The Treatment – Waiting For Good Luck Frontiers Music srl Release Date: 09/04/2021 Running Time: 44:25 Review by Simon Black 9/10
Cambridge UK-based Hard Rock band The Treatment have been cranking out solidly delivered Rock ‘n’ Roll since 2008, although this (their fifth) album is the first time I’ve had the privilege of coming across their work. This might be a great place to start if you haven’t either, as after a quick exploration of their back catalogue on stream, this album would appear to be a full couple of notches up from previous releases.
Kicking off with a harmonised vocal intro and chorus that Def Leppard would have been proud of in the 80’s, ‘Rat Race’ gets things moving with mid-tempo guitar riff-driven rocker. It’s probably the most commercial sounding song on here, and belies the direction the album takes after this, but hints at the main musical influence from here on in. The first and most blatantly obvious comparison is with early AC/DC, with riff structures that are straight off of either the “High Voltage” or “Dirty Deeds Done Dirt Cheap” era albums. That comparison was probably not lost in the mix down either, as stalwart producer Kevin Shirley has done a fine job in echoing that rich fat rhythm guitar ripping-riffage sound that Malcolm Young probably should have trademarked. Add to this vocalist Tom Rampton is definitely channelling his inner Bon Scott for his sophomore album with these guys. I don’t have a problem with this, as this style of music is truly timeless and always storms the barn live and his voice has a nice soulful gravelly edge to it that literally drips charisma. This is particularly audible on the slower or more openly bluesy tracks, such as ‘Eyes On You’, where you also get to hear a slightly higher register to his vocal range to go with a catchy fag lighter-waver of a chorus.
With a dozen tracks averaging at the three and a half minute mark, this is not an album that wants to out stay its welcome, and to be fair it positively flies by. Lyrically it is in places a bit dated and sexualised for this decade and age, but it’s more cheekily cheesy than offensive or crass and even the worst example of this ‘Lightning In A Bottle’ is frankly not going to upset anyone. All this will go down just fine at a biker rally, but I would hope that this album opens them up to bigger and wider audiences. Just don’t let yourself be put off by the rather trashy photographic cover, as the music and production are nowhere near as tacky as that image implies.
I really hope that this album takes them up a level, as this kind of soulful and gutsy Rock ’N’Roll never gets stale when done properly and once in a blue moon a band coming along and opening up the audience to this style of music is never a bad thing.
‘Rat Race’ (Official Video)
TRACKLISTING: 01. Rat Race 02. Take It Or Leave It 03. Lightning In A Bottle 04. Vampress 05. Eyes On You 06. No Way Home 07. Devil In The Detail 08. Tough Kid 09. Hold Fire 10. Barman 11. Let’s Make Money 12. Wrong Way
LINE-UP: Tom Rampton – Vocals Dhani Mansworth – Drums Tagore Grey – Guitars Tao Grey – Guitar and Bass Guitar
Disclaimer: This review is solely the property of Simon Black and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.
Buckcherry w/The Treatment & Rocky Kramer The Tivoli, Buckley, North Wales 01/11/2019 Review by Alun Jones
It’s ridiculous how long it’s been since I last wrote a gig review. Time to end that drought with a write-up of a great band in one of my favourite local venues: yes, it’s the mighty Buckcherry at the Tivoli in Buckley, North Wales.
Yes, you read that right – US rock’n’roll giants Buckcherry were playing the Tiv. This legendary venue has welcomed many amazing bands over the years, and happily I’ve seen quite a few of them. Also sadly missed quite a few too, so I was determined not to miss this gig. Tickets were snapped up, super quick style.
The Tivoli was buzzing on arrival, the place was already busy and best of all – the main bar was open! Opening band Rocky Kramer had already started their set, so I grabbed a beer with my compadre, Ben the Swede, and checked them out.
Rocky and his band were very professional, and obviously extremely capable musicians. It was a bit melodic and keyboard heavy for my personal tastes, but they seemed to go down well with the already excited audience.
Up next were UK rockers The Treatment. This was a more gutsy affair altogether: their hard rock was energetic and brash; the sound bringing favourable comparisons to a certain massively successful Australian band that I can’t quite remember the name of… It’s a long way to the top if you wanna Rock’n’Roll, but The Treatment put on a great show that carried them far.
Buckcherry have never been afraid of rock’n’roll. They seemed something of an anomaly in a post grunge world infested with sportsgear-wearing New Metal, but they stuck to their diamond-encrusted guns. And thank God they did. Opening with a thunderous version of Nine Inch Nails’ ‘Head Like A Hole’, their set was overflowing with swaggering anthems.
