Acid Reign – The Age Of Entitlement

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Acid Reign – The Age Of Entitlement
Dissonance Productions
Release Date: 27/09/2019
Running Time: 44:05
Review by Victor Augusto
9/10

It is very interesting how Thrash Metal bands that appeared in the middle to late 1980’s have some similarities. First of all, their main purpose and sonority were different from the first Thrash Metal bands created, probably as a natural evolution of this musical genre. The second thing I think is similar between them is how they have great technique to play riffs to a very high level. I don’t know why many of those bands quit early, but returned after decades, for our happiness. Did the name Death Angel come to your mind while reading this? Yes! It is an example of a band that has a similar history to UK Thrashers Acid Reign.

Born in 1985, they had a great career with two full albums ‘The Fear’ (1989) and ‘Obnoxious’ (1990) before quitting in 1991. Their rebirth happened in 2015, where, had they not disbanded, they would have been celebrating 30 years of noise and now their new offering is the amazing “The Age Of Entitlement”. On first listen, I could hear bands such as Havok or Overkill as reference points, but after careful listening it has been possible to catch personal influences and details which make Acid Reign different.

Despite their experience to create remarkable riffs and an excellent recording/production that increases the killer compositions further, it is the influence of classic British Heavy Metal bands in some melodies and also of Hardcore/Punk in a few songs that register with the listener. Of course these just complement the band’s style, because the Thrash Metal reigns supreme here.

The instrumental song ‘T.A.O.E. ‘shows an epical spirit before the destruction of ‘The New Low’ kicks in with the main Thrash Metal elements that we all know. Slowing down the rhythms, ‘Within The Woods’ is a long eight minute track with a more complex structure and (again) I could feel a little of the classic British bands in it with all the harmonies and tempos changes. The Hardcore influence is strong in the short song ‘Ripped Apart’ as is the Punk Rock vibe on the dancing ‘Blood Makes Noise’. The awesome ‘Sense Of Independence’ explores the heavier side of Acid Reign as does the track ‘United Hates’ which closes the album.

There is no doubt that Howard, Paul, Cooky, Pete and Marc knew exactly what they wanted and desired when making this album. “The Age Of Entitlement” shows a mature band that has taken all the heaviness from great Thrash Metal and has mixed that with many good influences from other genres to create their own identity. It is a magnificent way to show the world that Acid Reign is really back.

TRACKLISTING:
1. T.A.O.E.
2. The New Low
3. #newagenarcissist
4. My Peace Of Hell
5. Blood Makes Noise
6. Sense Of Independence
7. Hardship
8. Within The Woods
9. Ripped Apart
10. United Hates

LINE-UP:
Howard “H” Smith – vocals
Paul Chanter – guitars
Cooky – guitars
Pete Dee – bass
Marc Jackson – drums

LINKS:
http://acidreign.co.uk/
https://www.facebook.com/acid.reign.thrash/

https://www.instagram.com/acidreignukac/

https://www.youtube.com/user/AcidReignTV

 

Promo Pic2

 

 

Disclaimer: This review is solely the property of Victor Augusto and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

EMQ’s with OVERTOUN

Overtoun Logo

EMQ’s with OVERTOUN

Hi Everyone. Welcome to our new EMQ’s interview with Santiago, Chile/Boston, USA based Thrash/Groove/Death Metal band Overtoun! Huge thanks to guitarist Matias for taking part!

What is your name, what do you play and can you tell us a little bit about the history of the band?

Hi Rick and friends of Ever Metal, thanks a lot for having us here. This is Matias, guitarist from Overtoun.

We are a Death/Thrash Metal band formed in 2014. The group started in high school as a cover band, when Agustin (drummer) and I met. Both of us wanted to play songs from the 80’s thrash metal era, signing up in a lot of ‘battle of the bands’ competitions and stuff like that. We didn’t have a full time vocalist at the time but a couple of friends that could sing helped us out. I would say that the first official line-up was Agustin, me and Cristobal (bass), a friend of ours that we met from another school. The three of us started to write our first songs and original music.

After high school all of us went to college, and I went to study to Berklee in Boston in 2017. That’s when I met the missing ingredient, Yoav, who is a bass player that was in my same Metal ensemble. Yoav knows a bunch of people in the metal scene, so I asked him to recommend me a death metal singer for the band, and he told me that he could do the job. That’s when we started to record our debut album “Centuries Of Lies”, that was released in 2018.

Early this year we parted ways with Cristobal, and then our new bass player Guillermo joined the band. With him we did our first tour and right now we are in the middle of the recordings of our second album. It has been quite a ride ever since.

How did you come up with your band name?

It’s kind of funny how we came up with the name. One day we were hanging out in my house, it was one of the first rehearsals we had. Obviously we needed a name, something creepy and catchy that had a concept we could work on. We started looking online for the weirdest places in the world, and that’s when the Overtoun Bridge came out. It is a bridge from Scotland where dogs commit suicide. We liked the mystery of the place and how the name sounded, so we took it from there.

What country are you from and what is the Metal/Rock scene like there?

The three of us (Agustin, Guillermo and me) are from Santiago, capital city of Chile. Although Yoav lives in Boston, he is from Mexico City. I would say that the Chilean Metal scene is complicated, right now there are a lot of new and interesting groups that try to do things professionally, however the audience is not really that supportive of local bands. It is quite hard to get noticed and make people come to the shows. There are not big record labels or promoters that get interested in smaller bands. Nevertheless, we know that we have to work harder and harder to get our name out there, and keep improving our art and music, building a fan base and so on. We hope that Chilean Metal also gets recognized abroad, so everyone from the scene gets better opportunities to develop their careers.

What is your latest release? (Album, EP, Single or Video)

Our latest release is the video of ‘Aftermath’, a song from our first album “Centuries Of Lies”, that came up in December last year.

‘Centuries’ was a hard album to make, we had a lot of differences in the creative process that extended the production time, however we moved forward and I think we ended up with a good product, obviously there are a lot of things to improve, but we learned a lot from the process.

I’m glad that people liked the album, we’ve had nothing but great comments and support from international media and local press.

Who have been your greatest influences?

