Kill All The Gentlemen – The Loss And The Rapture

The Loss And The Rapture Cover

Kill All The Gentlemen – The Loss And The Rapture
Sliptrick Records
Release Date: 22/11/2018
Running Time: 39:37
Review by ‘Dark Juan’
8/10

Greetings, neophytes, zelators and the mildly curious about the occult activities of the Left Hand Path. It is I, the Groove Ipssisimus Dark Juan here to give you the “benefit” of my wisdom about many things: One of them might even be what I’m supposed to be writing about, but to be honest I think you might be shit out of luck on that score today, and possibly for the rest of the week. Mainly because it has been that hot here I haven’t been able to do anything apart from lie on the cool tiled floor of the lounge, bemoan the French government for allowing this heatwave to happen and curse Satan for not shutting the back door to hell behind me after I kicked him in his nefarious big red balls and fucked off after he dared to suggest my soul belongs to him. As far as I am concerned, you have to have a soul in order for it to belong to anyone, and the twisted, foetid little black knot of unspeakable rage that lives in my chest does not qualify as a soul. More a weapon. Anyway, I am sat (sitting would be the correct grammar, according to my guest who has just left to go skiing in the Alps. He’s a lawyer and went to a very exclusive school where they taught him Latin and stuff. My Dying Bride taught me Latin – Incendere suus, damnare suus vita. Dare suus ad art ventus) in my Fourth Invocation Robes (Summer Weight (Refrigerated)) dying slowly of dehydration whilst simultaneously drinking as much alcohol as I can cram down my avid throat whilst I listen to Kill All The Gentlemen’s latest offering, entitled “The Loss And The Rapture” (Phew, we got to it in the end. Well done for sticking with me this far…) This band is based in England, more specifically Exeter in Devon, although I am privately convinced that at least two members of the band are NOT Devonian by birth. I shall leave you, dear reader, to work out who they might be.

Disclaimer – My Fourth Invocation Robes (Summer Weight) are a lie. I’m wearing green pyjama pants with Animal from the Muppets on them, black and white striped espadrilles and a not wholly unironic Spinal Tap t-shirt. This is because I have had a high concentration of supreme quality metal recently and because of sex wees, trouser explosions and sheer excitement coupled with being of a certain age I have single-handedly created a Breton underwear drought. Hence with the expectation of this being a rather splendid slab of depleted uranium heaviness, I have elected to eschew pants. No tighty whities for Dark Juan!

I am not disappointed with the heaviness. This is not music. It is an avalanche with some poor fucker on skis in front of it. It is brutality and violence in musical form. This is A VERY GOOD THING. I know I rattle on about melody and quality tunesmithing, but there are times you (I, certainly) just want to have your brain turned to soup. KATG are rather good at this, but to write them off as just a kind of fairly generic death/ extreme metal band is to not pay sufficient attention to them. The title track of this record is a FUCKING GLORIOUS THING THAT EVERY SINGLE METAL FAN SHOULD HAVE A COPY OF BY ORDER OF DARK JUAN YOU FUCKING BUNCH OF BASTARD PHILISTINES!!!!!! It is almost prog in its complexity, with light and dark and fucking loud and quiet and vocals that range from the chilling whisper you get in your ear a split second before the brandished steel blade is drawn across your throat and your lifeblood pumps from you in minutes, to the kind of open throated roar that normally emanates from a giant, radioactive lizard intent on razing Japanese cities to the ground. It is a roar you should never play at any volume in San Francisco as you will just seismically stimulate the San Andreas Fault into an early earthquake. Well done, Kill All The Gentlemen; you have turned a beautiful 1920s city by the sea into a massive fucking Lovecraftian hole simply by the power of your heavy fucking metal. This is behaviour that needs to be encouraged. Can you please do the same to the bunch of Jesus freaks and all round unpleasant cock juggling thundercunts that are the Westboro Baptist Church, please? I might have a highly illegal and possibly unstable cache of trinitrotoluene secreted somewhere nearby should you need some explosive assistance… The album as a whole is a solid and powerful piece of speedy, sharpened metal with a bass sound that reminded me greatly of the 80’s British thrash band Acid Reign. The opening cut on this record, ‘I Welcome The Horror’ has the potential to be a minor classic, starting with the kind of music that you would expect from 80’s Italian horror films before Adam Martin howls, “It’s coming…… NOOOOOOOOOOOOOOOWWWWWW!” and you are led down a spiky, flesh ridden, blood-soaked rabbit hole of metal brutality seldom experienced from British bands. It is a fine song and it is representative of the whole record. It is speedy and powerful and jolly good fun if you like mosh pits and losing your teeth while cannoning off other people intent on changing their own dentistry. All the songs are exciting, solid slabs of granite hard heavy metal underpinned with the prodigious roar of the estimable Mr. Martin. The title track is far and away my favourite on the record though, as it stands head and shoulders above the rest for quality, interest and ability. This is not to say that the rest of the record is bad because it really isn’t! ‘These Are Godless Times’ is another absolute stormer of a song and hopefully destined for permanent airplay on many record stations.

In short then, KATG have shaken me out of a post visit bout of existential misery, but they have also caused me to cane the gin and tonic and now I’m wankered all over again.

Thank you, gentlemen, thank you.

A fine, fine record then. Give them your readies and buy their records.

The Dark Juan Blood Splat Rating System has been quaffing many alcoholic beverages during the course of this album and awards it a splendidly squiffy 8/10. Well worth your effort, though. British metal is back on the up!

TRACKLISTING:
01. I Welcome The Horror
02. Sing For Me Sinner
03. Where Here Is I Know Not
(Could be the Dark Juan theme tune! We went to La Gacilly for a photographic exhibition yesterday. Got lost twice. The Volkswaffe doesn’t have sat nav, which made opportunities for deflowering virgins and subverting the Church tricky as we were on the minutes. I had to content myself with telling a nun she worshipped a false god and she needed cock…)
04. These Are Godless Times (Well, I am doing my best! Burn down a church!)
05. Death’s Very Emissary (Oh yes, that IS me…)
06. The Loss And The Rapture
07. Damnation Be My Guide
08. Once A Slave
(NEVER A FUCKING SLAVE! DARK JUAN WILL ACHIEVE DOMINION OVER ALL!!! Probably to a soundtrack of Kill All The Gentlemen.)

