‘Diamonds In The Dust’ – Ones You May Have Missed! – 2019 Album Round Up Part One

‘Diamonds In The Dust’ – Ones You May Have Missed!
2019 Album Round Up Part One
Reviews by Paul Monkhouse

This year has been an absolutely bumper year for music and has seen a veritable tidal wave of superb releases. It would have been very easy to miss some great new recordings by bands large and small. Now, we don’t want you to miss some potential crackers so here’s a round-up of some of the best that are well worth checking out…

 

01 The Bloodshake Chorus - Live At Epic Cover

The Bloodshake Chorus – “Live At Epic Studios”
Independent
Released: 06/2019
8/10

East Anglia’s favourite rocking ghouls released this live album to great acclaim earlier this year and it truly catches their raw edged shows. Imagine, if you will, the perfect house band for The Munsters or The Addams Family and you get the idea of what these guys sound like, all psychedelic fuzz, 60’s covers and a truly entertaining show that will both thrill you and get you singing with happy abandon. Some off-kilter choices such as ‘These Boots Are Made for Walking’, ‘Jolene’ and ‘Delilah’ are superbly twisted but it’s on the soulful interpretation of ‘I (Who Have Nothing)’ that the band, in particular singer JJ Darby, shine showing their more artistic side. They may have been shunned by ‘Britain’s Got Talent’ after going down fantastically well in the studio but The Bloodshake Chorus will most definitely have the last (maniacal) laugh.

https://www.facebook.com/TheBloodshakeChorus/


The Body

Whitesnake – “Flesh And Blood”
Frontiers Music srl
Release Date: 10/05/2019
8/10

David Coverdale has always been one of the finest singers in rock and after the highs of his relatively brief tenure with Deep Purple he has gone on to conquer the world with the hard rock colossus that is Whitesnake. Purists may prefer the late 70’s / early 80’s classic line-up that produced some of the most exciting bluesy hard rock of the era but things change and it was with the ‘1987’ album that saw the band really take flight. The hard rock template produced by that album has been pretty much adhered to over the years and this new release is more of the same but also is one of his best since that particular record was released. Whilst the line-up seems to have rotated on a constant merry go round and there is a really audible roughness in DC’s vocals on the first track it seems like the current mix of guitarists Reb Beach and Joel Hoekstra have really upped the ante and the album bristles with some later period classic Whitesnake raunch and roll. The old swagger is back and the tongue in cheek single ‘Shut Up and Kiss Me’, rockers ‘Trouble is My Middle Name’, ‘Get Up’ and in particular the laid back mainly acoustic ballad ‘After All’ are just some of the highlights on the release. A real grower and one that proves there’s still plenty of life in this particular ‘Snake.

https://www.facebook.com/Whitesnake.official/


03 Barbe-Q-Barbies - Borrowed Time Cover

Barbe-Q-Barbies – “Borrowed Time”
Dissonance Productions
Release Date: 07/06/2019
9/10

This Finnish five piece shows that girls can rock just as hard as the boys and the album is jam packed with some truly brilliant party-ready hard rock and attitude. This isn’t dumb heads-down full-on metal but has a sense of melody and dynamics that shows a huge grasp of both instantly catchy songwriting that is imbued with real intelligence. With tracks like ‘Diz-Funk-tional’, ‘Alive’, ‘Made Of Scars’ and ‘Borrowed Time’ this has to be one of the best albums you’ll hear this year.

https://www.facebook.com/barbeqbarbies/


04 The Treatment - Power Crazy Cover

The Treatment – “Power Crazy”
Frontiers Music srl
Release Date: 22/03/2019
7/10

The Treatment have come a long way since they formed in the world famous academic environs of Cambridge eleven years ago and their brand of classic hard rock has seen them tour with the likes of Kiss, Motley Crue, Status Quo, Motörhead, Alice Cooper, Thin Lizzy, Steel Panther and Buckcherry amongst many others. “Power Crazy” is the quintet’s fourth album and their first with vocalist Tom Rampton who replaced the departing Mitchell Emms two years ago, the band gelling quickly and producing some of their strongest material on this set. Opener ‘Let’s Get Dirty’ sets their stall out with a number that takes its cues from the great AC/DC and could well point this album to be the perfect one to listen to whilst the Aussie giants work on their latest opus due next year. This isn’t to say that the band either ape Angus and Co or are derivative as that is far from the case, they have produced something that is full of all the best bits of the bands you love wrapped around some terrific songs and performances. ‘Bite Back’, ‘King Of The City’ and ‘The Fighting Song’ are worth the price of admission alone and there are another nine barnstormers to get your teeth into. Let’s get rocked!