I think that our greatest influence will always be Metallica, Agustin and I have been Metallica fans since middle school and every time they come to Chile we try and go see them live. Also Pantera is a big influence for us, it was very painful to say goodbye to Dime and Vinnie. Death is another influence for the band, and now Guillermo got us into the music of Mudvayne, Jinjer, Arch Enemy, Epica and stuff like that. Yoav also showed us music of Power Trip, Blotted Science, Atheist, etc. I’m really happy for him that he got to be the new bassist for Atheist, he really deserves that gig.

What first got you into music?

For me personally what got me into music was my dad’s CD collection. He had a couple of records from Metallica, Guns ‘n Roses, Pearl Jam and such, and watching their videos online made me pick up the guitar. They all looked so cool and I could feel the connection that the artist had with the audience.

If you could collaborate with a current band or musician who would it be?

We’d be down to collaborate with Jinjer or Gojira, those two are the bands that are kind of spreading Metal all over the world, it would be really nice to do something with them.

If you could play any festival in the world, which would you choose and why?

It would be great to play Wacken Open Air. I think that ever since I started getting into Metal, Wacken was one of those festivals that always came to the picture as the biggest reunion of metalheads. That would be great for us, to share our music for fans from all over the world.

What’s the weirdest gift you have ever received from a fan?

Once when we were on tour, a strange looking man gave us an unpacked bar of chocolate that was melted. It was gross, but we laughed so hard and made up a lot of funny stories from that situation.

If you had one message for your fans, what would it be?

Thanks for all the support you’ve been giving us; without them nothing would be possible, at the end of the day all the music we create belongs to them! See you on the mosh pit!

If you could bring one Metal/Rock star back from the dead, who would it be?

I would bring back Dimebag or Cliff Burton. Both of them made a huge influence in my music, and to see them perform only once would be priceless.

What do you enjoy the most about being a musician? And what do you hate?

The thing I enjoy the most is playing live, there is nothing better than going up to the stage and headbang over the songs. What I hate is the feeling of self doubt that a lot of us have to deal with, it is a hard business so we have to keep our minds clear and do our best.

If you could change one thing about the music industry, what would it be?

Negativity and bringing down the work of other musicians; if we are collaborative and support the work of our colleagues the scene will grow, and that will benefit us all.

Name one of your all-time favourite albums?

Pantera – “Vulgar Display Of Power”

What’s best? Vinyl, Cassettes, CD’s or Downloads?

I’m a vinyl and CD lover, I think there is nothing better than the physical format. I’m a vinyl collector too, at home I have lots of albums from my favourite bands.

What’s the best gig that you have played to date?

I guess it was the last gig of our first tour, we were performing really good and the sound was badass, every now and then we watch videos from that performance, we hope to do that again in the future.

If you weren’t a musician, what else would you be doing?

Maybe astrophysics or geology, I like science a lot. Also I love cooking, maybe something like that would be cool. By the way Agustin cooks really good American-style burgers, haha.

Which five people would you invite to a dinner party?

I would invite the guys in the band and our producer Pancho. We always have fun together and every time we hang out there is good food on the table.

What’s next for the band?

At the moment we are planning live shows for 2020 and the release of our second album titled “This Darkness Feels Alive”. This new album is great, we all loved the process and how the songs turned out. We were recording in Estudio del Sur, the best studio in the country, it was really beautiful and inspiring. I hope you guys can have the new music soon!

What Social Media/Website links do you use to get your music out to people?

www.overtoun.com
https://www.facebook.com/OvertounOfficial/
https://www.instagram.com/overtounofficial/?hl=en
https://www.youtube.com/watch?v=QLi-joj2KFw
https://open.spotify.com/album/5jS0LFRA9jSubanKjZ4EZZ?si=HCqPHhK9Q9Wad8qWB6Yx9g

Jaffa Cakes! Are they a cake or a biscuit?

I’m not from the UK so I had to look it up online, haha. It looks like a biscuit but they say it’s a cake so I’ll go for cake.

Thank you for your time. Is there anything else that you would like to add?

Thanks a lot for the interview! We are really glad to be here and thank you for sharing our music!!

 

 

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

EMQ’s with BLOODMORES

01 Bloodmores Logo

EMQ’s with BLOODMORES

Hi Everyone. Welcome to our new EMQ’s interview with North West England based Metal band Bloodmores! Huge thanks to Alex Cunliffe for taking part!

What is your name, what do you play, and can you tell us a little bit about the history of the band?

Hey, I’m Alex, and I’m the guitarist/vocalist with Bloodmores, and we play a sort of mixture of thrash and death metal. We got together after I was introduced to Richard, by a mutual friend, who then introduced me to Connor. The 3 of us then wrote the tracks for our debut album “The Seeds Of Seasons” together, and then met Chris at a later date, who joined us on drums. We released our debut album about 8 months ago, and started performing live soon after that.

How did you come up with the band name?

It took us forever to settle on a name, and in the end we decided it was best to sort of come up with our own word, so that there’d be less chance of us coming across another band with the same name, in the future, and then have to start thinking about changing it. So the word ‘Mores’ is used to describe like a trait, or characteristic, of a society, and so Bloodmores is like our way of describing self-destructive, or self-sabotaging, traits of society, but as it turns out though, nobody pronounces this correctly. Mores is supposed to pronounced like ‘mor-ays’ but absolutely no-one we’ve met through the band has ever pronounced our name Blood-Mor-ays, so everybody, ourselves included, just pronounces our name as you might imagine, like Blood-Mores.

What country are you from, and what is the metal scene like there?

We’re based in the North-West of England, and the metal scene here is pretty great. There’s a bunch of venues nearby, in places like Bolton, Burnley, and Preston ETC, where we’ve played, but the main local metal scene for us is definitely in Manchester, there’s a huge metal scene there, with plenty of venues that accommodate our type of music.

What is your latest release?

Our latest release was our debut album “The Seeds Of Seasons” which we released on February 1st, this year, and it can be streamed/downloaded from all the usual services, like Spotify, iTunes, Amazon ETC, with physical copies available for purchase via our Bandcamp page.

What first got you into music?

I actually wasn’t too interested in music until midway through high school. Nightwish were the first band that really caught my attention, and they’re still my favourite band now, but from there my taste gradually got heavier, which started with Children Of Bodom’s first album “Something Wild”. I remember being amazed by how intense and fast everything was, especially the drums, and I’d hate to think how many times I listened to the opening track ‘Deadnight Warrior’ throughout high school.

If you could collaborate with a current band, or musician, who would it be?

