc… What made you come together and create something between you that was essentially a bit different to those styles of metal?

Nathan: Honestly, I don’t think you know getting into the music scene, it started to get over saturated with similar sounding bands with similar sounding structures and chords and things like that – not that I’m knocking them! Cuz they can all play and it was just a case of us wanting to do something a bit different. So, you know, it started off with an amalgamation of all of our influences and tastes and so you had me, that was at the time massively into Crüe and Crash Diet, all the Scandinavian sleaze bands. Connor, I think just started to edge into listening to a bit more power metal and then obviously we had Dan come in with Thrash… I mean, he loves his Status Quo but we won’t go there hahaha! It was just kind of a mix of wanting to create something a bit different. I mean, I’m thinking back to some of the albums we’ve got now. We can go from doing sleazy hard rock, kind of like Backyard Babies kind of style and then you know, we can throw it all up in the air with an Iron Maiden sounding track, it’s really just a case of us being happy with whatever we are playing. If one day we are kind of feeling writing a bit of you know, a bit more of a speed metal type track then that’s what we will do but at the same time, we love getting a bit sleazy, getting a bit punky you know? You’ve got to inject a little bit of positivity. You got to listen to something and be like “LETS GO!” you know? It’s gotta hit you in the face haha.

Sheri: Your first album, “Addictive”, was released in 2015. This album is such fun! Drunkenness, sexy, rock and roll… My favourite tracks are ‘Strip Club Blues’ and ‘Moonshine’. I feel ‘Strip Club Blues’ has that classic rock and roll; biker blues feel to it. I feel like I should be at a biker rally with a pint of JD and Coke, getting off my trolley throwing myself about to this album haha. What did “Addictive” do for you as a band?

Nathan: So…honestly, it came at a really strange time. We recorded the album in 2014. There were complications with the engineer of the band, he was in hospital due to a lot of health reasons. So, we were just sat on all these songs and waiting for the finished article to come back – we were trying to get everyone hyped up saying there’s this kind of massive sound from this small-time band, all really young at the time – this was about 5 years ago so I’d have been about 17/18 so we were all really young. Basically, all we wanted to do initially was showcase and say, “this is us” and thankfully I think it did that. We went through two lots of pressings, selling all of them, which for a small-time band, I think is a massive deal. It came at a real weird time, I had a back operation in 2015 as well so we couldn’t really get out and promote it as effectively as we could have and, thankfully, I think that worked. Gradually it all fell into place, we still get people now come up to us and say that “Addictive” is such a brilliant album! Completely side stepping the fact that we had just released another one hahaha, but that’s good! It’s what we want! If people can prefer one album over the other, tell us the reasons why, it gives us something to work on and honestly, we value feedback. We want to know people are having a great time listening to us, that’s all we want.

Sheri: Absolutely. I think because your debut album/first release give the first impression so that’s maybe why people will pick up on that!

Your latest release,“When The Lights Go Out”, came out last year. Again, this is a lot of fun. I pick up some Guns ‘n Roses and as you said earlier, some Bon Scott era type AC/DC vibes on this album. ‘Nocturnal Beauty’ and ‘Shameless Star’ in particular. Take us through the journey of this album…


Nathan: What we focused our sights on is that we knew it was a very long time since our first album had been released. Thankfully, we were all in a really good position to start writing and recording effectively because we all went down to university together, BIMM in Brighton. Luke was our guitarist, Dan, Conner and I were all living together and it was a case of us writing like that, doing a bit of demoing and then we found our muse with a guy called Winter who did the sound engineering for that album.

He was a massive guidance for us in terms of how to get the best sound and what to do to get it to sound great. Also, in terms of writing, you take on an engineer’s point of view and their words and their wisdom to feed back into your own tracks. It came from a good place. I think we were all a little bit stressed at the time because obviously we were at Uni and had other shit going on. But it was 4 years since anyone had actually heard any new material from us, a lot of stuff had happened to us in the band, you know, personal lives and things like that – the state of the world. So that kind of all went into those songs, you know, so it was experiences and feelings that we’ve all had and stuff that we have seen. But also, it’s not bad to also throw in some songs about weird Western characters as well hahaha so you know, it’s all quite fun and real life.