‘Lit Up’ was obviously a highlight, but the whole gig was an electrifying performance. Sadly, I missed the classic track ‘Crazy Bitch’ when I went to the bar (I know, please shoot me) but made it back for the encore of ‘Say Fuck It’, a gloriously foul mouthed monster that finished the night off.
My only complaint was that the gig seemed maybe 15 minutes too short – hence my poor bar visit timing. I thought we had a good half an hour left. No complaints though, Buckcherry put on a fully entertaining testament to sex, drugs and rock’n’roll that was worth every penny.
Disclaimer: This review is solely the property of Alun Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.
‘Diamonds In The Dust’ – Ones You May Have Missed! 2019 Album Round Up Part One Reviews by Paul Monkhouse
This year has been an absolutely bumper year for music and has seen a veritable tidal wave of superb releases. It would have been very easy to miss some great new recordings by bands large and small. Now, we don’t want you to miss some potential crackers so here’s a round-up of some of the best that are well worth checking out…
The Bloodshake Chorus – “Live At Epic Studios” Independent Released: 06/2019 8/10
East Anglia’s favourite rocking ghouls released this live album to great acclaim earlier this year and it truly catches their raw edged shows. Imagine, if you will, the perfect house band for The Munsters or The Addams Family and you get the idea of what these guys sound like, all psychedelic fuzz, 60’s covers and a truly entertaining show that will both thrill you and get you singing with happy abandon. Some off-kilter choices such as ‘These Boots Are Made for Walking’, ‘Jolene’ and ‘Delilah’ are superbly twisted but it’s on the soulful interpretation of ‘I (Who Have Nothing)’ that the band, in particular singer JJ Darby, shine showing their more artistic side. They may have been shunned by ‘Britain’s Got Talent’ after going down fantastically well in the studio but The Bloodshake Chorus will most definitely have the last (maniacal) laugh.
Whitesnake – “Flesh And Blood” Frontiers Music srl Release Date: 10/05/2019 8/10
David Coverdale has always been one of the finest singers in rock and after the highs of his relatively brief tenure with Deep Purple he has gone on to conquer the world with the hard rock colossus that is Whitesnake. Purists may prefer the late 70’s / early 80’s classic line-up that produced some of the most exciting bluesy hard rock of the era but things change and it was with the ‘1987’ album that saw the band really take flight. The hard rock template produced by that album has been pretty much adhered to over the years and this new release is more of the same but also is one of his best since that particular record was released. Whilst the line-up seems to have rotated on a constant merry go round and there is a really audible roughness in DC’s vocals on the first track it seems like the current mix of guitarists Reb Beach and Joel Hoekstra have really upped the ante and the album bristles with some later period classic Whitesnake raunch and roll. The old swagger is back and the tongue in cheek single ‘Shut Up and Kiss Me’, rockers ‘Trouble is My Middle Name’, ‘Get Up’ and in particular the laid back mainly acoustic ballad ‘After All’ are just some of the highlights on the release. A real grower and one that proves there’s still plenty of life in this particular ‘Snake.
This Finnish five piece shows that girls can rock just as hard as the boys and the album is jam packed with some truly brilliant party-ready hard rock and attitude. This isn’t dumb heads-down full-on metal but has a sense of melody and dynamics that shows a huge grasp of both instantly catchy songwriting that is imbued with real intelligence. With tracks like ‘Diz-Funk-tional’, ‘Alive’, ‘Made Of Scars’ and ‘Borrowed Time’ this has to be one of the best albums you’ll hear this year.
The Treatment – “Power Crazy” Frontiers Music srl Release Date: 22/03/2019 7/10
The Treatment have come a long way since they formed in the world famous academic environs of Cambridge eleven years ago and their brand of classic hard rock has seen them tour with the likes of Kiss, Motley Crue, Status Quo, Motörhead, Alice Cooper, Thin Lizzy, Steel Panther and Buckcherry amongst many others. “Power Crazy” is the quintet’s fourth album and their first with vocalist Tom Rampton who replaced the departing Mitchell Emms two years ago, the band gelling quickly and producing some of their strongest material on this set. Opener ‘Let’s Get Dirty’ sets their stall out with a number that takes its cues from the great AC/DC and could well point this album to be the perfect one to listen to whilst the Aussie giants work on their latest opus due next year. This isn’t to say that the band either ape Angus and Co or are derivative as that is far from the case, they have produced something that is full of all the best bits of the bands you love wrapped around some terrific songs and performances. ‘Bite Back’, ‘King Of The City’ and ‘The Fighting Song’ are worth the price of admission alone and there are another nine barnstormers to get your teeth into. Let’s get rocked!