Honestly too close to call for me, so I’m going to break the rules a little, and say either Peter Tägtgren, from Hypocrisy, or Seth, from Septicflesh.

If you could play any festival in the world, which would you choose, and why?

I would absolutely love to play Thursday night at Bloodstock one year. I’ve been to Bloodstock every year for the past few years, and the first night, in the Sophie Tent, is always awesome.

What’s the weirdest gift you have ever received from a fan?

Funny you should ask. We played in Manchester literally last night (at the time of writing this) and some guy just set up shop at the front of the crowd, midway through our set, and just pulls out paints and brushes et; and just paints a picture of us, as we’re playing our set. He sent us a picture of his artwork later on, which I’ll send in with this interview for you to check out, and I genuinely love it. It was so random, I’ve never seen this happen at a show before, but I’m glad he went for it, cause like I said, I do really like the painting he did of us.

02 Bloodmores Painting, to be inserted under weird gifts answer

If you had one message for your fans, what would it be?

Thanks for the support. We’re starting to see some familiar faces at numerous shows, and it really does mean the world to us that people are enjoying what we’re doing, and keep coming back for more.

If you could bring one rock star back from the dead, who would it be?

Probably Warrel Dane! I never got see Nevermore while they were active, as I didn’t really get into them until I met Richard, as they’re his favourite band, and so I would love for there to have been the chance for some reunion shows, cause I’m really into them now, and would have absolutely loved to have seen them live.

What do you enjoy the most about being a musician, and what do you hate?

I just love to play live, and to be on stage, I really thrive off it.

As for hate, it’d probably just be drama over small things that don’t call for it. Like, we’ve seen sound engineers kick up a huge fuss when they find out we use in-ear monitors live, for example, and it’s like a 5 minute set up to get them going, it’s really not a big deal.

If you could change one thing about the music industry, what would it be?

Getting paid something worthwhile from streaming services would be nice, cause right now we’re practically giving our album away on sites like Spotify.

Name one of your all-time favourite albums?

For me personally, one that’s especially influential for my work with Bloodmores, I’d have to say “Virus”, by Hypocrisy. For the other members of the band, I’d say either “This Godless Endeavour”, or “The Obsidian Conspiracy”, by Nevermore, for Richard. Connor would likely pick “Nocturnal”, or pretty much any other album, from The Black Dahlia Murder, and as for Chris, probably “As The Palaces Burn” by Lamb Of God.

What’s best: Vinyl, Cassettes, CDs, or Downloads?

I’d say CDs for everyday use, cause everyone has something that’ll play them, so if you want to show your mate a cool album, they can play it in the car, or just put it in their PS4, or whatever, so it’s nice and easy. However, I actually really like vinyl if the album has some cool artwork, and I feel like you can appreciate the artwork that bit more when you’ve got a bigger print of it. Albums like “Once More Round The Sun” by Mastodon, or pretty much any album by Baroness, where there’s a lot happening on the cover, and it’s really eye catching, and intricate, look great on vinyl.

What’s the best gig that you have played to date?

As previously mentioned, we played in Manchester very recently, and it was definitely up there with the best that we’ve done. There was so much audience interaction, and I even clocked a few people near the front singing along when we played ‘The Gauntlet & The Guillotine’. It was great to see so many people enjoying what we’re doing, and really getting into it.

If you weren’t a musician, what else would you be doing?

I could focus more on art, I suppose. I’ve done a few bits of concept art for designs and stuff for the band, which I can then use to show a designer the kind of ideas I have in mind, but my rough artwork is nowhere near high enough quality to use as a final design. If I weren’t into playing and performing so much, then maybe I could spend more time focusing on art and design stuff.

Which five people would you invite to a dinner party?

Ozzy Osbourne would definitely be a laugh.

I think Ola Englund would be awesome to hang out with too, I watch a lot of his videos online, and he seems super knowledgeable on guitar gear, but also a lot of fun too.

Joe Duplantier would be cool too, obviously a lot of his lyrics are centred around the environment, and preservation ETC, which I have some similar themes going on in my own lyrics, so it’d be cool to chat with him about it all.

I already mentioned him earlier, but Peter Tägtgren would be on my list too, again, to talk about lyrical content. I’m a huge Hypocrisy fan, and it’d be great to just chat about the various influences for his lyrics.

Lastly, I’d pick Vicky Psarakis, from The Agonist. I was already a big fan of The Agonist for their first three albums, and was initially apprehensive when Alissa left for Arch Enemy, cause she’s clearly a very talented vocalist, and I wasn’t sure how they were going to go about replacing her, but Vicky just exceeded any and all expectations I had. For me, I’d say she’s the best female vocalist, that I know of, in metal right now, and the footage that appeared online recently, of her performing the ending low vocals to In Vertigo, off their latest album, Orphans, is unbelievable. I’m going to see them with Jinjer later this year, and while Jinjer obviously have an amazing female metal vocalist too, for me, Vicky is just crushing it. I think she’s incredible.

What’s next for the band?

We’re heading up to Scotland for the first time soon, as well as spending some time working on some new material, which we’re looking to finish recording, and get something new released as soon as possible.

What social media/website links do you use to get your music out to people?

I post on our Facebook page, and answer all the messages there, as well as the ones that come in to our email address, and Richard handles our Instagram page. None of us are particularity into social media, and don’t really post much on our personal pages, or accounts, but we do our best to utilize it for the band, cause it feels like everyone around us is constantly using it.

https://www.facebook.com/bloodmores/
https://www.instagram.com/bloodmores_official/
https://open.spotify.com/artist/5GB3P7ONShfLLYL6mzRchZ
https://www.youtube.com/channel/UCtl_7OTFnMxjcJQTd0n4Ufw

Jaffa Cakes: are they a cake or a biscuit?

Hahaha It actually kind of bugs me that this is even an argument that people have. It literally has the word ‘cake’ in its name, what more do you need?

Thank you for your time, is there anything else that you would like to add?

Just thanks for having us. We’re still very much an up-and-coming type band, so we really appreciate your support. Cheers! 🙂

 

03 Bloodmores Pic

 

 

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

EMQ’s with FATEFUL FINALITY

Fateful Finality Logo

EMQ’s with FATEFUL FINALITY

Hi Everyone. Welcome to our new EMQ’s interview with Weil der Stadt, Germany based Thrash Metal band Fateful Finality! Huge thanks to Guitarist/Vocalist Paddy for taking part!