https://www.facebook.com/TheTreatmentOfficial/


05 The Dead Daisies - Locked And Loaded Cover

Dead Daisies – “Locked And Loaded”
Spitfire Music
Release Date: 23/08/2019
7/10

Line-ups don’t get much starrier than The Dead Daisies. Having had past or present members of (amongst others): Whitesnake, Thin Lizzy, Journey, Guns n Roses, INXS, The Rolling Stones, Ted Nugent and Motley Crue in their ranks they can truly boast some of the biggest names in the business. This latest album is equally as stellar and is a collection of cherry-picked studio or live takes of some of the greatest songs in rock history, played by the various versions of the band since their inception. To hear them rip into such songs as ‘Midnight Moses’, ‘Fortunate Son’, ‘Rocking in the Free World’ and two Beatles numbers in the shape of ‘Revolution’ and ‘Helter Skelter’ is an absolute joy. Somewhat foreshadowing events, they also tackle ‘Highway Star’ and now can boast having Deep Purple’s Glenn Hughes join them following the recent departure of Marco Mendoza and John Corabi. Who knows what they will cover with ‘The Voice of Rock’ now fronting them, but, if it’s anywhere near as good as the tracks on this album, they’ll certainly be blowing the roofs off of everywhere they play.

https://www.facebook.com/TheDeadDaisies/


06 Wayward Sons - The Truth Ain_t What It Used To Be Cover

Wayward Sons – “The Truth Ain’t What It Used To Be”
Frontiers Music srl
Release Date: 11/10/2019
9/10

Led by the inimitable Toby Jepson, this, the bands sophomore album, shows just what a great unit they have become and that many hours on the road touring up and down the country has really paid off. With all songs written by the former Little Angel there is a both a continuity of style and a chance for the band to stamp their own individual identities on the recording process. It is, at times, an angry album, railing against social injustice and the nonsense that is happening in the world and shows a real depth of connection and heart way beyond the usual hard rock fare. Sure, there is much to enjoy and the myriad of touches show influences from such bands as diverse as The Clash, Queen and ELO alongside some epic (but never overwrought) guitar work by Sam Wood, great keys by Dave Kemp, thundering rhythm provided by Nic Wastell and Phil Martini, all topped by the outstanding vocals of Mr Jepson. An album that at once looks back to some of the classic rock bands of the past whilst very much looking to the future and developing their own groove with tracks such as ‘As Black As Sin’ and ‘Feel Good Hit’ really showing the way. It rocks hard and makes you think and because of that it’s one of the very best and most passionate albums you’ll hear all year.

https://www.facebook.com/waywardsonsbanduk/


07 Down _N_ Outz - This Is How We Roll Cover

Down ‘N’ Outz – “This Is How We Roll”
UMC
Release Date: 11/10/2019
10/10

Initially a love letter to the great Mott the Hoople, Joe Elliot and his all-star band of merry men have really broken out on their own with this album full of classy new songs and a terrific cover of a Tubes classic. Magic happens when you take one Leppard, three Quireboys, a Vixen and a Wayward Son into the studio and the results are as stellar as the bands line-up. Kicking off with the scorching ‘Another Man’s War’, it’s pretty much full pelt into a magical and wonderful musical mystery tour from that moment onwards as the album twists and turns, a mix of full-on hard rock ‘n’ roll, old school boogie, lush ballads and a touching tribute to David Bowie in the shape of ‘Goodnight Mr Jones’. The songwriting is superb, the performances brilliant and the production huge. Don’t expect Def Leppard or The Quireboys as the Down ‘n’ Outz are neither but what they’ve produced is the next step in a fascinating evolution. Seriously, you must own this album.

https://www.facebook.com/DownNOutz/


08 The Swamp Born Assassins - Dead Man_s Train Cover

The Swamp Born Assassins – Dead Man’s Train
Carnivora Records
Release Date: 01/06/2019
7/10