Sheri: It is a fun album! The message of this album is a little bit different in places than “Addictive” – we have the tracks like ‘Spark’ which I feel is more about our inner selves and mental health.

Nathan: Yeah actually! That wasn’t initially what the song was about, but that is kind of what the meaning is now. It’s a power yourself, positive track to get yourself motivated.

Sheri: It is. I was listening to it, even though it’s a fun track, it addresses real life issues but in a positive way!

Not long ago you released a music video for your track ‘Vixen’, a track about a female masked hero. In the video, the man gets tied up by a gang for a suitcase of money – she comes to the rescue but takes away the money as a reward and leaves him tied up in the chair. Haha.

Nathan: That’s it hahaha. That’s our foxy vixen! She knows what to do haha. She’s got her sights set; she’s sorted haha.

Sheri: Have there been any changes you feel are apparent to Spyder Byte between “Addictive” and “When The Lights Go Out”? How do you feel you have evolved?

Nathan: Songwriting wise we have definitely evolved. The way that we did things for “Addictive” was that bar one song and set of lyrics, that was written by me. So, compare that to “When The Lights Go Out”, that was the kind of shift that I think we needed. I think also it helped that we lived together as well so that we could write together rather than with it just being me asking what could be done better. I’d like to say it shows a little maturity, but we’re all still sleazy little f*ckheads hahaha so…hahaha. We’ve got different kind of things going on in that album, in terms of the way that it was written. It just sounds to me far more polished and has better riffs, better songs etc. I’m not saying “Addictive” doesn’t hit you in the face, but I just feel like you get more of it with this album. It’s definitely punchier and it hooks you in a little bit more.

Sheri: In terms of your song writing, how does this come together into what makes you all happy with the end result?

Nathan: Oooh that’s a good question! Honestly, it’s just a case of throwing around ideas and seeing what sticks… You know, I will take some music to Dan, Dan will listen to it, if I’ve got lyrics with it as well, he will look over them and see what he likes or suggest to change something and then you take it to the guitarist who will work on that and filling in embellishers and then take it to Connor and he will hammer and pound it away and then just generally it gets brought together in a practise room like that. It’s something we’ve never really done before, we’ve never kind of taken a song into a practise room and done it like that – there have been the odd occasions like ‘Reach Out’ for example on “When The Lights Go Out” that was brought in from Luke and CC. I think of one practise session we had just finished writing a song – wasn’t even what we went in for, but we just ended up writing a track so it’s like “yeah cool, nice one!”

So, I think it’s better to have everyone else’s input than it rather be left to solely one person.
Ultimately, you could get half-way through playing a set and just think “Ah fuck, I don’t really want to play this track” – that’s not what we want, I want everyone in the band to be happy with what’s going on. They have to buy into the band too.

Sheri: Team effort! Do you have a favourite track to play or that you feel has been received well?

Nathan: We get a lot of pits and everyone turns into a crazy Thrasher when we play ‘In Your Face’ from “Addictive” haha. Everyone just kinda loses their inhibitions and start piling into each other. In terms of me personally, I love playing ‘On Time’, that’s a really fun one to play.

Sheri: Most of your songs are really fun and upbeat and so you must feel that your gigs are quite fun to play.

Nathan: Oh god, yeah! We always come out of a gig with a smile on our faces and if something hasn’t worked right or if someone has dropped a note, you just kinda put that shit behind you really and focus on what went right, how good it made you feel – if you fucked up, it doesn’t really matter. I’m guilty of that as well and I’m my own worst critic but it doesn’t really matter. As long as you’re enjoying what you do and see everyone’s reaction when you’re playing – that’s all that matters.

Sheri: It’s about positivity!

Nathan: ‘Black Velvet Lover’ is easily my favourite track to play. ‘New Blood’ as well. I like a bit of a riff. If I can just chuck in a riff or play alongside a riff next to a guitarist, then I’m really happy. Because then I’ve got some shit to do and I just don’t have to go errr…stay on that one note for 5 minutes haha. Also, we haven’t played it live yet but one of our tracks called ‘Hopeless’. It’s a bit of a stark difference from anything else that we’ve done. It’s a lot heavier, it’s got a proper story behind it. It’s actually about homelessness down in Brighton.