What is your name, what do you play and can you tell us a little bit about the history of the band?

Hi, I’m Paddy, one of the two guitar playing vocalists. We are a thrash metal band that has played together since 2007 in this set-up.

How did you come up with your band name?

We actually had a kind of brainstorming to figure out a name for our band many years ago and with “Fateful Finality” we were finally satisfied. Ok, even though it maybe not the catchiest name to come up with, but we absolutely appreciate the profound and severe meaning.

What country are you from and what is the Metal/Rock scene like there?

We come from the South of Germany and aside of a quite established music industry, we are proud to have a pretty strong and faithful metal scene. According to that, we also have plenty of good metal bands around and nice festivals going on.

What is your latest release? (Album, EP, Single or Video)

After our last record “Mankind” (Fastball-Music, 09/2017) we have recently released two brand new singles off our upcoming album “Executor” (Fastball-Music, 10/2019). Both ‘Fire And Brimstone; and ‘They Breed The Dead’ are available as streams on Spotify and as videos on YouTube!

Fire And Brimstone
https://www.youtube.com/watch?v=cszUyGyONg4

They Breed The Dead
https://www.youtube.com/watch?v=O-LK-24_dx8

Who have been your greatest influences?

Some of the main bands we listen to are Machine Head, Lamb of God, Testament, The Haunted, Decapitated… to name only a few bands that perhaps were part of shaping our version of Modern Thrash Metal.

What first got you into music?

Personally my mom listened to a lot of music when I was a kid. Since the main genre was country music like Johnny Cash and such, the acoustic guitar was my first choice. And as the years went by and I started making music in a band my interests and needs evolved to what I do now.

If you could collaborate with a current band or musician who would it be?

Collaborating with other bands, especially the ones we appreciate, is what we see not just as a personal goal, but as a great achievement for us as a band. And of course we would target such a collaboration with bands that influenced us and that we admire for what they do. Again speaking of the guys from Machine Head, Lamb of God, Testament, The Haunted, Decapitated… and again, just to name a few.

If you could play any festival in the world, which would you choose and why?

Since we had the honour to be part of the legendary Wacken Open Air, we now aim to experience similar breath-taking festivals like Hellfest in France, Resurrection Fest in Spain, Nova Rock in Austria, Graspop in Belgium or of course Summer Breeze, which is based just about 2 ½ hours from where we live.

What’s the weirdest gift you have ever received from a fan?

So far there haven’t been any gifts from fans as I remember, but it was quite surprising when a female fan in the front row took off her shirt and showed off during a show.

If you had one message for your fans, what would it be?

Thank you guys for your awesome support so far! Come to see us live, tell your friends about us and let´s have the time of our lives together!

If you could bring one Metal/Rock star back from the dead, who would it be?

Lemmy Kilmister

What do you enjoy the most about being a musician? And what do you hate?

For me personally it is just a stunning feeling to be on stage, playing our songs and seeing people celebrating what we do. It absolutely overwhelming to experience how people appreciating what we created ourselves. I guess the down side of being a musician is we have the things that do not relate to making music like loading after the show 😉

If you could change one thing about the music industry, what would it be?

I’m not sure how to realize it, but I would make it easier for talented bands (very subjective!) make a living by making their music, without being broke and burned out after only a few years.

Name one of your all-time favourite albums?

Right now I’m very into Decapitated’s latest album “Anti Cult”, but to mention an older record, I´d say The Haunted’s “The Dead Eye”.

What’s best? Vinyl, Cassettes, CD’s or Downloads?

I think every media has its place in time and in usage. So for everyday and on the road I mostly use streaming services like Spotify. CD’s are still my main go to when I want to buy merchandise at a show or when I’m driving in my car. And when I really have a lot time I like to enjoy the ceremony of putting on Vinyl or Cassettes. …so it’s quite reasonable to own the same album multiple times 😉

What’s the best gig that you have played to date?

Beside the great experiences in clubs, pubs, festivals and on tour, I must say the most overwhelming show from my point of view so far, was Wacken Open Air 2016.

If you weren’t a musician, what else would you be doing?

Actually we all have normal jobs beside the band life. So I guess without a band we would go ahead with our normal office jobs and try to find another way to express our opinions and creativity.

Which five people would you invite to a dinner party?

Simply my loving wife and my band!

What’s next for the band?

Main focus is on the release of our upcoming album “Executor” (Fastball-Music, 10/2019) and the corresponding shows, merch and videos.

What Social Media/Website links do you use to get your music out to people?

We mainly have our music online on Spotify, but our videos get posted all over Facebook, Instagram and Youtube.
https://www.facebook.com/Fateful.Finality.Metal/
https://www.instagram.com/fatefulfinality_official/
https://www.youtube.com/channel/UCdvWuj6dDg9uRrXK6ImG_uQ
https://open.spotify.com/artist/7HTnD5b1haLgtDw5E00h39

Jaffa Cakes! Are they a cake or a biscuit?

Biscuit!

Thank you for your time. Is there anything else that you would like to add?

Thank you for having us for this interview! Best regards to all the readers. Feel cordially invited to listen and watch our stuff online and of course to come to our shows!

 

 

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

 

EMQ’s with DISPOSABLE

Logo

EMQ’s with DISPOSABLE

Hi Everyone. Welcome to our new EMQ’s interview with Edinburgh, Scotland based Thrash band Disposable! Huge thanks to Lead Vocalist/Bassist Billy Robertson for taking part!

What is your name, what do you play and can you tell us a little bit about the history of the band?

I’m Billy, the bass player and lead vocalist for Disposable. We’re a “hybrid” thrash band from Edinburgh. I’m not sure what that actually means but someone used the phrase once and I thought it was neat. We started in 2009 as children, and have since released two albums and an EP. We’ve only really been gigging properly and taking this “seriously” since our debut album “At The Foot Of The World” came out in 2014. We’ve done a whole bunch of cool tours in the UK and we’ve just finished our first European Tour, so things are going well at the moment!

How did you come up with your band name?

We used to be called “Disposable Heroes”, after the Metallica song. I think a lot of people were turning up to shows expecting a Metallica cover band and being disappointed when we played original stuff. Plus at the time we were little kids and my wardrobe was entirely Metallica Tshirts. We knocked off the ‘heroes’ and stuck with Disposable, which actually kind of works now as a lot of our lyrical content is about the fragility of self. Maybe I’m just clutching at straws there though.