You can practically smell the bourbon the moment the first notes play. On this, the Assassins second album, the six-piece Glasgow rockers improve on and grow their passion for all things Southern Rock, surpassing their impressive debut with more layers of sound and a conviction that seeps through the recording like spilled blood on a wooden roadhouse floor. The moment you board this particular train, the title track blazing away, it’s an unstoppable adrenaline fuelled ride with no thoughts of putting on the brakes. Full of huge riffs, rapid fire rhythms, sway and thunder this really does run the gamut of the genre from heads down Southern boogie to Cajun blues that smoulder like a steaming bowl of gumbo. Amongst the highlights, ‘The Weeping Tree’ glistens with classic slide guitar, ‘Rise Up’ is full of Celtic spirit and ‘Crank It Up’ does exactly what the name suggests. Best listened to with a bottle of whiskey, this is a great meeting of North and South.

https://www.facebook.com/TheSwampBornAssassins/


 

Disclaimer: This review is solely the property of Paul Monkhouse and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authoritie

Stonedeaf Festival 2019 – Newark Showground, Nottinghamshire, UK – 24/08/2019

 

A full review of this festival can be found here:

https://ever-metal.com/2019/08/30/stonedeaf-festival-2019-newark-showground-nottinghamshire-uk-24-08-2019/

 

ALL PHOTOS COURTESY OF SIMON DUNKERLEY of SD Photography.
https://sd-photo.smugmug.com/
https://www.facebook.com/SD_Photography-308971442474820/
https://twitter.com/simond11

 

Stonedeaf Festival 2019 – Newark Showground, Nottinghamshire, UK – 24/08/2019

00 Stonedeaf Festival

Stonedeaf Festival 2019
Newark Showground, Nottinghamshire, UK
24/08/2019
Review by Paul Monkhouse

Welcome to your new favourite festival. It’s quite a bold opening statement but from the moment you step on site things are different. This truly is a festival that is all about the love of the music and the community of rock and metal fans joining together in celebration. The fact that this is only the second year and the numbers have swollen so much is testament to this. Here everyone is family.

Samarkind
Dublin based four-piece Samarkind kicked off the day in fine style, their bluesy hard rock fitting perfectly in with the sunshine vibe of the festival. Like a tougher version of Bad Company, they dripped cool in a set that showed just why there is such a tradition of great music from the Emerald Isles. Absolute stormers like ‘Fire and Blood’ and ‘Blue Mountain’ just scream quality and when the former slips in a snatch of ‘Heaven and Hell’ you just realise how natural these guys are. They work incredibly hard at what they do but it all pays off in no uncertain terms, making you wonder how anyone can follow such a performance.

01 Samarkindhttps://www.facebook.com/samarkindband/

Massive
Feral street fighting Aussie brawlers Massive followed and showed how their constant touring and never stop until you’ve given 110% attitude has won over a growing legion of fans this side of the World. There truly must be something in the water that produces such tough rock and roll bands and these guys are more akin to the incendiary Rose Tattoo than Angus and Co, glorying in the rougher edge of all out gonzo tracks like opener ‘Generation Riot’. Guaranteed to wake you up, the band ripped through a set that absolutely nailed it every time and the cover of ‘If You Want Blood (You’ve Got It)’ slot perfectly in as a nice tip of the hat to their fellow countrymen. It should be pointed out that they aren’t a one note band but there’s some great songwriting with light and shade as the brilliant ‘Ghost’ proved. Set closer ‘Long Time Coming’ brought back the fire and as lead singer Brad Marr drained a can of beer and poured the last few drops over his head you just knew that you’d witnessed a band giving their all for the crowd.

02 Massivehttps://www.facebook.com/MassiveOz/

The Amorettes
Next up were The Amorettes and it was the turn for the girls to show that they can rock just as hard as the boys with a positively red-hot set that matched the rising temperature of the day. This new version of the group featuring original singer / guitarist Gill Montgomery, Tequila Mockingbird’s Jacinta Jaye and Josie O’Toole and second guitarist Laurie Buchanan (Aaron Buchanan and the Cult Classics) are truly firing on all cylinders. Despite one or two technical issues they powered through a set packed with great songs, melody and a snotty bubblegum rock attitude. Numbers like the pounding ‘Coming Up the Middle’ and the ridiculously catchy ‘Everything I Learned (I Learned from Rock and Roll)’ ensured that The Amorettes continue their upwards trajectory and may well be headlining festivals like this one in the future.