Sheri: That comes after ‘Spark’and was something I was going to ask you about – is it to do with poverty of some sort?

Nathan: I mean, you know what it’s like in Brighton. It’s awful in London but because Brighton is a much smaller city and you’re constantly going around it, you always see homelessness. You can’t not see stuff like that, as a songwriter, and not get moved by it. It’s such an epidemic. No one has to go through it really.

Sheri: I think the more that it’s covered, the more can be done about it. It is brutal in Brighton for homelessness.

Nathan: But going back to the themes of the songs, it’s kinda book-ended by two songs about positivity you know? ‘Reach Out’ is completely about mental health. It starts off with “fuck it all to Hell.” If that doesn’t scream to you how much anguish someone can be in, then it’s mad. So, you’ve got positivity in the form of ‘Spark’ and you’ve got real life issues in the forms of ‘Hopeless’ and ‘Reach Out’. It’s book-ended by ‘Black Velvet Lover’, which is kinda sexy and sultry and has the moves to seduce you. So, it’s kind of weird, how the band and the songs work. I think if you kinda break up the reality and the fiction, I guess…one is gonna cheer you up and one is gonna make you think “Oh, this shit is actually going on.” And it’s something we never really thought about doing in terms of the band. We were all just really about writing good times, partying, booze, sex and all that kind of stuff. But you know, it’s hard to escape you have got to speak about it.

Sheri: Well, this is it, you have got the power to do that if you are an Artist. Your album cover art is brilliant! You have a certain style that sort of reminds me of old-style comic book covers…Do you have an Artist that you stick to?

Nathan: Yes, so we have done for the past two releases. I’m not really sure about the future but we’ve got a new single almost ready to enter into its final stages, but we’ve had someone doing the Art for that already. The first two albums were done by a guy called Doyle. I don’t know his second name unfortunately, but his online tag is Doyle Raw-meat. He’s a fantastic Artist, really good prices and really nice guy. He was recommended to us by Sam Thredder, who was out engineer and did “Addictive” and is the guitarist for Slabdragger. So many times, you see single or Album Artwork come out and they’re bland and they’re plain and just one colour – and we’re not about that in this band. It’s about vibrancy and about hooking people in and making sure it actually catches them you know. So far over the past two albums, Doyle has been an absolute delight to work with you know? He’s created out little mascot, Boris (a monster featured on the Album Artwork). He’s on a lot of t-shirts. He’s just made everything come to life and actually with “When The Lights Go Out”, I think one of our references was the first Guardians of The Galaxy comic book covers. I don’t think it initially was going to be but when we found it, it was like “Oh shit, that looks quite cool actually!” hahaha. That’s what it turned into…It’s such a massive part of selling your music, selling your album – if you’ve got something visually appetizing then generally, I think you’re gonna do better.

Spyder Byte Album Cover Art

Sheri: Amazing! I totally agree, I think if you have a product you have to try to make it look good. You just mentioned that you’re writing again possibly, so what’s next for you guys?

Nathan: Yep! So…we have just started recording our next single due to be released soon. It’s almost in its final stages of recording, mixing and mastering. It’s not totally different to what we’ve done before – it’s quite similar but there is something different. Like a new lease of life about this kind of sound and about the way I think we’re going to go, going forward for the next EP or the next album. I shan’t give away too much of it yet just in case anything changes haha but generally, we’re looking forward to it, looking forward to bringing it out and it’s gonna again hit everyone and catch people.

Sheri: I’m looking forward to it! What are your thoughts on the importance of supporting the music scene right now?