What country are you from and what is the Metal/Rock scene like there?

We’re from Scotland. At the moment the scene up here is actually pretty good, especially in Edinburgh which is where we are from. There are a lot of like-minded people up here at the moment who are trying to create something from nothing, and A LOT of great bands. So aye, it’s pretty healthy. Shout out to the C.S.T Elite Union Squad – never change.

What is your latest release? (Album, EP, Single or Video)

Our latest release is “Suffocator”, which is our second full length album. We’re really proud of it. It is definitely our best material so far and the feedback has been great! It’s a bit of a sub-genre mash up with the roots mainly in thrash. We think it’s pretty cool.

Who have been your greatest influences?

Our greatest influences at the moment are each other, our friends, and the other amazing, hardworking bands in the underground scene right now. Anyone that puts passion into their own creativity or encourages you to put it into yours is an inspiration. Just nice, supportive people really.

What first got you into music?

“Ride The Lightning” was my first metal album. A member of staff at an after school club I went to as a child noticed I was growing my hair and told me I should listen to it. I did, and here we are.

If you could collaborate with a current band or musician who would it be?

Kingpin from Glasgow! Ideally without us, though. And it’d be a full album. Just release a full album, Kingpin.

If you could play any festival in the world, which would you choose and why?

I found out there is a festival in Kenya called Nairobi Metal Festival, which looks cool. I don’t think there is a lot of metal happening over there (maybe that is ignorance, though), but it just seems like it’d be a blast and a culture shock, while still just being a bunch of lads hanging out to listen to riffs.

What’s the weirdest gift you have ever received from a fan?

Not really weird, but my friend Hannah just straight up gave us 40 euros for the Euro Tour and we took 10 euros each and put it towards entry to a Theme Park in Germany. I thought it was funny to not buy merch, just give over cash. We also got a drawing of a pig in a Disposable Tshirt one time. I can’t really think of many more gifts we’ve received.

If you had one message for your fans, what would it be?

Thank you! Keep supporting underground bands!

If you could bring one Metal/Rock star back from the dead, who would it be?

Coco from Defacer!

What do you enjoy the most about being a musician? And what do you hate?

I enjoy pretty much everything about it. Gigging, writing, recording, hanging out with friends, meeting new people, going to new places, arguing about lyrics, using Ikea bags as pillows on tour. The only thing I really hate about it is when someone comes up to the merch stand and says £15 is too expensive for a T-shirt.

If you could change one thing about the music industry, what would it be?

People wouldn’t look at me like I’m a spoilt brat when I ask for a £100 guarantee.

Name one of your all-time favourite albums?

I’ve got so many, but I’ll go for something different than my usual response. “Dead Set” by King Parrot is probably my favourite release in the last 5 years. It’s pretty much perfect for me.

What’s best? Vinyl, Cassettes, CD’s or Downloads?

They’ve all got their place, I suppose. I pretty much listen to music exclusively online now, so downloads, it’s just so easy. I think as a product, vinyl is the best, just because you can hold it in your hands and be like “this exists, it’s not a shitty plastic case and it looks beautiful”.

What’s the best gig that you have played to date?

There have been a lot that are really, really good. My personal favourite has to be one of our album launch shows in Edinburgh probably, just because of the sentimental value. We recently played a sold out show in Switzerland which was also amazing for obvious reasons – our first sold out show in mainland Europe!

If you weren’t a musician, what else would you be doing?

I feel quite comfortable as a performer, so probably still something in that kind of area. I would love to be an actor, but fuck that. I also enjoy painting and stuff, so something creative-arty for sure. I’d quite like to be that bloke that goes on tours with bands and organises social media and merch and stuff, that’d be cool. It seems like I’m pretty much hardwired to want to do something that takes a lot of work but pays fuck all for some reason.

Which five people would you invite to a dinner party?

The Disposable boys Jack, Oliver and Liam, obviously! Doesn’t really matter who else!

What’s next for the band?

We just finished our Euro Tour and have a fairly quiet summer. Then as of August through to October we have about 13 or 14 shows in the UK and Ireland which is our “UK Tour” for the new album. We’re also looking into Europe again next year and laying the foundations for that. Plus we just started writing album 3 and also have plans for another release, possibly this year, too. So pretty busy!

What Social Media/Website links do you use to get your music out to people?

We use Facebook, Instagram, Twitter and Bandcamp. Search Disposable on Facebook or go to www.facebook.com/DisposableThrash. Instagram is @disposablethrash, Twitter is @Dispo_Thrash and the bandcamp link is www.disposablethrash.bandcamp.com. We also have a merch store which is www.disposablethrash.bigcartel.com

Jaffa Cakes? Are they a cake or a biscuit?

They’re wee cakes. Otherwise they’d be called Jaffa Biscuits. They’re just biscuit sized, which adds a bit of a question mark for some reason. But you wouldn’t just start calling a biscuit that is the size of a cake a cake just because it’s big. You’d be like, “look at that big biscuit!” Here how fucking nuts is it that Americans call scones “biscuits”. That is fucking mental. That is the real question.

Thank you for your time. Is there anything else that you would like to add?

Thank you Ever Metal for the interview! I really appreciate it. Thanks to all the Disposable followers out there. Long live the CST! Be kind to people!

 

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

God Shaped Devil – Dark Fields

Dark Fields Cover

God Shaped Devil – Dark Fields
Self Released
Release Date: 10/07/2019
Running Time: 42:07
Review by Beth Jones
10/10

Being a Northerner, one thing that really pleases me is the amount of quality bands from around these parts that are popping up at the moment, and in particular, that of the Manchester scene. This couldn’t be truer of the subject of this review – Manchester based, God Shaped Devil, with their debut album “Dark Fields”.

I first discovered these guys at Badgerfest last year, where they were my band of the weekend, without question. I have been really looking forward to the release of this album since then, and was honoured when they asked us to be the first to give it a listen.