03 The Amoretteshttps://www.facebook.com/theamorettes/

Diamond Head
Very few bands can be genuinely be called ‘legendary’ but Diamond Head are rightly part of that club, founding member Brian Tatler proudly steering the band ever forward with a cracking new album in ‘The Coffin Train’ and not just happy to rest on his laurels, feeding off the past. New numbers like ‘Death by Design’, ‘Belly of the Beast’ and ‘The Messenger’ pepper the set, showing the confidence the band have with the latest material and it’s well placed. Of course, most people are waiting to hear the classics and they certainly weren’t disappointed as ‘Borrowed Time’, ‘Lightning to the Nations’, ‘In the Heat of the Night’ and ‘It’s Electric’ were greeted like old friends, this incarnation of the band brilliantly injecting new life into songs written almost forty years ago. Rasmus Bom Anderson has both the voice and stage presence to make you forget that anyone else originally sung these songs and Tatler spends the set smiling, obviously loving playing the songs whose strength brought bands like Metallica and Megadeth into being. When a World War II Dakota flew in the skies over the stage during ‘Am I Evil?’ this mix of the sight and sound of two spine tingling classics was one of the outstanding moments of the day and was one of those moments long to be remembered.

04 Diamond Headhttps://www.facebook.com/DiamondHeadOfficial/

Geoff Tate
Bringing his ‘Operation Mindcrime’ show to Stonedeaf, former Queensryche front man Geoff Tate stole the show for a lot of people as he put on a peerless show, featuring some of the greatest tracks cherry-picked from his time with the Washington rockers. The time flew by from the moment that the first notes of ‘Empire’ rang out to the final seconds of ‘Eyes of a Stranger’, each song perfectly played and a testament to just how seminal the bands output was at this time. Tate seemed relaxed and happy, a tight group of musicians behind him, his voice better than ever and bringing out every nuance in the lyrics, powerful, moving and out and out jaw-dropping. Metal to stimulate your intellect as much as your eardrums, ‘Operation Mindcrime’, ‘Jet City Woman’ and an incredible rendition of ‘Silent Lucidity’ that was arguably the highlight of the whole day, all transported the audience to their own euphoric state where the only choice was to give themselves over totally to the music. Geoff Tate was utterly thrilling and untouchable.

05 Geoff Tatehttps://www.facebook.com/GeoffTateOfficial/

Wayward Sons
Following almost constant touring, barring a break to record their new album, the Toby Jepson fronted Wayward Sons are quickly engendering as much love and respect as his previous outfit, Little Angels. Whilst the Scarborough outfit saw their youthful hard rock take them from Yorkshire pubs to the stage of the Royal Albert Hall, Wayward Sons channel more of a spirit of classic rock and new wave bands into an instantly likeable mix that has the energy and fire of The Who and The Clash but adds some extra weight into the mix. Always a very good songwriter, Jepson has matured into a great one and the material the band have now is some of the very strongest he’s put his name too. Blistering opener ‘Alive’ hits like a prize fighter and for the whole of the eleven-song set you can hear more and more converts being made in the crowd, Jepson the consummate front man welcoming each and every one into the Wayward Sons family. Aside from their rollicking good tunes, the key ingredient in the success of the band is the feeling that the musicians themselves are having as enjoyable a time as the audience, like Massive before them they work hard but obviously love what they are doing.
Guitarist Sam Wood and bass player Nic Wastell made the most of the stage, throwing shapes and along with Jepson, drummer Phil Martini and keys players Dave Kemp exuded effortless cool, slamming into numbers like the debut album title track ‘Ghosts of Yet to Come’ and new anthem ‘Any Other Way’. ‘Crush’ featured a snippet of the Stranglers ‘No More Heroes’ and showed that the band are proud of their influences whilst another new song ‘Little White Lies’ had a real feel of The Beatles and ELO in it’s perfect grandeur. By the time that ‘Jokes on You’, ‘Something Wrong’ and ‘Until the End’ had finished the set, despite sound issues, the band had conquered Stonedeaf and are definitely set to be future headliners.

06 Wayward Sonshttps://www.facebook.com/waywardsonsbanduk/

Phil Campbell and the Bastard Sons
Absolutely the only way to follow them was with the visceral thrill of Phil Campbell and the Bastard Sons, the long serving guitarist from the legendary Motörhead and his band truly ripping the place apart. They are without doubt the real deal and Campbell’s years with Lemmy let him shine and develop into one of the most astute musicians on the scene, never overplaying but happy to step back and make the band and the music more important than the individuals. More than any other group on the day, they captured the dangerous spirit of rock and roll, walking the fine line between euphoria, recklessness and perfect control, Campbell cool with his gold plated Gibson Flying V glinting in the sunlight whilst his three sons Todd, Tyler and Dane wreaked havoc as vocalist Neil Starr’s powerhouse voice brings everything home.