Nathan: Oh God, you need to! Everyone needs to. We are in such a shit situation with everything and I think out of everything that music is one thing in this world that kind of binds people together. Fair enough if you don’t like one Artist and someone else does but you can still listen to it. You can still enjoy it. Live gigs – is there a better feeling? No. There is no better feeling…apart from maybe a blow job hahahaha. But! Still! You know hahaha…it’s true. Everyone has got to support their local scene regardless of how failing it is or how tight it is or even how loose, even if you’re not a big supporter of your scene, that is still someone’s dreams and ambitions right there. Venue owners, bands, even behind the scenes, Merch companies. Everything that can be done to support Artists and Bands should be done. If that means going on Spotify, dropping them a fiver, picking up a shirt just help support in anyway shape or form. You either use it or lose it and at the moment I think, it doesn’t help with the pandemic, but we’re in that situation where it’s getting to the point where we could have lost it. I think the UK generally we’re gonna pull back from it but it’s the not knowing. I’ve got faith though; I’ve got faith in the way people will actually approach music now and approach live gigs. I think this has been a massive wake up call to just go “Fuck, I need to go out and get some entertainment in my life!” You know?

Sheri: I think that also applies to people that run venues and so on. I think a lot of people take advantage of the fact that music is so accessible but now it’s not in the physical sense. Artists are still making music but as you say, it’s a wake-up call. What would this pandemic be like without music??

Nathan: I don’t think I could have done any of this Pandemic if I hadn’t got at least AN album with me. I cannot switch off without music. Music is everything, it is to me anyway, I cannot wake up at all and not listen to some music. It’s completely taken over from video games, TV etc. It’s always gonna be there and will never let you down.

Sheri: Any advice for fellow Artists?

Nathan: Keep strong, keep together, you’re gonna get through any hard times that you’ve got. Do it for the love. Try and progress yourself further but do it for the love.

Vixen (Cinematic Music Video)

Spyder Byte are:
Dan Lawrence – Vocals
Connor Cape – Guitar
Robbie Weller – Guitar
Nathan Hammond – Bass
Connor Godfrey – Drums

LINKS:

Spyder Byte Promo Pic

Disclaimer: This interview is solely the property of Sheri Bicheno and Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Interview with Marc Hood of Cadaver Soirée

Cadaver Soirée Logo

Interview with Marc Hood of Cadaver Soirée
By Sheri Bicheno

Hello all, It’s Sheri!

I return from the other side of 2020 (Happy New Year) and boy oh boy, I’ve had a few insightful chats leading up to Christmas… Here I sat down with Marc Hood (vocalist) of one of Leeds’ dark gems, Cadaver Soirée.

Formed in 2016, Cadaver Soirée play a mixture of Death, Black and Doom Metal. Taking influence from various sources and placing emphasis on heaviness and memorable riffing, the guys aim has always been to provide a brutal and diverse listening experience.

Give them a listen!

Sheri: What got you into making music and where you are now?

Marc: I’ve been into being a musician, that sort of thing for about 15 years, I’ve done everything really, in terms of being in a band. I’ve been a guitarist, I’ve pretended to be a bassist haha, I’ve played synth in a band as well. I’ve done near enough everything. I’ve even drummed many years ago. I was in a band with Andy from Cadaver, I was the bassist, it was called Hammer X – I’d pretty much left Hammer X at that point because it was a different style to what I’m doing now so Andy had heard my vocals and had suggested I try out. So, I joined on a whim and it turned out to be one of the best things that has ever happened to me, musically.

Sheri: I love that! You mention you’ve done different things before – have you been in a similar type of band or has it always been different?

Marc: To be honest, I’ve done near enough everything. The band I drummed in was a sort of Amon Amarth/Viking type so that was fun! I was in a groove metal band; I was lead guitar in that. I played bass in a Classic Rock band – I did full spectrum on the bass. The band I play Synth for is a Black Metal band, obviously Cadaver is death metal.

Sheri: Wow, that’s cool! Education wise, did you pick up all of this through education?

Marc: No, I’m entirely self-taught, I wanted to do music in high school, but the teacher didn’t think metal was a viable sort of music, so… (we could do an article on how narrow minded a point of view, by some, so-called teachers this is!! – Rick)

Sheri: Yeah, tell me about it! Haha.

Marc: Haha, so I just thought I’d go my own way, so I’ve had no formal education and everything I’ve done I’ve done myself or by form of imitation.

Sheri: Understood. There’s a lot of musician’s like yourself that are self-taught but to have such a range is awesome. Your debut album “To Betray The Creator”was brought out in 2017…

Marc: The original “Cordyceps” demo was recorded in 2017 with the previous line up and then songs from that were taken for “To Betray The Creator” and that was in 2019.