Fronted by Vocalist and Lead Guitarist Bécy Füzéri (Bex), with Matt Morris on Rhythm Guitar, Lajos Borsi on Bass/Vocals, and Luke Ellwood on Drums, they describe their sound as an explosive combination of thrash and groove metal with their own artistic flair. They self-recorded and released their initial EP in 2015, which was very well received, and featured in Terrorizer Magazine. The Manchester underground scene took to them straight away and since then, they have been gigging and working on material for this forthcoming release, which has helped their sound to evolve, and become what it is today, with the addition of Matt on Rhythm Guitar in 2017, making the original three piece into a four piece.

I love it when a band manages to catch me straight away, and I can safely say that God Shaped Devil have done that, both live, and now with this release. From the first chord on the first track, I knew that this was going to be good. Chunky, meaty and down-tuned, it grabs you by the guts and doesn’t let go. The whole album is an up-tempo, thrashy groovefest that you cannot help but bang your head to. It is full on and in your face, with Bex’s solid screams, and the deep growling backing vocals of Lajos, and it is peppered with atmospheric guitar sounds, as well as some beautiful solo work and electrifying rhythms from the bass and drums, which combine to give the whole thing an excitingly terrifying feel – it would not be out of place as the soundtrack to an apocalyptic, end of days, movie. Judging by the track titles, this (I’m hoping) is the feel that they have gone for – ‘Drowning Gravity’, ‘Deadly Sign’ and ‘Becoming Evil’, being just a few examples.

I like to try and write a bit about my favourite track from an album in a review, but I can’t with this album, because I can’t pick which is my favourite – they are all absolute bangers! I do love the first track, ‘Guiding Light’, because it grabs you straight away, and sets the tone for the whole thing. The guitar solo in the middle of ‘Drowning Gravity’ also deserves a special mention, because it is a real face melter!

I am seriously blown away by this album. The creativity is superb, and there are nods to so many styles in it, there is literally something for everyone. Musically, it is top quality, and displays their natural talent, and a professionalism that reaches far beyond their relatively new status. It is also brilliantly recorded and produced, considering it is all their own work. They have such a clear direction, and vision of what they are trying to do both within this album, and as a band, that it is truly enlivening. I really couldn’t give this album less than a perfect score, because I am struggling to find anything that I don’t like about it, and as a debut it is capable of blowing a great many other albums from longer standing bands completely out of the water! On our first listen, I felt like some parts may have been a little too low in the mix, but it turns out that was just our speaker being a bit pants! Listening again on a different system has cleared up that beef, so I literally have no constructive criticism to give. It’s just so bloody good! Damn! Short of something mind blowing, this is definitely going to feature very highly in my top ten albums of the year. I really hope they can sustain this level of superbness for a long time, and if they do, they are going to be one hell of a force to be reckoned with!

Well done chaps!

TRACKLISTING:
01. Guiding Light
02. Drowning Gravity
03. Deadly Sign
04. Barbed Wire
05. Becoming Evil
06. Delusion
07. Bloodstain
08. Dark Fields

LINKS:
https://www.facebook.com/godshapeddevil/

https://www.instagram.com/godshapeddevil/
https://godshapeddevil.bigcartel.com/

https://www.youtube.com/channel/UCFuplcVPg4jeuQsdCUtWK6g

 

God Shaped Devil Promo Pic!

 

Disclaimer: This review is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

EMQ’s with PurEnvy

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EMQ’s with PurEnvy

Hi Everyone. Welcome to our new EMQ’s interview with Australian Metal band PurEnvy! Huge thanks to them for taking part!

What is your name, what do you play and can you tell us a little bit about the history of the band?

My name is Josip Dane Malkoč and I am a lead guitarist/vocalist in a modern, melodic thrash band from Australia. PurEnvy hail from the steel city of Newcastle, NSW. Fusing elements of thrash metal with harmonies reminiscent of the New Wave Of British Heavy Metal, PurEnvy have been perfecting their craft for many years, appealing to a wide range of heavy music fans, and attracting a loyal following along the way. After the 2013 release of their first album “As The Light Fades”, PurEnvy focused on refining their style, and released their second album “Redemption” in June 2018. “Redemption” received overwhelmingly positive reviews, including a feature on Wall of Sound’s podcast “Up Against the Wall”. The accompanying video for the single “Deception” has also gained popularity on social media for its creative take on the unique Australian metal scene. PurEnvy have been honing their live performances up and down the east coast of Australia, developing an electric and entertaining stage presence in all types of venues. With two appearances at Sydney’s iconic Steel Assassins festival under their belt, PurEnvy are ready to showcase their music to a wide variety of audiences both at home and abroad.

How did you come up with your band name?

One of the original members had decided on the name prior to myself joining the band.
What country are you from and what is the metal scene like there?
We’re from Australia. The scene is definitely thriving in specific areas such as Brisbane and Melbourne. Unfortunately in other areas it’s surviving to the say the very least. We believe that we have contributed massively in keeping the Newcastle metal scene alive and it continues to grow with every show we play.

What is your latest release?

Our latest release is Redemption which you can stream here: https://open.spotify.com/album/3SnMYZR9tjRGTGVZ0PYRIY

Who have been your greatest influences?

Metallica, Iron Maiden, Trivium, At the Gates, Iced Earth, All That Remains, Yngwie Malmsteen.

What first got you into music?

The interest was sparked from being in a high school music class and I felt drawn to it. Later on in life I became obsessed with music, especially heavy metal. I grew up listening to punk records from bands like Green Day, Millencolin and Offspring. If I recall correctly a family member first introduced to me to Metallica at a young age and that would be the first time I ever heard Fade to Black. I was blown away, in awe, but I knew that I wanted to pickup a guitar and learn to play.

If you could collaborate with a current band or musician who would it be?

Definitely Matt Heafy from Trivium! He has been an inspiration to me for quite some time and would love to have the opportunity to collaborate with someone like himself.

If you could play any festival in the world, which would you choose and why?

Wacken!! The ultimate dream for any heavy metal band!

What’s the weirdest gift you have ever received from a fan?

Hahaha can honestly say that it hasn’t happened yet.

If you had one message for your fans, what would it be?

Thank you! Knowing that there are people around the world that love the music we create is the most fulfilling feeling I’ve ever experienced.

If you could bring one rock star back from the dead, who would it be?

Cliff Burton…Maybe “Load” and “Reload” never would have happened hahaha.

What do you enjoy the most about being a musician? And what do you hate?

The hour that you get to spend performing your art with the people that mean the most to me. Definitely travelling, especially the long hauls in our country.