Dead Daisies – “Locked And Loaded” Spitfire Music Release Date: 23/08/2019 7/10
Line-ups don’t get much starrier than The Dead Daisies. Having had past or present members of (amongst others): Whitesnake, Thin Lizzy, Journey, Guns n Roses, INXS, The Rolling Stones, Ted Nugent and Motley Crue in their ranks they can truly boast some of the biggest names in the business. This latest album is equally as stellar and is a collection of cherry-picked studio or live takes of some of the greatest songs in rock history, played by the various versions of the band since their inception. To hear them rip into such songs as ‘Midnight Moses’, ‘Fortunate Son’, ‘Rocking in the Free World’ and two Beatles numbers in the shape of ‘Revolution’ and ‘Helter Skelter’ is an absolute joy. Somewhat foreshadowing events, they also tackle ‘Highway Star’ and now can boast having Deep Purple’s Glenn Hughes join them following the recent departure of Marco Mendoza and John Corabi. Who knows what they will cover with ‘The Voice of Rock’ now fronting them, but, if it’s anywhere near as good as the tracks on this album, they’ll certainly be blowing the roofs off of everywhere they play.
Wayward Sons – “The Truth Ain’t What It Used To Be” Frontiers Music srl Release Date: 11/10/2019 9/10
Led by the inimitable Toby Jepson, this, the bands sophomore album, shows just what a great unit they have become and that many hours on the road touring up and down the country has really paid off. With all songs written by the former Little Angel there is a both a continuity of style and a chance for the band to stamp their own individual identities on the recording process. It is, at times, an angry album, railing against social injustice and the nonsense that is happening in the world and shows a real depth of connection and heart way beyond the usual hard rock fare. Sure, there is much to enjoy and the myriad of touches show influences from such bands as diverse as The Clash, Queen and ELO alongside some epic (but never overwrought) guitar work by Sam Wood, great keys by Dave Kemp, thundering rhythm provided by Nic Wastell and Phil Martini, all topped by the outstanding vocals of Mr Jepson. An album that at once looks back to some of the classic rock bands of the past whilst very much looking to the future and developing their own groove with tracks such as ‘As Black As Sin’ and ‘Feel Good Hit’ really showing the way. It rocks hard and makes you think and because of that it’s one of the very best and most passionate albums you’ll hear all year.
Down ‘N’ Outz – “This Is How We Roll” UMC Release Date: 11/10/2019 10/10
Initially a love letter to the great Mott the Hoople, Joe Elliot and his all-star band of merry men have really broken out on their own with this album full of classy new songs and a terrific cover of a Tubes classic. Magic happens when you take one Leppard, three Quireboys, a Vixen and a Wayward Son into the studio and the results are as stellar as the bands line-up. Kicking off with the scorching ‘Another Man’s War’, it’s pretty much full pelt into a magical and wonderful musical mystery tour from that moment onwards as the album twists and turns, a mix of full-on hard rock ‘n’ roll, old school boogie, lush ballads and a touching tribute to David Bowie in the shape of ‘Goodnight Mr Jones’. The songwriting is superb, the performances brilliant and the production huge. Don’t expect Def Leppard or The Quireboys as the Down ‘n’ Outz are neither but what they’ve produced is the next step in a fascinating evolution. Seriously, you must own this album.
The Swamp Born Assassins – Dead Man’s Train Carnivora Records Release Date: 01/06/2019 7/10
You can practically smell the bourbon the moment the first notes play. On this, the Assassins second album, the six-piece Glasgow rockers improve on and grow their passion for all things Southern Rock, surpassing their impressive debut with more layers of sound and a conviction that seeps through the recording like spilled blood on a wooden roadhouse floor. The moment you board this particular train, the title track blazing away, it’s an unstoppable adrenaline fuelled ride with no thoughts of putting on the brakes. Full of huge riffs, rapid fire rhythms, sway and thunder this really does run the gamut of the genre from heads down Southern boogie to Cajun blues that smoulder like a steaming bowl of gumbo. Amongst the highlights, ‘The Weeping Tree’ glistens with classic slide guitar, ‘Rise Up’ is full of Celtic spirit and ‘Crank It Up’ does exactly what the name suggests. Best listened to with a bottle of whiskey, this is a great meeting of North and South.
Disclaimer: This review is solely the property of Paul Monkhouse and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authoritie