It really is a testament to the band when self-penned tracks like ‘Big Mouth’, ‘Step into the Fire’ and ‘Straight Up’ make as much of an impression as Motörhead classics like ‘Rock Out’, ‘Born to Raise Hell’ and ‘R.A.M.O.N.E.S.’. Hawkwind cover ‘Silver Machine’ was a brilliant touch but it was the almost inevitable ‘Ace of Spades’ that switched the crowd into a seething mass of flying hair, lunatic dancing and mass singing. Final number ‘High Rule’ could have proven an anti-climax after that but once again showed the band to be very much their own men and a totally formidable rock machine that absolutely took no prisoners. If you’re not for them, prepare to get crushed under their wheels.

07 Phil Campbell and the Bastartd Sonshttps://www.facebook.com/PhilCampbellATBS/

Inglorious
The placing of Inglorious in the special guest slot was always a bit controversial, playing after such established artists, but the up and coming classic hard rockers rose to the challenge and won over the crowd by sheer force of personality and craftsmanship. A seismic change in line-up could have shattered the band but by sheer force of will main man Nathan James brought the band through this and they came out fighting even harder; leaner, meaner and determined to defy the odds. Opening number ‘Where Are You Now’ could have been directed to the departed members of the band as a bitter riposte but was instead a monstrous slab of hard rock, full of drama and melody.

Three albums into a career, you can’t help but wonder just how huge the band is going to get as they launch into anthemic number after anthemic number, each one perfectly suited for filling stadiums. Sure, the riff in ‘High Flying Gypsy’ owes a huge debt to ‘Kashmir’ but if you’re going to have influences make them the very best you can and ‘Read All About It’ is hard rock with a real groove and edge that most bands would give their right arms for. One thing that James shouldn’t do though is to trade in the six string wonder that is Danny Dela Cruz, considering he is only just out of his teens (having just celebrated his birthday a few days previously) the guitarist is very much a future axe hero and one to watch. Long-time drummer Phil Beaver, guitarist Dan Stevens and perfectly quiffed bassist Vinnie Colla all play their part though, making their own individual mark and certainly not being pushed into the role of sidemen. A magnificent and unexpected cover of Alanis Morrisette’s towering ‘Uninvited’ caused goosebumps but it was the punishing ‘Ride to Nowhere’ and mass singalong of ‘Holy Water’ that left the most lasting impressions, showing that the future is really what they want to make of it.

08 Inglorioushttps://www.facebook.com/weareinglorious/

Glenn Hughes
Anyone who has ever seen Glenn Hughes live will know exactly why the K.L.F. dubbed him ‘The Voice of Rock’ when they featured him on their track ‘America: What Time is Love’. The man is a giant in an industry that seldom sees talent as anything but disposable, a survivor of a decade or so of excess that would have finished off most people and someone who has never been prepared to just accept second best, always pushing forward and stretching himself. An astounding singer, brilliant bass player and songwriter, there couldn’t have been a better choice to finish of the night and his current set that focuses on Deep Purple classics. The opening salvo of ‘Stormbringer’ and ‘Might Just Take Your Life’ were thrilling and made everyone forget the technical issues that extended the wait for Hughes coming on stage in an instant and ‘You Keep on Moving’ was so scorching that it threatened to turn the already dry field into a tinderbox. Ever appreciative of those who come to see him, the singer was a true professional, talking to the audience and singing A cappella through a set plagued by equipment problems, totally free of superstar tantrums and just wanting to get on with entertaining the people. ‘Mistreated’ couldn’t have been much bigger and the pairing of DP Mk II staple ‘Smoke on the Water’ with a beautiful and heartfelt ‘Georgia on My Mind’ was an unexpected but literally show-stopping end to the main set. Whilst neither song was penned by Hughes, he very much made them both his own and the playing of guitarist Soran Anderson, keyboard player Jesper Bo Hansen and the utterly phenomenal drumming of Ash Sheenan complemented every note. For the encores, the adrenalin rush of ‘Burn’ never fails to thrill and ‘Highway Star’ closed the festival in utter triumph: a definitive classic by one of the greatest bands in rock history, sung by a true giant of the genre. Quite how the organisers will top things next year who knows, but one thing’s for certain, they’ll certainly try. Due to copyright issues the festival is having to change its name so whilst Stonedeaf may have lasted two brief but beautiful years, Stonedead will continue to grow and grow. Rock will never die.