LINE-UP:
Adam Martin – Vocals/Guitar
Christian Axsel – Guitar/Backing Vocals
Thomas Arne Rørstad – Drums
Ben Andrew – Bass
Drums on the album recorded by Olan Parkinson

LINKS:
https://www.facebook.com/killallthegentlemen/

https://www.instagram.com/katgband/
https://killallthegentlemen.bigcartel.com/

https://www.youtube.com/channel/UCCHlWuQVXpl8ZloY1-CXQNQ

 

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Disclaimer: This review is solely the property of Dark Juan and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

EMQ’s with BLIND CROSS

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EMQ’s with BLIND CROSS

Hi Everyone. Welcome to our new EMQ’s interview with Heavy Metal band Blind Cross! Huge thanks to vocalist Juan Ricardo for taking part!

What is your name, what do you play and can you tell us a little bit about the history of the band?

Hello my name is Juan Ricardo. I am the lead vocalist of Blind Cross. Blind Cross was formed by guitarist Rocco Stellmacher after the break-up of his band Gorgons Eye. He started writing new songs and put together a new band with drummer Andy Korte and bassist Matze Horold from the band Double Action. After a long search for a vocalist, he had a conversation with Pure Steel records president Andreas Lorenz who suggested asking me if I would be interested… I had recently released records with Sunless Sky, Ritual and Wretch plus had a new album coming out from Dark Arena on the label. Once I heard the songs I was immediately impressed by Rocco’s use of melody and the overall classic metal sound of the recording and instantly said YES.

How did you come up with your band name?

The name Blind Cross was created by Rocco. He thought that in every person’s life there is a cross that we must bear… an event that shaped our lives… but this is a cross that no one can actually know or see… so it is a Blind Cross.

What country are you from and what is the Metal/Rock scene like there?

Well this is a two part question because I am from America and the band is from Germany. In America the metal scene is good, especially in the major cities like Cleveland where I am from… but overall it is about new style mainstream metal bands in America in general. Whereas in Germany, and most of Europe, the metal scene is considered better because they are still into traditional metal styles and have not changed as much with the current trends. So in Germany they are still into what people consider “True” metal whereas America is not…

What is your latest release? (Album, EP, Single or Video)

Blind Cross has completed our debut album called “Merciless Time” that is due to be released on July 5th. To go with this release we have finished two videos to promote the album. A lyric video for the lead-off track on the album called ‘The Hammer And The Nail’ and an official video to the first single off the album called ‘Bioluminosity’.

Who have been your greatest influences?

I started singing in bands when I was 10 and eventually studied classical music and opera in college, so my first influence would be Luciano Pavarotti but as I became a metal singer my influences are: Ronnie James Dio, Robert Halford, Bruce Dickinson, Geoff Tate, James Rivera, Geddy Lee, Freddy Mercury and Midnight of Crimson Glory.

What first got you into music?

I had always had a love and interest in music but my musical career actually began, like I said, when I was 10. My mom had friends who were in a Spanish band that was looking for a drummer and singer, and she mentioned that I could play… so in desperation they tried me out and I got the gig. I began my metal career in another odd way… I was in college and at a party singing when a group of guys approached me and complimented me and asked if I ever considered singing metal? I asked if they meant bands like Judas Priest? and surprised them by singing ‘Victim of Changes’ and was asked to join the band which eventually was called Stryker.

If you could collaborate with a current band or musician who would it be?

Wow! Anyone? I guess I would sing with Iron Maiden… Doesn’t everyone? If I had to have a second choice it would be to do a project with the members of Rush… They have been my favourite band since I first heard them in high school when they released the album 2112 in the mid 70’s.

If you could play any festival in the world, which would you choose and why?

This is an easy one…Wacken in Germany! As a metal band this is almost everyone’s dream… but if I had a second choice it would actually be Prog-Power in Atlanta, Georgia in the U.S. Festivals are the big trend now world-wide, it’s hard to get fans to go to small shows but they will attend a festival. I’m actually an organizer of a festival in Cleveland for the label called Pure Steel Metalfest each fall on November 1st, 2nd and 3rd.

What’s the weirdest gift you have ever received from a fan?

The weirdest gift for me is that people try to buy me drinks at every show… I don’t drink alcohol but as the singer in the metal band I don’t think people believe me. Every show someone will buy me a drink and after I tell them “thanks but no thanks” they will insist, so I will graciously accept them but I give the drink to a band mate or another fan.

If you had one message for your fans, what would it be?

If I had one message it would be thank you. Thank you for supporting me and countless other metal musicians with their passion for the music. We are doing this because of them, they are the reason metal is alive and strong after all these years.

If you could bring one Metal/Rock star back from the dead, who would it be?

This would be the man that was the greatest influence on me when it comes to my singing style in metal; the one and only Ronnie James Dio. It is my single, greatest regret that of all the amazing vocalist I have seen that I never got to see him perform live…

What do you enjoy the most about being a musician? And what do you hate?

I love being a musician… Being creative, the fellowship you have with the members of your band, I love travelling and seeing new places, I love meeting the fans and talking about music with them, their energy excites me and makes me want to be the best I can be for them… I do hate being away from my family for extended periods of time.

If you could change one thing about the music industry, what would it be?

If there was one thing I do not like it would be the dog-eat-dog nature of the business part of making music. Everyone realizes how difficult it is to actually make it in music, especially in metal… that leads some people to have the mentality of success at any price, which is unfortunate… making music should be about the joy and the love of music. I always try to help young and up-coming bands and that is why I am also an A+R rep for the record label.

Name one of your all-time favourite albums?

Two albums changed my life…First was Rush – “2112”…It opened my eyes to what heights songwriting could reach, musicianship at its highest level…and Second was Rainbow – “Rising”… When I first heard ‘Stargazer’ I was in awe…Dio had so much power and passion in his voice, I knew I wanted to sound like that.

What’s best? Vinyl, Cassettes, CD’s or Downloads?

I have hundreds of each, but vinyl has a real place in my heart cause that’s what I grew up on and of course you would love the big cover art work…but honestly, I almost never listen to my vinyl anymore. Nowadays if I’m home I will listen to my CD’s cause I enjoy the sound quality…but if I’m working on music it’s on a digital format because all the recording studios I work at have gone almost completely digital… I see a time in the near future where all music will be sold entirely digitally.