If you could change one thing about the music industry, what would it be?

I’m not quite sure how to answer this question. My apologies!

Name one of your all-time favourite albums?

“…And Justice For All”, “Master OF Puppets”, “Shogun”, “Slaughter Of The Soul, “Reign In Blood” and “Nocturnal”.

What’s best? Vinyl, cassettes, CD’s, downloads or streaming?

I’m a massive fan of Vinyl and CD’s although I’ve realised that streaming music is more important than what the majority of musicians believe. I think streaming plays a crucial role in growing an artist’s fan base outside the realms of Facebook, Instagram, and Twitter and when used to its full advantage services like Spotify become an invaluable tool.

What’s the best gig that you have played to date?

Maryborough, QLD. We didn’t know what to expect from playing there and let me tell ya, our jaws were dropping. I’ve never witnessed a crowd that intense and involved and can only be described as chaos.

If you weren’t a musician, what else would you be doing?

I don’t like to think about that haha!

Which five people would you invite to a dinner party?

James Hetfield, Matt Heafy, Anders Bjorler, Ola Englund and Jacob Hansen!

What’s next for the band?

Complete an East Coast run of shows, write and record a new album and aim to get overseas asap.

What social media links do you use to get your music out to people?

Spotify:
https://open.spotify.com/artist/52e9D7HvJfo8Rfl5nDVc4x?si=9PYzOH1bQ_qFQVqkearnWA
Youtube:
https://www.youtube.com/channel/UCRc56OMbf6C7HMBdmo0VG_w
Facebook:
https://www.facebook.com/purenvyofficial/

Jaffa Cakes? Are they a cake or a biscuit?

I have no idea what they are hahaha!

Thank you for your time. Is there anything else that you would like to add?

I’m glad that I took the time to do this and I thoroughly enjoyed it 

Stay Metal \m/

 

EMQ_s with Purenvy

 

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Altitudes & Attitude – Get It Out

Get It Out Cover

Altitudes & Attitude – Get It Out
Megaforce Records
Release Date: 18/01/2019
Running Time: 46:32
Review by Stephen Moss
8/10

Thrash Metal has what’s called “The Big Four”, Anthrax, Megadeth, Metallica, and Slayer, so-called because they supposedly influenced all other Thrash bands.

Altitudes & Attitude is a collaboration of two bassists from “The Big Four”, Frank Bello from Anthrax who handles vocal duties, rhythm guitar and bass solos and Megadeth’s David Ellefson, who also plays rhythm guitar and bass. On the drums is Jeff Friedl from “A Perfect Circle” plus many guests who add their creative spin, including, Christian Martucci (Stone Sour), Ace Frehley (Kiss), Jon Donais (Anthrax/Shadows Fall), Nita Strauss (Alice Cooper/The Iron Maidens), Gus G. (Firewind/Ozzy Osbourne) plus Russ Parrish (‘Satchel’ from Steel Panther) and “Get It Out” is a follow up to their self-titled 2014 EP!

What Altitudes & Attitude do extremely well is develop their own sound. This is in no way, shape, or form simply a cut and paste replica of their original bands. Fans expecting an extension of Anthrax or Megadeth will be disappointed.

The point of side projects is to explore new musical paths, try new sounds that are not always the same as the members main band, take risks, and to experiment musically. Bello and Ellefson do just that. Bello pointed out that “It’s a perfect moment for fans to see other sides of us as artists — not just as musicians and performers, but as artists.

However, that’s not to say that there aren’t moments of good ‘ole thrash metal. For example, there’s a pretty shredding solo from Nita Strauss in the song ‘Part Of Me’ and ‘Out Here’, ‘Slip’ and ‘Late’ are all essential tracks! “Get It Out” is packed with solid rock tracks, catchy lyrics, and amazing artists. Personally, I think this album will appeal to old fans of “The Big Four” as well as younger Rock/Metal fans who appreciate the more current and less dated style.

One thing I found surprising is the overall tone of the album. Some songs have more of an upbeat feel to it yet Bello said about the album;

A lot of these lyrics are about the inner struggles of my life, and about the rage that has built up from my life experiences—my brother’s murder; my father abandoning my family when we were young, leaving us with no funds to pay the bills. The ups-and-downs of life in general. I’ve always had an anger inside that music really helps me deal with.”

These songs deal with some deep issues and I would expect music that deals with such dark and meaningful topics to be full of rage, emotion and have an overall heavier feel.

However, I found myself missing the seriousness of the tracks because many sound so upbeat and happy but, overall, I have really enjoyed listening to Altitudes and Attitude and “Get It Out” is and album I will definitely keep returning to!

TRACKLISTING:
01. Get It Out
02. Late
03. Out Here
04. Part Of Me
05. Slip
06. Talk To Me
07. Leviathan
08. Cold
09. Another Day
10. All There Is
11. Booze And Cigarettes
12. Tell The World
13 Here Again

LINKS:
http://www.altitudesandattitude.com/
https://www.facebook.com/altitudesandattitude/


https://www.youtube.com/channel/UCNL8h-ibZ5sIBcFNZfFwC0g

Promo Pic1

 

Disclaimer: This review is solely the property of Stephen Moss and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Solitary – Nothing Changes: 20th Anniversary Edition

Nothing Changes, 20th Anniversary Edition Cover

Solitary – Nothing Changes: 20th Anniversary Edition
DOC Records
Release Date: 20/08/2018
Running Time: 56:44
Review by Dawn King
9/10

It was the mid-90’s, thrash metal was dying and the heady days of “The Big Four” were fast becoming fading memories. But, one man in the north of England wasn’t prepared to sit around and reminisce about the good old days.

Rich Sherrington had always had a dream to follow in the footsteps of his heroes, Xentrix, and in 1994, he formed his own band, Solitary, and against all reason and sense, started the thrash comeback!

The first Solitary album “Nothing Changes” was released in 1998 on Holier Than Thou Records and bristling with its snarling riffs and ready to fight attitude, even the press couldn’t deny the intensity and integrity of the album. They received positive reviews from major magazines such as Terrorizer, and they hit the road for two UK tours. The rest, as they say, is history!

In 2008 they released the album “Requiem” and in 2017, they released “The Diseased Heart of Society”, which was harder, faster and more focussed, and was welcomed with open arms by a society that was much more tolerant of thrash metal.