09 Glenn Hugheshttps://www.facebook.com/glennhughesonline/

ALL PHOTOS COURTESY OF SIMON DUNKERLEY
https://sd-photo.smugmug.com/
https://www.facebook.com/SD_Photography-308971442474820/
https://twitter.com/simond11

FESTIVAL LINKS:
https://www.facebook.com/groups/237397456749576/

https://www.instagram.com/stonedeaf_festival/
https://www.youtube.com/channel/UCCXF1P29FvLRXD_IqNhPNvA

 

Disclaimer: This review is solely the property of Paul Monkhouse and Ever Metal. It is strictly forbidden to copy any part of this review, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.

‘Stonedeaf Festival – Looking back and moving forward’.

Stonedeaf Logo (TOP)

‘Stonedeaf Festival – Looking back and moving forward’.
By Paul Monkhouse

It’s still Summer (despite the weather) so it’s still festival season. We have had Download and Bloodstock, Ramblin’ Man and Steelhouse amongst others are on the horizon but there are many superb smaller ones definitely worth checking out. In amongst those is one that mixes a heady nostalgia for the greatest annual rock festival of the 80’s and 90’s, an event put on by rock fans, for rock fans I give you: Stonedeaf Festival, happening on the 24th of August.

Despite only having its inaugural festival in 2018, this has become a much-anticipated fixture in the rock and metal calendar and one that has upped the ante even more from last year’s impressive debut. Put together by a collection of veteran fans of the legendary Monsters of Rock festival, this packs into one day and one stage more quality than most festivals do in a weekend (and more than Reading Festival has in the last ten years). The idea was to appeal to not only the people who used to go to MoR but anyone who loves classic hard rock music and doesn’t want to spend several days trudging from one stage to another on a massive site with overpriced food and drink. At Stonedeaf the order of the day is to make things as relaxed and easy as possible so people can get on with just enjoying several hours of fantastic music. Camping is an option and, unlike Download, you can pitch your tent within a very short walk of the arena which is a huge bonus and means you don’t have to miss any of the action. The same can be said of the one stage set-up, totally avoiding all those awkward clashes of timetabling.

Headlining this year is THE Voice of Rock, Mr Glenn Hughes who will be bringing his Classic Deep Purple live set to the venue. It can’t be overstated just how incredible this man is, not only for the voice and his phenomenal bass playing but also for being one of the true survivors of the business. The current set lets him really dig deep into his time in the legendary hard rockers but also breathes life into material that is over forty years old but rocks just as hard as it ever has, mixed with his soul and funk edge. This promises to be a must-see performance.

Not only do you get one of the greatest performers on the planet but also a stellar supporting cast featuring some of the cream of the scene. Rising superstars Inglorious bring their heady modern take on classic rock and in frontman Nathan James have a man whose voice and presence can command any audience. If you like your rock harder and dirtier, long-time Motörhead guitarist Phil Campbell brings his Bastard Sons to Stonedeaf and will be playing not only selections from their own hugely acclaimed material but also throw in a song or two from the late, great Lemmy’s troupe too. Having gone down a storm to a packed tent at Download last year, constantly toured the UK with some of the best bands around and on the cusp of releasing their second album, the ex Little Angel Toby Jepson fronted Wayward Sons have got class and material to match that most groups would give their whole careers for.

The unique voice and vision of Geoff Tate is also appearing, doubtless showing just why Queensryche became so huge and true Legends of the NWOBHM, Diamond Head play too. It really cannot be overstated just how important DH are to the modern music scene and without them neither Metallica nor any of the other Big 4 would likely exist. Scotland’s brilliant The Amorettes will doubtless bring some Celtic fire to the proceedings and the bill is rounded off with the visceral rock ‘n’ roll of Australia’s Massive and the bluesy hard rockers Samarkind opening the show. With Krusher Joule MC’ing the whole event and tickets only £50 (£60 for camping) it’s a total no brainer.

Full details at https://www.stonedeaffestival.co.uk/

Stonedeaf Festival 2019 Poster (BOTTOM)

 

Disclaimer: This preview is solely the property of Paul Monkhouse and Ever Metal. It is strictly forbidden to copy any part of this preview, unless you have the strict permission of both parties. Failure to adhere to this will be treated as plagiarism and will be reported to the relevant authorities.