What’s the best gig that you have played to date?

Well I’ve done thousands of shows over the past 40 years so I think I will say three recent ones… Sunless Sky at The Priest’s Cave in Brno, Czech Republic in 2017…Ritual at The Full Metal festival in Niederjossa, Germany this past March…and Wretch at The Spirit of Metal festival in Hamburg, Germany this year. Hopefully I will be able to add a Blind Cross show to this list soon..!

If you weren’t a musician, what else would you be doing?

An athlete! I was a professional boxer at one time and have been running marathons since I was in college… of course that is if I could regain my youth. Even though I’m in my late fifties now, I’m still in very good shape but I would be retired… With music I can continue to perform for as long as people want to see me, my voice feels great.

Which five people would you invite to a dinner party?

Anyone? President Barack Obama, Urban Meyer… ex-football coach of Ohio State University, Film producer Steven Spielberg, Horror writer Steven King and Boxing champion Felix Trinidad.

What’s next for the band?

For Blind Cross everything is wide open… Touring is of course a possibility, it may be too early to start thinking about the next record but in music you always have to be looking to the future.

What Social Media/Website links do you use to get your music out to people?

Look for Blind Cross on Facebook or look up any of my projects on Facebook or Pure Steel Records website
https://puresteel-records.com
https://www.facebook.com/Juan-Ricardo-182768288403262/

Jaffa Cakes? Are they a cake or a biscuit?

I honestly don’t know what a Jaffa cake is… but judging from the name I’m going to guess a Cake.

Thank you for your time. Is there anything else that you would like to add?

You’re very welcome and I want to thank you for this chance to share my music with everyone. Stay heavy, stay metal…!

 

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Forlorn Hope – Over The Hills

Over The Hills Cover

Forlorn Hope – Over The Hills
Self-Released
Release Date 26/07/2019
Running Time: 49:00
Review by Tsarina Wilson
10/10

I happen to come across Forlorn Hope on a certain social network site and was instantly hooked so when I had the opportunity to review the album “Over The Hills” I jumped at it. I couldn’t wait to hear the entire album and I was not disappointed. In fact, I haven’t stopped listening to it since.

The five-piece metal band from Merseyside combines history and metal with amazing results. The band members consist of Chris Simpson on vocals/rhythm guitars, Alexander Bishop on lead guitar/additional vocals, Jade Mckenna on keyboards, Danny Kell on drums and John Roughly on bass guitar and together they are out of this world.

Ok I have to say, as a fan of the drama series Sharpe, if they ever did a stage play these guys would have to do the music as they would blow the roof off. Chris has a turbo voice and an immense range which can go from pure rock with songs like ‘Rifles’ and ‘War in the Shadows’ to one of my favourites ‘Over The Hills and Far Away’. And not only are the guitar riffs powerful, the drumming is enough to make even the listener shattered, let alone poor Danny who plays them.

This is Forlorn Hope’s debut album and is a collection of stories of horror and heroism from the Peninsular War of 1807-1814. Chris remarks about the album: “This is a blazing, heavy metal tribute to one of the most fascinating chapters in military history, it represents the realisation of a concept several years in the making and the culmination of countless hours of work To see it finally complete is an absolute joy” and I can understand why.

Each song gives an account of a different part of the war, and maybe if this is how they taught it in schools, history would be much more fun. ‘Badajoz’ slows things down for a bit, but not for long as two minutes in and we are back to metal riffs united with crazy drumming. It’s so intense, you will be breathless.

In March 2018, Forlorn Hope released their self-titled debut EP, and throughout that year the band played a series of stand out sets, performing at the “Northern Symphony Festival” and in the Merseyside heat of the national Metal 2 The Masses competition. The quintet also went on to support NWOBHM legends and Swedish symphonic heavyweights “Eleine.

There is so much going on in this album. ‘Man Of Secrets, Man Of War’ shows just what varied vocals Chris’s voice can achieve. Jade’s keyboard throughout is such a powerful bonus and adds just that little something else to the mix and the track ‘Over The Hills and Far Away’ proves this.

The final track ‘Forlorn Hope’ is a stomping track and I was sad it was the last song, I could have just carried on listening for hours. These guys are talented, giving metal a whole new direction and have been an absolute joy to listen to and review.

Their music is infectious, and you will want to hear more.

TRACKLISTING:
01. Introduction
02. Vive L’Empereur
03. Rifles
04. Talavera
05. War In The Shadows
06. The Eagle Hunters
07. Die Hard
08. Badajoz
09. Man Of Secrets, Man Of Honour
10. Masterstrike
11. Vitoria
12. Over The Hills And Far Away
13. Forlorn Hope

LINKS:
https://forlornhope.uk/home
https://facebook.com/OfficalForlornHope/
https://twitter.comForlornHopeBand
https://Instagram.com/ForlornHopeBand/
https://www.youtube.com/channel/UCsBDf-Mu7bo0NcsYE1ebeXw

 

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Disclaimer: This review is solely the property of Tsarina Wilson and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Chasing Dragons – Faction

Faction Cover

Chasing Dragons – Faction
Self-Released
Release Date: 5/10/2018
Running Time: 46:14
Review by Beth Jones
10/10

We are a little late to the party with this review, but better late than never eh! Seeing the formidable figure of Chasing Dragons lead singer, Tank, sitting on the bar of the ‘G’s Bar Stage’, performing a breathtakingly beautiful and emotive song that moved me to tears, was one of my stand out moments of last years Amplified Festival, so having the chance to review debut album “Faction” is making me very happy. Now, there are those who would say I’m an emotional old sausage who cries at everything! Whilst in some contexts that is true, where it comes to music, it takes something special to move me to that point.

Hailing from Leeds and delivering a brilliant cross over of Heavy Metal and Rock with a really fresh feel about it, Chasing Dragons are made up of Tank on lead vocals, Adam on guitar and vocals, Murf on bass and vocals, and Kate on drums. If you haven’t heard of them yet, trust me you need to. This album is their first release since second EP “Faction: Prologue” in 2016. It is so current, but also has such a great mix of classic styles, that will be one of those albums that will come to be classed as timeless. It could quite easily cross over into mainstream with its sound, all be it at the heavier end of mainstream, with something in there for everyone to like.