Now, twenty years later, they have re-released the album that originally set them on their road. There is new artwork, a host of bonus tracks, and a little injection of modern-day studio wizardry, to give the album a heavier and more aggressive sound and it is only available on CD, with NO digital platform whatsoever, so get your copy while you can!

For those of us who weren’t around the first time this was released, there are five bonus demo tracks tagged onto the end of the album, showing just how their sound has changed. Maybe they included these to tempt newer fans to their music or maybe it was just to give older fans a taste of what was, only the band will know that, but either way, I think they are a great addition to an already awesome album.

From the opening bass lines of first track ‘Within Temptation’ it’s obvious this band is not messing around. With chunky riffs and snarling, menacing vocals, these guys are every bit as good as the original thrash bands of the 80’s. With the likes of Metallica, Machinehead, Pantera, Testament and Slayer as influences, they should have been the forefathers of a new wave of UK thrash, so why do they only have just over 4,000 likes on Facebook? (and yes, I do know that Facebook likes is NOT an indicator of how good a band is, before anyone jumps on this comment!)

This no-frills album is fantastic from start to finish, just the type I could listen to repeatedly and still not be bored with it. If this album was their debut back in 1998, then what a debut! There are very few bands that crash onto the scene with a gem of a premier, but these guys should have done just that!

Being a thrash girl at heart, this album gives me everything that I need. The riffs are heavy and meaty, hitting you right in the belly, the trembling basslines and galloping drums are, in a word, superb, and the vocals have just the right amount of grit to give a gruff sound without descending into the dirty vocals that I so hate!

Stand out tracks for me would have to be ‘A Second Chance’ with its hints of Metallica and Pantera and ‘The Downward Spiral’ a brutal groove track that will have you banging your head from the very first note but, in all fairness, there is not a bad track on this album.

It was the advance of the Seattle ‘grunge’ sound that originally contributed to the downfall of thrash in the 90’s and, at the time, I was a huge fan of the grunge scene, thrash not really hitting my radar until later (I was in my late teens so don’t hate me!)

Looking back, I wish I was that little bit older so I could have appreciated this when it was first released. I am, however, now a huge fan and will definitely be buying anything else they have done.

Ever Metal recently reviewed a gig they did in Wrexham and I so wish I could have been there for that! But any time they hit the South East now, I will be in attendance!

These guys are simply awesome!!

TRACKLISTING:
01. Within Temptation
02. The Downward Spiral
03. A Second Chance
04. Bitterness
05. Nothing Changes
06. Clutching Straws
07. No Reason
08. Twisted
09. Fear
10. A Second Chance (1996 Demo)
11. The Bottom Line (1996 Demo)
12. What Price (1996 Demo)
13. No Reason (1996 Demo)
14. Fear (1996 Demo)

LINKS:
http://www.solitary.org.uk/
https://www.facebook.com/Official.Solitary/

https://solitary94.bandcamp.com/

https://www.youtube.com/user/solitarypreston?feature=watch

 

Solitary 2018

 

Disclaimer: This review is solely the property of Dawn King and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Wreck-Defy – Remnants Of Pain

Remnants Of Pain Cover

Wreck-Defy – Remnants Of Pain
Self-Released
Release Date: 01/02/2019
Running Time: 44:58
Review by Dawn “The Metal Priestess” King
8/10

When Rick asked me to do him a favour and squeeze a review in for him, there were six words in his message that stood out to me – “former members of Annihilator and Testament.” That was all I needed to say yes as I am a mahoosive fan of both, especially Testament, and I always love coming back to my roots.

Wreck-Defy are a thrash band from Thunder Bay, Ontario in Canada and as previously mentioned features former members of Annihilator, Testament and Demolition Hammer. They were formed in 2016 when Matt Hanchuck got together with his friend Justin Steer, who had agreed to do the vocals on the debut record “Fragments Of Anger”, which was released in 2017. Shawn Drover from Megadeth was brought in to play drums, and his brother Glen, also ex-Megadeth, agreed to mix and master the album.

Fast forward to 2019 and 1st February saw the release of their latest offering “Remnants Of Pain.” With a new line-up featuring Matt on guitars, Aaron Randall, ex-Annihilator, on vocals, and Greg Christian, formerly of Testament, on bass, they used studio session drummer Dave O’Neal for the album, but have since been able to recruit the amazing Alex Marquez from Demolition Hammer and Solstice for future shows and tours.

The album has been mixed, mastered and edited by Juan Urteaga, who has also produced for Testament, Heathen, Vicious Rumors and Dragonlord, to name a few!

So, what of the new album? Well, this is nothing short of a thrash-fest that will have you banging your head from start to finish!

It has all the hallmarks of a great thrash album, from the rumbling, frantic drums, to the faster than lightning guitars and raw, aggressive vocals. Says Matt; “the new record has a street level sound that is a throwback to the burgeoning thrash movement from the mid 1980’s with a more modern-day production value,” and this is exactly the reason why I love it so much.

I always said I was born too late as a lot of the music I listen to now was around before I was old enough to appreciate it, but I love the fact there are bands out there who want to bring this sound back again. For the young ones like me (!) it gives us the chance to live through something we would otherwise have missed and I, for one, would love to see a full thrash revolution happen now.

The album deals with a lot of social issues, says Matt; “lyrically, it’s about many of the negative aspects in life, such as war, addiction, tyranny etc,” and I would be keen to sit down with a copy of the lyrics as I listened to it. There are a lot of concerns that need dealing with in society these days, and if we can’t get these dealt with through other means, what better way than through music?

The two stand out songs on the album for me were ‘Broken Peace’, a track FULL of fast, frantic riffs and drumming, and ‘Looking Back’ which has a strong Testament feel to it, but there really are no bad tracks on the album. With nine tracks lasting just under three quarters of an hour, this truly is a feast for your ears!

If you love your thrash metal, as I do, then I highly recommend you go and buy this album. You would be missing out on a right little gem!

TRACKLISTING
01 Killing the Children
02 Broken Peace
03 Riverview
04 Looking Back
05 18oz of Chrome
06 The Divide
07 Art Of Addiction
08 Angels and Demons
09 Blackend Cloth

LINKS
www.facebook.com/Underground4560/
https://wreck-defy.bandcamp.com/releases

 

Disclaimer: This review is solely the property of Dawn “The Metal Priestess” King and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.