Sheri: And it was on Morning Star Heathens (MSH Records) – a big shout out to Shane (label boss Shane Giess), I’ve got a lot of time for that guy!

Marc: Absolutely! The original single, ‘Limbless’, that was with Morning Star – the actual album itself was self-released. The original single ‘Cordyceps’, the actual tape was with Morning Star as well.

Sheri: I think that’s probably where I first heard it. This album shows elements of Doom and Black Metal blended into your Death Metal vibe. Is this something that naturally came with making the album? How did you find your fitting?

Marc: It’s kind of a mix of our influences, particularly Andy, our guitarist. He’s big into Extreme metal and all its forms, he loves Black metal, big fan of Grindcore, that sort of thing. So, for the most part of the songs that he’s written – he writes the majority of our music and then me and Neil sort of add our flavour to it and more recently our new drummer he adds as well but the sort of bare bones of the songs are pretty much Andy. It’s more of a reflection of his influence, especially that first album. Some of the songs he’d written many years ago and he’d never really had an outlet to release them and play them live because the other band he was in was nowhere near that heavy.

Sheri: Understood. So basically, it was down to influences for all of you, especially Andy – so my next question is do you put your music together collectively or do you have a certain method that you make work together in your songwriting?

Marc: It used to be entirely that Andy would send us a riff idea, send us a song idea where he would do everything on it except the vocals, he would program the drums and suggest bass lines and then me, Neil and Nate (our previous vocalist) would just add vocals and bass because Neil isn’t like most bassists, he plays something completely different and it just works, he comes up with a lot of very, very interesting things. There’s only two or three times on the entire album he’s actually following the guitar. We all make small suggestions, so on the new album for example, there’s a couple of riffs that have come in and I’ve suggested “that bit needs a blast beat” or “that’s fine” – you know, we’re very diplomatic as a band, almost too nice, I think.

Sheri: Haha, I think as other Artists have said though, you do have to get on as a band.

Marc: Yeah, it helps haha! More recently the dynamics changed a little bit where me being in the band and able to play instruments, I’ve been contributing riffs as well so that takes the form of either me showing Andy a riff in the practise room and then he makes something of it there and then, which he can do…or he records it and sorta takes it away and works on it for the week or we just jam things out as well.

Sheri: So, he has a bit of a play around with it. Cool. Can you tell our readers what inspires your songwriting?

Marc: Well in terms of my part as the vocalist, I come up with the themes of the songs obviously. I have a bit of a broad spectrum of influences, I’m quite a political person as well as historically political. We have a new song written called ‘Napalm Light’ which is about the more horrible side of the Vietnam War. As well as a more satirical song that we’ve got in the works – we’ve got the classic Death Metal splatters and Gore and that sort of thing and then I tend to write about people that I don’t like!

Sheri: Cool! Haha. What better way than to get that out of your system, really? Very resourceful way. Haha. On “To Betray The Creator”vocally, you have some different ranges that reach the listener – For example, on ‘Cordyceps’ and ‘Entombed In Dirt’we see what I would perceive as a more Black Metal range and then on later tracks such as ‘Aeons Of Lies’and ‘Augmented’, more Death growls are present. What are your thoughts on that perception?

Marc: To be honest, that’s a good perception, it’s not one that I’ve heard someone say to me before as well, which is nice. It depends on the song really and certainly on ‘Cordyceps’ it’s certainly rawer. It’s much higher in the mix, not sort of as deep and grunty, again that’s more of a reflection on the song, I kind of listen to the song and see what’s needed and adjust my performance. In the particular case of ‘Cordyceps’, that was written by Nate, the previous vocalist, I’ve just changed it up a bit to suit my vocal style a little bit more and my sort of phrasing, but it really depends on the song. It’s good to hear that there is that noticeable difference because I do think it’s nice to have that kind of range when you’re doing vocals. To me there’s nothing worse than a monotonous sounding vocalist so…if someone’s a one trick pony it’s kind of like “Okay, what else can you do?”

Sheri: Some vocalists, that work on the Black Metal range, have to put work into it but it seems to come naturally to you.