Musically, it is punchy and crunchy, but not over the top. It is very precise, and fast paced, but Tank’s vocals take it to a whole new level. She has an absolutely astonishing voice, which is immensely powerful and immensely beautiful in equal measures. It soars above the music, but she has the ability to bring it down in an instant and deliver tender passages with poise and elegance. I am so unbelievably jealous! In a couple of songs, ‘Bareknuckle Lover’ and ‘Whitehorse’ in particular, her voice reminds me of one of my idols; Skunk Anansie front lady, Skin. But musically, the whole band sound has more about it than Skunk Anansie ever did, which I find incredibly exciting, considering in the late 90’s they were my go-to band when I needed to get my head straight! It draws influence from bands such as Avenged Sevenfold, Halestorm, Nothing More and New Years Day, and melds every element together perfectly. The whole album is emotive and intense, pulling you in to every note, every chord progression, every rhythm, every word. I love it. Simple as that.

Production wise, it is also an absolute triumph. Everything is balanced, and nothing is out of place, even down to the tiniest differences in the amount of reverb or effects used, it is all spot on.

I wanted to pick a ‘favourite track to talk about’, but I couldn’t narrow it down to less than four! Firstly ‘Parasite’. It is a real angry track! Starting with frenetic staccato guitar, it rip-roars through three minutes of venomous lyrics of hatred bourn of a toxic relationship. It is powerful in every way, and relatable for every one of us – a brilliant succinct three-dimensional description of the angry bubbling of hopeless hatred that we have all felt at some point in our lives.

‘Devil In Her Eyes’ is another of my picks, but this time for more musical reasons. It is full of cross rhythms, rhythm changes, interesting chord progressions, and a ridiculously catchy hook in the chorus, and again amazing vocals. It also has a proper guitar solo in the middle of it, as well as lots of little intricate bits from every instrument, making it a great all-round track. It ends abruptly, leading into my next pick – ‘The Connection’.

Starting with a solitary piano note, with a touch of reverb, then a pause (silence speaks so much louder sometimes, don’t you think?) then another solitary note and pause leads into a minor chord, and crystal-clear mournful vocals that reach into your soul. Then in come the drums, not too much, but you can feel it building, and as the vocals sore, everything kicks in and bam, there are the goose bumps. It just makes me want to shout out with the pleasure and pain and joy and sadness and every other emotion that this record instils in me. Ok, so I actually think on reflection, this is my favourite song on the album, but the other three are very close!

My last pick is penultimate track ‘Whitehorse’. It starts with a nice bit of synth, and then the whole thing kicks in, in real headbanging fashion, again with brilliant little riffs and hooks popping up all over the place, and those same damn awesome vocals that just slay me they are so good. I’m sorry, I’m rambling. That’s it, I’m done.

There is one word to describe this album – passion. Complete and utter passion oozes through the whole thing – passion for the music, passion for the craft, passion for the storytelling of the subject matter. By far the most emotive album I have listened to in a long time, and I would recommend it to anyone who wants to get their heart racing or get lost in a perfect storm. I feel invigorated! I’m going for a lie down!!!

TRACKLISTING:
01. We Are The Wall
02. How The World Went Black
03. Parasite
04. Like Gravity
05. Bareknuckle Lover
06. For Kingdom For Glory
07. This Time Is Ours
08. Devil In Her Eyes
09. The Connection
10. I’m No Devil (I’m Just A Girl)
11. Whitehorse

LINKS:
https://www.chasingdragons.co.uk/
https://www.facebook.com/chasingdragonsuk

https://www.instagram.com/chasingdragonsuk/
https://chasingdragons.bigcartel.com/
https://www.youtube.com/user/ChasingDragonsUK

 

Disclaimer: This review is solely the property of Beth Jones and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Hollow Crown – Garuda EP

Garuda EP Cover Top

Hollow Crown – Garuda EP
H.C Music Holding Ltd
Release Date: 31/05/2019
Running Time: 25:17
Review by Tsarina Wilson
7.5/10

Ok, so who are Hollow Crown? Well, they are four guys from Bristol (near my hometown), who got together and released a six song EP.

“Garuda” may be short but what the guys pack into it is just pure craziness and energy. The band consists of Iain Eccleston on guitars, Tom Pepper on vocals, Ben Wilshire on bass and, last but definitely not least, Josh Armitage on drums and they are also the creators of the game LFDR coming to an app soon.

Iain and Tom met about 5 years ago while Iain was playing at a disabled people’s home. Eventually they met up to do some writing and wrote a whole album in a month, which included most of the songs for the EP. After developing the sound and doing some recording sessions, they got Josh involved and after putting out an advert for a bassist, Ben became the final member, as he was the perfect choice. They have now been together for just almost a year now and not only are these four guys very talented, they also have fun doing what they do.

This metal grunge band certainly know how to pack a lot into six tracks. The first couple of songs are fast and furious and track two ‘Hate Your Leaders’ which now has a video on YouTube, certainly shows how much talent these guys have. This track goes from total madness to almost hypnotic in the middle section and this certainly gives you a chance to hear Tom’s epic voice. Then no sooner as you start to take a breath, Iain’s impressive guitar riffs blast your eardrums once again.

The music and lyrics are written by Iain and Tom and the artwork was produced by Mateusz “The Executor” Lejman. The band’s logo was what first drew them to my attention and, after hearing the guys, they were a breath of fresh air of a band who seem to have so much talent coming onto the scene.

They won’t be everyone’s cup of tea, having a “parental Advisory explicit content” warning on the cd, but hey not everyone has good taste! Tom’s voice goes from full metal grunge to almost soothing but don’t be fooled, these guys are not for the faint hearted. I can imagine their gigs are non-stop crazy and, with a growing fan base, I think this isn’t all we are going to hear from them. They are loud, they are crazy, they are talented, and I think they have a lot to offer.

One thing I did have a little giggle about was the back of the cd cover has “Unauthorised reproduction of this recording will result in an untimely death!!” printed on it.

TRACKLISTING:
01. 7th Gate
02. Hate Your Leaders
03. Step By Step
04. You Weren’t There Man
05. White Whale
06. Rise Up

LINKS:
https://www.hollowcrown.rocks
http://www.facebook.comhollowcrown.rocks
https://www.imstagram.com/hollowcrown.rocks
https://www.youtube.com/channel/UCX3f0x1hKOYraRK4RXIUoUA

 

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Disclaimer: This review is solely the property of Tsarina Wilson and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

 

EMQ’s with THE MARIANA HOLLOW

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EMQ’s with THE MARIANA HOLLOW

Hi Everyone. Welcome to our new EMQ’s interview with London based Alternative Metal band The Mariana Hollow! Huge thanks to them for taking part!

What is your name, what do you play and can you tell us a little bit about the history of the band?

Richie – My name is Richie and I play guitar in The Mariana Hollow. We’ve been in existence for around 10 years now and have released 3 albums – “Coma Hear”’, “Velvet Black Sky” and ‘”The Abandoned Parade”, as well as an EP called “Scars, Not Wounds”.

How did you come up with your band name?

Richie – We really struggled to find a name that would suit our music when we first started, but as we started to play people our demos, a lot of them remarked that it made them think of the ocean. The Mariana Hollow was the original name given to the Marianas Trench (which is the deepest part of the sea) and it fitted perfectly.

What country are you from and what is the Metal/Rock scene like there?

Richie – We are an English/Portuguese band, but as one of the English chaps in the band I can confirm that the UK scene is absolutely bursting with incredible bands, especially at the heavier end of the spectrum. I think we’re quite unusual within the UK scene as although we have our more aggressive moments, there are no screamed vocals or breakdowns in our music! We try and keep our songs at the forefront of what we do and we’re not really influenced by any one genre or sound.

What is your latest release? (Album, EP, Single or Video)

Richie – Our latest release is the video for ‘Swear to God’, from our new album “The Abandoned Parade”.
https://www.youtube.com/watch?v=BU9ZwI2cI5M

Who have been your greatest influences?

Richie – We all have pretty diverse and different tastes, but some of the bands we all love are: Alice in Chains, A Perfect Circle, Katatonia, Faith No More, Deftones and Pantera.
Personally, I am a huge fan of The Haunted, Days of the New, Type O Negative and loads of obscure UK 90’s bands like Send No Flowers and Headswim.

What first got you into music?

Gabriel – My dad is also a guitar player, so since a very young age I felt compelled to play an instrument even though it was never imposed upon me.

If you could collaborate with a current band or musician who would it be?

Gabriel – Mike Patton, I think the musical outcome could be very difficult to predict.

If you could play any festival in the world, which would you choose and why?

Gabriel – Hellfest, it has such a diverse crowd and cool vibe, I’d really enjoy playing there.

What’s the weirdest gift you have ever received from a fan?

Spinky – I have never received any ‘weird’ gifts, but I have received some really lovely things – flowers, chocolates, and one time an amazing picture book of live photos of the band which was really awesome.

If you had one message for your fans, what would it be?

Spinky – I think it would be to firstly thank them for sticking with us on our long (and sometimes stop-start) journey as a band! But also to thank them for being so supportive of our new album. It’s been really amazing to see the responses to the album, and to know that all our hard work has paid off and that people are really enjoying listening to it. It’s been more than we’d dreamed of.

If you could bring one Metal/Rock star back from the dead, who would it be?

Spinky – I think it would have to be Dimebag Darrell. He was such an extraordinary talent, and was taken from us in such shocking circumstances.

What do you enjoy the most about being a musician? And what do you hate?

Spinky – The thing I love the most is having been able to create such strong bonds with my bandmates, through our emotional connection to the music we make and play together. Being able to write songs and share your creative outlets with your closest friends is a very unique and special experience. It can take you to all sorts of places emotionally, and on journeys that you may have never thought possible, but the outcome is always totally worth it – and often an unexpected surprise.

I think the worst thing is the difficulty that bands face in getting decent shows, working with decent promoters and getting their music out to the right people. Although the internet has helped in a way, it has also hindered the experience – as the internet is saturated with music (not all of it good), and less folk are inclined to support live music, especially on the smaller scales. It’s so sad seeing great small venues die out.

If you could change one thing about the music industry, what would it be?

Richie – That everyone would pay for music that they love.

Name one of your all-time favourite albums?

Gabriel – Alice In Chains – Facelift

What’s best? Vinyl, Cassettes, CD’s or Downloads?

Spinky – I love my CD collection and always will!

What’s the best gig that you have played to date?

Spinky – I would actually say the acoustic show we played for the launch of “The Abandoned Parade” was my favourite. It was such a genuine and warm atmosphere with many friends and loved ones there to support us. The set list was great, and I think we transferred the songs from heavy to acoustic versions really well. Everyone was on form, and it felt great performing the songs in such an intimate place – and to finally be able to share the album with everyone.

If you weren’t a musician, what else would you be doing?

Gabriel – I’m a part-time musician and even though I take it very seriously, it’s a passion project. I’d be doing what I do for a living, which is graphic design.

Which five people would you invite to a dinner party?

Richie – If living or dead, it would be:
Peter Steele (Type O Negative)/ Carrie Fisher/ Bill Hicks/ Peter Dolving (The Haunted)/ Phoebe Waller-Bridge

What’s next for the band?

Gabriel – At the moment we’re trying to promote the record as much as we can, and we’re looking to release at least one more video as a single. We also have an EP’s worth of material which we’re planning to release, hopefully within a year’s time.

What Social Media/Website links do you use to get your music out to people?

Gabriel – Facebook & Youtube mostly. To stream the new album we’re mostly directing people to our Bandcamp page, however, the album is also available on Apple Music, Spotify, Deezer & Google Play.
https://www.facebook.com/themarianahollow/
https://www.youtube.com/user/TheMarianaHollow
https://themarianahollow.bandcamp.com/

Jaffa Cakes? Are they a cake or a biscuit?

Spinky – I’m going to say biscuit – as they’d live in my biscuit tin if I had any 😉

 

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of said parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Left For Red – Human Complex

Human Complex Cover

Left For Red – Human Complex
FATangel Records
Release Date: 06/04/2019
Running Time: 56:35
Review by ‘Dark Juan’
8/10

Greetings and salutations, my fiendish hordes! Hopefully you have all been following my true word and way and destroying effigies of Christ and defiling His house in unspeakable and indecent ways. If you haven’t, then I hope you have enjoyed a sumptuous Sunday lunch and are now struggling to stay awake because of the rigours of digestion… I myself have opted to cock a snook at the so called day of rest and have been busy painting stuff, inventing a quite astonishing breakfast food involving lashings of chipotle chillies and vegetarian bacon and am now drinking beer and experiencing the stylings of Black Country metallers Left For Red. This bunch of remarkably hirsute and impeccably coiffed gentlemen have been playing together for 10 years and I am casting a slightly drunken eye over their latest offering, “Human Complex”.