Marc: It very much does yeah because in the previous band I was in, I had to sing clean vocals and I’m not very good at that. I can sing but I prefer not to and when I came to Cadaver, in the first rehearsal, it was really the first time I’d ever done proper Extreme Metal vocals. So, I kinda went in with the view on seeing what happens and it turns out I was quite good at it. Then I sort of developed that over time and became more proficient in techniques and that. To be honest with me, it’s more to do with the raw emotion that’s in it, there’s very little technique involved. People have asked me in the past “How do you make that sound” and it’s like…how do you explain talking? Haha. It’s exactly the same for me, I can’t explain it.

Sheri: As you’ve been hinting, you’re writing new material at the moment! Ease my anticipation – what’s been happening behind the scenes for Cadaver Soiree through the last year?

Marc: Well, we have been affected a lot by what’s been going on, as everyone is. We got a message mid-way through the year from Wiktor, our new drummer. We sorta played together previously when he was in his previous band, so he asked if we wanted to try him out.

Of course, if you’re offered a drummer, you try and snatch him…because there are no drummers anywhere haha. He’s a relay good fit, a really nice guy, great drummer, he picked up our material really quickly. We had been writing some stuff anyway, so it’s been more of a case of teaching him the songs and we’ve been writing new stuff at the same time.

He puts his own flavour to it and it’s great. Really, really natural feel to his drumming so…We are planning on recording some of the songs we’ve got and writing new material as well and we’re gonna be recording that probably early this year. Releasing the same way that we released “To Betray The Creator” – looking at CD and Digital. Potentially a tape release if there’s a call for it, as I know there is a kind of underground tape collecting scene for it as well. If it’s wanted, we’ll do it! We’re gonna look to release it Springtime and tour when gigs can come back.

Sheri: So, your next plans will be promoting the new material and getting back to gigging when you can?

Marc: That’s right! One or two of the new songs we have already played live actually, with the gigs we had in early 2020 and things like that because it’s quite easy just to chop it out if you’re using a drum machine so you can copy and paste it and whatnot – now that we’ve got Victor, it’s great, it’s gonna improve the live show as well because now I’ve come along a lot more with that kind of energy so let’s hope it will pick up and we can get out there a lot more.

Sheri: Yeah, I’m looking forward to it! As your debut album was out in 2017 and you have new material coming to us soon, what do you feel is different or evolved in your songwriting now?

Marc: In terms of the overall sound, it’s gone a lot more aggressive – a LOT more. That’s partially down to me because the way I like to deliver the vocals is a really bludgeoning, belligerent kind of way. The same with the guitar as well, it’s a much more technical direction as well and a lot faster. It’s heading for almost Tech Death in some places whilst keeping it as catchy as we can keep it and again with the live drums as well, that’s making a lot of difference. What we have been doing with the original album as well, we have been doing a lot of synth and orchestral sounds in there, certainly in songs like ‘Evil Breeds Evil’ and ‘Entombed’. There were a lot of sort of orchestral sounds in there and piano and things like that. We are gonna be stripping that back because, first of all, it’s difficult to do that live if you haven’t got a keys player and we don’t really have the intention of doing that. With the addition of the live drums as well, it sort of adds what the synths added. A lot of energy and oomph to the sound so…we’re gonna be heading more towards a traditional Death Metal direction and kinda moving away from the Swedish Death Metal – but keeping elements of it because that’s what we are…but sort of adding the more American style of Death Metal…Cannibal Corpse, that kind of thing. Really heavy and just…like being punched in the face haha.

Sheri: That’s what we’re looking for! Hahaha. In regard to what is happening right now, what are your thoughts on supporting the music scene at the moment?

Marc: It’s absolutely crucial. There are not words enough to say how crucial it is to support the music industry at the moment – because the government are sure as hell ain’t doing it. Whilst I am in favour of supporting musicians at the moment I am also a little bit wary about putting gigs on and the dangers involved, I know of a few promoters at the moment that are doing it, so long as it’s kept safe and distanced as possible – but in terms of local bands, we’re not out there, we’re not playing gigs and we haven’t got the opportunity to come and see people like we would do. Bandcamp are really helpful at the moment where on Friday’s they take away their cut of what they take so it’s really helpful for bands. Social media has really stepped up too – it’s a big platform for bands to engage with people and we like to do that as much as possible, so if someone comments on one of our videos or posts, we make sure to engage with that because really, it’s the only engagement at the moment that we can get. We don’t get to share it with people anymore.