“For fans of Tool, Deftones, Iron Maiden, Pantera and Rage Against The Machine.” This is how the band describe themselves. I disagree somewhat. But this is not a bad thing. I don’t hear too much RATM in their sound. Instead I hear quite a lot of Mastodon in some of their musical arrangements, especially in the twin guitar lines and the backing vocals. Opening track ‘Dancing With Misery’ opens with some perfectly apt miserable, minor guitar chords before opening out into the kind of melodic metal I was not expecting, which I must admit is a welcome and refreshing change from the roaring speed of much modern metal. There’s a lot to be said for melody and allowing the music you play to breathe and become an organic thing. It is a fine tune. Also, and this is another thing to LFR’s credit, there is a concept behind “Human Complex” and its songs. The record focuses on different emotions and also on how negative metal health can change your decision making ability. Now, believe it or not, but Dark Juan struggles with issues of brain chemistry and other disorders of personality (difficult to believe, I know, what with my jocularity and general sunny demeanour when defiling virgins and their mothers, daubing atheistic/ Satanic slogans on church altars, or repeatedly making Mrs. Dark Juan’s life a misery by variously ruining furniture/ underwear/ curtains or all of the above with excitement when I review a new record) and to have a band tackle the issue head on is a GREAT fucking thing and earns them some bonus points for being dudes and understanding about it all, man.

The music on offer is intriguing. It is a kind of cross between Maiden, Deftones and Mastodon and makes for a most interesting listen although in my opinion the lead vocal is too high in the mix. The guitar and bass work is very groovy indeed and has occasioned me to have a response that has caused my underpants elastic to snap and catapult them across the room to land on Hodgson The Incredible Canine Fart Machine’s head, to his chagrin and probable disgust, considering the look I’m currently getting off him. The drums are difficult to hear at times as they are buried at the back of the production and the general balance of the sound is just a bit off, which is a shame as the music is fucking well written, exciting and interesting. LC’s voice is also of interest as it is a mix of various Mastodon singers (I know I keep coming back to them but it’s true, I hear a lot of them in Left For Red) and Klaus Meine of German trad metallers Scorpions. I SOOOOOOOOOOO want to hear Left For Red cover Rock You Like A Hurricane! That would cause me to instantly suffer trouser area explosions of joy and increase my laundry bill exponentially. As far as this album and the music goes though, my favourite tracks are ‘Switchblade Romance’ with very Deftonesy, almost hip hop vibes at points, ‘The Circus’, which is a hairy fucking beast of a track going straight for your throat (it’s about the horrors of social media and how life is distorted through it) with fangs dripping venom and your imminent murder on its mind. I really like ‘Leech’ as well, which has a more muscular sound than my other favourites. ‘Leech’ makes me want to go and do animal, shocking things to attractive ladies so I hope it doesn’t come on at any clubs I’m at. That could make my evening not go quite the way I planned.

So, then, I like Left For Red. “Human Complex” is a very good album that’s going to take many listening to get the full measure of, but I have problems with the production on it, the occasional dodgy note and the fact I feel that there is a LOT more to come from LFR and this record is just a stepping stone to what they are truly capable of. If they reach their full potential, they could be a gigantic, heavily armed metal colossus with a very uncertain temper. We should all support them by buying their shit, boys and girls. This is top class British metal and I want more of it.

The Patented Dark Juan Blood Splat Rating System is feeling all patriotic and shit and flying a union jack from the garden shed. Next to the skull and crossbones. I award Left For Red 8/10 for a damned good record that has caused distress to one of my dogs and given me underwear trauma. Fine work, gentlemen. Fine work. And I managed to get through the entire review without calling you yam yams once! Oh, wait… Fuck.

TRACKLISTING:
01. Dancing With Misery
02. Switchblade Romance
03. Slaves To Causality
04. Leech
05. The Circus
06. Hand Of God
07. The Storm
08. Journey Within
09. Tame The Tides
10. Sunrise, Bring Serenity

LINKS:
https://www.facebook.com/leftforreduk/

https://www.instagram.com/leftforredband/


https://www.youtube.com/user/TheLeftforred/videos

 

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Disclaimer: This review is solely the property of Dark Juan and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Pythia – The Solace Of Ancient Earth

The Solace Of Ancient Earth Cover

Pythia – The Solace Of Ancient Earth
Golden Axe Records
Release Date: 17/05/2019
Running Time: 54:23
Review by Lotty Whittingham
9/10

As a fan of Symphonic Metal, I have come across the name Pythia several times. It’s a band I am familiar with, I have caught them live with their previous line-up. Their latest album “The Solace Of Ancient Earth” provided the perfect opportunity to start listening to them again. It’s been four years since the release of their last album “Shadows Of A Broken Past” and given the strong content on “The Solace Of Ancient Earth”, it’s easy to see why it has been an anticipated release.

For those who don’t know Pythia, they are a Symphonic Metal act from the UK and they formed in 2007. Since their debut live show supporting Tarja, their fan base has grown significantly and continues to do so. “The Solace Of Ancient Earth” will ensure fans stay in Camp Pythia and will draw in new listeners.

From the opening track ‘An Earthen Lament’ you can already hear the strength within the enchanting melody. Throughout the album, Pythia take you on a journey of soaring melodies with grand symphonic keyboards, flawless soprano vocals and that much needed escapism that’s needed in today’s fast paced world.

This is the first album with new vocalist Sophie Dorman who has taken over from long time vocalist Emily Ovenden. When this happens, the pressure is high to live up to the previous singer. Given that Sophie’s impeccable vocal work was one the first things I noticed when I started to listen to the album, it’s more than safe to say she is a great fit to the band.

The album contains a beautiful portfolio of stunning and passionate melodies that provide an escape from whatever stressful reality you are living in. Below are just some of the examples of what this brilliant album has to offer.

‘Ancient Soul’ was the song I included on my own blog’s Spotify playlist. The reason? I felt this track was a great example of what Pythia offer up as a band. The song has a stunning melody that consists of angelic vocal work, soaring symphonic keyboards and great guitar work. The mix of tempos in the track work very well too. The faster arrangements suit the verses well and soaring beats suit the chorus nicely.

‘Dawn Will Come’ starts off strong. The swaying rhythms and smooth guitar solo get the track off to a great start. It also shows the versatility of Sophie’s vocal range. She can hit the low notes as well as those high notes. Both of these work for the dynamics in the song. The hint of bagpipes is also a brilliant touch.

‘Soul To The Sea’ ends the album on a truly mesmerising note. The beginning of the track reminds me of Delain and Evergrey, the melody on the keyboard and the guitar riff echoing are the elements that remind me of these bands. The chorus of this song has got to be a new favourite of mine, it’s very hypnotic and reminds me of the sirens drawing the sailors to their deaths.

The album is a wonderful work of art. This is a Symphonic Metal gem; one that should be treasured and valued for a long time. Not to mention it requires extra care and attention. Highly recommended for fans of Nightwish, Delain and Evergrey.

TRACKLISTING:
01. An Earthen Lament
02. Spirits Of The Trees
03. Ancient Soul
04. Black Wings
05. Your Dark Reign
06. Dawn Will Come
07. Hold Of Winter
08. Ghost In The Woods
09. Crumble To Dust
10. Soul To The Sea

LINKS:
https://www.facebook.com/PythiaBand/


https://www.youtube.com/user/PYTHIATV

 

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Disclaimer: This review is solely the property of Lotty Whittingham and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

EMQ’s with SIDERIAN

Siderian Logo

EMQ’s with SIDERIAN

Hi Everyone. Welcome to our new EMQ’s interview with Northampton, UK Metal band Siderian! Huge thanks to Vocalist Dave Pope for taking part!

What is your name, what do you play and can you tell us a little bit about the history of the band?

Hello Ever Metal and readers, I’m Dave, vocalist and lyricist for Siderian.
In terms of our history, the band formed in early 2015 and put together a set of songs to play live before recording and releasing an EP “Cancel Your Future” all within three months, which in hindsight might have been a bit soon if I’m being honest. We then underwent a number of line-up changes that killed any momentum we may have built up, but made us a much stronger unit and brought a wealth of new influences and styles into the band which in turn has led to much stronger song-writing. We released a couple of standalone singles before realising we needed something to really get behind and not wanting to do any more EP’s, hid ourselves away for a good six months writing hard for the upcoming debut album, “Origins”.

How did you come up with your band name?

Ha! There’s the pretentious answer and the real answer. Pretentious first; the Siderian was the first geologic period in the Paleoproterozoic Era 2.5 billion years ago when iron was laid down in Earth’s crust, the process allowing the build-up of our oxygen-rich atmosphere. The real answer is we nicked it off a quality German metal band called The Ocean who had it as a song title; only upon further investigation did we find out what it signified.

What country are you from and what is the metal scene like there?

We’re from Northampton in the UK. The scene varies across the country, but locally we have some truly outstanding bands in Northamptonshire. There’s so many bands out there these days that standing out is becoming harder, but there is obviously still a real appetite for live music in this country, especially at festival level with the likes of ArcTanGent, Amplified, Damnation and Beermageddon all going great guns.

What is your latest release? (Album, EP, Single or Video)

“Origins” is the title of our upcoming debut album which is set for release on 21st June. It’s been a slog to get to this point but we’re very hopeful that it will pay off. We strongly believe in the strength of the material on the record, it’s from the soul and we’ve bowed to no-one in terms of what went on there. Realistically it’s so much faster, harder and more technical than our EP that it’s the same band in name only. We recently shot a video for lead single ‘The Supplicant’ which should drop a couple of weeks before the album is released, from the snippets we’ve seen so far it looks stunning.

Who have been your greatest influences?

Our influences as a band are fairly wide-ranging in nature which I think helps in our song-writing. Personally, I love my Sludge and Grindcore; I always loved the vocals of Johnny Morrow (RIP) from Iron Monkey, just as abrasive and anti-social as possible. Grady Avenell from Will Haven, John Loughlin from Raging Speedhorn and Dave Verellen from Botch are big influences too. There are other vocalists I admire more such as Mike Patton, Chino Moreno and Layne Staley but they’ve not influenced my style particularly.
The other lads influences cover a wide range from classic thrash to deathcore, punk and reggae. I think in terms of the major song-writing influences there are obviously some Slayer, Gojira and Megadeth in there somewhere.

What first got you into music?

I think a lot of people grow up listening to their parent’s stuff. My mum was all about The Who, Small Faces and The Kinks which I loved, my Dad’s Simply Red, Phil Collins and Enya albums much less so! I guess I found my own musical feet about 15 when I got into guitar based music with the start of my first band, indie and grunge and then became the archetypal nu-metal kid in the late 90’s, that stuff just blew my teenage mind and opened the doorway to a whole world of metal I never even knew existed.

If you could collaborate with a current band or musician who would it be?

I would love to have a guest vocalist on one of our tracks. Jamie Lenman for me probably, his lyrics and vocals are off the charts. Our drummer John has demanded that I state he would like to work with Graham “Pin” Pinney, formerly of Sikth, so there you go John, I have.

If you could play any festival in the world, which would you choose and why?

Hellfest! Their line-ups recently have been incredible and it’d be great to go to a foreign festival.

What’s the weirdest gift you have ever received from a fan?

Not had any gifts yet sadly (send bacon!), but we have one fan who went out and started making his own alternative band merch with our blessing and got our logo tattooed on him. That was pretty cool.

If you had one message for your fans, what would it be?

Thank you for everything. The reaction of 95% of people to most metal is total incomprehension, so to find people that love your stuff and are prepared to pay money for music and merch and shows is incredibly humbling.

If you could bring one rock star back from the dead, who would it be?

Layne Staley, that voice. (Another drummer interjection to say Keith Moon, which is a fair shout).

What do you enjoy the most about being a musician? And what do you hate?

I love it when we finish playing a song and the place erupts. That is a real drug. What do I hate? Sending out polite correspondence on a variety of band matters and being totally ignored.

If you could change one thing about the music industry, what would it be?