Sheri: I think that it’s important for Artists to engage with their fans anyway because the better it will be for them, ultimately. How do you see things adapting once the worst of the Pandemic is over? Or what would you like to see in way of change?

Marc: In the way of change, there’s always the preference on mobile attended gigs, I mean, we know as much as anyone what it’s like to play to two people and things. So hopefully that will be a thing – that gigs will be more well attended because you see a lot of people out there that just want gigs back. So hopefully that means that interest will still be there in live music. So, I’d like to see sort of more appreciation for Artists. Not to sound too big headed or anything but it’s vital to my own Mental Health – if it wasn’t for music, I think I’d go loco.

Sheri: Absolutely, I agree with you. I think it’s really important, especially in times like this when you’re limited, music is everyone’s outlet isn’t it?

Marc: It’s an escape. I always feel like I’ve had a massage after a gig, sometimes I just drop to my knees and enjoy it for a moment. It’s brilliant. I’ve been more on edge about the lack of gigs than the actual virus in some ways.

Sheri: It’s part of your life so it’s frustrating at having to put your life on hold. But hopefully it’s not going to be too much longer until the world can be safe and get back to normal. What’s the strangest thing you’ve seen happen whilst you’ve been in music?

Marc: Hmmm…I was referred to once as an accident waiting to happen because I move around a lot. I was given a wireless unit to stop the wires knocking things over – so there’s been a few times where I’ve just gone and sat down with people in places that we’ve played – it turned into a bit of a ritual actually – the strangest thing was actually when I think about it, there was a lady who came in part way through, sat down and started sobbing…and I mean tears streaming down her face. She was absolutely intoxicated beyond all belief and then she asked me to sign her chest. I said no because I’m a happily taken man – but I did sign her arm and I signed it “Rob Dukes” (Exodus vocalist). Hahaha.

Sheri: Did you!? Hahaha. Is there a story behind that?

Marc: It’s literally the first name that came to mind haha – I didn’t want to sign mine haha!

Sheri: Any advice for other bands at the moment?

Marc: Don’t give up. I know how difficult it is at the moment and how it was to begin with, sort of reaching your audience, finding yourself musically, getting the right line-up together…everything about it is a challenge but it is really the best reward I can think of. That moment when you are looking back at a crowd and they get it – AH, I genuinely can’t describe it, it is pure euphoria.

Sheri: It’s part of you, part of your life and what makes you up isn’t it? It’s sad to see that a few bands have had to throw the towel in at the moment and are not able to do anything – but equally there are a lot of bands trying to push forward and making new material. The music scene does also club together and support people as much as possible.

Marc: There’s a really, really good scene at the moment in the Death Metal community – we have good friends across the country like Pemphigoid, great guys – they’re really nice people, you wouldn’t think listening to the music, but Death Metal musicians are always lovely. Ashen Crown are absolutely wonderful.

Sheri: Ah, we love both those guys at Ever Metal haha.

Marc: The whole scene – I haven’t come across anyone I don’t like yet, which is unusual for me as I’m a cantankerous sod…

Sheri: Hahaha. There’s always gonna be one though somewhere but not naming names, I’ll stay professional or something along those lines haha. Is there anything you’d like to add?

Marc: Hahaha I know! Just a huge, huge thank you to everyone that supports us and listens to our music, that puts us on at gigs and buys our merchandise and things like that – it’s so unbelievably humbling – I sound like a dick, I know but we thank you. That’s all I can say really.

Sheri: Thank you for your time!

Marc: Thank you, have a good one!

Cadaver Soirée Are:
Marc Hood – Vocalist
Neil Hannaford – Bass
Andy Firth – Guitars
Wiktor Wrona – Drums

LINKS:

Cadaver Soirée Promo Pic

Disclaimer: This interview is solely the property of Sheri Bicheno and Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said party. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.