There should be more done to protect and promote local venues. We’ve lost so many locally and nationally, where are the next generation of bands going to play? Where are we going to play? We’ve got very few left, places like The Craufurd Arms are a beacon of light, but every sizeable town should have a place like that.

Name one of your all-time favourite albums?

“White Pony” by Deftones is probably my favourite album of all time because of the time period in my life that it represents. That and ‘Change (in the House of Flies)’ is the perfect song.

What’s best? Vinyl, Cassettes, CD’s or Downloads?

CD’s; I’ve been building a proper collection since I was 15 and it represents my own musical journey. I like having a tangible product and reading the sleeve notes and putting them all in alphabetical and chronological order because I am a very sad man. My wife is less enthusiastic at the never-ending stream of discs I accumulate.

What’s the best gig that you have played to date?

In terms of the gig itself, the massively worthy Sarcoma Fest 3 down in Kent. Immense line-up, brilliant organisation, sound, crowd, just a total winner of an event organised by some very excellent humans. In terms of our performance, our last show almost certainly, we proper nailed it!

If you weren’t a musician, what else would you be doing?

I’m not a musician; I scream and growl over real musicians. I do plenty of things outside of music; parenting, work, watching rubbish football, reading etc. Music is free therapy.

Which five people would you invite to a dinner party?

Can I invite dead people? If so; Bill Hicks, Hunter S Thompson, Sir David Attenborough, my wife and Armando Ianucci. That would be an epic, although I fear there may be some personality clashes there!

What’s next for the band?

Aside from releasing “Origins”, we’re playing for the opportunity to appear at Amplified Festival this year, we’ve got our finals heat at the Firebug in Leicester on album release day (21st June) and then the week after that we’re opening for Vader at HOP Fest in Northampton, which will be pretty sweet. Then it’s hammering the album live as hard as we can and hopefully booking some more shows with a view to having a bit of a tour in late summer to see parts of the UK we’ve not made it to before.

What Social Media/Website links do you use to get your music out to people?

These ones…
Website: www.siderianband.com
Facebook: https://www.facebook.com/Siderianband
Twitter: https://twitter.com/SiderianUK
Instagram: https://www.instagram.com/siderianuk/

Jaffa Cakes? Are they a cake or a biscuit?

I believe a court once ruled that they are a cake for the purposes of taxation, but given my dislike of authority I will therefore say they are a biscuit just to be contrary. That said, I have no time for Jaffa Cakes, I’m more of a Cherry Bakewell kinda guy.

Thank you for your time. Is there anything else that you would like to add?

Thank you for providing us/me with the platform to push Siderian, we really appreciate it. Buy or stream “Origins” when it comes out on 21st June, it’ll mean the world to us and just be nice to each other. Cheers!

 

Siderian

 

Disclaimer: This interview is solely the property of Ever Metal. It is strictly forbidden to copy any part of this interview, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

Spreading the Disease – Mindcell EP

Mindcell Cover

Spreading the Disease – Mindcell EP
Surgery Records
Release Date: 11/04/2019
Running Time: 24:38
Review by Paul Monkhouse
7.5/10

Kent metallers Spreading The Disease have been pushing envelopes since first forming at the end of 2014 with their own unique blend of in your face aggression counterbalanced by real hooks. Their latest release is another progression and shows them stretching themselves as they delve deep into the dark world of mental health, spawning five thematically linked tracks that manage to convey more in five songs and 25 minutes than most bands do in a decade.

It’s really a case of put the EP on, sit back and be prepared to be torn apart as not only is it a devastating sonic attack but an emotional one too with lyrics that seem to peer into lost souls and convey all that this, at time of writing, Mental Health Awareness Week speaks about. It is both cathartic and consuming.

The blistering ‘Obsession’ opens with a sledgehammer intensity, the guitars and drums brutal and the vocals screamed. As this slips into the melodic section, the lyrics asking “Am I all that you want me to be / or should I just go in for myself, break my chains and be free?” perfectly mirror the conflict between despair and determination. Later in the song there is a very telling line that points at social media, exposing the dangers of living your life through the fragile medium of how many ‘likes’ you get for a post and how other people’s approval matters much more than it should. Whilst all this is going on the music is nothing less than truly face melting and fierce.

We go further into the psychological as the discordant notes and unsettling whispers at the start of ‘Voices’ give way to some gentle singing before tearing into tormented screams. This really is a rollercoaster ride as the track jumps between full on metal and great melodic passages, once more illustrating the theme of split personalities in the song. Swirling rhythms build beautifully amongst the grinding guitars and epic, fast-paced drums. ‘The Anger Inside’ starts with a siren as a riff like a rampaging gorilla absolutely tears out of the speakers. The twisted reference to The Sound of Music classic ‘Favourite Things’ is a great touch and the song seethes and boils over with a barely under control aggression.

Following that is album highlight, ‘Waves’, the most melodic and hopeful track of the release. With its mix of screams and ringing guitar patterns it has a real punch whilst also melodically and lyrically uplifting, the lines ‘The path will be long / but I’ll find a way’ the brightest moment on the EP. There is a latter heavy passage that recalls some of the work by The Big 4 and the whole track is full of textures and layers. Last song ‘Conflicted’ is a monstrous rip-roaring finish, full of snarling guitars and slowly unhinging vocals it couldn’t have been a more breathless or apt end to the recording.

There is huge ambition with this release and truth be told, this very occasionally exceeds what the band are presently capable of but there really is so much to sink your teeth into and the songs themselves are real growers. Another very minor point is that once or twice the ‘clean’ vocals could be a little stronger but there is a real level of intelligence here that makes Spreading the Disease stand apart from peers and this is without doubt another massive leap up for the five-piece. Founder member and bass player Steve Saunders and his bandmates have worked hard on making “Mindcell” what it is and should be proud of the achievement as they resolutely do things their way, the band having created something that should find a home in the collections of many a metalhead. Brutal and brave, “Mindcell” needs to be heard.

TRACKLISTING:
01. Obsession
02. Voices
03. The Anger Inside
04. Waves
05. Conflicted

LINKS:
https://www.stdband.com/
https://www.facebook.com/spreadingthedisease.official/

https://www.instagram.com/spreadingthediseaseband/
https://www.youtube.com/channel/UC78r7Ox1gVNPs4xtc5Us7zQ/videos

 

Promo Pic1

 

Disclaimer: This review is solely the property of Paul Monkhouse and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.